Women, Food, and Diet in the Middle Ages

2020 ◽  
Author(s):  
Theresa A. Vaughan

Latini’s masterpiece of Baroque cooking and household management was the first book to publish recipes using tomatoes and chilli peppers. This first complete English translation presents the text with contextual introduction and notes to aid the reader’s understanding. The Modern Steward was published in Naples in 1692-94, when the city was a major cultural centre. It includes a wealth of recipes, plus discussions of the kitchen and serving staff, setting the table, menus, protocol, entertainment, and wines. There are also sections on health, accounts of specific banquets, and even a description of an eruption of Vesuvius. It is the last great book of the Italian Renaissance and Baroque cooking tradition. Latini was also interested in local ingredients and customs, and open to new French trends. The book will interest historians of early modern Italy, food, material culture, and the social and cultural life of the European elites, as well as connoisseurs of fine dining, and cooks.

2019 ◽  

Latini’s masterpiece of Baroque cooking and household management was the first book to publish recipes using tomatoes and chilli peppers. This first complete English translation presents the text with contextual introduction and notes to aid the reader’s understanding. The Modern Steward was published in Naples in 1692-94, when the city was a major cultural centre. It includes a wealth of recipes, plus discussions of the kitchen and serving staff, setting the table, menus, protocol, entertainment, and wines. There are also sections on health, accounts of specific banquets, and even a description of an eruption of Vesuvius. It is the last great book of the Italian Renaissance and Baroque cooking tradition. Latini was also interested in local ingredients and customs, and open to new French trends. The book will interest historians of early modern Italy, food, material culture, and the social and cultural life of the European elites, as well as connoisseurs of fine dining, and cooks.


1966 ◽  
Vol 34 ◽  
pp. 82-130 ◽  
Author(s):  
D. A. Bullough

Prefatory Note.—My interest in Pavia goes back at least to 1951 when I was elected Rome Scholar in Medieval Studies. I began seriously to collect material for the history of the city in the early Middle Ages in the winter and spring of 1953 when I enjoyed the warm hospitality of the Collegio Ghislieri, thanks to the efforts made on my behalf by the late Hugh Last, to whose memory this article is dedicated. The published proceedings of the Reichenau and Spoleto congresses on ‘The early medieval town’ in the 1950s clearly underlined the need for detailed studies of particular towns; but the lack of adequate archaeological evidence discouraged me from attempting such a study of early medieval Pavia. In 1964, however, Dr. A. Peroni, Director of the Museo Civico invited me to read a supplementary paper on this topic to the Convegno di Studio sul Centro Storico di Pavia held in the Università degli Studi at Pavia on July 4th and 5th of that year. The present article is an amplified and corrected version of that paper: I have made no substantial alterations to my account of the ‘urbanistica’ of early medieval Pavia—written for an audience of architects and art-historians as well as of historians—but have dealt more fully with the social history of the city in this period. Professor Richard Krautheimer read a draft of the revised version and made some pointed and helpful comments. I am greatly indebted to Dr. Peroni, not merely for the invitation to present the original paper but also for supplying illustrations and answering queries at a time when he and his staff were engaged in helping to repair the ravages of the Florence floods.


Antiquity ◽  
2019 ◽  
Vol 93 (369) ◽  
pp. 811-813
Author(s):  
Adil Hashim Ali

Located in the Fertile Crescent and at the head of the Persian/Arabian Gulf, the city of Basra is steeped in history. Close to the heart of ancient Mesopotamia, the territory of modern Iraq was occupied variously by Achaemenids and Seleucids, Parthians, Romans and Sassanids, before the arrival of Islam in the early middle ages. In more recent history, the city's strategic position near the Gulf coast has made Basra a site of contestation and conflict. This exposure to so many different cultures and civilisations has contributed to the rich identity of Basra, a wealth of history that demands a cultural museum able to present all of the historical periods together in one place. The original Basra Museum was looted and destroyed in 1991, during the first Gulf War. The destruction and loss of so much of Iraq's history and material culture prompted official collaboration to build a new museum that would represent the city of Basrah and showcase its significance in the history of Iraq. The culmination of an eight-year collaborative project between the Iraq Ministry of Culture, the State Board of Antiquities and the Friends of Basrah Museum, the new museum was opened initially in September 2016. Already established as a cultural landmark in the city, with up to 200 visitors a day and rising, the museum was officially opened on 20 March 2019. The author was fortunate to be present for this event and able to explore the new galleries (Figure 1).


