scholarly journals The use of wide spectrum groundwater geochemistry in regional groundwater mapping in Ontario

2018 ◽  
Author(s):  
S M Hamilton
2015 ◽  
Vol 19 (4) ◽  
pp. 1599-1613 ◽  
Author(s):  
J. F. Costelloe ◽  
T. J. Peterson ◽  
K. Halbert ◽  
A. W. Western ◽  
J. J. McDonnell

Abstract. Groundwater discharge is a major contributor to stream baseflow. Quantifying this flux is difficult, despite its considerable importance to water resource management and evaluation of the effects of groundwater extraction on streamflow. It is important to be able to differentiate between contributions to streamflow from regional groundwater discharge (more susceptible to groundwater extraction) compared to interflow processes (arguably less susceptible to groundwater extraction). Here we explore the use of groundwater surface mapping as an independent data set to constrain estimates of groundwater discharge to streamflow using traditional digital filter and tracer techniques. We developed groundwater surfaces from 88 monitoring bores using Kriging with external drift and for a subset of 33 bores with shallow screen depths. Baseflow estimates at the catchment outlet were made using the Eckhardt digital filter approach and tracer data mixing analysis using major ion signatures. Our groundwater mapping approach yielded two measures (percentage area intersecting the land surface and monthly change in saturated volume) that indicated that digital filter-derived baseflow significantly exceeded probable groundwater discharge during most months. Tracer analysis was not able to resolve contributions from ungauged tributary flows (sourced from either shallow flow paths, i.e. interflow and perched aquifer discharge, or regional groundwater discharge) and regional groundwater. Groundwater mapping was able to identify ungauged sub-catchments where regional groundwater discharge was too deep to contribute to tributary flow and thus where shallow flow paths dominated the tributary flow. Our results suggest that kriged groundwater surfaces provide a useful, empirical and independent data set for investigating sources of fluxes contributing to baseflow and identifying periods where baseflow analysis may overestimate groundwater discharge to streamflow.


2014 ◽  
Vol 11 (11) ◽  
pp. 12405-12441 ◽  
Author(s):  
J. F. Costelloe ◽  
T. J. Peterson ◽  
K. Halbert ◽  
A. W. Western ◽  
J. J. McDonnell

Abstract. Groundwater discharge is a major contributor to stream baseflow. Quantifying this flux is difficult, despite its considerable importance to water resource management and evaluation of the effects of groundwater extraction on streamflow. It is important to be able to differentiate between contributions to streamflow from regional groundwater discharge (more susceptible to groundwater extraction) compared to interflow processes (arguably less susceptible to groundwater extraction). Here we explore the use of unconfined groundwater surface mapping as an independent dataset to constrain estimates of groundwater discharge to streamflow using traditional digital filter and tracer techniques. We developed groundwater surfaces from 98 monitoring bores using Kriging with external drift. Baseflow estimates at the catchment outlet were made using the Eckhardt digital filter approach and tracer data mixing analysis using major ion and stable isotope signatures. Our groundwater mapping approach yielded two measures (percentage area intersecting the land surface and monthly change in saturated volume) that indicated that digital filter-derived baseflow significantly exceeded probable groundwater discharge during the high flow period of spring to early summer. Tracer analysis was not able to resolve contributions from ungauged tributary flows (sourced from either shallow flow paths, i.e. interflow and perched aquifer discharge, or regional groundwater discharge) and regional groundwater. Groundwater mapping was able to identify ungauged sub-catchments where regional groundwater discharge was too deep to contribute to tributary flow and thus where shallow flow paths dominated the tributary flow. Our results suggest that kriged unconfined groundwater surfaces provide a useful, empirical and independent dataset for investigating sources of fluxes contributing to baseflow and identifying periods where baseflow analysis may overestimate groundwater discharge to streamflow.


