scholarly journals Contenidos infantiles convergentes, identidad latinoamericana y los desafíos de las televisiones públicas

2021 ◽  
Vol 12 (1) ◽  
pp. 125-133
Author(s):  
AVILLARRUBIA Andrea Villarrubia-Martínez ◽  
Águeda Águeda Delgado-Ponce ◽  
Ignacio Aguaded-Gómez
Keyword(s):  
Latin American ◽  
Public Service ◽  
Public Television ◽  
Local Identity ◽  
Television Programs ◽  
Digital Platforms ◽  
Female Protagonists ◽  
The Media ◽  
Service Mission ◽  
Tv Shows

Before the pandemic crisis, the irruption of the convergent scenario and the television digitalization forced the Latin American public television to develop strategies that consider new forms of audiovisual consumption and to make the resources profitable, such as the development of digital platforms and co-production with independent creators. Pakapaka, TVN and Señal Colombia coproduced children television programs with Chilean filmmakers that achieved a high audience and received acknowledgements at audiovisual festivals for their quality, their contribution to the local identity and Latin American own nature. Based on a content analysis carried out on tv shows aimed to children, present in both Chilean public digital platforms: CNTV Infantil (former Novasur) and TVN Kids, this study describes the collaborative model from the media literacy perspective, with emphasis on the diversity of children’s programs, considering their origins, acquisition, financing, and characteristics of the protagonist’s characters. The results indicate that the contents are varied and that the presence of female protagonists, native peoples and migrants, although incipient, constitutes a contribution to the identity of the continent’s childhoods. In conclusion, it is essential that public service television can count on permanent funding that promotes the realization of relevant content for children, in accordance with their public service mission, especially in today pandemic crisis and confinement.

scholarly journals Public television and media literacy: the role of TV ombudsman programmes in Portugal and Brazil

2016 ◽  
Vol 30 ◽  
pp. 245-265
Author(s):  
Sara Pereira ◽  
Jairo Faria ◽  
Clarisse Pessôa
Keyword(s):  
Media Literacy ◽  
Public Service ◽  
Media Education ◽  
Public Broadcasting ◽  
Public Television ◽  
The Public ◽  
The Media

Is Media Literacy a dimension of the Public Service of the Media? Does public service television, in Portugal and in Brazil, contemplate Media Education in their policies and grids? Taking these questions as a departure and debating point, we have used sixteen editions of the ombudsman programmes of the public broadcasting companies of Brazil (Empresa Brasil de Comunicação – EBC) and Portugal (Rádio e Televisão de Portugal – RTP) as analysis corpus. In order to examine O Público na TV (The Public on TV) from EBC and A Voz do Cidadão (The Citizen’s Voice) from RTP, we have used a set of analysis categories which will allow, among other aspects, to understand the contribution of these programmes to the promotion of Media Literacy of the societies where they are broadcast and of the public they will reach. Generally speaking, the results show that, by developing a role of mediation with the public/audiences, the Ombudsman plays an important role as a Literacy Agent for the Media towards those audiences, even though that role could be reinforced and could express, in a more direct and clear form, the objective of Media Literacy.

scholarly journals Platform Imaginaries and Dutch Public Service Media

2020 ◽  
Vol 6 (2) ◽  
pp. 205630512093328
Author(s):  
Karin van Es ◽  
Thomas Poell
Keyword(s):  
Public Service ◽  
Business Models ◽  
Ministry Of Education ◽  
Digital Platforms ◽  
Starting Point ◽  
The Media ◽  
Competing Ideas ◽  
Sphere Of Influence ◽  
Education Culture ◽  
Audience Measurement

