scholarly journals The emotional impact of traditional and new media in social events

Comunicar ◽  
2017 ◽  
Vol 25 (50) ◽  
pp. 109-118
Author(s):  
Minodora Salcudean ◽  
Raluca Muresan

In past times, media were the sole vector to reflect in their entire complexity the events surrounding major world tragedies. Nowadays, social media are an essential component of the media process and classical press channels are connected to the social networking flow, where they can find information and, at the same time, tap into the emotional pulse of society. On 30 October 2015, a Bucharest nightclub was destroyed in a blaze tragedy in which 64 people were killed, most of them young. The present study focuses on how Romanian mainstream media and social media came together and made use of each other, generating post-tragedy side effects. Monitoring was conducted over a period of one month, starting from 30 October 2015, the date of the tragedy, until 30 November. Our investigation method combines content analysis and the interpretation of quantitative data, with reference to parameters such as context, themes, style, genre, and information/opinion rapport. The conclusions of this case study show that the interweaving between media and social media has generated a change of paradigm in mass communication, as a result of which professional journalists continue to play a role as responsible filters. En el pasado, al referirse a tragedias, los medios de comunicación representaban el único vector que reflejaba el acontecimiento en toda su complejidad. Hoy en día, los medios sociales constituyen un componente esencial del proceso mediático, y son los medios clásicos de prensa los que están conectados al flujo de las redes sociales, de las que, no solo recopilan información, sino también el pulso emocional de la sociedad. El 30 de octubre de 2015, en un club de Bucarest, se produjo un incendio que ocasionó 64 muertes, la mayoría jóvenes. Este estudio se centra en cómo el flujo mediático y las redes sociales en Rumanía se fusionaron y se apoyaron mutuamente, generando efectos secundarios tras la tragedia. El período de seguimiento fue de un mes, desde el 30 de octubre, cuando se produjo la tragedia, hasta el 30 de noviembre. El método de investigación combina el análisis de contenido y la interpretación cualitativa de los datos, con referencia a parámetros como el contexto, el tema del artículo, el estilo, el género periodístico o la relación información/opinión. Las conclusiones de este estudio nos muestran que la conexión entre los medios tradicionales y los medios sociales ha ocasionado un cambio en el paradigma de los medios de comunicación, cuyo resultado es que el papel de los periodistas profesionales como filtro de garantía sigue siendo prioritario.

2020 ◽  
Vol 18 (41) ◽  
pp. 54
Author(s):  
Ivig De Freitas Santos ◽  
Maria Érica de Oliveira Lima

A Igreja Católica sempre procurou estar conectada com a mídia e a pandemia de COVID-19 estreitou ainda mais os laços da instituição religiosa com as mídias sociais. Neste cenário, também as festas populares precisaram reconfigurar suas práticas para atender a necessidade do isolamento, o que incluiu a presença ainda mais forte destas celebrações no ambiente digital. Nesse contexto, o objeto da presente pesquisa é a “Caminhada com Maria”, tradicional procissão católica realizada em Fortaleza, ocorrida em formato virtual em 2020. A metodologia utilizada é a netnografia, por meio da análise dos comentários dos fiéis durante a transmissão ao vivo da festa religiosa. Foi possível observar como os participantes se apropriaram destes espaços para manifestar práticas devocionais e votivas, o que demonstra as oportunidades de comunicação que a religiosidade tem experimentado na Era digital. Redes Sociais; Festa popular; Internet; Religiosidade; Folkcomunicação. The Catholic Church has always sought to be connected with the media and the COVID-19 pandemic has further strengthened the religious institution's ties to social media. In this scenario, popular festivals also needed to reconfigure their practices to meet the need for isolation, which included the even stronger presence of these celebrations in the digital environment. In this context, the object of this research is the “Walk with Mary”, a traditional Catholic procession held in Fortaleza, which took place in virtual format in 2020. The methodology used is netnography, through the analysis of the comments of the faithful during the live broadcast of the religious festival. It was possible to observe how the participants appropriated these spaces to manifest devotional and voting practices, which demonstrates the communication opportunities that religiosity has experienced in the digital age. Social networks; Popular festival; Internet; Religiosity; Folkcommunication. La Iglesia Católica siempre ha buscado estar conectada con los medios de comunicación y la pandemia de COVID-19 ha fortalecido aún más los lazos de la institución religiosa con las redes sociales. En este escenario, las fiestas populares también necesitaban reconfigurar sus prácticas para satisfacer la necesidad de aislamiento, que incluía la presencia aún más fuerte de estas celebraciones en el entorno digital. En este contexto, el objeto de esta investigación es el “Caminata con María”, tradicional procesión católica celebrada en Fortaleza, que tuvo lugar en formato virtual en 2020. La metodología utilizada es la netnografía, a través del análisis de los comentarios de los fieles durante la transmisión en vivo. de la fiesta religiosa. Se pudo observar cómo los participantes se apropiaron de estos espacios para manifestar prácticas devocionales y de voto, lo que demuestra las oportunidades comunicativas que ha experimentado la religiosidad en la era digital. Redes sociales; Fiesta popular; Internet; Religiosidad; Comunicación popular.


