scholarly journals [CONSIDERATIONS ON DE HUMANI CORPORIS FABRICA BY ANDRIES VAN WESELE (1514-1564) AND JAN STEPHAN VAN CALCAR (1499?- 1545): THE RULE AND FEELING]

2019 ◽  
Author(s):  
Giandomenico Passavanti
Keyword(s):  
Great Influence ◽  
Medical Knowledge ◽  
Human Anatomy ◽  
Key Factors ◽  
Aesthetic Value ◽  
Classical Education ◽  
Know How ◽  
Scientific Accuracy ◽  
The Aesthetic ◽  
Standards Of Beauty

[During the 15th and 16th century, significant innovations developed in medical studies as a result of an analytical revision of classical medicine as reworked by Galenus. Many anatomists began performing dissections on human corpses, thus verifying and correcting the theories of Galenus, who had only performed animal dissection. Remarkable results were achieved by Andries van Wesele (Andreae Vesalii); thanks to his excellent classical education and his knowledge of Greek and Latin, he became interested in anatomy and carried out a large number of dissections on corpses which enabled him to acquire a thorough knowledge of human anatomy. Furthermore, Andreae Vesalii actively sought the collaboration of artists such as Jan Stephan van Calcar to illustrate his works. The De Humani Corporis Fabrica is probably the best result of such collaborations. Although we do not know how many tabulae were actually created by Calcar (only seven have been proven to be his), his work has been a great influence on the book. Not only do the tabulae provide an extremely detailed anatomic description of the human body, they are also aesthetically impeccable. The illustrations of the musculoskeletal system and the thorax are particularly impressive: while the first group of tabulae is more innovative and original, the illustrations of the thorax are still inspired by classical standards of beauty. The importance given to aesthetics also stands out in the illustrations of skeletal segments and entrails and in typographic details such as the paragraph letters at the beginning of each section. To print his book, Vesalii chose Johannes Herbster (known as Oporinus), whose medical knowledge and innovative vision were key factors to a high-quality edition. The scientific accuracy, the aesthetic value and the competence of its printer have all contributed to make the De Humani Corporis Fabrica an absolute masterpiece].

Lighting of Engineering Structures and Industrial Facilities New Aspects of the Topic

2018 ◽  
pp. 29-36
Author(s):  
Nikolai I. Shepetkov ◽  
George N. Cherkasov ◽  
Vladimir A. Novikov
Keyword(s):  
Fundamental Problem ◽  
Lighting Design ◽  
Aesthetic Value ◽  
Engineering Structures ◽  
Industrial Facilities ◽  
Artificial Lighting ◽  
Industrial Structures ◽  
Design Solutions ◽  
Architectural Lighting ◽  
The Aesthetic

This paper considers the fundamental problem of artificial lighting in various types and scales of industrial facilities, focusing on exterior lighting design solutions. There is a lack of interest from investors, customers and society in high­quality lighting design for industrial facilities in Russia, which in many cities are very imaginative structures, practically unused in the evening. Architectural lighting of various types of installations is illustrated with photographs. The purpose of the article is to draw attention to the aesthetic value of industrial structures, provided not only by the architectural, but also by a welldesigned lighting solution.

What's the Message of Architecture?

2014 ◽  
pp. 126-136
Author(s):  
Аndrey G. Velikanov
Keyword(s):  
Separate Entity ◽  
Aesthetic Value ◽  
Current State ◽  
Entire Complex ◽  
History Of ◽  
The Aesthetic

Considers the aspects of architecture as a language able to express the current state and to prophetically indicate the upcoming changes. The aesthetic value of a construction cannot be perceived just as a separate entity, but it can be cognized in the context and not only a visual one, in space. It is necessary to see the entire complex of the accompanying phenomena, all the flow of the unfolding metaphors and values. In the model in view the figure of the author-creator must be reconsidered as no longer conforming to today's reality. The development of the Stalinist Empire style, as well as its transformations, is considered as one of the specific phenomena in the history of well-known constructions

Semi Automatic T-Shirt Folding Machine Berbasis PID (Proportional Integral Derivative)

2020 ◽  
Vol 2 (1) ◽  
Author(s):  
Muhammad Apriliyanto ◽  
Miftachul Ulum ◽  
Koko Joni
Keyword(s):  
Ultrasonic Sensor ◽  
Proportional Integral Derivative ◽  
Servo Motor ◽  
Aesthetic Value ◽  
Proportional Integral ◽  
Door Opening ◽  
Dc Motors ◽  
The Aesthetic ◽  
The Right