2020 ◽  

This volume covers the vast field of memory, commemoration and the art of memory in the Middle Ages. Memory was not only a religious, social and historical phenomenon but also a driving factor in cultural life and in the production of art. It played an important role in medieval intellectual, visual and material culture, touching on almost all spheres of personal and social life. Yet the perception of memory did not remain static. The period covered by this volume, 500-1450, was one of enormous change in the way memory was understood, expressed, and valued. The authors of the essays trace the changes in the understanding of memory in its diverse forms and social fields, analysing everyday life as well as politics, philosophy and theology. As can be demonstrated, functions and perceptions evolved over the medieval millennium and laid the foundations for the modern understanding of individual and social memory.


2016 ◽  
Vol 41 (4) ◽  
pp. 89-97 ◽  
Author(s):  
Serpil Özker ◽  
Umut Tuğlu Karsli

Externalization that became prominent in 1980s with the globalization brought along dramatic changes in social and spatial areas. The social, cultural and economic events that took place on an international level thanks to globalization made the impact of change felt which was reflected on the urban space and, therefore, on the house, resulting in an increase in the importance of the residential sector. Externalization and developed economic structure enabled more investments into houses which introduced a concept of housing populated in urban fringes starting from the city centers. The housing concept which was shaped by the impacts of the urban transformation after 1980 turned into a new emerging lifestyle in Istanbul in 2000s. Accordingly, the study aims to establish the position of housing in Istanbul and new meanings formed by the socio-cultural changes. In this sense, housing before and after 1980, globalization, gentrification, urban transformation, spatial segregation, socio-economic and cultural aspects were discussed based on the structural benchmarks, and 4 different housing forms, namely the “Loft”, “Residence”, “Terraced House”, and “Gated Communities”, with individual structural examples. This study, thus, aims to question the form of tenancy of these houses created through varying concepts and concerns today. The results obtained showed that the housing as an indicator of cultural life in Istanbul has turned into a lifestyle that is shaped by similar aspects and commercial concern, despite different approaches or production forms, eliminating the traces of the cultural life of the society.


REPERTÓRIO ◽  
2010 ◽  
pp. 151
Author(s):  
Teatro & Dança Repertório

<div>O artigo traça a trajetória dos 25 anos da Intrépida Trupe, grupo que, desde os anos 80, revoluciona a cena contemporânea brasileira mesclando as linguagens de circo, dança e teatro. Numa narrativa que busca refl etir o espírito presente na fi losofi a e nos espetáculos da Trupe, contextualiza- se a criação da companhia, suas estratégias de criação e de desenvolvimento técnico, os meios de produção e manutenção, o vínculo com projetos sociais e com o ensino das artes circenses e do movimento, além das novas ações do grupo numa interferência direta na vida social e cultural da cidade do Rio de Janeiro.</div><div><br></div><div><br /></div><div>Two magic words on the stage: Intrépida Trupe. This article maps the Intrépida Trupe’s 25 year trajectory. The group has been revolutionizing the Brazilian contemporary stage since the 1980s, blending the languages of circus,dance and theatre. The company’s foundation, its creation strategies and development techniques, means of production and maintenance, link with social projects and teaching circus skills and movement are contextualized in a narrative that seeks to reflect the spirit present in the Trupe’s philosophy and shows. The article also addresses the group’s new actions via direct interference into the social and cultural life of the city of Rio de Janeiro.</div>


2020 ◽  
Vol 4 (3) ◽  
pp. 62-75
Author(s):  
I. N. Buzykina

The topic of this paper is the continuity of major religious, moral and ethical concepts of Roman culture in following periods. These are the virtues of the citizen, namely virtus, fides and pietas — which distinguish the Roman citizen as a brave warrior, honest magistrate and pious pater familias. The central one was the duty to the City. Some traces of this tradition can be observed in the most influental sources of the Christian Patristic period, although the very intention of morals has changed: res publica, a common/communal duty, was replaced by the adoration of God. With the view to a representative research, De Civitate Dei by Saint Augustine, the most famous Christian treatise dealing with the state, civic rights, state religion, authority etc. was analyzed. On the one hand, this great book provides multiple suitable illustrations for almost every feature of the continuity between the Ancient pagan culture and Christian intellectual one. On the other hand, it isn’t just a plain comparison of loci classici in pagan and Christian context, one can find the origins of a completely new approach to the world history, which had had an influence on minds of further generations of Christian theologians in Middle Ages and later periods.