2019 ◽  
Vol 15 (1) ◽  
pp. 102-123
Author(s):  
Cristiane Guilherme Bonfim ◽  
Márcia Vidal Nunes

This article aims to reflect on the impact that the campaign #PrimeiroAssédio [first harassment], created by the NGO Think Olga, in 2015, had on the perception of Facebook female users on the subject of harassment, drawing from the perspective of Cultural Studies. This hashtag encouraged the sharing of content and placed the feminist issue of combating sexual harassment on the agenda. We have used Martín-Barbero’s (1997) concept of mediation to investigate the context in which users published posts on Facebook and have conducted interviews with women who have published comments in the campaign’s posts. In a context of prolific content generation and intense participation, with many people speaking to many people, many authors see the emergence of politically driven action on social media, the so-called “digital activism”, as being relative, holding little expectations of radical social change. Our interviewees’ answers indicate that, in terms of tangible changes, they found that they were able to engage in dialogue about the topic with the people who were closest to them.         Este artigo tem como objetivo refletir sobre o impacto da campanha #PrimeiroAssédio, criada pela ONG Think Olga, em 2015, na percepção de leitoras no Facebook sobre o tema assédio, sob a perspectiva dos Estudos Culturais. A hashtag incentivou compartilhamento de conteúdo e agendou veículos de mídia sobre assédio, uma pauta que é bandeira de movimentos feministas. O conceito de mediações de Martín-Barbero (1997) é usado para investigar o contexto de postagens no Facebook e entrevistas com mulheres que comentaram em posts da campanha. No cenário de geração de conteúdo em profusão e da participação de muitos falando para muitos, a atuação política nas redes sociais, o chamado ativismo digital, é perpassada com alguma relativização, sem expectativa de mudança radical. As respostas das entrevistadas sinalizam que campanhas como essa podem  alcançar repercussão fora das redes, mas indicam que a mudança gerada foi o diálogo mais frequente sobre o tema com o círculo de pessoas mais próximo.Este artículo objetiva hacer una reflexión sobre el impacto de la campaña #PrimeiroAssédio (#Primeracoso), creada por la Organización no Gubernamental Think Olga el 2015, en la percepción de lectoras en Facebook sobre el tema acoso, bajo la perspectiva de los Estudios Culturales. La etiqueta incentivó que el contenido fuera compartido y generó agenda setting de medios de comunicación sobre acoso, una pauta que es bandera de los movimientos feministas. El concepto de mediaciones de Martín-Barbero (1997) es usado para investigar el contexto de publicaciones en Facebook y entrevistas con mujeres que comentaron en posts de la campaña. En el escenario de geración de contenido en profusión y de participación de muchos comunicando para muchos, la actuación política en las redes sociales, el llamado activismo digital, se puede identificar alguna relativización, sin expectativa de cambio radical. Las respuestas de las entrevistadas señalan que campañas como esa pueden alcanzar repercusión más allá de las redes, pero apuntan que el cambio generado ha sido el diálogo más a menudo sobre el tema con el círculo de personas más cercanas.


2019 ◽  
Vol 5 (5) ◽  
pp. 392-425
Author(s):  
Heliney Nunes Resende Junior ◽  
Suzana Gilioli da Costa Nunes ◽  
Alain Santoyo

O objetivo dessa pesquisa e mensurar a influência das mídias sociais no processo de planejamento de viagens em relação a população da cidade de Palmas, capital do estado do Tocantins. A metodologia utilizada nessa pesquisa foi uma avaliação quantitativa a partir da aplicação de questionário. A amostra da pesquisa foi composta de 500 respondentes. A análise dos resultados mostrou que as mídias sociais já têm grande influência no processo de planejamento de viagens e que tem um espaço para um crescimento ainda maior, pois as mídias sociais estão em constante evolução de acordo com as necessidades as pessoas. A pesquisa também apontou que as pessoas confiam nas informações obtidas através das mídias e estão deixando de acreditar cada vez mais nos meios de comunicação convencionais.   PALAVRAS-CHAVE: Mídias sociais; Meios de comunicação; Planejamento de viagens     ABSTRACT The objective of this research is to measure the influence of social media in the process of travel planning in relation to the population of the city of Palmas, capital of the state of Tocantins. The methodology used in this research was a quantitative evaluation based on the questionnaire application. The research sample consisted of 500 respondents. The analysis of the results showed that social media already have great influence in the process of planning of trips and that has a space for an even greater growth, since the social medias are in constant evolution according to the needs the people. The survey also pointed out that people rely on information gained through the media and are increasingly reluctant to believe in conventional media.   KEYWORDS: Social media; Media; Travel planning     RESUMEN El objetivo de esta investigación y medir la influencia de los medios sociales en el proceso de planificación de viajes en relación a la población de la ciudad de Palmas, capital del estado de Tocantins. La metodología utilizada en esta investigación fue una evaluación cuantitativa a partir de la aplicación del cuestionario. La muestra de la encuesta fue compuesta de 500 respondedores. El análisis de los resultados mostró que los medios sociales ya tienen gran influencia en el proceso de planificación de viajes y que tienen un espacio para un crecimiento aún mayor, pues los medios sociales están en constante evolución de acuerdo a las necesidades de las personas. La investigación también apuntó que la gente confía en las informaciones obtenidas a través de los medios y están dejando de creer cada vez más en los medios de comunicación convencionales.   PALABRAS CLAVE: Medios sociales; Medios de comunicación; Planificación de viajes


