scholarly journals DEIKSIS DALAM NOVEL ELENA KARYA ELLYA NINGSIH

2019 ◽  
Vol 4 (2) ◽  
pp. 155-164
Author(s):  
Marnetti Marnetti
Keyword(s):  
The Other ◽  
The Novel ◽  
Second Person ◽  
The Third ◽  
Single Person ◽  
Research Type

This research focuses on the deixis of persona, place, and time contained in Elena by Ellya Ningsih’s novel published in July 2018. This paper aims to describe the forms and intentions of the use of the persona, place, and time existed in the novel. This research type is qualitative using descriptive methods. Data were analyzed by applying some steps; reducing, classifying, and interpreting. The results of this study indicate that the form and meaning of deixis used is the form of the first single person deixis in the form of the words aku and saya, the first plural persona deviation in the form of our word, kami and kita and the meaning of the role as speaker. The second single person deixis is the word kau, kamu, and anda, the second person person is the deixis, the meaning of the role as the other person. Deixis of the third singular person are ia and dia, the third plural person is mereka, the meaning of the role is what is discussed. Deixis of a place in the form of phrases here and there and their meaning to find out where the speaker is. Time deviation is in the form of phrases this weekend and two more years and their meaning is to show the distance of time when a speaker says. AbstrakPenelitian ini difokuskan pada deiksis persona, tempat, dan waktu yang terdapat pada Novel Elena karya Ellya Ningsih yang diterbitkan pada Juli 2018. Tujuan penelitian ini adalah untuk mendeskripsikan bentuk-bentuk dan maksud pemakaian deiksis persona, tempat, dan waktu yang terdapat dalam novel tersebut. Jenis penelitian ini adalah kualitatif dengan menggunakan metode deskriptif. Data dianalisis dengan langkah-langkah; mereduksi, mengklasifikasi, dan menginterpretasi. Hasil penelitian ini menunjukkan bahwa bentuk dan makna deiksis yang digunakan berupa bentuk deiksis persona pertama tunggal berupa kata aku dan saya, deiksis persona pertama jamak berupa kata kami, kita, dan makna perannya sebagai pembicara. Deiksis persona kedua tunggal berupa kata kau, kamu, dan anda, deiksis persona kedua jamak adalah kalian, makna perannya sebagai lawan bicara. Deiksis persona ketiga tunggal adalah ia dan dia, deiksis persona ketiga jamak adalah mereka, makna perannya adalah yang dibicarakan. Deiksis tempat berupa frasa di sini dan di sana, dan maknanya untuk mengetahui tempat pembicara. Deiksis waktu berupa frasa akhir pekan ini dan dua tahun lagi, dan maknanya untuk menunjukkan jarak waktu pandang saat seorang penutur berujar.Kata Kunci: deiksis, bentuk deiksis, makna deiksis, novel Elena

scholarly journals ANALISIS BENTUK DAN FUNGSI REFERENSI PERSONAL DALAM NOVEL REMBULAN TENGGELAM DIWAJAHMU KARYA TERE LIYE

2017 ◽  
Vol 2 (1) ◽  
pp. 32
Author(s):  
Muh Ali Imran ◽  
Nur Resky Evawanti
Keyword(s):  
The Novel ◽  
Second Person ◽  
Form And Function ◽  
The Third ◽  
The Face ◽  
Research Procedure ◽  
Third Person ◽  
And Function ◽  
The Third Person ◽  
Planning Action

AbstractThe main problem in this research  how to find out about the form and function of personal references in the novel Rembulan Tenggelam di Wajahmu in order to determine the differences contained in the novel especially those on personal references contained therein. This research was a literature review of research that contains one topic that contains some ideas or propositions related and must be supported by the data obtained from literature sources. This research procedure included planning, action and analysis. Subjects in this study was the novel of  Rembulan Tenggelam di Wajahmu. The results showed that the observation of novel moon sinking in the face are analyzed on personal references indicate that there are a lot of words including personal references such as personal pronoun first (referring to himself), pronouns second person (referring to the speaker) , and the third person pronoun (which refers to the person in question). Based on these results above, it can be concluded that the words include references persona there are differences both in writing and in speech.Keywords: Novel, personal referencesAbstrakMasalah utama dalam penelitian ini yaitu bagaimana mengetahui tentang bentuk dan fungsi referensi personal di dalam novel Rembulan Tenggelam di Wajahmu dengan tujuan untuk mengetahui perbedaan yang terdapat di dalam novel tersebut terkhusus pada referensi personal yang terdapat di dalamnya. Jenis penelitian ini adalah penelitian kajian pustaka yang berisi satu topik yang memuat beberapa gagasan atau proposisi yang berkaitan dan harus didukung oleh data yang diperoleh dari sumber pustaka. Prosedur penelitian ini meleputi perencanaan, pelaksanaan tindakan, dan analisis. Subjek dalam penelitian ini adalah novel rembulan tenggelam di wajahmu. Hasil penelitian menunjukkan bahwa pada pengamatan terhadap novel rembulan tenggelam di wajahmu yang menganalisis tentang referensi personal menunjukkan bahwa terdapat banyak kata-kata yang termasuk referensi personal seperti pronomina persona pertama( yang mengacu pada diri sendiri), pronomina persona kedua (yang mengacu pada lawan bicara), dan pronomina persona ketiga (yang mengacu pada orang yang dibicarakan). Berdasarkan hasil penelitian tersebut diatas, dapat disimpulkan bahwa kata-kata yang mencakup referensi persona terdapat perbedaan baik didalam penulisan maupun didalam tuturan.  Kata kunci: Novel,referensi personal

