scholarly journals Masaryk's Understanding of Democracy before 1914

1989 ◽  
pp. 57 ◽  
Author(s):  
Marie L. Neudorfl
Keyword(s):  
Central Europe ◽  
French Revolution ◽  
European Countries ◽  
Modern Democracy ◽  
The Past ◽  
The Social ◽  
Intimate Knowledge ◽  
Political Realities ◽  
The Ideal ◽  
The French Revolution

Tomas Garrigue Masaryk's theories on democracy evolved primarily from an intimate knowledge of the social and political realities of his time, combined with relevant knowledge of the past both of Czech as well as other European nations. They reflected Masaryk's conviction that the ideal of modern democracy was most desirable for a majority of people,as well as his belief that since the French Revolution, the gradual realization of this ideal became possible in many European countries. At the same time, he was aware that the ideal of democracy was especially attractive to underprivileged entities, be they individuals or nations, and that the dominant forces in Central Europe had little sympathy for this ideal. While he did not discount German and Russian expansionist potentials and tendencies as negligible and insignificant for Central Europe, in the context of the Austro-Hungarian Empire his major concern was with the inequitable possibilities for the development of non-ruling nations as compared with those of the Austrian Germans and Magyars who constituted, in their respective domains, less than half of the population.

The Nature of Nationalism

1939 ◽  
Vol 33 (6) ◽  
pp. 1001-1021 ◽  
Author(s):  
Hans Kohn
Keyword(s):  
Eighteenth Century ◽  
French Revolution ◽  
The Other ◽  
European Countries ◽  
Dynamic Force ◽  
The Past ◽  
Long Time ◽  
Political Economic ◽  
The French Revolution

Nationalism as we understand it is not older than the second half of the eighteenth century. Its first great manifestation was the French Revolution, which gave the new movement an increased dynamic force. Nationalism had, however, become manifest at the end of the eighteenth century almost simultaneously in a number of widely separated European countries. Its time in the evolution of mankind had arrived, and although the French Revolution was one of the most powerful factors in its intensification and spread, it was not its date of birth. Like all historical movements, nationalism has its roots deep in the past. The conditions which made its emergence possible had matured during centuries before they converged at its formation. These political, economic, and intellectual developments took a long time for their growth and proceeded in the various European countries at different pace. It is impossible to grade them according to their importance or to make one dependent upon the other. All are closely interconnected, each reacting upon the other; and although their growth can be traced separately, their effects and consequences cannot be separated otherwise than in the analysis of the scholar; in life, they are indissolubly intertwined.

The critical theory of democracy in Western political thought

2020 ◽  
pp. 117
Author(s):  
Ruqaya Saeed Khalkhal
Keyword(s):  
Political Life ◽  
The Political ◽  
Democratic Process ◽  
The Social ◽  
Science And Politics ◽  
Political Realities ◽  
The Church ◽  
Theory Of Democracy ◽  
Or Applications ◽  
The Ideal

The darkness that Europe lived in the shadow of the Church obscured the light that was radiating in other parts, and even put forward the idea of democracy by birth, especially that it emerged from the tent of Greek civilization did not mature in later centuries, especially after the clergy and ideological orientation for Protestants and Catholics at the crossroads Political life, but when the Renaissance emerged and the intellectual movement began to interact both at the level of science and politics, the Europeans in democracy found refuge to get rid of the tyranny of the church, and the fruits of the application of democracy began to appear on the surface of most Western societies, which were at the forefront to be doubtful forms of governece.        Democracy, both in theory and in practice, did not always reflect Western political realities, and even since the Greek proposition, it has not lived up to the idealism that was expected to ensure continuity. Even if there is a perception of the success of the democratic process in Western societies, but it was repulsed unable to apply in Islamic societies, because of the social contradiction added to the nature of the ruling regimes, and it is neither scientific nor realistic to convey perceptions or applications that do not conflict only with our civilized reality The political realization created by certain historical circumstances, and then disguises the different reality that produced them for the purpose of resonance in the ideal application.

Feeling Like It Wasn't

2018 ◽  
Vol 47 (1) ◽  
pp. 99-103
Author(s):  
Rae Greiner
Keyword(s):  
French Revolution ◽  
Historical Fiction ◽  
Historical Novel ◽  
Georg Lukacs ◽  
The Past ◽  
Two Cities ◽  
Renaissance Italy ◽  
Or History ◽  
The Way ◽  
The French Revolution