2018 ◽  
Vol 18 (Vol. 18 Núm. 17 (2018)) ◽  
Author(s):  
Diego Bonilla Jurado ◽  
Diego Salinas Morales ◽  
Freddy Lalaleo Analuisa ◽  
Santiago Velastegui Hernández

El marketing en redes sociales, o mejor conocido como Social Media Marketing se ha convertido en un elemento integral en los negocios de las organizaciones del siglo XXI. Sin embargo, la literatura acerca de este tema continúa fragmentada y se centra en cuestiones aisladas (un ejemplo claro, el abordaje a las tácticas para una comunicación efectiva). El actual desarrollo aplica un enfoque cualitativo mediante la construcción de teorías para el desarrollo de un marco estratégico que cohesiona cuatro dimensiones genéricas de marketing estratégico de medios sociales: medios de marketing social que defienden a los “exploradores”, medios sociales y la cultura de marketing donde se incluye a los polos del conservadurismo y el modernismo, los medios de comunicación social y las estructuras de comercialización de las jerarquías y redes, y social media marketing de la autocracia a la anarquía. Al proporcionar una conceptualización integral y una definición de marketing en medios sociales estratégicos, esta compilación propone un marco integrador que se expande más allá de la teoría de marketing existente. Además, los administradores pueden aplicar dicho marco para posicionar sus organizaciones en estas cuatro dimensiones de una manera consistente mostrando el cumplimiento de su misión de empresa y sus objetivos.


2020 ◽  
Vol 25 (2) ◽  
Author(s):  
Moira A. Gunn

In 2012 and 2016, the first two strategic science-business media models were published (SBBMM 1.0 and 2.0). Since that time, there have been significant changes both to the media landscape and to the usage and capability of online and social media platforms. This paper seeks to describe the current bioindustry-relevant media landscape, to introduce a new media model, the Strategic Bioenterprise Media Model 2020 (SBMM 2020), which reflects this new landscape, and to present a mainstream submodel to support the latest opportunity for biotechnology media coverage: Mainstream Media. Examples are drawn from media coverage following the FDA approvals of Zulresso from Sage Therapeutics, Aimovig from Novartis and Amgen, and AquAdvantage salmon from AquAdvantage Technologies. The overall goal of this paper is to equip bioenterprise professionals with an understanding of media dynamics and the strategic potential it brings, ultimately contributing to bioenterprise success.


2018 ◽  
Vol 20 (2) ◽  
pp. 13-21
Author(s):  
Daleen Jehad Al Ibrahim ◽  
Yibin Shi

The research discussed how the Islamic State uses the media to spread their propaganda especially the exploitation of modern communication technology. Then we examined an essential aspect of how the mainstream media deal with ISIS media. We also discussed how we could respond to the narrative of the Islamic State in the era of new media technology. We concluded that ISIS relies on all media outlets from the mainstream media to digital platforms and social media (Facebook and Twitter...); to reach public supporters and opponents for its barbarous ideas. However, mainstream media and Social networks have taken norms against terrorist and extremist groups; and have defined rules of employment that prohibit the use of their services to promote terrorist activities.


Author(s):  
Osakue Stevenson Omoera ◽  
Oluranti Mary Aiwuyo ◽  
John O Edemode ◽  
Bibian O Anyanwu

