scholarly journals Omstrede kwessies en teksinterne korrektiewe in Skilpoppe van Barrie Hough

Literator ◽  
2010 ◽  
Vol 31 (2) ◽  
pp. 163-182
Author(s):  
M.J. Fritz ◽  
E.S. Van der Westhuizen
Keyword(s):  
Controversial Issues ◽  
Binary Relations ◽  
Politics And Religion ◽  
Youth Literature

Controversial issues and text-internal correctives in <i>Skilpoppe</i> by Barrie Hough This article focuses on the binary relations between controversial issues and text internal correctives by making use of examples from “Skilpoppe” (Babushka dolls) (2002) by Barrie Hough. The article starts with a discussion of controversial issues, including the four main categories, identified as violence, sexuality, politics and religion and continues briefly to the censorship as enacted before the Films and Publications Act, No. 65 of 1996 was passed. Thereafter the text-internal corrective, which is sometimes found to be an answer to controversial issues present in youth literature, is discussed and the binary relations between literary controversy and text-internal correctives are highlighted. The theory developed is then used in the analysis of controversial issues in “Skilpoppe”.

Finally, Clear Answers to Controversial Issues in HIV-Related Therapy

2002 ◽  
Vol 47 (4) ◽  
pp. 471-472
Author(s):  
James L. Werth ◽  
Rebekah J. Bardash
Keyword(s):  
Controversial Issues

Transformation and Education in GDR Youth Literature: A Script Theory Approach

2016 ◽  
Vol 9 (1) ◽  
pp. 65-82
Author(s):  
Jean E. Conacher
Keyword(s):  
Fairy Tale ◽  
Democratic Republic ◽  
Socialist Realism ◽  
National Literature ◽  
Close Reading ◽  
Theory Approach ◽  
Conceptual Blending ◽  
Script Theory ◽  
Cultural Policies ◽  
Youth Literature

Youth literature within the German Democratic Republic (GDR) officially enjoyed equal status with adult literature, with authors often writing for both audiences. Such parity of esteem pre-supposed that youth literature would also adopt the cultural–political frameworks designed to nurture the establishment of socialism on German soil. In their quest to forge a legitimate national literature capable of transforming the population, politicians and writers drew repeatedly upon the cultural heritage of Weimar classicism and the Bildungsroman, Humboldtian educational traditions and Soviet-inspired models of socialist realism. Adopting a script theory approach inspired by Jean Matter Mandler, this article explores how directive cultural policies lead to the emergence of multiple scripts which inform the nature and narrative of individual works. Three broad ideological scripts within GDR youth literature are identified which underpin four distinct narrative scripts employed by individual writers to support, challenge and ultimately subvert the primacy of the Bildungsroman genre. A close reading of works by Strittmatter, Pludra, Görlich, Tetzner and Saalmann reveals further how conceptual blending with classical and fairy-tale scripts is exploited to legitimise and at times mask critique of transformation and education inside and outside the classroom and to offer young protagonists a voice often denied their readers.

Faeries, Aliens, and Leviathans: Science and Fantasy in Ian McDonald's King of Morning, Queen of Day

2019 ◽  
Vol 49 (2) ◽  
pp. 290-303
Author(s):  
Richard Howard
Keyword(s):  
Twentieth Century ◽  
National Identity ◽  
Science Fiction ◽  
Science Studies ◽  
Irish Studies ◽  
Early Twentieth Century ◽  
Politics And Religion ◽  
Unexplored Area ◽  
Late Nineteenth ◽  
Cultural Movement

Irish science fiction is a relatively unexplored area for Irish Studies, a situation partially rectified by the publication of Jack Fennell's Irish Science Fiction in 2014. This article aims to continue the conversation begun by Fennell's intervention by analysing the work of Belfast science fiction author Ian McDonald, in particular King of Morning, Queen of Day (1991), the first novel in what McDonald calls his Irish trilogy. The article explores how McDonald's text interrogates the intersection between science, politics, and religion, as well as the cultural movement that was informing a growing sense of a continuous Irish national identity. It draws from the discipline of Science Studies, in particular the work of Nicholas Whyte, who writes of the ways in which science and colonialism interacted in late nineteenth and early twentieth-century Ireland.

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