In “Is There a Problem with Historical Fiction (or with Scott's Redgauntlet)?”—an essay, as it happens, on Sir Walter Scott's great counterfactual novel—Harry E. Shaw calls on literary critics more fully to register “the remarkable variety of things history can do in novels, by short-circuiting the assumption that the representation of history in fiction is really always doing the same sort of work, or should be.” History might be a source of imaginative energy, a sort of launching pad for a book about timeless truths, as in Charles Dickens's A Tale of Two Cities (“ultimately about individual sacrifice and transcendence, not about the French Revolution in the way in which Scott's Waverley is about the Forty-Five”); or the past might function as “a pastoral,” which is to say, as a field onto which authors project the concerns of their own times, as in Romola (depicting problems “in definitively Victorian terms and then project[ing them] back on to Renaissance Italy,” where they would have been understood quite differently [176–77]). Or history, what Shaw calls “objective history,” might be a work's actual subject (180). An historical novel of this last sort tells it like it was, or tries to. But even that novel is only doing so much, only making a use of history. Georg Lukács is therefore wrong in thinking that “a sufficiently dialectical mode of representation could capture everything” (Shaw 175). No one mode can capture all of even a highly delimited history at once.

scholarly journals The Teaching of the Church on Religious Freedom: A Break or Continuity of Tradition?

2021 ◽  
Vol 90 (5) ◽  
pp. 553-584
Author(s):  
Michał Chaberek
Keyword(s):  
French Revolution ◽  
Religious Freedom ◽  
Second Vatican Council ◽  
Pope Benedict Xvi ◽  
Benedict Xvi ◽  
The Past ◽  
Vatican Council ◽  
Final Acceptance ◽  
The Church ◽  
The French Revolution

This paper elaborates upon the Catholic Church’s teaching on religious freedom in the period from The French Revolution to The Second Vatican Council. Based on quotations from the original documents, the author presents the evolution of the Church’s position that switched from the initial rejection to the final acceptance of the religious freedom over past two centuries. The fact of this dramatic change begs the question about the continuity of tradition and credibility of the contemporary position of the Church. Based on the document by the International Theological Commission, “Memory and Reconciliation: The Church and the Faults of the Past,” as well as the teaching of Pope Benedict XVI, the author demonstrates that – in contrast to some contemporary interpretations – the hermeneutics of continuity is possible regarding Church’s teaching on religious freedom.

scholarly journals GURIAH LIMPAPEH

2018 ◽  
Vol 7 (2) ◽  
pp. 218
Author(s):  
Intania Ananda Jonisa ◽  
Susas Rita Loravianti ◽  
Rasmida Rasmida
Keyword(s):  
Social Life ◽  
Open Space ◽  
Final Part ◽  
Behavior Patterns ◽  
Female Behavior ◽  
The Third ◽  
The Past ◽  
The Social ◽  
Main Medium ◽  
The Ideal

AbstrakKarya tari yang berjudul “Guriah Limpapeh” terinspirasi dari kehidupan sosial perempuan Minangkabau yang pengkarya amati di sekeliling pengkarya bersikap dan bertingkah laku tidak sesuai dengan etika idealnya perempuan Minangkabau. Dalam aplikasinya menginterpretasikan bergesernya nilai dan etika perempuan hari ini dan mengungkap nilai yang relevan dengan adat dan budaya Minangkabau. Dalam konsep gerak sebagai media utama tari pengkarya mengembangkan gerak yang relevan dengan konsep garapan, selain itu diperkuat dengan menggunakan drum sebagai properti dan setting. Karya ini digarap dalam tiga bahagian yakni pada bagian pertama menginterpretasikan tentang kehidupan dan aktivitas masyarakat di Kecamatan Matur, bahagian kedua menggambarkan perubahan memori pada dahulu dan zaman sekarang, kemudian bahagian ketiga menginterpretasikan bagaimana pola tingkah laku perempuan yang dalam adat Minangkabau yang disebut Simarewan dan Mambang Tali Awan yang menjadi konflik dalam garapan, sedangkan bagian endingnya adalah mengekspresikan idealnya perempuan Minangkabau yang disebut dengan Parampuan. Karya ini diperkuat dengan musik untuk memperkuat suasana, demikian juga elemen-elemen dan artistik lainnya untuk penampilannya memilih ruang terbuka atau outdoor. Kata Kunci: interpretasi, perempuan, adat MinangkabauAbstractThis work of dance entitled  as "Guriah Limpapeh" which is inspired from the social life of Minangkabau women, that the observed around the worker’s attitude and behaved not in accordance with the ideal ethics of Minangkabau women. In its application interpet the shifting values and ethics of women today and reveal values relevant to the customs and culture of Minangkabau. In the concept of motion as the main medium of the dance the developer develops a motion that is relevant to the concept of arable, besides being strengthened by using drums as property and settings. This work is worked on in three parts, namely in the first part of interpreting the life and activities of the community in the mature sub-district, the second part describes the change of memory in the past and present, then the third part interprets how the female behavior patterns in the Minangkabau tradition called simarewan and mambang tali awan  which becomes conflict in claim while the final part is expressing ideally the Minangkabau women who is called parampuan. This work is strengthened by music to strengthen the atmosphere, as well as other artistic and elements for his appearance in choosing open space or outdoor.Keywords: interpretation, women, adat Minangkabau.

