scholarly journals Gender Matters? Three Cohorts of Women Talking about Role Reversal

1998 ◽  
Vol 3 (1) ◽  
pp. 5-16 ◽  
Author(s):  
J. Pilcher

Cohort is an important predictor of gender-role attitudes, as a number of surveys have shown. In this article, I undertake a comparison between cohorts of women on the issue of role reversal, with a primary focus on the qualitative differences in what was said and by whom, rather than in how many said what. It is my argument that a qualitative analysis is revealing of the way in which cohort acts to influence the very language used to report ‘agreement’ or ‘disagreement’ on matters of gender. Via an analysis of responses to an interview question on role reversal, it is shown that historical location via cohort operates to make permissible and/or available, some ways of talking rather than others. Consequently, on the issue of role reversal, gender featured as a more relevant category in the talk of the oldest cohort than in the talk of the younger cohorts.

2010 ◽  
Author(s):  
Elham Bagheri ◽  
Munni Deb ◽  
Rebecca D. Stinson ◽  
Charles Birmingham ◽  
Saba Rasheed Ali

2012 ◽  
Author(s):  
Judith L. Gibbons ◽  
Jillon S. Vander Wal ◽  
Maria Del Pilar Grazioso

2014 ◽  
Vol 7 (1) ◽  
pp. 85-111
Author(s):  
Alexandra Gueydan-Turek

This article explores the way in which masculinity and femininity are constructed in Algerian manga, an emerging, understudied sub-genre within the field of Algerian graphic art. Through the exploration of youth-oriented publications of shōjo and shōnen manga, I will demonstrate how these new local works offer a privileged form of expression for and platform to address disaffected Algerian youths. The primary focus of this investigation will be the differences (or lack thereof) between ideals of gender performances as expressed in Algerian manga and ideals of gender identity in society at large. This article will demonstrate that, while some differences manifest a desire for change on the part of both artists and readers, they certainly do not constitute radical revisions of the popular Algerian notions of masculinity and femininity. Ultimately, this study will demonstrate the limits of manga as an imported genre within an Arab-Islamic context, oscillating between the promulgation of alternative social ideals and the reinforcement of social norms.


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