Over the past decade, public service media (PSM) have increasingly distributed content through digital platforms, most prominently YouTube, Facebook, Twitter, and Instagram. This article explores how this process of platformization, the integration of digital platforms in PSM, affects the public service remit of promoting key public values, such as universality, independence, and diversity. Specifically, it interrogates how Dutch PSM imagine platforms and their users, as well as how these imaginaries affect online public service strategies. The starting point is the notion of platform imaginaries: the ways in which social actors understand and organize their activities in relation to platform algorithms, interfaces, data infrastructures, moderation procedures, business models, user practices, and audiences. The analysis of these imaginaries builds on key public service policy documents and 15 interviews with employees from the NPO (Nederlandse Publieke Omroep; the governing body), the broadcasting associations, SKO (audience measurement service), and the Ministry of Education, Culture and Science. Our analysis of these materials shows that the online strategies of Dutch PSM are guided by three imaginations of platforms as (a) intermediaries that function on the basis of specific “laws,” (b) places where new audiences reside, and (c) powerful corporations that largely operate beyond the national sphere of influence. These platform imaginaries consist of a complex of interrelated observations, arguments, ideas, and practices, which are generally accepted and partly contested. The main bone of contention is how platform audiences should be seen. It has been difficult to reconcile competing ideas about audiences and, consequently, about the role of PSM in a platform environment, as broadcasters and policy makers lack the necessary (aggregate) data to determine how the media landscape is exactly changing and what the best public service response is. The conclusion of the article proposes a number of steps to resolve this deadlock.

scholarly journals Mediatized Child Characters

2018 ◽  
Vol 1 (3) ◽  
pp. 98
Author(s):  
Elif Gizem Ugurlu
Keyword(s):  
Social Media ◽  
Child Labor ◽  
The Other ◽  
Television Series ◽  
Television Programs ◽  
Child Characters ◽  
Other Hand ◽  
The Media ◽  
Tv Shows

Child actors and actresses perform in television programs, such as contests, shows and series, and in movies broadcasted in Turkey. After the program is broadcasted, social media accounts such as Facebook and instagram are opened by their parents for these children and it is attempted to increase their popularity. Children with increased popularity begin to act in new series and advertisements, and they are drawn into a consumption cycle. While these children, who are used for humour, promotional or dramatic factors, are disturbed, on the other hand, they cause that children's real and big problems (poverty, child labor, abuse, abduction, refugee, etc.) are ignored. This study provides a perspective on child characters in competition programs, TV shows, television series, television programs and movies broadcasted on televisions in 2018 in Turkey. The program in which children aged between 5 and 12 years appear, and their Instagram accounts were tracked and examined. The culture of benefiting from the child in the media multiplies itself as the use of children as mediatic characters in the media in Turkey continues, and the fact that children can be used as a source of income without considering that they can be overwhelmed by the burden of fame becomes widespread. This indicates the perception of childhood in society, the visibility of child individuals' problems, and a frightening future for children.

scholarly journals Interreligious Dialogue in Public Service Broadcasting. A Case Study in Catalonia (Spain)

Religions ◽  
2020 ◽  
Vol 11 (9) ◽  
pp. 441
Author(s):  
Amparo Huertas Bailén
Keyword(s):  
Public Service ◽  
Focal Point ◽  
Interreligious Dialogue ◽  
Media Content ◽  
Potential Contribution ◽  
Public Television ◽  
Online Service ◽  
Catholic Religion ◽  
The Media

This text addresses how the media deals with interreligious dialogue based on the case study of the Catalan public television stations. Our theoretical framework revolves around the concept of mediation, which is regarded as a communicative concept that emphasizes the socializing power of the mass media as well as its potential contribution to social cohesion. A quantitative and qualitative analysis is presented of a sample of 41 multi-religious audiovisual pieces broadcast between 2015 and 2018, which were located in the Corporation’s on-demand online service. The religious diversity that currently exists in European cities is reflected in the media content. Although it is true that the Catholic religion features in 63% of the sample, it only becomes the focal point on less than half of the occasions in which it appears. The religious options with more presence are Catholicism in relation to Islam and atheism in relation to Catholicism, but these cases only account for 26.8% of the sample. Interreligious dialogue appears as the main focus of the discourse in only 14.6% of the sample and, in general, the tendency towards a Euro-Catholic-centric discourse has been detected.

