scholarly journals Swiss humanitarian aid during the Spanish Civil War: The journey of Anna Siemsen and Regina Kägi-Fuchsmann

2019 ◽  
Vol 8 (2) ◽  
pp. 018 ◽  
Author(s):  
Luís Manuel Calvo Salgado
Keyword(s):  
Civil War ◽  
Spanish Civil War ◽  
Humanitarian Aid ◽  
Moral Dilemmas ◽  
Democratic Values ◽  
Forced Displacement ◽  
Main Motivation ◽  
Shared Emotions ◽  
Displaced People

Anna Siemsen’s and Regina Kägi-Fuchsmann’s journey to Spain in May 1937 resulted in two accounts regarding their experiences and views of Swiss humanitarian aid in the Civil War. The comparison between these two narratives makes it possible to study the role and the expression of fear, sadness and indignation at the bombing and the forced displacement of the civil population during the war. They are shared emotions yet expressed by each one in different ways depending on the function of their ideas and their perceptions. The empathy with the displaced people, especially with the children evacuated from Madrid to Valencia and Catalonia, is the main motivation of the participants in the Swiss humanitarian aid to Republican Spain, which raises some moral dilemmas. This empathy is furthermore characterized by a strong sympathy for the civil, social and democratic values represented by the Spanish Republic. Anna Siemsen’s and Regina Kägi-Fuchsmann’s religious and ideological beliefs, however, establish the limits of their empathy.

scholarly journals Frida Stewart in Spain: Administering humanitarian aid during the Spanish Civil War

2020 ◽  
Vol 33 (2-3) ◽  
pp. 227-240
Author(s):  
Linda Palfreeman ◽  
Jon Arrizabalaga
Keyword(s):  
Civil War ◽  
Spanish Civil War ◽  
Humanitarian Aid ◽  
Military Coup ◽  
Social Conscience ◽  
Women’S Experiences ◽  
Women's Experiences ◽  
International Solidarity ◽  
Republican Government

When a failed military coup provoked civil war in Spain in July 1936, the Spanish government made a worldwide plea for assistance. More than 2500 British men answered the call, taking up arms in defence of the democratically-elected Republican government. While this show of international solidarity has been widely documented, much less attention has been given to the massive response made by British women. Thousands of women organized nationwide campaigns to send aid to Spain. One of these women was Frida Stewart (1910–96), a young musician with a strong social conscience. As is the case with so many other women, Frida’s recollections, her memoir and correspondence, upon which the following essay is closely based, constitute a valuable historical resource for the analysis of women’s experiences during the war and give voice to those whose stories have previously gone unheard.

scholarly journals Hildreth Meière: Connections to Spain Before and During the Spanish Civil War

2019 ◽  
Vol 1 (1) ◽  
pp. 75-94
Author(s):  
Mónica Orduña Prada
Keyword(s):  
United States ◽  
New York ◽  
Civil War ◽  
Spanish Civil War ◽  
Humanitarian Aid ◽  
Vice President ◽  
The United States ◽  
Humanitarian Assistance ◽  
Art Deco ◽  
American Spanish

The prestigious American Art Deco artist Hildreth Meière provided humanitarian assistance to the victims of the Spanish Civil War and in the Second World War. Acting as the vice-president of the American Spanish Relief Fund created in 1937 and run by P. Francis X. Talbot, S. J. with the goal of helping people affected by the war in the Franco zone, and to also deliver medicine and medical supplies from the United States through diplomatic channels. She visited Spain in 1925, 1938 and 1961. On the first trip she came to see the works of Spanish painters and made contact with important aristocratic families of the time (the Duke of Sotomayor, the Marquises of La Romana and Arcos, the Duchess of Vistahermosa, etc.). In 1938 she started humanitarian aid, collecting money and donations from New York society for orphans of the civil war and acted as a propaganda distributor for the Francoist cause in the United States. On this occasion she met with people familiar with the situation in Spain to solve the problems of humanitarian aid: Luis Bolín, Pablo Merry del Val, Cardenal Gomá, Carmen de Icaza, and Mercedes Sanz Bachiller. Meière actively participated in providing humanitarian aid in the Franco zone during the years of the civil war while also acting as a staunch supporter of the Francoist cause. After the civil war she continued her collaboration to alleviate aid deficiencies in Spain by facilitating the transport of anesthetics, medicines, surgical materials, etc, but her perspective towards Francoism was changing and gradually her ties to Spain weakened. It was only three years before her death in 1961 that she made one last trip to Spain.

scholarly journals Help Spain by showing films. British film production for humanitarian aid during the Spanish Civil War

2019 ◽  
Vol 8 (2) ◽  
pp. 019
Author(s):  
Laura López-Martín
Keyword(s):  
Civil War ◽  
Communist Party ◽  
Spanish Civil War ◽  
Wide Spectrum ◽  
Humanitarian Aid ◽  
Fund Raising ◽  
Film Production ◽  
The Real

The Spanish Civil War mobilised a wide spectrum of the British population, a mood which materialised in the despatch of humanitarian aid, mainly to republican Spain. To this end, there were meetings and rallies in which the use of film was customary. Films made it possible to show a different reality from that which appeared on the newsreels, provided an opportunity for fund-raising and showed the deployment and results of the aid received. The distribution of the films, and occasionally their production, was undertaken by progressive film organisations, close to the Communist party, which raised doubts vis-à-vis the real intentions of the humanitarian organisations.

