scholarly journals Old Testament foundations for Christian hospitality

2014 ◽  
Vol 35 (1) ◽  
Author(s):  
Lee Roy Martin
Keyword(s):  
Old Testament ◽  
Image Of God ◽  
History Of ◽  
The Image Of God ◽  
Christian Hospitality

In an effort to revive the ancient Christian practice of hospitality, scholars often appeal to the Old Testament as a model to be emulated. This article examined and described the practice of hospitality in the Old Testament and evaluated its relevancy for the recent discussions surrounding hospitality. Throughout the history of discussions on hospitality, Abraham has served as the exemplar of biblical hospitality. Therefore, the Old Testament practice of hospitality was evaluated through Abraham�s story found in Genesis 18. It was concluded that the Old Testament practice of hospitality is not sufficient as a contemporary model for hospitality, but that the following elements of Old Testament thought might serve as theological underpinnings for a renewed and revisioned Christian practice of hospitality in today�s multi-faith environment, in that, (1) all humans bear the image of God, (2) all humans are relational creatures, (3) all humans are dependent upon each other and (4) all humans are travellers hosted by God.

Das Alte Testament in christlicher Perspektive

2017 ◽  
Vol 77 (2) ◽  
pp. 88-100
Author(s):  
Bernd Oberdorfer
Keyword(s):  
New Testament ◽  
Old Testament ◽  
Image Of God ◽  
Historical Criticism ◽  
Christian Perspective ◽  
Christian View ◽  
The New Testament ◽  
Human Reality ◽  
History Of ◽  
The Image Of God

Abstract According to Notker Slenczka, Jesus redefined the early Jewish understanding of God so radically that the Old Testament could not remain an adequate expression of the Christian idea of God. Moreover, in the light of historical criticism, the messianic promises of the OT could no longer be read as prophetic references to Jesus, either. The OT could hence only be seen as revelation to Jews; for Christians, however, it is valuable as paradigmatic expression of human reality and their necessity of salvation only, and to them authentic information about redemption is provided only by the New Testament. The essay discusses this position and defines a possible Christian view on the relation between Old and New Testament based on the insight that Jesus’ redefinition of the image of God can only be understood in the light of the history of God’s self-revelation to Israel, of which Jesus is a part; from a Christian perspective, the words, actions and fate of Jesus then also shed new light on the history of God’s self-revelation to Israel.

scholarly journals Image (of God) as ethical injunction: A social-scientific perspective

1995 ◽  
Vol 51 (2) ◽  
Author(s):  
P. Van Staden
Keyword(s):  
New Testament ◽  
Old Testament ◽  
Jesus Christ ◽  
Image Of God ◽  
Religious Symbol ◽  
Metaphorical Language ◽  
The New Testament ◽  
Social Scientific ◽  
The Image Of God

Taking cognizance of the fact that language - especially metaphorical language - can be expressive of deeplying cultural or religious symbol sets in man, the study explores the  possible original content of the syntagma εἰΚὼν ΤΟῦ θεΟῦ in both the Old and the New Testament. It is argued that there is a definite shift in the symbol set of which the concept (metaphor) 'image of God' is expressive. Whilst the Old Testament usage of the term probably attests to the conviction that humankind is part of the genus God and may even resemble him physically, the New Testament substitutes Jesus Christ for man as the primary carrier of the 'image of God'. Humankind in general does not reflect that image any more. It is only to be found in those who through faith in Jesus Christ regain the image of God. Our thesis is that the concept of 'image' is to be regarded as much an ethical injunction as it is an ontological state-ment. The faith of adherents to the community of believers finds expres-sion in distinctive behavior - that is, in conduct that clearly identifies them as reflecting the image of God.

scholarly journals EM BUSCA DA “DRACMA PERDIDA” O CINEMA ENTRE A IMAGEM DE DEUS E A DO DITADOR

