“NO M’ESTIMIS MASSA; ESTIMA’M SÀVIAMENT”: LA CONSTRUCCIÓ LITERÀRIA DE LA IDENTITAT MONSTRUOSA DE BARCELONA

2021 ◽  
Vol 35 (1) ◽  
pp. 49-68
Author(s):  
MARGARIDA CASACUBERTA

This article aims to analyze the process of literary construction of the “monstrous” identity of Barcelona. Specifically, it examines and contextualizes the literary images of the city-as-woman from the mid-nineteenth century until Francoism. The metaphor of Barcelona as a woman is articulated around two axes: the idealization of the city as a compliant and submissive woman, and its monsterification as a rebel woman. Both processes are inextricable and serve to justify (symbolically and literally) the political control of the city.

1985 ◽  
Vol 26 (1) ◽  
pp. 51-68 ◽  
Author(s):  
Toyin Falola

The view that Ibadan society in the nineteenth century did not discriminate against strangers, irrespective of their origins in Yorubaland, is now firmly entrenched in the literature. To be sure, Ibadan, a new nineteenth-century Yoruba city-state, founded as a consequence of the political crises of the early decades of the century, did maintain an ‘open door’ policy to strangers, many of whom went there as adventurers, craftsmen and traders, hoping to acquire wealth and fame. This article, however, controverts the view that Ibadan society gave the strangers and the indigenes equal opportunities to wealth and power. It argues that all the key political offices went only to the Oyo-Ibadan group which dominated the city-state. Strangers were also not allowed to participate fully in the leading heights of the economy, with the result that most of the wealthy citizens were also of Oyo-Yoruba origin.In the 1890s discrimination against strangers was such that a number of moves were made to expel them. However, the British, who imposed colonial rule on Ibadan in 1893, were against the expulsion of strangers.


2021 ◽  
Vol 25 (1) ◽  
pp. 61-83
Author(s):  
Anne Eller

This essay considers the participation of Port-au-Prince women in municipal and national politics during the later decades of the nineteenth century. The growth of Port-au-Prince changed the dynamics of these contests, as newly arrived women joined expanding popular neighborhoods, and many assumed a central role in feeding the city. Women moved freely through the heart of the capital and the immediate countryside on personal, commercial, and sometimes directly political itineraries. While formally excluded from electoral politics, working women made their political desires well known, as they exerted an influence on the military movements that toppled the administration several times. These armed contests, as well as the stratification and militarization of the political scene during peacetime, provoked gendered violence. Simultaneously, working women confronted disdain from journalists who would discipline the women’s great influence. Nevertheless, these women commanded considerable respect in political contests that often seemed to have as their stakes the very independence of the nation itself.


Slavic Review ◽  
1983 ◽  
Vol 42 (3) ◽  
pp. 390-407 ◽  
Author(s):  
Robert Whittaker

Modern Russian literature created its image of Moscow by depicting a number of typical inhabitants of the city and by identifying specific locales in which they lived. These settings — buildings, streets, squares, small neighborhoods, and larger regions — lent the authenticity of recognizable landmarks to generalizations about personality and life style. Similarly, descriptions of “typical” if fictitious Muscovites provided actual Moscow locations with specific, characteristic qualities. As these literary images of Moscow evolved, so too did their settings: first one area and then another became the “typical” Moscow. Thus the city's cultural topography changed with the values symbolized by Moscow's landmarks and local populations.In nineteenth-century Russian memoir literature no work succeeds better than “My Literary and Moral Wanderings” at vividly evoking the historical circumstances of a specific time and place. In this, his best known work, the critic and poet Apollon Aleksandrovich Grigor'ev (1822–1864) depicted the Moscow of his childhood in the late 1820s and early 1830s. However, writing in 1862 and 1864, Grigor'ev described a Moscow that had changed radically in the intervening thirty years. The city's image had been preeminently aristocratic for several decades following 1812, but by mid-century a new image of merchant Moscow began to appear. The “Wanderings” confirm this change with rich descriptive material illustrating the concomitant shift in the city's cultural topography.