Acquiring the transitive construction in English: the role of animacy and pronouns

1998 ◽  
Vol 25 (3) ◽  
pp. 605-622 ◽  
Author(s):  
KELLY DODSON ◽  
MICHAEL TOMASELLO
Keyword(s):  
Young Children ◽  
The Other ◽  
The Novel ◽  
Transitive Action ◽  
Only Children ◽  
The Third

Twenty-four children between 2;5 and 3;1 were taught two nonce verbs. Each verb was used multiple times by an adult experimenter to refer to a highly transitive action involving a mostly animate agent (including the child herself) and a patient of varying animacy. One of the verbs was modelled in the Two-Participants condition in which the experimenter said: ‘Look. Big Bird is dopping the boat’. The other verb was modelled in the No-Participant condition in which the experimenter named the Two-Participants but did not use them as arguments of the novel verb: ‘Look what Big Bird is doing to the boat. It's called keefing’. It was found that whereas many children produced transitive sentences with the Two-Participants verb, only children close to 3;0 produced transitive sentences with the No-Participant verb. This age is somewhat younger than previous studies in which young children were asked to produce transitive sentences with two lexical nouns for the two animate participants. Also, re-analyses of previously published studies in which children learned novel verbs in sentence frames without arguments found that the few transitive sentences produced by children under 2;6 involved either I or me as subject. One hypothesis is thus that as young children in the third year of life begin to construct a more abstract and verb-general transitive construction, this construction initially contains only certain types of participants expressed in only certain kinds of linguistic forms.

Seeing first person changes gesture but saying first person does not

Gesture ◽  
2018 ◽  
Vol 17 (1) ◽  
pp. 158-175 ◽  
Author(s):  
Fey Parrill ◽  
Kashmiri Stec
Keyword(s):  
Mental Imagery ◽  
Point Of View ◽  
The Other ◽  
First Person ◽  
Second Person ◽  
Motor Action ◽  
The Third ◽  
Path Component ◽  
Third Person ◽  
The Third Person

Abstract Events with a motor action component (e.g., handling an object) tend to evoke gestures from the point of view of a character (character viewpoint, or CVPT) while events with a path component (moving through space) tend to evoke gestures from the point of view of an observer (observer viewpoint, or OVPT). Events that combine both components (e.g., rowing a boat across a lake) seem to evoke both types of gesture, but it is unclear why narrators use one or the other. We carry out two manipulations to explore whether gestural viewpoint can be manipulated. Participants read a series of stories and retold them in two conditions. In the image condition, story sentences were presented with images from either the actor’s perspective (actor version) or the observer’s perspective (observer version). In the linguistic condition, the same sentences were presented in either the second person (you…) or the third person point of view (h/she…). The second person led participants to use the first person (I) in retelling. Gestures produced during retelling were coded as CVPT or OVPT. Participants produced significantly more CVPT gestures after seeing images from the point of view of an actor, but the linguistic manipulation did not affect viewpoint in gesture. Neither manipulation affected overall gesture rate, or co-occurring speech. We relate these findings to frameworks in which motor action and mental imagery are linked to viewpoint in gesture.