2003 ◽  
Vol 38 (1) ◽  
Author(s):  
Cláudio Aguiar Almeida
Keyword(s):  
20Th Century ◽  
Old Testament ◽  
Jesus Christ ◽  
Catholic Church ◽  
Image Of God ◽  
The Political ◽  
Image Reproduction ◽  
The Image Of God ◽  
The Catholic Church

Proibidas pelo Antigo Testamento, a produção e a veneração de imagens se converteram em tema de amplo debate entre os cristãos para quem a encarnação de Jesus Cristo como um homem visível tornava possível, pelo menos em tese, a reprodução da imagem de Deus. Este artigo analisa esse debate, que coloca dados fundamentais à compreensão das reações da Igreja Católica ao cinema e a outros meios técnicos de reprodução de imagens que, no século XX, foram utilizados na propagação de “religiões políticas” como o fascismo e o nazismo. Searching for the lost dracma: cinema between the image of god and the dictator Abstract The production and veneration of images was forbidden by the Old Testament and became an important theme of discussion among Christians, for whom the incarnation of Jesus Christ as a visible man had made the reproduction of the God’s image possible, at least in theory. This article analyses this debate, which brings fundamental data to the understanding of the Catholic Church reactions to the cinema and to other technical media of image reproduction. These media were used for the propagation of the “political religions” such as the fascism and the nazism in the 20th century.

Dancing the Animal to Open the Human: For a New Poetics of Locomotion

2010 ◽  
Vol 42 (1) ◽  
pp. 3-11 ◽  
Author(s):  
Gabriele Brandstetter
Keyword(s):  
Sigmund Freud ◽  
Image Of God ◽  
Human Identity ◽  
The Bible ◽  
Nature Versus Nurture ◽  
History Of ◽  
Self Discovery ◽  
The Relationship ◽  
The Image Of God ◽  
Made In

Animals have provided a theme and a model for movements in dance from time immemorial. But what image of man do danced animal portrayals reflect? What questions of human identity and crisis do they reveal? Do the bodies of animals provide symbolic material for the ethical, political, and aesthetic questions raised by man's mastery of nature?The exploration of the boundary between man and animal—in myths and sagas, in the earliest records of ritual and art, and in the history of knowledge—is part of the great nature-versus-nurture debate. In the Bible the relationship is clear: Adam, made in the image of God, gives the animals in Paradise their names. In this way he rules over them—but Thomas Aquinas's commentary on this biblical text makes clear that the act of naming animals in Paradise is a step toward man's experiential self-discovery. Since then the hierarchy seems to be beyond doubt.Homo sapien, as theanimal significans, is distinguished from other animals by his ability to speak, his upright gait, the use of his hands, and the capacity to use instruments and media—man as what Sigmund Freud called the “prosthetic god” (1966, 44).

Inseparable virtue and theimago Deiin Augustine: a speculative interpretation ofDe Trinitate6.4

2019 ◽  
Vol 72 (2) ◽  
pp. 146-165
Author(s):  
Adam Ployd
Keyword(s):  
Image Of God ◽  
Human Soul ◽  
Soft Or ◽  
Divine Attributes ◽  
Extended Treatment ◽  
De Trinitate ◽  
The Face ◽  
History Of ◽  
The Image Of God ◽  
The Trinity

AbstractInDe Trinitate6.4, Augustine compares the inseparability of virtues within the human soul to the divine attributes within the simple divine substance of the Trinity. In this paper, I will suggest that this is more than a convenient analogy. Rather, I contend, the soul's virtues become inseparable as the soul itself conforms to the image of God through the primary virtue of love. My argument includes an analysis of the history of inseparable virtue in Graeco-Roman philosophy and a comparison of Augustine's use of the concept inTrin. 6.4 with his more extended treatment inEpistle167. In the face of a seeming conflict in these two texts, I argue for a ‘soft’ or ‘imperfect’ version of inseparability in Augustine's view of the virtues. Finally, I suggest that the cultivation of the virtues within the unity of love may be understood as the way we come to image the Trinity.

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