The resilient memory of the Spanish Civil War and Francoism

2016 ◽  
Vol 11 (2) ◽  
pp. 209-224 ◽  
Author(s):  
Vicente Díaz Gandasegui ◽  
Patricia Barbadillo Griñán ◽  
Magdalena Díaz Gorfinkiel ◽  
Maria Victoria Paloma Gómez
Keyword(s):  
Civil War ◽  
Spanish Civil War ◽  
Democratic Values ◽  
Large Segment ◽  
The Past ◽  
The Social ◽  
Resilience Framework ◽  
Common Identity ◽  
Individual Strategies ◽  
Collective Resilience

This article examines the resilient strategies of those people who were politically or ideologically repressed during Francoism. In total, 57 individuals were interviewed in depth in order to establish the strategies that they adopted to overcome adverse situations. The memories of the interviewees not only bring to light the diversity of resources used to face repression, but they also show how their individual strategies of resilience were linked to a collective resilience framework involving a large segment of the population who are still alive or who have handed on their experiences to their descendants. Past memories are consequently connected in the present with the (re)creation of a common identity and the restoration of dignity to the victims, who were classified as criminals in historical and legal archives and also suffered a process of social stigmatization. However, the aim of this article is not to resurrect the conflict in a society that has been ideologically divided for decades nor to transform history, but to cover the existing gaps in the official history. By doing this, it should be possible to strengthen the social and democratic values in a society that needs to build a future that is free from the ideological confrontations of the past.

Through the prism of Spain. Socio-economic causes of different outcomes of Russian and Spanish civil wars

2017 ◽  
pp. 142-155
Author(s):  
I. Rozinskiy ◽  
N. Rozinskaya
Keyword(s):  
Civil War ◽  
World War I ◽  
Civil Wars ◽  
Spanish Civil War ◽  
Statistical Data ◽  
Well Being ◽  
Russian Civil War ◽  
World War ◽  
Common Features ◽  
Economic Well Being

The article examines the socio-economic causes of the outcome of the Spanish Civil War (1936-1936), which, as opposed to the Russian Civil War, resulted in the victory of the “Whites”. Choice of Spain as the object of comparison with Russia is justified not only by similarity of civil wars occurred in the two countries in the XX century, but also by a large number of common features in their history. Based on statistical data on the changes in economic well-being of different strata of Spanish population during several decades before the civil war, the authors formulate the hypothesis according to which the increase of real incomes of Spaniards engaged in agriculture is “responsible” for their conservative political sympathies. As a result, contrary to the situation in Russia, where the peasantry did not support the Whites, in Spain the peasants’ position predetermined the outcome of the confrontation resulting in the victory of the Spanish analogue of the Whites. According to the authors, the possibility of stable increase of Spanish peasants’ incomes was caused by the nation’s non-involvement in World War I and also by more limited, compared to Russia and some other countries, spending on creation of heavy (primarily military-related) industry in Spain.

The Spanish Reception of Le Sacre du Printemps (1913–1936)

2018 ◽  
Vol 36 (1) ◽  
pp. 48-66
Author(s):  
Idoia Murga Castro
Keyword(s):  
Nineteenth Century ◽  
Civil War ◽  
Spanish Civil War ◽  
Original Work ◽  
Silver Age ◽  
Avant Garde ◽  
Ballets Russes ◽  
Rite Of Spring ◽  
Le Sacre Du Printemps ◽  
Cultural Expansion

Centenary celebrations are being held between 2016 and 2018 to mark the first consecutive tours of Diaghilev's Ballets Russes in Spain. This study analyses the Spanish reception of Le Sacre du Printemps (The Rite of Spring) (1913), one of its most avant-garde pieces. Although the original work was never performed in Spain as a complete ballet, its influence was felt deeply in the work of certain Spanish choreographers, composers, painters and intellectuals during the so-called Silver Age, the period of modernisation and cultural expansion which extended from the end of the nineteenth century to the beginning of the Spanish Civil War.

Kate O'Brien and Virginia Woolf: Common Ground

2018 ◽  
Vol 48 (1) ◽  
pp. 127-142
Author(s):  
Aintzane Legarreta Mentxaka
Keyword(s):  
Civil War ◽  
Virginia Woolf ◽  
Spanish Civil War ◽  
Common Ground ◽  
Point Of View ◽  
Political Alignments ◽  
Literary Influences ◽  
Kate O'brien

Convergences in the work of Kate O'Brien and Virginia Woolf range from literary influences and political alignments, to a shared approach to narrative point of view, structure, or conceptual use of words. Common ground includes existentialist preoccupations and tropes, a pacifism which did not hinder support for the left in the Spanish Civil War, the linking of feminism and decolonization, an affinity with anarchism, the identification of the normativity of fascism, and a determination to represent deviant sexualities and affects. Making evident the importance of the connection, O'Brien conceived and designed The Flower of May (1953), one of her most experimental and misunderstood novels, to paid homage to Woolf's oeuvre.

“The heart above the ruins”: Miriam Waddington’s Poetry, the Spanish Civil War, and Jewish Canadian Literature

1969 ◽  
Vol 26 ◽  
Author(s):  
Emily Robins Sharpe
Keyword(s):  
Human Rights ◽  
World War Ii ◽  
Civil War ◽  
Spanish Civil War ◽  
World War ◽  
Canadian Literature ◽  
The Earth ◽  
The Holocaust ◽  
The Subject ◽  
War Consequences

The Jewish Canadian writer Miriam Waddington returned repeatedly to the subject of the Spanish Civil War, searching for hope amid the ruins of Spanish democracy. The conflict, a prelude to World War II, inspired an outpouring of literature and volunteerism. My paper argues for Waddington’s unique poetic perspective, in which she represents the Holocaust as the Spanish Civil War’s outgrowth while highlighting the deeply personal repercussions of the war – consequences for women, for the earth, and for community. Waddington’s poetry connects women’s rights to human rights, Canadian peace to European war, and Jewish persecution to Spanish carnage.

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