scholarly journals Národní muzeum pohledem Československé televize ve druhé polovině 20. století

2020 ◽  
Vol 72 (3-4) ◽  
pp. 53-61
Author(s):  
Jiří Hadaš
Keyword(s):  
National Museum ◽  
Television Programs ◽  
Historical Sources ◽  
National History ◽  
Media Image ◽  
News Service ◽  
Television Broadcasting ◽  
The Media ◽  
Scientific Platform ◽  
Opinion Journalism

Based on historiographical procedures and methods used in the field of media science, a research was conducted, through quantitative and qualitative analysis, on unique historical sources in the form of television programs which provided information on the National Museum. In the selected period, which is delimited by the year 1953, when television broadcasting began in Czechoslovakia and the year 1993, an analysis of these media was undertaken focusing on their use as historical sources. In the period under review, a genre diversity was detected, which offered news service, opinion journalism, educational programs and entertainment. Through historical sources, valuable in today’s perspective, these programs formed the media image of the National Museum as an institution with a rich past closely linked to national history and as an irreplaceable scientific platform.

Social Gender Representation in the Context of the Representation Problem in the Media

2020 ◽  
pp. 17-34
Author(s):  
Özge Gürsoy Atar
Keyword(s):  
Discourse Analysis ◽  
Gender Roles ◽  
Numerical Data ◽  
Social Representation ◽  
Gender Representation ◽  
Television Programs ◽  
Representation Problem ◽  
Television Broadcasting ◽  
The Media

Women's television programs appear as an indispensable broadcasting component of the morning television broadcasting series. Three women's programs, which were broadcasted in 2018, were analyzed in the study of how women participate in these television programs and the presentation of gender roles. First, the issue of social representation in the context of the problem of representation in the media was discussed. Later on, feminism and women's programs in the media were examined and the situation in the media was determined. In the application part of the study, numerical data were evaluated, and discourse analysis was conducted within the framework of the women's programs examined.

scholarly journals The media image of Chinese older people: From stigmatic stereotype to diverse self-representation

2021 ◽  
pp. 205943642110125
Author(s):  
Kun Li
Keyword(s):  
Older Adults ◽  
Older People ◽  
Old Age ◽  
Media Studies ◽  
Positive Attitude ◽  
Media Image ◽  
Past Life ◽  
The Media ◽  
Leisure And Recreation ◽  
Chinese Older People

From the perspective of communication and media studies, this article explores a comparison between the image of older adults presented on media and online self-representation facilitated by the use of smartphones. The qualitative textual analysis was conducted with a sample (228 posts, from 1 January to 31 December,2019) selected from a representative WeChat Public Account targeting at older adults in China. The results demonstrate that leisure and recreation is the most frequently mentioned topic (58%) with memories of past life receiving the least references (3%). The striking features of popular posts among older people include a highly emotional tone, bright colours and multimedia. Sentiment analyses shows 68.42%, 13.16% and 18.42% of positive, neutral and negative emotions, respectively. A generally positive attitude of self-representation is in a sharp contrast with the stigmatic media image of older adults. The article concludes that the visibility of Chinese older people may help to reduce the stigma surrounding old age in China.

scholarly journals Language Means for Shaping the Media Image of China in Russian Internet Texts (Case Study of Blogs about the Chinese Opera)

2021 ◽  
Author(s):  
Юйси Му
Keyword(s):  
Cultural Context ◽  
The Internet ◽  
Important Place ◽  
Media Image ◽  
Chinese Opera ◽  
Cultural Phenomenon ◽  
The World ◽  
Audience Responses ◽  
The Media

The article presents the study of the media image of China in the Russian Internet texts. The purpose of the study is to identify the language means of shaping the media image of China in blogs about Chinese opera. The material involves some of the topical blogs published on the Internet version of «Live Journal» and the «Magazeta». In those materials, the media image of China is partially formed by various aspects of Chinese opera as a cultural phenomenon: it is the cultural context in which Chinese opera exists; features of diverse opera genres; images of performers; audience responses; assessments and feelings of bloggers. The possibilities of expression of different kinds of language means are revealed, so is the authors’ perception of this type of art. It is concluded that the media image created in blogs about Chinese opera by various language means represents China as a country with a long history and unique culture. Chinese opera not only occupies an important place in the world art, but also vividly and meaningfully reflects the mystery of China.

scholarly journals Analisis Kritis Program Tayangan Asing di Televisi Swasta Indonesia