2010 ◽  
Vol 273 (3-4) ◽  
pp. 225-237 ◽  
Author(s):  
Stephen E. Grasby ◽  
Jerry Osborn ◽  
Zhuoheng Chen ◽  
Paul R.J. Wozniak

2015 ◽  
Vol 21 ◽  
pp. 178
Author(s):  
Shwetha Mallesara Sudhakar ◽  
Shahla Nadereftekhari

2015 ◽  
Vol 26 (4) ◽  
pp. 207-221
Author(s):  
Wolfgang Mastnak

Abstract. Five overlapping eras or stages can be distinguished in the evolution of music therapy. The first one refers to the historical roots and ethnological sources that have influenced modern meta-theoretical perspectives and practices. The next stage marks the heterogeneous origins of modern music therapy in the 20th century that mirror psychological positions and novel clinical ideas about the healing power of music. The subsequent heyday of music therapeutic models and schools of thought yielded an enormous variety of concepts and methods such as Nordoff–Robbins music therapy, Orff music therapy, analytic music therapy, regulatory music therapy, guided imagery and music, sound work, etc. As music therapy gained in international importance, clinical applications required research on its therapeutic efficacy. According to standards of evidence-based medicine and with regard to clearly defined diagnoses, research on music therapeutic practice was the core of the fourth stage of evolution. The current stage is characterized by the emerging epistemological dissatisfaction with the paradigmatic reductionism of evidence-based medicine and by the strong will to discover the true healing nature of music. This trend has given birth to a wide spectrum of interdisciplinary hermeneutics for novel foundations of music therapy. Epigenetics, neuroplasticity, regulatory and chronobiological sciences, quantum physical philosophies, universal harmonies, spiritual and religious views, and the cultural anthropological phenomenon of esthetics and creativity have become guiding principles. This article should not be regarded as a historical treatise but rather as an attempt to identify theoretical landmarks in the evolution of modern music therapy and to elucidate the evolution of its spirit.


2018 ◽  
Vol 1 (2) ◽  
pp. 75-79
Author(s):  
Abdulghani Alsamarai

Introduction   The International Journal of Medical Sciences [IJMS], ISSN 2522-7386, is a peer-reviewed, 3 issues published annually. Authors are invited to submit for publication articles with a wide spectrum of coverage reporting original work, in the fields of medicine, nursery, dentistry, and pharmacy sciences. Review articles are usually by invitation only. However, Review articles of current interest and high standard will be considered. Prospective work should not be back dated. There are also sections for Case Reports, Brief Communication, correspondence and medical news items. Authors should read the editorial policy and publication ethics before submitting their manuscripts. Authors should also use the appropriate reporting guidelines in preparing their manuscripts


2016 ◽  
Vol 41 ◽  
pp. 10-13 ◽  
Author(s):  
Luca Alberti ◽  
Martino Cantone ◽  
Silvia Lombi ◽  
Alessandra Piana

2020 ◽  
pp. 23-33
Author(s):  
Elena A. Zaeva-Burdonskaya ◽  
Yuri V. Nazarov

This article addresses one of the most actively developing types of design activities – light design. The article comprises quotes of the leading Russian and foreign light design specialists published over the previous five years, as well as the authors’ own conclusions. The thoughts quoted in the article are sometimes opposite to each other and reflect the wide spectrum of professional practice. They reflect the initial opinions of analysts and experts which are often diverging. All of the specialists point at the interdisciplinary nature of the new profession, which imposes additional load on a designer overloaded enough already by the scope and speed of the problems being solved nowadays. The discussion of the new profession of light designer initiated on the pages of professional publications is especially important in view of the development of professional standards and standards of design and architectural education, as well as creation of new educational programmes based on various approaches to the subject in technical and humanitarian institutions. The goal of this article is to introduce light design into the field of fully legitimate sections of design culture, to define the authentic scientific basis of the new creative profession, to initiate a foundation for self-determination of the new synthetic area, which materially affects the state of the profession as a whole and the life standards of a wide variety of consumers. In order to reach the set goal, a comparative and analytical method of study was selected, which allows studying the problem to a large extent and from all angles and finding the ways of overcoming the challenges emerging in the area of the new activity.


2018 ◽  
Vol 13 (2) ◽  
pp. 165-186 ◽  
Author(s):  
Finn Fordham

Aesthetic moments of revelation – intense, sensual, internal, and individual –are so key to modernist culture that the idea of them in criticism has become commonplace. Here I seek to breath life into this humdrum formula of modernist criticism by exploring multiple responses to an alternative moment amongst British cultural figures: the declaration of War against Germany at 11.15 on September 3rd, 1939. This was also an intense moment, but it was social, political, communal, mediated and disseminated publicly by new technologies. As my archival research here reveals, a wide spectrum of responses were recorded, so we can think of such a moment as ‘prismatic’. I will also show how this moment was a shock to culture, which went into a state of suspended animation. As well as offering critiques of the moment as a fetishised form, I argue that modernist culture and the idea of the moment would never be the same again.


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