<em>The process of folding clothes is one of the activities carried out in the laundry business or household. The activity is fairly easy but many people are still lazy to do it. As a result, clothes that have been washed will fall apart in certain rooms, thereby reducing the aesthetic value of a home. Semi Automatic T-Shirt Folding Machine is the right solution to make folding clothes easier and more time efficient. This tool is equipped with a servo motor that moves the folding board that has been designed in such a way that the user only needs to manghandle the shirt just once and simply push one button then the shirt will fold itself and will be neatly arranged through the clothes stacker board. The PID method is applied to DC motors that move under the clothes folder so that the buildup of clothes underneath will not be pressured upward when the clothes are piled up when they are folded. Ultrasonic sensor will measure the right height between the clothes with the door opening the stacking clothes with kp = 1, ki = 0.1, kd = 0.5 for thin clothes and kp = 5, ki = 1, kd = 2.5 for thick clothes so that the movement of the motor can adjust its speed . This tool can fold one shirt in 16.83 seconds 11 seconds faster than folding clothes manually</em>

STUDY OF DECORATIVE VARIETY IN GORONTALO KARAWO FABRIC IN AESTHETIC AND SYMBOLIC ELEMENTS

ARTic ◽  
2019 ◽  
Vol 3 ◽  
pp. 121-134
Author(s):  
Apsari Dj Hasan
Keyword(s):  
Manufacturing Process ◽  
The Philippines ◽  
Aesthetic Theory ◽  
Cultural Meanings ◽  
Aesthetic Value ◽  
Aesthetic Form ◽  
Decorative Motifs ◽  
Symbolic Meanings ◽  
The Aesthetic

This study aims to examine the decorative types of Gorontalo karawo fabrics in aesthetic and symbolic elements. Researchers want to know as made in the research design, aspects that are present in the decoration of fabrics in aesthetic and symbolic elements. This study uses a number of related theories to get results, and as a determinant, the authors use aesthetic theory, as well as historical approaches. With this theoretical basis, the author seeks to describe the aesthetic aspects and symbolic meanings that exist in Gorontalo karawo fabric. Through the data collection of the chosen motif and provide a classification of motives, the part is used as a reference for research material. The results showed that Gorontalo filigree had an aesthetic value consisting of unity formed from the overall decorative motifs displayed, complexity formed by complexity in the manufacturing process, and intensity of seriousness in the manufacturing process or the impression displayed on the filigree motif. The aesthetic form also reflects the diversity of meanings for communication, such as the symbol of a leader with his noble instincts, a symbol of cultural cooperation, which is worth maintaining, and ideas about nature conservation. This research proves that the decoration in Gorontalo filigree cloth (karawo) does not only act as a visual value, but also as a communication of cultural meanings and social status. Of all these distinctive motifs show a relationship between humans and humans and humans with nature. The influence of culture from the Philippines is also known to have a strong influence on the emergence of the Gorontalo filigree namely manila filigree.

Building Better Aesthetic Agents

2018 ◽  
Author(s):  
Dominic McIver Lopes
Keyword(s):  
Public Goods ◽  
Network Theory ◽  
Arts Education ◽  
Social Groups ◽  
Public Support ◽  
Communication Technologies ◽  
Social Structures ◽  
Aesthetic Value ◽  
The Aesthetic

A theory of aesthetic value should help us to make sense of how our aesthetic commitments matter to us as members of collectives. Aesthetic policies endogenous to aesthetic practices are directly justified by the network theory. The chapter looks at what aesthetic reasons we have to adopt exogenous aesthetic policies. Many argue that aesthetic practices deserve public support because aesthetic goods are public goods. A case is made for an aesthetic opportunity principle: larger social groups have reason to foster the aesthetic opportunities available to their members. The principle is applied to arts education and to communication technologies subserving aesthetic exchanges. The chapter ends with a discussion of how aesthetic opportunity interacts with—and can potentially counteract—oppressive social structures.

scholarly journals Portrait of the artist as a philosopher

2021 ◽  
pp. 105971232199468
Author(s):  
Jeannette Pols
Keyword(s):  
Know How ◽  
The Past ◽  
Aesthetic Practice ◽  
The Creation ◽  
The Aesthetic ◽  
The Relationship

The response asks about the relationship between artist and audience in the RAAAF artworks. Is the artist an Autonomous Innovator who breaches the ties with the past and the environment? Or is the aesthetic practice located in the creation of relationships around these objects, hence expanding the artwork by using know-how, experiences and enthusiasm of the audience/users?

scholarly journals Drug-Induced Photosensitivity—From Light and Chemistry to Biological Reactions and Clinical Symptoms

2021 ◽  
Vol 14 (8) ◽  
pp. 723
Author(s):  
Justyna Kowalska ◽  
Jakub Rok ◽  
Zuzanna Rzepka ◽  
Dorota Wrześniok
Keyword(s):  
Defense Mechanisms ◽  
Clinical Symptoms ◽  
Chemical Properties ◽  
Additional Treatment ◽  
Cosmetic Products ◽  
Aesthetic Value ◽  
Drug Usage ◽  
Drug Induced ◽  
Biochemical Level ◽  
The Aesthetic