2021 ◽  
Vol 10 (1) ◽  
pp. 101-119
Author(s):  
Sari Rahmani ◽  
Irma Suryani
Keyword(s):  
Critical Thinking ◽  
Data Collection ◽  
Total Content ◽  
Qualitative Approach ◽  
Television Programs ◽  
Television Station ◽  
Role Of The State ◽  
The Media ◽  
Study Case

Indonesia telah mengatur pembatasan tayangan asing di layar stasiun televisi dalam negeri. Regulasi tersebut tertuang dalam Undang-Undang Penyiaran Nomor 32 Tahun 2002 Pasal 36 ayat 2 yang mewajibkan setiap stasiun televisi untuk menayangkan sekurang-kurangnya 60% tayangan produksi domestik. Penelitian ini bertujuan untuk menganalisis permasalahan tayangan asing di televisi Indonesia dalam perspektif kritis industri budaya. Metode yang dilakukan adalah metode kualitatif studi kasus. Pengambilan data dari berbagai studi dokumen dan wawancara. Data yang telah dikumpulkan dianalisis dengan teknik pengumpulan data, reduksi data, penyajian data, dan penarikan kesimpulan. Hasil penelitian menunjukkan bahwa stasiun televisi swasta melanggar ketentuan mengenai muatan tayangan asing. Ada dua masalah utama tayangan asing di televisi Indonesia. Masalah pertama adalah lemahnya peran negara terhadap penyiaran di Indonesia. Kedua adalah masalah ekonomi media khususnya terkait dengan pekerja media.   Indonesia issued the law regarding the limitation of foreign television programs in 2002. In Article 36, paragraph 2 of Law No. 32/2002 stated that every television station is obligated to broadcast domestic programs at least 60 percent of the total content. This research aimed to analyze foreign programs in Indonesia through a critical thinking perspective. This research adopted a study case, qualitative approach. Data collection was done through interviews, documents study. The collected data were analyzed by data collection, reduction, display, and conclusion drawing. The findings showed that  The results showed that private television stations violated the provisions regarding the proportion of foreign programs. There were two main problems that emerge from foreign programs in private TV stations. The first problem was the weak role of the state in broadcasting in Indonesia. The second was the problem of the media economy, especially related to media workers.

scholarly journals Con Dao island through the eyes of Saigon ‘s press before 1975

2013 ◽  
Vol 16 (1) ◽  
pp. 88-107
Author(s):  
Linh Kieu Duong
Keyword(s):  
Prisoners Of War ◽  
Historical Source ◽  
Historical Sources ◽  
Comprehensive View ◽  
Cultural Conditions ◽  
Potential Development ◽  
The Media ◽  
The Republic ◽  
The Government ◽  
Development Evaluation

For historians, the media is an important historical source. Con Dao is a special province of Vietnam. The paper presents an approach to Con Dao through historical sources of the Saigon press before 1975 to have a more comprehensive view. Through the content as the name implies, through natural, economic, social and cultural conditions, and potential development evaluation, the original intentions of the government of The Republic of Saigon on prison issues and on the terror cannot be changed. Through a number of important events such as the return of prisoners of war from Con Dao in 1973, etc. the author aims to add a view and wish to confirm the value of historical sources of media while approaching and presenting a problem of history, and so on.

scholarly journals THE PROBLEM OF ALIENATION OF PEASANTS FROM THE LAND IN THE PERIOD FROM THE MID-1960s TO THE MID-1980s THROUGH THE PRISM OF “VILLAGE PROSE” WRITERS’ JOURNALISTIC WORKS

2021 ◽  
Vol 31 (4) ◽  
pp. 812-822
Author(s):  
D. V. Ivanchuk
Keyword(s):  
Popular Culture ◽  
Agricultural Production ◽  
Negative Impact ◽  
Complex Nature ◽  
Historical Sources ◽  
Agrarian Policy ◽  
Inferiority Complex ◽  
Centralized Planning ◽  
The Media

The article is devoted to the study of the problem of alienation of peasants from the land in the period from the mid-1960s to mid-1980s in the context of the agrarian policy carried out during these years. The analysis of the complex nature of this problem is given on the basis of the extensive material of journalistic works by “village prose” writers, on the basis of archival and other historical sources. The author identifies and studies reasons for the alienation of the peasantry from the land in those years, such as: further stateization, centralization and concentration of agricultural production; its centralized planning; introduction of guaranteed wages; negative impact from the media and popular culture; rural inferiority complex; lack of brides in the countryside; the policy of eliminating unpromising villages.

