scholarly journals The Abject as Body Language in Imre Kertész’s Fateless and Alaine Polcz’s One Woman in the War

2019 ◽  
Vol 12 ◽  
pp. 92-107
Author(s):  
Edit Zsadányi

Among the various analyses that examine Imre Kertész’s Fateless, little attention has been paid to the relationship between body and narrative. Using Julia Kristeva’s concept of the abject, I focus on excerpts in the novel in which power breaches the boundaries of the protagonist’s body, Gyuri Köves, as he endures detainment in various concentration camps. In this paper I argue that it is the dehumanized and abjectified body that rebels against totalitarianism by refusing to accept a deceptive survival scenario. When the perspective of death has been accepted, the concept of the abject paradoxically reveals that is the identity’s inherent motherly aspect that is able to provide a human perspective to an abjectified person. After comparing excerpts in Fateless and One Woman in the War by Alaine Polcz, another narrative in which violence breaks the boundaries of the body, I will reach the conclusion that the body itself forms the final frontier of dictatorship. Once totalitarian dictatorship penetrates the body, it loses its influence over the victim as death offers a more humane, more bearable life.

2016 ◽  
Author(s):  
◽  
Brandon Miller

The present study investigated the use of mobile dating apps for men who have sex with men (MSM), the privileging of masculinity in these online spaces, and related effects on attitudes about masculinity, the body, and the self. Using self-categorization theory as a framework, the study explored how men infuse masculinity/femininity and body language into their profiles in order to create symbolic boundaries between a masculine in-group and a feminine out-group, in the process further promoting an in-group bias for masculine partners. Findings indicated a clear preference for masculinity, both generally and in the form of the muscular male body. Drawing on selective self-presentation and the online disinhibition effect, the current work also investigated howpatterns of usage and personal attitudes impact photographic self-presentation, how the presence of face-disclosing and/or shirtless photos impact the use of language, and how visual self-presentation is related to demographic and attitudinal variables. The results indicated a connection between outness and face-disclosure, as well as between the amount of usage of MSM-specific mobile dating apps and face-disclosure. Men’s use of shirtless photos was significantly related to age, self-perceived masculinity, antieffeminacy attitudes, and drive for muscularity. Finally, priming theory was used to examine the relationship between MSM-specific mobile dating app usage and attitudes about men’s own and others’ masculinity/femininity and their bodies, as well as feelings of esteem and connectedness. Findings indicated connections between usage and self-perceived masculinity, internalized homonegativity, collective self-esteem, and body dissatisfaction, as well as social connectedness and anti-effeminacy attitudes for some men. Age, race, relationship status, education level, geographic location, and outness all served as important moderators. Constructions of gay masculinity have been associated with many issues, including risky sexual behavior, body dissatisfaction, disordered eating, lowered self-esteem, and racism. The current research advances our understanding of how MSM engage with masculinity/femininity and body language in a new media context, as well as the relationship between usage of MSM-specific mobile dating apps, psychosocial attitudes, personal feelings of esteem and connectedness, and photographic self-presentation strategies.


Author(s):  
Suzanne Lalonde

In an attempt to decolonize Trauma Studies, a dominant mental health discourse, and to expand our understanding of trauma and post-traumatic growth, this project investigates J.M.G. Le Clézio’s The African (L’africain 2004) and Ahmadou Kourouma’s: Allah is Not Obliged 2011) (Allah n’est pas obligé 2000) and the untranslated and unfinished Quand on refuse on dit non (2004). The term “decolonizing Trauma Studies” refers to a remapping of this particular field of Cultural Theory by studying these non-Western “trauma novels”. The first critical suggestion advanced is that these authors explore the traumatic consequences of lies that are ontological and phenomenological in nature and maintained through language (logos). This research then examines Le Clézio’s and Kourouma’s models of healing, which centre on the body, language, and an empathetic re-encounter with the traumatized self through narratives. Another major finding is that these texts experiment with literature, manipulating it into new forms, thus expanding our understanding of the relationship between the literary arts and post-traumatic growth theories and treatments.


2017 ◽  
Vol 2017 (2) ◽  
Author(s):  
Tani Toru

AbstractHusserl attempted to found logics and language on intuition, and particularly perception. The relationship between logical language and intuition is therefore one of the fundamental themes of his phenomenology. Husserl regarded the two as sharing an isomorphic structure, and this article shows that this structure can be characterized as “mediality.” That is, the “meaning” of language appears by mediation of sound or script, while the “I” as person appears by mediation of the body. I will show furthermore that intuitions themselves appear through the mediation of language, and interpret this idea of mediality in terms of the Japanese language. Guided by Husserl’s notion of Sprachleib (linguistic living body), I will also attempt an analysis of the “bodily” function of Chinese script and onomatopeia as aspects of Sprachleib and show how the Sprachleib functions as a “cultural living body” that makes community possible.


2021 ◽  
Vol 10 (1) ◽  
pp. 67-74
Author(s):  
Akash Mishra ◽  
Eans Tara Tuladhar ◽  
Vijay Kumar Sharma ◽  
Mithileshwor Raut ◽  
Aseem Bhattarai ◽  
...  

The world’s health in 2020 was in the grip of the COVID-19 pandemic and its adverse consequences and is still continuing in 2021. Most countries have been locked down or going through different forms of lockdown to prevent the transmission of the infectious virus SARS-CoV-2. To date, there is no specific treatment or vaccination preventive measures. World Health Organization has approved few vaccines for emergency use. Still, the emergence of mutations within SARS-CoV has put forward challenges for vaccine developers. Whether infectious or non-infectious, all diseases have an inflammatory aspect to alarm the body system along with an anti-inflammatory counterbalance mechanism to minimize harmful effects whether through immune modulation or antioxidant reserves. An approach to counteract the novel disease, COVID19, was also sought in enhancing the anti-inflammatory aspect, at the level of prevention and at the level of treatment. One of the methodologies was the recommendation of micronutrient Vitamin D whose immune-modulatory role has been well appreciated in many disease conditions. This short review aims to explore the relationship between vitamin D status through susceptibility and clinical outcomes of COVID-19.