This article examines the impact of social media on the writing abilities of Nigerian youths in English, which is the language of mass communication in Nigeria. Deploying cultivation theory of the media, this study uses quantitative and qualitative methods to unpack the Nigerian youths’ opinions on the impact of the use of the new media of social networking platforms such as Facebook, WhatsApp, Instagram, etc., on their writing abilities, using undergraduates of Ambrose Alli University, Ekpoma-Nigeria as a study case. To do this, information is gathered through the use of 120 copies of a validated survey questionnaire. Additional information is garnered from in-depth interviews (IDIs) with lecturers from within and outside Ambrose Alli University and focused group discussion (FGD) with some students of the institution as well as the researchers’ direct observation of the issue under investigation. The study discovers that a majority of the youth adopt a certain option/brand of English which cannot be located within the matrixes of Standard English or even its Popular Nigerian English (PNE) variant which is called Pidgin English. Consequently, expressions such as ‘u’ for ‘you’ ‘gr8t’ for ‘great’, ‘ur/urs’ for ‘your/yours’, among other deviational patterns, have crept into their writing consciousness in classes and examinations, which make a lot of ‘sense’ in informal settings among the youths, but smacks of sub literacy in formal writing situations under which they are being trained. As well, shortened forms of words and phrases such ‘LOL’, ‘K,’ ‘IJNA,’ ‘Y’, etc., are common sights in their writings. This development can have serious implication for effective and efficient writing among Nigerian youths, especially in formal situations. The study suggests that because it has been demonstrated that effective and efficient writing can improve comprehension of content in any discipline, enabling students to practice analysis, synthesis, and other skills that constitute critical, creative, and even civic thinking, students should be encouraged to write effectively and efficiently as more writing equals more learning even in the age of the new media (social media). It advises that further studies should be carried out on the deviational patterns and shortened forms of English words and phrases which are commonly used by youths in Nigeria and elsewhere, with a view to possibly getting the ‘new words’ standardized by the relevant educational authorities to ensure uniformity in usage, and to keep pace with the dynamically trendy youth/social media culture. 


2019 ◽  
Vol 16 (3) ◽  
pp. 415-430
Author(s):  
Anna Gjika

This study examines news coverage of the Steubenville, Audrie Pott and Daisy Coleman cases, three highly publicized instances of sexual assault featuring teens and the use of digital media to capture and distribute the incidents. Thematic analysis of 146 articles on the assaults was conducted to identify mainstream media portrayals of emerging technologies in relation to each sex crime, and the problem of sexual assault and rape culture, more broadly. Prevailing news themes in the reporting include technology as a model witness, evidence-gatherer and mobilizer, and threat. The focus on technology in these stories, I argue, detracts from considerations of the underlying sexual violence and its causes, and contributes to the media reframing the incidents as cautionary tales about youth and social media. My analysis also suggests the discourses about digital media in the coverage reinforce existing deterministic understandings of new media platforms, and reproduce risk and responsibilization narratives pertaining to youth, sexuality and technology.


Author(s):  
Ruth Grüters ◽  
Knut Ove Eliassen

AbstractTo understand the success of SKAM, the series’ innovative use of “social media” must be taken into consideration. The article follows two lines of argument, one diachronic, the other synchronic. The concept of remediation allows for a historical perspective that places the series in a longer tradition of “real time”-fictions and media practices that span from the epistolary novels of the 18th century by way of radio theatre and television serials to the new media of the 21st century. Framing the series within the current media ecology (marked by the connectivity logic of “social media”), the authors analyze how the choice of the blog as the drama’s media platform has formed the ways the series succeeded in affecting and mobilizing its audience. Given the long tradition of strong pedagogical premises in the teenager serials of publicly financed Norwegian television, the authors note the absence of any explicit media critical perspectives or didacticism. Nevertheless, the claim is that the media-practices of the series, as well as the actions and discourses of its followers (blogposts, facebook-groups, etc.), generate new insights and knowledge with regards to the series’ form, content, and practices.


2019 ◽  
pp. 374-385
Author(s):  
Marina Myasnikova

The paper focuses on the problem of new digital generation’s participation in the media consumption process and first of all in television watching under conditions when the contemporary television audience transforms due to the emergence of mobile digital technologies. The digital generation is the most vivid segment of the society in terms of diverse interests and active media consumption; it possesses new selection opportunities and influences the elder generation. This article aims to define the digital generation’s role in contemporary media processes; identify its current functions and current attitude to traditional media, particularly television, as well as Russian telecontent. Methods of researching the media audience also change. The main object of mediametry measurements is now the process, not the result of media consumption. In practice, however, the audience is still viewed as a homogenous mass, not a dynamic system. That is why “mass” calculations cannot be used to judge specific audience needs. It is important not simply to measure views but also to study the audience, taking into account the content and formats of media texts consumed by it within the telecommunication process. The research applies the expert survey method within homogenous groups of young people and focuses on qualitative properties of media consumption, specifically its motivation structure and audience needs. Results of three expert surveys conducted among 17–27 years old journalism students of the Ural Federal University at various times are presented. The motives of telecontent consumption are defined. The paper reveals that the new digital generation relies on the telecontent posted on various online platforms. The youth have a critical attitude towards broadcast television not only because of competition from the new media but also due to low quality of professional media products. Additionally, representatives of the young media audience participate in mass communication processes not only as consumers but also as creators of their own video content.


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