I “Concetti spaziali per televisione” di Lucio Fontana: dalle proposte del Manifiesto Blanco ai primi ambienti
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This essay investigates Lucio Fontana’s “Luminous Images in Movement”, realized by the artist in 1952, when the Manifesto of the Spatial Movement for Television was published. Analyzing little-known and new documents and re-examining the historical and artistic context in which they were born, the essay proposes a re-reading of these researches highlighting their environmental dimension. A case in point within a “pre-history” of the relationship between art and television, Fontana’s interest in the new television medium is thus included in the original path that from the Manifiesto Blanco leads the artist to the creation of his first pioneering “environments”.
2011 ◽
Vol 19
(5)
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pp. 1265-1271
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2014 ◽
Vol 25
(1)
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pp. 57-69
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