scholarly journals Historia y cognición en la narrativa de Latinoamerica: Jorge Volpi y la Trilogía del siglo XX.

2018 ◽  
Vol 6 (10) ◽  
pp. 127-149
Author(s):  
José-Carlos Redondo-Olmedilla

The interrelations among History, cognition and knowledge in the Trilogía del siglo XX, a set of novels written by the Mexican writer Jorge Volpi, constitute a discursive space where readers and critics can inquire and explore the meaning of nowadays Latin American narrative. In spite of the fact that evanescence and fragmentarism are elements that are clearly present in the analyzed works, the study sets to assess the novels as courses of a ‘serial knowledge’ and as attempts in the difficult balance between the real and the imaginary elements. Furthermore, the paper suggests that these works’ meaning leads the reader to a ‘foundationalist’ acceptance of History as an element for the cognition of the present reality as well as for the timeless one.

2002 ◽  
Vol 18 (2) ◽  
pp. 351-362
Author(s):  
Pablo A. J. Brescia ◽  
Scott M. Bennett

This interview with Mexican writer David Toscana ponders the current state of both Mexican and Latin American narrative and serves as an insight into his own works. Toscana's statements about the recurring themes in his narrative (failure, loneliness, characters put to the test, and a tendency to play with different time frames, especially in his novels) help illustrate some of the characteristics of his fiction, which, according to various critics, is one of the most promising today in Mexico. Also noteworthy are his comments about the tendency of writers from his generation (born in the 1960s and later) to reject the legacy of the "boom" writers. Toscana's own interest is to revisit history and tradition by constructing a different voice and a different vision, a new way of seeing and hearing both the past and the present. Esta entrevista con el escritor mexicano David Toscana trata de explorar el estado actual de la narrativa mexicana y latinoamericana, améén de servir como una aproximacióón a la incipiente obra de este autor. Las respuestas de Toscana sobre los temas recurrentes en su literatura (el fracaso, la soledad, los personajes sometidos a pruebas y una tendencia a proponer diferentes marcos temporales, especialmente en sus novelas) subrayan algunos rasgos de su ficcióón, la cual, segúún la críítica especializada, es una de las máás prometedoras en el panorama mexicano de hoy. De especial interéés son los comentarios de Toscana sobre la tendencia de los escritores de su generacióón a rechazar el legado del "boom" latinoamericano. Toscana reacciona contra ese rechazo y propone una voz personal que vuelva a la historia y a la tradicióón y plantee una nueva manera de ver el pasado y el presente de Mééxico.


2018 ◽  
Vol 22 (2) ◽  
pp. 234-252
Author(s):  
Rowan Lopez Rebustillo

Abstract In the contemporary theological landscape Filipino theology has remained marginal compared to Latin-American theologies. Hence, this paper attempts to present Bahala Na as a Filipino articulation of Astley’s Ordinary Theology in the context of Filipino diaspora. With this, we assert that the importance of ordinary Filipino migrants’ input in the current theological enterprise cannot be overlooked because the churches in the world are now phenomenally populated by the millions of Filipinos who possess a unique faith that has sustained them amidst the precariousness of their diasporic life. We believe that ignorance of this inculturated theology is ignorance of the real essence of “catholic” theology.


REVISTA PLURI ◽  
2019 ◽  
Vol 1 (1) ◽  
pp. 91
Author(s):  
Yvone Dias Avelino

Este artigo formula algumas reflexões sobre a associação da história com a literatura. Estabelecemos alguns nexos com trabalhos literários de autores latino-americanos do século XX. Nas páginas desses romances latino-americanos desfilam os expoentes de toda uma estrutura de dominação: políticos, velhos aristocratas, oportunistas recém-chegados, fazendeiros truculentos, funcionários públicos subservientes, advogados venais, representantes do capitalismo local, dominados e dominantes. Mostram-nos os vários escritores latino-americanos as ditaduras na sua insanidade grotesca, as repressões cruentas que fazem emergir os movimentos sociais populares. Estão presentes as turbulências do real e imaginário, utilitário e mágico, da dúvida e perplexidade, memória e esperança, do esquecimento e da desesperança, do espelho e labirinto.Palavras-chave: História, Literatura, Espelho, Labirinto, América Latina.AbstractThis article proposes some reflections about the association between history and literature. We have established some links with literary works written by Latin American authors of the twentieth century. In the pages of these Latin American novels the exponents of a whole structure of domination are paraded: politicians, old aristocrats, opportunist newcomers, truculent farmers, subservient civil servants, venal lawyers, representatives of local capitalism, dominated and dominant ones. The various Latin American writers show us dictatorships in their grotesque insanity, the bloody repressions that allow popular social movements to emerge. They outline the turbulences of the real and imaginary, utilitarian and magical, doubt and perplexity, memory and hope, forgetfulness and hopelessness, mirror and labyrinth.Keywords: History, Literature, Mirror, Labyrinth, Latin America.