2019 ◽  
Vol 74 (2) ◽  
pp. 141-166
Author(s):  
Edward Sugden

Edward Sugden, “The Speculative Economies of Sheppard Lee” (pp. 141–166) In this essay I provide a reading of Robert Montgomery Bird’s Sheppard Lee (1836) that places it against the speculative economy of 1830s America. The novel is, formally and intellectually, a product of and meditation on economic speculation. It dwells upon the ways in which a transition from an agrarian economy into finance capitalism impacts the body. Where many accounts of Sheppard Lee emphasize embodiment as the central issue of the novel, this essay instead insists on disembodiment, demonstrating how the entry into a transregional, virtual economy of stocks and shares, debts, loans, and mortgages dissolved embodied identity. Such a dissolution came, however, with a possible utopian element, encoded within capitalism, of there being an economic form that did not depend on the exploitation and mining of the labor-power of bodies. Yet this fantasy of worklessness, the novel suggests, will always require a space of civil death in which those without rights are relentlessly used for their economic value only. Overall, this reading of the novel modifies a metanarrative about the relationship between capitalism and the imagination in nineteenth century. Rather than literature providing a stable basis for social values disrupted by capitalism, instead a novel like Sheppard Lee suggests that the form of the novel is more suited to capturing the chaos of dislocation, meditating on unactivated historical possibilities latent within capitalism, and internalizing short-term cycles of economic change.


2016 ◽  
Vol 20 (4) ◽  
pp. 442-458
Author(s):  
Gregory Erickson

This essay focuses on two figures in James Joyce’s Ulysses, the heretic Arius and the vampire, who when examined together address issues of anxiety over the body and artistic creation. Stephen’s early musings on Arius lead directly into his primary act of artistic creation, a poem he writes that begins, “He comes, pale vampire.” Like the heretic, the vampire will recede into the background, but will continue to haunt the novel, offering troubling and disruptive commentary on the narrative. Joyce’s less literal vampires have the ability to change forms—a rat in the cemetery, a bat flying over a church, ghosts of deceased characters, and a “black panther vampire”—and along with his paradigmatic heretic, Arius, they seem to float from the mind of character to character, forcing them to question received wisdom about creation, procreation, authority, succession, and the relationship of body to mind. Throughout the novel, heretics and vampires work as figures of disruption, as symbols of an alternative taxonomy, and as reminders of the threat or promise of undeserved births and unnatural death. Ultimately, we will see that vampire narratives, classical heresy, and Ulysses share a common central project: questioning and rethinking the act of creation itself.


2021 ◽  
Vol 14 (3) ◽  
pp. 25
Author(s):  
Gong Cheng

This study intends to provide a semantic analysis of metaphorical expressions containing the body-part term “heart” in Chinese and English. The discussion of these expressions revolves around four perceived roles of the heart. It is suggested that the metaphorical consequences have a bodily or psychological basis on our hearts. The comparison between Chinese and English shows that there exist some similarities and differences, which can be accounted for both by the commonality of bodily experiences unique to human beings and by the discrepancy of cultural modes from different countries. Finally, a revised model depicting the relationship between body, language, culture, and cognitive ability has been proposed.


Author(s):  
Shirazu I. ◽  
Theophilus. A. Sackey ◽  
Elvis K. Tiburu ◽  
Mensah Y. B. ◽  
Forson A.

The relationship between body height and body weight has been described by using various terms. Notable among them is the body mass index, body surface area, body shape index and body surface index. In clinical setting the first descriptive parameter is the BMI scale, which provides information about whether an individual body weight is proportionate to the body height. Since the development of BMI, two other body parameters have been developed in an attempt to determine the relationship between body height and weight. These are the body surface area (BSA) and body surface index (BSI). Generally, these body parameters are described as clinical health indicators that described how healthy an individual body response to the other internal organs. The aim of the study is to discuss the use of BSI as a better clinical health indicator for preclinical assessment of body-organ/tissue relationship. Hence organ health condition as against other body composition. In addition the study is `also to determine the best body parameter the best predict other parameters for clinical application. The model parameters are presented as; modeled height and weight; modelled BSI and BSA, BSI and BMI and modeled BSA and BMI. The models are presented as clinical application software for comfortable working process and designed as GUI and CAD for use in clinical application.


2009 ◽  
Vol 27 (1) ◽  
pp. 65-92
Author(s):  
Susan Jones

This article explores the diversity of British literary responses to Diaghilev's project, emphasising the way in which the subject matter and methodologies of Diaghilev's modernism were sometimes unexpectedly echoed in expressions of contemporary British writing. These discussions emerge both in writing about Diaghilev's work, and, more discretely, when references to the Russian Ballet find their way into the creative writing of the period, serving to anchor the texts in a particular cultural milieu or to suggest contemporary aesthetic problems in the domain of literary aesthetics developing in the period. Figures from disparate fields, including literature, music and the visual arts, brought to their criticism of the Ballets Russes their individual perspectives on its aesthetics, helping to consolidate the sense of its importance in contributing to the inter-disciplinary flavour of modernism across the arts. In the field of literature, not only did British writers evaluate the Ballets Russes in terms of their own poetics, their relationship to experimentation in the novel and in drama, they developed an increasing sense of the company's place in dance history, its choreographic innovations offering material for wider discussions, opening up the potential for literary modernism's interest in impersonality and in the ‘unsayable’, discussions of the body, primitivism and gender.


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