Michael Gerard Plastow. Sabina Spielrein, poésie et vérité L’écriture et la fin de l’analyse

Essaim ◽  
2021 ◽  
Vol n° 47 (2) ◽  
pp. 159-162
Author(s):  
Marguerite Charreau ◽  
Clara Konfinoff
Keyword(s):  
Sabina Spielrein

Angela M. Sells, Sabina Spielrein: The Woman and the Myth

2019 ◽  
Vol 21 (1) ◽  
pp. 113-116
Author(s):  
Hannah Proctor
Keyword(s):  
Sabina Spielrein

Schopenhauer and the Unconscious

2020 ◽  
pp. 496-516
Author(s):  
Stephan Atzert
Keyword(s):  
Sigmund Freud ◽  
Arthur Schopenhauer ◽  
Death Drive ◽  
Central Idea ◽  
The Unconscious ◽  
Pleasure Principle ◽  
History Of ◽  
The Will ◽  
The Individual ◽  
Sabina Spielrein

This chapter explores the gradual emergence of the notion of the unconscious as it pertains to the tradition that runs from Arthur Schopenhauer via Eduard von Hartmann and Philipp Mainländer to Sabina Spielrein, C. G. Jung, and Sigmund Freud. A particular focus is put on the popularization of the term “unconscious” by von Hartmann and on the history of the death drive, which has Schopenhauer’s essay “Transcendent Speculation on the Apparent Deliberateness in the Fate of the Individual” as one of its precursors. In this essay, Schopenhauer develops speculatively the notion of a universal, intelligent, supraindividual unconscious—an unconscious with a purpose related to death. But the death drive also owes its origins to Schopenhauer’s “relative nothingness,” which Mainländer adopts into his philosophy as “absolute nothingness” resulting from the “will to death.” His philosophy emphasizes death as the goal of the world and its inhabitants. This central idea had a distinctive influence on the formation of the idea of the death drive, which features in Freud’s Beyond the Pleasure Principle.

scholarly journals A ESQUIZOFRENIA E A CRIAÇÃO ARTÍSTICA SEGUNDO SABINA SPIELREIN

2018 ◽  
Vol 21 (2) ◽  
pp. 266-276
Author(s):  
Fátima Caropreso
Keyword(s):  
Sabina Spielrein

Resumo: O interesse por Sabina Spielrein tem aumentado nas últimas décadas, embora, nas publicações sobre essa autora, sua contribuição teórica à psicanálise ainda permaneça em segundo plano em relação ao interesse por sua biografia. Este artigo tem como objetivo apresentar algumas das ideias de Spielrein sobre o funcionamento mental, formuladas, sobretudo, a partir de sua análise da esquizofrenia, e comentar como ela concebe, a partir de tais hipóteses, os processos envolvidos no simbolismo e na criação artística. Baseamo-nos nas ideias apresentadas em sua dissertação sobre a esquizofrenia, de 1911, e em seu texto Destruição como causa do devir, de 1912.

La contribution de Sabina Spielrein à la psychanalyse

Le Coq-héron ◽  
2009 ◽  
Vol 197 (2) ◽  
pp. 32
Author(s):  
Ursula Prameshuber
Keyword(s):  
Sabina Spielrein

L’émergence de la pulsion de mort chez Sabina Spielrein

Essaim ◽  
2019 ◽  
Vol n°43 (2) ◽  
pp. 79
Author(s):  
Michael G. Plastow
Keyword(s):  
Sabina Spielrein

Back to Russia: Sabina Spielrein

2019 ◽  
pp. 132-178
Author(s):  
Alexander Etkind
Keyword(s):  
Sabina Spielrein
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