"The Study of Succession of Japanese modern literature and cultural contentization factors - Focusing on Natsume Sōseki"

2021 ◽  
Vol 122 ◽  
pp. 301-320
Author(s):  
Hye-young Yun
Keyword(s):  
Modern Literature ◽  
Natsume Soseki

Natsume, Sōseki (1867–1916)

2018 ◽  
Author(s):  
Jonathan Abel
Keyword(s):  
English Literature ◽  
Literary Work ◽  
Modern Literature ◽  
Natsume Soseki ◽  
Modern Condition ◽  
School Curricula

Natsume Sōseki (b. Natsume Kinnosuke, generally referred to by his pen name Sōseki, adopted originally for signing his poetry) is commonly held to be the greatest modern Japanese novelist. An idiosyncratic man of letters, he was a path-breaking satirist and stylist, as well as a critic and scholar of English literature. Among the first Japanese writers to make a living solely by the sales of his own literary work, Sōseki occupied the ironic position of having become widely popular by writing about the extreme loneliness of the modern condition. His place in the Japanese canon has only grown since his death, with his works appearing in anthologies of modern literature and regularly listed in school curricula; his visage also appeared for decades on the 1,000 yen note.

The Undoing of a Man: Cuckoldry in Heywood's Edward IV

2017 ◽  
Vol 24 (2) ◽  
pp. 246-267
Author(s):  
Jonathan Wright
Keyword(s):  
Early Modern ◽  
Early Modern Literature ◽  
Early Modern England ◽  
Self Control ◽  
Modern Literature ◽  
Spiritual Needs ◽  
Critical Reading ◽  
Social Construct

Manhood was a complex social construct in early modern England. Males could not simply mature or grow from boys to men. Instead, they had to assert or prove they were men in multiple ways, such as growing a beard, behaving courageously in battle, exercising self-control in walking, talking, weeping, eating, and drinking, pursuing manly interests, exhibiting manly behaviors, avoiding interests or behaviors typically ascribed to women, marrying a woman and providing for her physical, sexual, and spiritual needs, and living and dying as a faithful Christian. Once a male became a “man” in the eyes of others, his efforts shifted from “making” himself manly to maintaining or defending his reputation as a “true man.” All men could undermine their manhood through their own actions or inactions, but the married man could also lose his reputation through his wife's infidelity. Numerous literary husbands in early modern literature live anxiously with the knowledge they might suffer a cuckold's humiliation and shame. Matthew Shore, who “treasures” his wife to a fault in Thomas Heywood's two-part play Edward IV, is an exceptional example of such a husband. This critical reading of Edward IV explores the complexity of manhood in Heywood's day by showing various males trying to assert or defend their manhood; explaining why husbands had reasons to fear cuckoldry; analyzing how Jane Shore's infidelity affects her husband; following Matthew Shore's journey from trusting husband to distrusting, bitter cuckold, to forgiving husband; and examining his seemingly inexplicable death at the end of the play.

Toucher II: Keep Your Hands to Yourself, Jean-Luc Nancy

Derrida Today ◽  
2009 ◽  
Vol 2 (1) ◽  
pp. 84-108 ◽  
Author(s):  
McQuillan Martin
Keyword(s):  
Modern Literature ◽  
Mary Magdalene

This text begins by considering the phrase ‘digital haptology’ as suggested by the closing pages of Derrida's Le Toucher. It suggests that this moment in telecommunications presents a model of ‘tele-haptology’. The text goes on to consider Jean-Luc Nancy's ‘Noli me tangere’ as a response to Le Toucher. In particular it is concerned with Nancy's hypothesis on Modern literature and art as having an essential link to the gospel parables. Through a reading of Nancy's text and the gospels, this hypothesis is placed in doubt. Notably, the argument is made that once again Nancy's discourse on touching leads him to make a too hasty fore-closure of otherness within his intended deconstruction of reading and his account of Mary Magdalene. In response to Nancy's formulation of literature as parable, an alternative consideration of literature as tele-haptology is proposed.

Echohistoricism: Aristotle, Dryden, Montgomery, Conrad

Romanticism ◽  
2018 ◽  
Vol 24 (3) ◽  
pp. 278-293
Author(s):  
Thomas H. Ford
Keyword(s):  
Literary History ◽  
Joseph Conrad ◽  
John Dryden ◽  
Modern Literature ◽  
Critical Dialogue ◽  
Lecture Series ◽  
Narrative Frame ◽  
Definition Of

The contingencies of military decisions and their outcomes have always shaped the course of literary history, determining even the languages in which it has been conducted. But modern literature takes a new bearing on its determinant military contingencies. This paper describes a modern literary scene that self-reflexively attributes to literature the potential to suspend these determining military events, and so to communicate the unactualised possibilities contained in past contingencies, even those that have been violently foreclosed. It is a scene of interested observers, adrift in a boat, who listen for the sounds of a distant naval battle. Having first located this scene's classical antecedents in Aristotle, I then track it through three pivotal and distinctively modern moments of literary self-periodization. In each instance, the scene is differently configured, articulating a specific conjuncture of war, textuality and literary self-definition. It appears in John Dryden as the setting of a modern critical dialogue on theatre, with James Montgomery as a Romantic definition of the poetry of sound in a lecture series on literature, and with Joseph Conrad as the narrative frame of a modernist tale within a tale. But the same scene re-echoes in all three – the scene of literary inscription as one in which, contingently, a war neither did nor did not take place, a battle was and was not fought.

Kokoro Confidential

2016 ◽  
Vol 134 (1) ◽  
pp. 93-115
Author(s):  
Brian Hurley
Keyword(s):  
Graduate Student ◽  
University Of Chicago ◽  
Natsume Soseki ◽  
Dissertation Advisor ◽  
Austrian Economist ◽  
Modern Japan ◽  
The University ◽  
Friedrich Hayek

As a graduate student at the University of Chicago in the mid-1950s, Edwin McClellan (1925–2009) translated into English the most famous novel of modern Japan, Kokoro (1914), by Natsume Sōseki. This essay tells the story of how the translation emerged from and appealed to a nascent neoliberal movement that was led by Friedrich Hayek (1899–1992), the Austrian economist who had been McClellan’s dissertation advisor.

Relationship Ending in the Concept of Customer Relationship Management

2015 ◽  
Vol 10 (2) ◽  
pp. 103-113
Author(s):  
Ewa Hajduk-Kasprowicz ◽  
Lech Nieżurawski
Keyword(s):  
Customer Relationship Management ◽  
Relationship Management ◽  
Professional Services ◽  
Customer Relationship ◽  
Modern Literature ◽  
Relationship Dissolution ◽  
Business Relationships ◽  
Efficient Management ◽  
The Future ◽  
The Relationship

The paper discusses the problems of fading and ending of business relationships in the sphere of professional services i.e. the phase of a relationship dissolution resulting from a client's or a firm's decision to end it. This phase includes, among others, determining the causes of the relationship dissolution and drawing conclusions for the future in order to prevent losing the most lucrative clients. Both in theory and in practice, relationship ending is perceived as something stretched in time i.e. consisting of numerous stages and influenced by numerous factors and events.The aim of the present paper is an analysis of the modern literature on the causes and mechanisms of business relationships termination in the sphere of professional services as well as indicating some possibilities of a more effective and efficient management of these relations. 

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