Photosensitivity is one of the most common cutaneous adverse drug reactions. There are two types of drug-induced photosensitivity: photoallergy and phototoxicity. Currently, the number of photosensitization cases is constantly increasing due to excessive exposure to sunlight, the aesthetic value of a tan, and the increasing number of photosensitizing substances in food, dietary supplements, and pharmaceutical and cosmetic products. The risk of photosensitivity reactions relates to several hundred externally and systemically administered drugs, including nonsteroidal anti-inflammatory, cardiovascular, psychotropic, antimicrobial, antihyperlipidemic, and antineoplastic drugs. Photosensitivity reactions often lead to hospitalization, additional treatment, medical management, decrease in patient’s comfort, and the limitations of drug usage. Mechanisms of drug-induced photosensitivity are complex and are observed at a cellular, molecular, and biochemical level. Photoexcitation and photoconversion of drugs trigger multidirectional biological reactions, including oxidative stress, inflammation, and changes in melanin synthesis. These effects contribute to the appearance of the following symptoms: erythema, swelling, blisters, exudation, peeling, burning, itching, and hyperpigmentation of the skin. This article reviews in detail the chemical and biological basis of drug-induced photosensitivity. The following factors are considered: the chemical properties, the influence of individual ranges of sunlight, the presence of melanin biopolymers, and the defense mechanisms of particular types of tested cells.

scholarly journals Let’s be Liberal: An Alternative to Aesthetic Hedonism

2020 ◽  
Author(s):  
Antonia Peacocke
Keyword(s):  
Aesthetic Value ◽  
Hedonic Value ◽  
Clear Advantage ◽  
Sensory Features ◽  
Alternative Version ◽  
The Aesthetic ◽  
The Right

Abstract Aesthetic value empiricism claims that the aesthetic value of an object is grounded in the value of a certain kind of experience of it. The most popular version of value empiricism, and a dominant view in contemporary philosophical aesthetics more generally, is aesthetic hedonism. Hedonism restricts the grounds of aesthetic value to the pleasure enjoyed in the right kind of experience. But hedonism does not enjoy any clear advantage over a more permissive alternative version of value empiricism. This alternative is aesthetic liberalism. On this view, an object’s aesthetic value is fully grounded in any value—not just the hedonic value—of a correct and complete experience of its sensory features. To demonstrate the advantages of liberalism over hedonism, I apply both views to analyze the aesthetic value of the Spring Temple Buddha and Anselm Kiefer’s Seraphim. I detail four advantages of liberalism over hedonism, and I conclude by defending liberalism from two kinds of objection.

Pruning and training.

2021 ◽  
Author(s):  
Lynette Morgan
Keyword(s):  
Plant Growth ◽  
Ornamental Plants ◽  
Training Methods ◽  
Aesthetic Value ◽  
Diverse Range ◽  
Horticultural Crops ◽  
Plant Form ◽  
Ease Of Access ◽  
The Aesthetic ◽  
And Training

Abstract Manipulation of plant growth via pruning and training methods has been carried out for as long as crops have been cultivated by man. These methods serve to not only improve the aesthetic value of ornamental plants, but also to increase yields, optimise fruit quality and prolong the productive life of horticultural crops. Pruning involves the selective removal of a diverse range of plant tissue. Branches, stems, roots, buds, flowers, leaves and young fruitlets may all be pruned depending on the purpose, species and growth form of the crop this is applied to. Training methods for horticultural applications are primarily used to support the plant and the weight of produce as it develops. Training structurally alters plant form, to alter the shape, size and direction of plant growth, it also allows optimal light interception and air flow and for ease of access for harvesting and other operations.

Epidemics and History: Multiple Approaches to the Subject

2021 ◽  
pp. 5
Author(s):  
Dmitriy Mikhel
Keyword(s):  
20Th Century ◽  
Great Influence ◽  
Medical Knowledge ◽  
Public Attention ◽  
Medical Texts ◽  
Quarter Century ◽  
History Of ◽  
The Media ◽  
New Generation ◽  
The 19Th Century

The problems of epidemics have increasingly attracted the attention of researchers in recent years. The history of epidemics has its own historiography, which dates to the physician Hippocrates and the historian Thucydides. Up to the 19th century, historians followed their ideas, but due to the progress in medical knowledge that began at that time, they almost lost interest in the problems of epidemics. In the early 20th century, due to the development of microbiology and epidemiology, a new form of the historiography of epidemics emerged: the natural history of diseases which was developed by microbiologists. At the same time, medical history was reborn, and its representatives saw their task as proving to physicians the usefulness of studying ancient medical texts. Among the representatives of the new generation of medical historians, authors who contributed to the development of the historiography of epidemics eventually emerged. By the end of the 20th century, they included many physician-enthusiasts. Since the 1970s, influenced by many factors, more and more professional historians, for whom the history of epidemics is an integral part of the history of society. The last quarter-century has also seen rapid growth in popular historiography of epidemics, made possible by the activation of various humanities researchers and journalists trying to make the history of epidemics more lively and emotional. A great influence on the spread of new approaches to the study of the history of epidemics is now being exerted by the media, focusing public attention on the new threats to human civilization in the form of modern epidemics.

Sign in / Sign up

Export Citation Format

Share Document