Author(s):  
Albert O. Hirschman

This chapter challenges the defeatism of Hirschman's friends and colleagues during the 1950s–1960s, when numerous political and social upheavals were happening worldwide. In this chapter, Hirschman explains that many of the so-called “structural causes”—a term advanced by his Latin American colleagues in the social sciences which refers to entrenched obstacles that make all efforts to change self-defeating—are ideological constructs. The chapter discusses two obstacles to the perception of change: the persistence of traits which are related to the “little traditions,” as well as the bias in the perception of cumulative change. It argues that the real, “stealthy” change that was actually occurring is being obscured in the process and the vital role of political and intellectual leadership is thus ignored.


PMLA ◽  
2013 ◽  
Vol 128 (3) ◽  
pp. 698-701
Author(s):  
Anadeli Bencomo

Carlos Fuentes, like many other writers of the Boom, discussed his peers' unprecedented renovation of Latin American narrative forms—specifically, the novel (e.g., Donoso; Vargas Llosa). In La nueva novela hispanoamericana (1969; “The New Spanish American Novel”), Fuentes reviews the most influential novels of the 1960s after presenting some of the founders of the literary modernity that preceded the Boom: Jorge Luis Borges, Juan Rulfo, Miguel Angel Asturias, and Alejo Carpentier. Fuentes focuses on the Boom's protagonists—Mario Vargas Llosa, Gabriel García Márquez, and Julio Cortázar—to highlight his ideas about the groundbreaking contributions of these novels.


2005 ◽  
Vol 30 (3) ◽  
pp. 37-41
Author(s):  
Alison Minns

In August 2004 an English librarian sets out on a trip to discover the real Argentina. As she sees the country, meets the people, visits libraries, galleries and museums, and attends a library conference, the diversity she encounters begins to reflect her own shifting perspectives. Her experiences awaken within her a growing sense of the richness of Latin American culture.


Author(s):  
Joaquín Varela Suanzes-Carpegna

In this article I will study the idea, and especially the legal regulation and the real aplication of the constitutionnal rights in Spain during the XXth century. The main object of the article is giving a short and clear synthesis about this subject. I will mainly analyze two basic ideas: the content of the fundamental rights, in accordance with the classic distinction between civil, political and social rights; and the form used to protect those rights, that will require to study its legal aplication by courts, and its guarantees opposite of the legislative and executive powers.


Author(s):  
Larisa Ivon Carrera Fernández ◽  
Alberto Enrique D'Ottavio Cattani

Uno de los campos en los que la ligazón entre género y juventud resulta notoria es el de la educación universitaria. Considerando previamente lo ocurrido a nivel latinoamericano, se destacan las vidas de las primeras médicas argentinas (Cecilia Grierson, Elvira Rawson Guiñazú, Adelma Gossweiler, Francisca Montaut y María Beljover) quienes, en la segunda mitad del siglo XIX y en la primera del siglo XX, se sobrepusieron a obstáculos para su matriculación, cursado y egreso en las Facultades de Medicina así como para su condicionada práctica médica, excediendo este quehacer y bregando en favor de varios derechos femeninos. Su evocación adquiere actuales implicancias.<br /><br />University education is a field exhibiting a clear link between gender and youth. As concern former Latin American experiences, the first Argentinean medical women (Cecilia Grierson, Elvira Rawson Guiñazú, Adelma Gossweiler, Francisca Montaut and María Beljover) should be considered. During a period running from the second half of the XIX century to the first half of the XX century, they managed to overcome drawbacks dealing with matriculation, their study and qualification in medical schools as well as with their conditioned medical practice. They also struggled for many feminine rights. Their evocation acquires current implications.<br /><br />


Sign in / Sign up

Export Citation Format

Share Document