Author(s):  
Maria Kaika

When the French politician Clemenceau visited Athens in 1899, he was taken on a tour of the city and briefed on the social, political, and economic problems facing both the city and the young Greek state. Afterwards, he addressed the local political and intellectual elites, starting his speech by exclaiming: ‘The best politician amongst you shall be the one who will bring water into Athens’ (Clemenceau 1899, cited in Gerontas and Skouzes 1963: in). Indeed, water supply was one of the most important and intricate political and social issues of the nineteenth century. Although water supply and management is today often presented as a purely technological and engineering problem, it remains, as we shall see, a deeply political issue, implicated in relations of social power (Reisner 1990; Postel 1992). Indeed, today, more than a century onwards from Clemenceau’s comment, his aphorism still holds true. Despite the fact that Western economies have undergone a period of ‘fierce modernization’ during the twentieth century, and despite technological advances and innovation, water supply and management remain major socio-technical issues at the heart of the political agenda (Bank 1992). Whilst contemporary Europe is not faced with severe water shortages (although many areas, particularly but not exclusively in the European South still face disruptions in water supply during dry months (ETC/IW 1996; ICWS 1996)), water supply and management remain amongst the most important political issues at the European and international level (Hundley 1992; Faure and Rubin 1993; Gleick 1993). Today, if anything, the political ecology of water has become more complex, and more important politically than in the nineteenth century. With the increasing internationalization and complexity of water resource management, with the emergence of an increasingly larger number of actors and institutions involved in this process, with the newly vested economic interests in water supply, and with the increasing concern and sensitivity towards environmental protection, if Clemenceau were alive today, he would probably maintain his aphorism— rephrasing it for the contemporary era: ‘The best politician amongst you shall be the one who will bring clean water into Europe, while keeping happy all the parties involved in water supply, use, and management, at the local, regional, national, and European level.’


Author(s):  
Erik Swyngedouw

The problems outlined in the previous chapter evolve from particular historical political ecological processes. As the urbanization process is predicated upon the mastering and engineering of nature’s water, the ecological conquest of water is an integral part of the expansion and growth of the city. At the same time, the capital required to build and expand the urban landscape is itself, at least in the case of Guayaquil, generated through the political ecological transformation of the city’s hinterland. In this and the following chapters, we shall explore the historical dynamics of the urbanization process through the lens of this double ecological conquest. The city’s growth created the need for water systems, which stretched further and further from the city in order to tap additional water resources. Foreign capital had to be generated to finance the imported technology of these projects. This necessitated a sound export-based economy, initially driven by cocoa (until the early twentieth century), bananas (from the mid-1950s to the early 1970s), and oil (from 1973 onwards). The urban process was consequently embedded in a double ecological conquest: ever greater flows of water became urbanized, while the city’s hinterland was socially and ecologically transformed. The latter conquest, in turn, plugged the Ecuadorean economy into the international division of labour. Guayaquil was the arena and medium through which those circuits of transformed nature and money were organized. The contemporary social struggle around water is evidently the result of the deeply exclusive and marginalizing ways in which political, economic, and ecological power have been worked out. The current water system and water politics exemplify the wider socio-economic and political processes that characterized Guayaquil’s urbanization process. Until the mid-nineteenth century, Guayaquil was just a large port village on Ecuador’s Pacific coast, surviving in the shadow of the political and former colonial centre of Quito and the economically dominant Sierra (Andean highland) hacienderos. In 1780, Quito had a population of 28,500 compared to 6,600 in Guayaquil, and by the mid-nineteenth century these figures had risen to 36,000 and 25,000 respectively.


Chôra ◽  
2019 ◽  
Vol 17 ◽  
pp. 17-30
Author(s):  
Olivier Renaut ◽  

This article aims at showing that the definition of pleasure in Plato’s dialogues cannot be separated from a political educational program and an anthropology that consider pleasure as the main vehicle towards virtue. The political use of pleasure is as important as its definition, insofar as its manifestation and content are the prerogatives of the legislator. All pleasures are politically meaningful in the Republic and in the Laws, and among them especially the triad hunger, thirst and sex ; in making pleasures a “public” issue, as pleasures are object of surveillance and political control, Plato gives several means in order to shape the way pleasures are felt in the city, and in order to make the community of pleasure and pain a fundamental role in unifying the city under the reason’s commands.