The Formation of Judges and Samuel and the Deuteronomistic Composition

2021 ◽  
pp. 1-25
Author(s):  
Gershon Galil
Keyword(s):  
The Other ◽  
Main Body ◽  
Relationship With God ◽  
The Third ◽  
The North ◽  
Single Person ◽  
History Of ◽  
Book Of Jeremiah ◽  
Book Of Samuel ◽  
Book Of Judges

Abstract The formation of the books Judges and Samuel is re-examined in this article. The author maintains that two main editions of the book of Samuel were created. The first was composed in Jerusalem during the reign of Solomon. The author of this edition was also the author of the second edition of the Book of Judges (“B”). The first edition of Judges, the “book of saviors,” which was composed in the north at the beginning of the age of monarchy (“A”), was also one of the four main sources which were incorporated into the first edition of Samuel. The other sources were: the “acts of Saul”; the “acts of David,” and the “book of Jashar.” The second edition of Samuel and the third of Judges were edited by a single person, the Deuteronomist, in Babylonia, ca. 560 BCE. He prepared an extensive composition describing the history of Israel from Moses to Jeremiah. In Deuteronomy the path was delineated and norms were determined. The main body (Joshua–Kings) records the ups and downs in Israel’s relationship with God; and the epilogue (the book of Jeremiah) focuses on the destruction and Exile, explaining the events and informing the exiles of the message of redemption.

scholarly journals From tradition to modernity

Anafora ◽  
2019 ◽  
Vol 6 (2) ◽  
pp. 347-366
Author(s):  
Ali Salami ◽  
Farnoosh Pirayesh
Keyword(s):  
Third Space ◽  
The Other ◽  
Double Vision ◽  
The Novel ◽  
Middle Ground ◽  
Two Cultures ◽  
Host Culture ◽  
The Third ◽  
East And West ◽  
The Way

The paper explores the liberating power of Bhabha’s concept of hybridity in Manju Kapur’s novel The Immigrant. By concentrating on Nina’s immigration to Canada, the novel addresses her early affliction due to the cultural clash between the East and West, tradition and modernity, her assimilation problems, as well as her gradual assimilation, her in-betweenness, transformation in her roles and identity, and survival in the host world. She opens a space in-between the home and host culture, mediates between them, and becomes the citizen of two worlds; she thus enters the third space, i.e. she stands in-between two cultures prioritizing neither the home nor the host culture but the middle ground and emerges as a hybrid who occupies the in-between space and develops a double vision. Using Homi Bhabha’s insights, this study seeks to demonstrate that being positioned in the third space, i.e. moving beyond the polarities and challenging the fixedness of identity and experiencing in-betweenness – being neither one nor the other, might pave the way for her liberation. The paper is to show that Nina is neither one nor the other, i.e. neither a traditional nor a modern woman but both, simultaneously transcending and reconciling the tradition and modernity.

scholarly journals Emine Işınsu's "Aktopraklar" Idioms Composed of Actuals in the Title

2018 ◽  
Vol 226 (1) ◽  
pp. 111-120
Author(s):  
Assist. Teacher Alaa Falah Hasan
Keyword(s):  
Older People ◽  
First Person ◽  
The Novel ◽  
Second Person ◽  
The Third ◽  
Turn On ◽  
Idiomatic Expressions ◽  
The One ◽  
Turkish Language

Expressions (idiomatic) is a reductive words are expressing certain state / Related topics cases traditionally the older people in Western societies and that the similarity of our fairly close proverbs in Arabic. And idiomatic expressions of the two words at a minimum and consist of up to seven words but often loses its meaning if it increased his words more than that and can not be an expression because the expression idiomatic as we have is a set of words that indicate aggregating does not make sense is signified by its vocabulary Severally. If the one-word then called metaphorical expressions. This is the focus of our research is marked ) Idioms consisting of Verbs in The “Ak Topraklar (White territory)” Novel  By Emine Işınsu) where we worked to extract expressions consisting of actions in the novel mentioned and we classified these terms by the time the formulas in the Turkish language, which is divided in turn on two formats news and request formats or Tammany also classified as scientists in the Turkish language. This is what distinguishes the idiomatic expressions of the sayings that the parables take suffixes discharge of an actor first person and the second and third and the second person and the third about the format of the matter, and the idiomatic expressions, it shows the actor in all cases or three people for an actor without the need for suffixes drainage and be in the form of sentence.

scholarly journals The Double-Tongued Author: Re-reading Sophocles, Thomas Hardy, and Eduard Vilde

2019 ◽  
Vol 23 (2) ◽  
pp. 321-339
Author(s):  
Arne Merilai
Keyword(s):  
Friedrich Nietzsche ◽  
Thomas Hardy ◽  
The Other ◽  
The Novel ◽  
The Third ◽  
Tess Of The D'urbervilles ◽  
Erotic Novel ◽  
Ambivalent Attitude ◽  
Social Critical ◽  
Country People