scholarly journals Contenidos infantiles convergentes, identidad latinoamericana y los desafíos de las televisiones públicas

2021 ◽  
Vol 12 (1) ◽  
pp. 125-133
Author(s):  
AVILLARRUBIA Andrea Villarrubia-Martínez ◽  
Águeda Águeda Delgado-Ponce ◽  
Ignacio Aguaded-Gómez
Keyword(s):  
Latin American ◽  
Public Service ◽  
Public Television ◽  
Local Identity ◽  
Television Programs ◽  
Digital Platforms ◽  
Female Protagonists ◽  
The Media ◽  
Service Mission ◽  
Tv Shows

Before the pandemic crisis, the irruption of the convergent scenario and the television digitalization forced the Latin American public television to develop strategies that consider new forms of audiovisual consumption and to make the resources profitable, such as the development of digital platforms and co-production with independent creators. Pakapaka, TVN and Señal Colombia coproduced children television programs with Chilean filmmakers that achieved a high audience and received acknowledgements at audiovisual festivals for their quality, their contribution to the local identity and Latin American own nature. Based on a content analysis carried out on tv shows aimed to children, present in both Chilean public digital platforms: CNTV Infantil (former Novasur) and TVN Kids, this study describes the collaborative model from the media literacy perspective, with emphasis on the diversity of children’s programs, considering their origins, acquisition, financing, and characteristics of the protagonist’s characters. The results indicate that the contents are varied and that the presence of female protagonists, native peoples and migrants, although incipient, constitutes a contribution to the identity of the continent’s childhoods. In conclusion, it is essential that public service television can count on permanent funding that promotes the realization of relevant content for children, in accordance with their public service mission, especially in today pandemic crisis and confinement.

scholarly journals Stereotypization and mythologization of the image of Russia in modern Spanish newspapers

2019 ◽  
Vol 24 (2) ◽  
pp. 273-282
Author(s):  
Alexander S. Oleynikov ◽  
Valentina A. Slavina
Keyword(s):  
Time Interval ◽  
Global Media ◽  
The West ◽  
Media Image ◽  
The Public ◽  
Media Space ◽  
Public Consciousness ◽  
Key Issues ◽  
The Media ◽  
Spanish Press

The article discusses the stereotyping and mythologization of the image of Russia, identified as a result of an analysis of the modern Spanish press. The empirical base of the study consists of articles of electronic versions of socio-political newspapers “ABC”, “El Pais”, “El Mundo” from 2014 to 2018. The considered time interval is associated with significant changes in international relations and the emergence of differences between the West and Russia on key issues of its foreign and domestic policy. Immediate response of the international community to the actions of Russia has contributed to fundamental changes in its perceptions about the global media space. An important component of the image of the world in the media sphere is the image of the state, which is created primarily through the media. It is formed on the basis of actual events of the surrounding reality, reflects their dynamics, expresses the public consciousness and influences it. Creating a media image of Russia, Spanish newspapers rely on stereotypical ideas and myths about it existing in the West, and also take part in the creation of new ones. Stereotyping and mythologization form a specific negative perception matrix, which negatively affects the image of Russia and demonizes it.

The Silver Triton

Nuncius ◽  
2018 ◽  
Vol 33 (1) ◽  
pp. 1-24
Author(s):  
Alan Dorin ◽  
Eva Anagnostou-Laoutides
Keyword(s):  
Visual Culture ◽  
Philosophy Of Science ◽  
Science And Technology ◽  
Practical Utility ◽  
Media Image ◽  
The Media ◽  
Technological Options

Abstract This article assesses the imperial Roman technological options and cultural impetus for constructing and displaying an automaton Triton. Suetonius reports that such a figure announced the commencement of a staged sea battle organised by Emperor Claudius to entertain the Roman citizens in 52 CE. This automaton, whose feasibility we assess, fits neatly as an application of the pneumatic techniques summarised by Heron of Alexandria, who was probably alive at the time. By drawing attention to this little discussed passage of Suetonius, our article corroborates the idea that these techniques were useful – here contributing to the “media-image” and audio-visual culture of Claudius’ imperial agenda – and that their wondrous effects provided an intellectual bridge between their practical utility and their ability to contribute to the philosophy of science and technology.

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