2015 ◽  
Vol 2 (1) ◽  
pp. 117-145
Author(s):  
İsmail Güllü

Yarım aşırı aşan bir geçmişe sahip Almanya’ya göç olgusu beraberinde önemli bir edebi birikimi (Migrantenliteratur) de getirmiştir. Farklı adlandırmalar ile anılan bu edebi birikim, kendi içinde de farklı renkleri de barındıran bir özelliğe sahiptir. Edebi yazını besleyen en önemli kaynaklardan biri toplumdur. Yazarın içinde yaşadığı toplumsal yapı ve problemler üstü kapalı veya açık bir şekilde onun yazılarına yansımaktadır. Bu bağlamda araştırma, 50’li yaşlarında Almanya’ya giden ve ömrünün sonuna kadar orada yaşayan, birçok edebi ve düşünsel çalışması ile Türk edebiyatında önemli bir isim olan Fakir Baykurt’un “Koca Ren” ve Yüksek Fırınlar” adlı romanları ile birlikte Duisburg Üçlemesi’nin son kitabı olan “Yarım Ekmek” romanında ele aldığı konu ve roman kahramanları üzerinden din ve gelenek olgusu sosyolojik bir yaklaşımla ele alınmaktadır. Toplumcu-gerçekçi çizgide yer alan yazarın, uzun yıllar yaşadığı Türkiye’deki siyasi ve ideolojik geçmişi bu romanda kullandığı dil ve kurguladığı kahramanlarda kendini göstermektedir. Romanda Almanya’nın Duisburg şehrinde yaşayan Türklerin yeni kültürel ortamda yaşadıkları çatışma, kültürel şok, arada kalmışlık, iki kültürlülük temaları ön plandadır. Yazar romanda sadece Almanya’daki Türkleri ele almamakta, aynı zamanda Türkiye ile hatta başka ülkeler ile de ilişkilendirmeler yaparak bireysel ve toplumsal konuları ele almaktadır. Araştırmada, romanda yer alan dini ve geleneksel unsurlar sosyolojik olarak analiz edilmiştir. Genel anlamda bir göç romanı olma özelliği yanında Yarım Ekmek romanında dini, siyasi ve ideolojik birçok yorum ve tartışma söz konusudur. Romandaki bu veriler, inanç, ritüel, siyaset ve toplumsal boyutlarda kategorize edilerek ele alınmıştır.  ENGLISH ABSTRACTReligion and identity reflections in literature of immigrant: Religion and Tradition in Fakir Baykurt’s novel Yarım EkmekThe immigration fact which has nearly half century in Germany have brought a significant literal accumulation (Migrantenliteratur) in its wake. This literal accumulation, which is named as several denominations, has a feature including different colours in itself. One of the most important source snourishing literature is society. Societal structure and problems that the writer lives inside, directly or indirectly reflect on his/her compositions. In this context, the matter of religion and tradition by way of the issue and fictious characters in the novel of Fakir Baykurt who went to Germany in her 50’s and lived in there till his death and who is a considerable name in Turkish literature with his several literal and intellectual workings; “Yarım Ekmek” which is the third novel of Duisburg Trilogy with “Koca Ren” and “Yüksek Fırınlar” are discussed sociologically in the study. The political and ideological past of the socialist realist lined writer in Turkey where he spent his life for a long time, manifest itself on the speech and fictious characters of novel. In the novel, themes of new Turks’ conflict, cultural shock, being in the middle, bi culturalism in their new cultural nature in Duisburg which is the city they live in. The writer not only deals with Turks in Germany but also personal and social subjects via comparing them to Turkey and even other countries. In the study, religious and traditional elements analyzed sociologically. Besides the speciality of being a migration novel in general, there are a lot of religious, political and ideological interpretations and discussions in the novel. These datum in the novel are examinated in the context of belief, ritual, politics and social categorisation. 


2015 ◽  
Vol 5 (1) ◽  
pp. 17-35
Author(s):  
Julian Wolfreys

Writers of the early nineteenth century sought to find new ways of writing about the urban landscape when first confronted with the phenomena of London. The very nature of London's rapid growth, its unprecedented scale, and its mere difference from any other urban centre throughout the world marked it out as demanding a different register in prose and poetry. The condition of writing the city, of inventing a new writing for a new experience is explored by familiar texts of urban representation such as by Thomas De Quincey and William Wordsworth, as well as through less widely read authors such as Sarah Green, Pierce Egan, and Robert Southey, particularly his fictional Letters from England.


2019 ◽  
Vol 35 (3) ◽  
pp. 327-351
Author(s):  
Omar Velasco Herrera

Durante la primera mitad del siglo xix, las necesidades presupuestales del erario mexicano obligaron al gobierno a recurrir al endeudamiento y al arrendamiento de algunas de las casas de moneda más importantes del país. Este artículo examina las condiciones políticas y económicas que hicieron posible el relevo del capital británico por el estadounidense—en estricto sentido, californiano—como arrendatario de la Casa de Moneda de México en 1857. Asimismo, explora el desarrollo empresarial de Juan Temple para explicar la coyuntura política que hizo posible su llegada, y la de sus descendientes, a la administración de la ceca de la capital mexicana. During the first half of the nineteenth century, the budgetary needs of the Mexican treasury forced the government to resort to borrowing and leasing some of the most important mints in the country. This article examines the political and economic conditions that allowed for the replacement of British capital by United States capital—specifically, Californian—as the lessee of the Mexican National Mint in 1857. It also explores the development of Juan Temple’s entrepreneurship to explain the political circumstances that facilitated his admission, and that of his descendants, into the administration of the National Mint in Mexico City.


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