The article discusses the authors’ ambivalent attitude towards their protagonists, drawing on Sophocles’ Oedipus the King, Thomas Hardy’s Tess of the d’Urbervilles, and Eduard Vilde’s Mäeküla piimamees (Milkman of the Manor). Firstly, the hypothesis based on Aristotle’s Poetics and the idea of Pericles having been a possible prototype of Oedipus is proposed, according to which Sophocles could have been critical of the tyrant of Thebes as a noble representative of a polis at war with Athens, justifying his pains in addition to showing compassion. Such an interpretation is in contrast with the humanist and protest-driven glorification initiated by Friedrich Nietzsche. Another example of the author’s “hypocrisy” is Thomas Hardy’s novel that is generally, and with reason, read as critical of Victorian society. However, the work’s reception has failed to address the motif of mystical revenge on the inheritor of the bloodline of foreign conquerors that occurs in the shadow of a woman’s tragedy and is executed with consistency, yet is not seen as the text’s rival dominant. Still, without considering the opposing line of interpretation that constitutes a parallel in its tragic irony, the understanding of the novel will remain superficial. The third example of the author’s split viewpoint can be found in the first Estonian novel to excel in artistic maturity that also stands out as the first psychological and erotic novel. Vilde’s social-critical programme in the name of the oppressed country people and women’s emancipation clashes in an intriguing way with his erotomanic objectifying gaze on the woman which rather represents a patriarchal attitude bent on subordinating the other sex. Vilde’s ambivalence towards his wayward heroine makes her a most interesting character whose mystery cannot be solved unequivocally.

scholarly journals Emine Işınsu's "Aktopraklar" Idioms Composed of Actuals in the Title

2018 ◽  
pp. 111-120
Author(s):  
Assist. Teacher Alaa Falah Hasan
Keyword(s):  
Older People ◽  
First Person ◽  
The Novel ◽  
Second Person ◽  
The Third ◽  
Turn On ◽  
Idiomatic Expressions ◽  
The One ◽  
Turkish Language

Expressions (idiomatic) is a reductive words are expressing certain state / Related topics cases traditionally the older people in Western societies and that the similarity of our fairly close proverbs in Arabic. And idiomatic expressions of the two words at a minimum and consist of up to seven words but often loses its meaning if it increased his words more than that and can not be an expression because the expression idiomatic as we have is a set of words that indicate aggregating does not make sense is signified by its vocabulary Severally. If the one-word then called metaphorical expressions. This is the focus of our research is marked ) Idioms consisting of Verbs in The “Ak Topraklar (White territory)” Novel  By Emine Işınsu) where we worked to extract expressions consisting of actions in the novel mentioned and we classified these terms by the time the formulas in the Turkish language, which is divided in turn on two formats news and request formats or Tammany also classified as scientists in the Turkish language. This is what distinguishes the idiomatic expressions of the sayings that the parables take suffixes discharge of an actor first person and the second and third and the second person and the third about the format of the matter, and the idiomatic expressions, it shows the actor in all cases or three people for an actor without the need for suffixes drainage and be in the form of sentence.

scholarly journals Morality,the Other and Third Persons

2013 ◽  
Vol 5 (4) ◽  
pp. 105-124
Author(s):  
Eva Buddeberg
Keyword(s):  
The Other ◽  
First Person ◽  
Second Person ◽  
Cognitive Dimension ◽  
The Third ◽  
Cognitive Insight ◽  
Change Of Perspective ◽  
Moral Relationship

This paper seeks to defend the thesis that a justification of morality has to underline the role of the second person in addition to a perpetual and on-going change of perspective that likewise includes the third and first person. To support this argument, the paper conceptualises responsibility as a moral relationship whose core constitutes the encounter with the other whom we recognise as a second-person authority. It then sketches how this pre-cognitive dimension must be supplemented by a cognitive insight which implies a dissociation from the second person and a consideration of third persons. on this basis, it finally provides an outline of how a possible tension between these different but all-together necessary perspectives could best be resolved.

Reading About Persons: The Effects of Conjunctions on the Mental Representation of Person Descriptions

2008 ◽  
Vol 67 (1) ◽  
pp. 5-18 ◽  
Author(s):  
Sabine Krolak-Schwerdt ◽  
Margret Wintermantel ◽  
Nadine Junker ◽  
Julia Kneer
Keyword(s):  
Mental Representation ◽  
The Other ◽  
Person Memory ◽  
Causal Connections ◽  
Single Person ◽  
On Line

Three experiments investigated the processing of person descriptions that consisted of a number of statements about the characteristics of a person. In one condition, each statement referred to a single person attribute and in the other condition, causal and additive conjunctions to verbally link the statements were introduced. Evidence was found that the introduction of verbal links enhanced participants’ memory about the characteristics of the described person. On-line measures of processing showed that the comprehension of person information was strongly facilitated by the introduction of verbal links. Furthermore, the results were due to the introduction of causal connections between person attributes. These findings are discussed in terms of their implications for models of person memory and representation.

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