2016 ◽  
Author(s):  
Luiz Antonio da Cruz

ResumoTiradentes é protegida pelo IPHAN desde 1938, através do tombamento do Conjunto Arquitetônico e Urbanístico. Seus principais monumentos têm proteção individual e dentre eles está o Chafariz de São José, edificado em 1749. É um dos maiores e mais bonitos do Brasil colonial e construído em blocos de quartzito. É cercado por uma mureta com banco. Em sua fachada há três carrancas que jorram água em tanque abaulado. Há um oratório com a imagem de São José de Botas e acima o brasão de armas da Coroa Portuguesa. Encerrando a composição foram instalados dois pináculos e um acrotério com uma cruz, ambos na mesma rocha. Na lateral direita está o tanque para as lavadeiras e na esquerda o tanque para dar água aos animais. O chafariz é abastecido por água do Bosque da Mãe D’Água, conduzida por um aqueduto rústico, feito com o mesmo material pétreo. A cidade foi escolhida para abrigar um Caso do BNDES – Banco Nacional de Desenvolvimento Econômico e Social para a restauração, revitalização de seus monumentos e um Programa de Educação Patrimonial. Alguns monumentos já foram restaurados e entregues à comunidade, há obras em andamento e outras estão sendo licitadas para iniciarem ainda em 2016. O chafariz passou por obra de restauro e já foi entregue. O presente trabalho pretende apresentar o Chafariz de São José como monumento significativo no contexto sociocultural de Tiradentes, bem como analisar sua obra de restauro que acabou de ser concluída.Palavras Chave: Chafariz de São José, restauro, Tiradentes.  AbstractFOUNTAIN OF SÃO JOSÉ, CITY OF TIRADENTES, AND ITS INTERVENTION OF RESTORATION. The city of Tiradentes has been protected by IPHAN since 1938, under category “Architectonic and Urban Set”. Among the protected monuments is the Chafariz de São José – a public fountain built in 1749, surrounded by a short wall and stone bench. In the main facade there are three scowls that pour water. There is an oratory with the statue of São José de Botas, made in terracotta and above it is the Portuguese crown’s coat of arms. Enclosing the composition there are two pinnacles and a cross. On the right side we have a tank for the washerwomen and on the left we have a tank for animals. The water comes from Bosque da Mãe D’Água and is brought to the fountain through an aqueduct, made of quartzite blocks. The city was chosen to receive BNDES funding to restore historical buildings and a Heritage Education Project. Some of them have been restored and delivered to the community, some of them will still be restored. The present work intends to introduce Chafariz de São José as an important edification in the social and cultural life of Tiradentes and analyze its restoration.Keywords: Chafariz de São José, restauration, Tiradentes


Author(s):  
Nyoman Sudipa ◽  
Made Sudiana Mahendra ◽  
Wayan Sandi Adnyana ◽  
Ida Bagus Pujaastawa

The growth of tourism in the Nusa Penida Tourism Area has an impact on the socio-cultural environment due to the development of tourism supporting facilities and infrastructure. Socio-cultural spaces also experience pressure due to conflicts of interest in the use of sacred areas for tourism, resulting in a process of desacralization. Social interactions are declining and arrogance is increasing at some tourist attraction points. Some physical spaces have become economic spaces. Road border, roadside, coast have become economic space. The way of thinking has been hegemony by the interests to get more economic access. The construction of the mind is filled with capitalist desires. Arrogance and ego between groups began to be seen in each particular area. The narrowing of social and cultural space has increased the critical power of the community towards the use of the area, especially spaces that are related to religion. Fighting egoism and social cultural conflict to catch up with the material culture. The social and cultural life of the Nusa Penida people is forced to adapt to material cultures. So fast tourism to Nusa Penida leaves the mindset, knowledge and culture that has been developing in the Nusa Penida community. Keywords: impact, social, culture, tourism, nusa penida


Lusotopie ◽  
2021 ◽  
Vol 19 (2) ◽  
pp. 181-212
Author(s):  
Lorenzo Macagno

Abstract This paper addresses a specific aspect of the social and cultural life of the Luso-Chinese in Mozambique, whose first contingents came from the Chinese province of Guangdong in the second half of the 19th century. Most settled in the city of Beira. By the 1950s, the Chinese community was already well integrated into modern life in colonial Beira. The city was going through an unprecedented urban and architectural boom. At that time, the Luso-Chinese, who were essentially merchants, also began to stand out in the field of photography. Based on a multi-sited ethnography among the Portuguese-Chinese diaspora – and their family photo albums – this paper reflects on two inseparable aspects of late-colonial modernity: architecture and photography.


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