All Societies Die

2021 ◽  
Author(s):  
Samuel Cohn
Keyword(s):  
Latin America ◽  
French Revolution ◽  
Middle Eastern ◽  
Byzantine Empire ◽  
Common Features ◽  
The Past ◽  
The World ◽  
Drug Cartels ◽  
End Of The World ◽  
The French Revolution

The author of this book asks us to prepare for the inevitable. Our society is going to die. What are you going to do about it? But the author also wants us to know that there's still reason for hope. In an immersive and mesmerizing discussion, this book considers what makes societies (throughout history) collapse. It points us to the historical examples of the Byzantine empire, the collapse of Somalia, the rise of Middle Eastern terrorism, the rise of drug cartels in Latin America, and the French Revolution, to explain how societal decline has common features and themes. While unveiling the past, the message to us about the present is searing. Through an assessment of past and current societies, the book offers us a new way of looking at societal growth and decline. With a broad panorama of bloody stories, unexpected historical riches, crime waves, corruption, and disasters, the reader is shown that although our society will, inevitably, die at some point, there's still a lot we can do to make it better and live a little longer. This inventive approach to an “end-of-the-world” scenario should be a warning. We're not there yet. The book concludes with a strategy of preserving and rebuilding so that we don't have to give a eulogy anytime soon.

Coleridge’s Rome

2017 ◽  
pp. 267-288
Author(s):  
Jonathan Sachs
Keyword(s):  
French Revolution ◽  
Rate Of Change ◽  
Present Moment ◽  
Gradual Change ◽  
Slow Time ◽  
Marked Contrast ◽  
Imperial Rome ◽  
The Past ◽  
Sense Of Time ◽  
The French Revolution

Coleridge’s comparison between Napoleonic France and imperial Rome seeks to understand “revolutionary time,” that ostensibly new sense of time considered as a product of the French Revolution that sees the future as freed from past precedent. In the context of this seeming rupture between past and present, Coleridge associates the Roman transition from republic to empire with a particular pace and rate of change, and with slowness generally, a slowness that serves as a marked contrast to the apparent speed of his present moment. This chapter shows how Coleridge’s slow time is inextricable from the seeming speed and acceleration with which events were understood to develop in the aftermath of the French Revolution, in modernity. Coleridge returns processes of slow and gradual change into the French Revolution’s seeming rupture with the past.

The Virtues of Violence

2020 ◽  
Author(s):  
Kevin Duong
Keyword(s):  
Political Violence ◽  
French Revolution ◽  
Legal Regime ◽  
Modern Democracy ◽  
Paris Commune ◽  
Social Fabric ◽  
The People ◽  
The Social ◽  
The First World War ◽  
First World

This book uncovers an unfamiliar vision of political violence that nonetheless prevailed in modern French thought: that through “redemptive violence” the people would not rend but regenerate society. It homes in on invocations of popular redemptive violence across four historical moments in France specifically: the French Revolution, Algeria’s colonization, the Paris Commune, and the eve of the first World War. In each of these cases, the book reveals how French thinkers experienced democratization as social disintegration. Yet, before such danger, they also proclaimed that virtuous violence by the people could repair the social fabric. The path leading from an anarchic multitude to an organized democratic society required, not violence’s prohibition, but its virtuous expression by the people. Understanding this counterintuitive vision of violence in French thought offers a new vantage point on the meaning of modern democracy. It alerts readers to how struggles for democracy do not merely seek justice or a new legal regime but also liberating visions of the social bond.

Social and Psychological Interpretations of Graeco-Roman Religion: Some Thoughts on the Ideal Benefactor

Antichthon ◽  
1996 ◽  
Vol 30 ◽  
pp. 1-18 ◽  
Author(s):  
T.R. Stevenson
Keyword(s):  
Emotional Response ◽  
Social Function ◽  
Psychological Approach ◽  
Roman Religion ◽  
New Approach ◽  
The Past ◽  
Roman World ◽  
The Social ◽  
The Ideal

In the past couple of decades, scholarship on Graeco–Roman religion has been dominated by an approach which emphasises the social function of religion rather than matters relating to emotion and belief (Part I below). There is much in the new approach which is enlightening, but for various reasons it should not be allowed to supersede the traditional or psychological approach completely (II). In particular I would like to argue in this paper that the phenomenon of cult for mortals in the Graeco-Roman world can only be understood through a combination of the two modern approaches, because the figure of the ideal benefactor, which I take to underlie cult for mortals, presumed both a concern for relationship structuring and an emotional response. Indeed, the ambiguous interface between the social plane and the psychological plane was fundamental to the success and persistence of such cult (III).

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