Media text as an interpreter and a critic of reality: Media representation of the coronavirus pandemic 2020

Kultura ◽  
2020 ◽  
pp. 143-163
Author(s):  
Tijana Bastašić ◽  
Jelena Ivanišević-Paunović ◽  
Katarina Stanisavljević
Keyword(s):  
Public Service ◽  
Personal Responsibility ◽  
Emergency Situation ◽  
Television Programs ◽  
State Of Emergency ◽  
Emergency Situations ◽  
Public Media ◽  
The Media ◽  
News Programs ◽  
The Way

In March 2020, a state of emergency was declared worldwide as a result of the rapid spread of COVID-19. In Serbia, this led to strict preventive measures (curfew). In Sweden, such measures were not taken, but the system relied on personal responsibility of each individual, instead. In emergency situations, the media gain great importance as a source of information, and as such have the ability to alleviate or worsen the insecurity that the public feels, which can further contribute to the moral panic. In order to determine the potential of electronic media for informing citizens and encouraging critical thinking (during an emergency situation), we have explored rhetorical strategies and their potential for affirming the pluralism of views. The subject of research were broadcasting practices of three TV stations: two public media services (Radio Television of Serbia and Swedish Television) and one cable TV from Serbia (N1). By method of content analysis, we have come to a conclusion that all three media provided viewers with comprehensive, coherent and verified information. During the analysed period, the media in Serbia almost doubled the duration of their news programs, which gives an impression of non-selectivity and a desire to prove maximum coverage on all topics. On the other hand, SVT was consistent in the duration and scope of news programs. The way in which events were presented was mainly characterized by objectivity, although the Serbian public service also displayed a tendency towards intimidation. The biggest differences were noticed in terms of pluralism of views, since it was much more present in the programs of the Swedish public service and cable television (N1) than in the Serbian public service television programs. One of the rhetoric specifics in the way how N1 was presenting the news is discrediting the current political leadership and the decisions they have made.

From flabby to fit: Restructuring the public broadcasting system in Egypt

2021 ◽  
pp. 174276652110239
Author(s):  
Rasha Allam
Keyword(s):  
Public Service ◽  
Regulatory Framework ◽  
Financial Reports ◽  
The Public ◽  
Strategic Vision ◽  
Broadcasting System ◽  
Public Broadcaster ◽  
Service Mission ◽  
Depth Interviews ◽  
Decentralized Model

The Egyptian public broadcaster, newly named the National Media Council (NMC), has been under pressure to undergo comprehensive restructuring. Many changes have taken place recently to enable this transformation. Through analysing financial reports, evaluating the new regulatory framework and conducting in-depth interviews, this study examines the likelihood of the NMC adapting to the recent changes and the extent to which the new regulatory framework promotes a public service system suggesting a model for implementation. Findings show that the NMC must respond to four main challenges: lack of strategic vision and identity, a centralized regime power structure, an acute financial deficit, and a weak digital presence. Interviewees evaluated the new regulatory framework as inexhaustive with an intention to maintain grip on power. Interviewees proposed an integrated decentralized model that combines the public service mission with private partnership.

Vernacularisation of media: stylistic change in Basque youth media

Multilingua ◽  
2018 ◽  
Vol 37 (6) ◽  
pp. 561-586
Author(s):  
Agurtzane Elordui
Keyword(s):  
Public Service ◽  
Data Sources ◽  
Stylistic Change ◽  
Youth Media ◽  
The Media ◽  
Design And Practice

AbstractVernaculars are increasingly used in media. They are considered to be stylistic resources to attract audiences and to construct media identities. That increase seems to be particularly significant in the case of youth media, which is also the case of Gaztea, a youth webradio station within the Basque public EITB group that we analyse in this work. Gaztea was created in the 90’s and, at that time, its whole production was in Standard Basque. In fact, promoting the newly created Standard Basque was considered to be Gaztea’s principal public service remit. Nowadays, however, the hegemony of that standard in Gaztea has been challenged by a more heteroglossic model in which vernacular speech is strategically used to empathize with the young Basque audience and to construct media identities. At the same time, though, the dominance of Standard Basque persists in Gaztea’s general stylistic design and practice: Vernaculars are excluded from writing, as well as from informative genres and serious and leading voices. Those are some of the conclusions of the research we have carried out on the distribution of vernaculars and Standard Basque across modes, genres and voices in Gaztea, and also from the information we have drawn from interviews with the managers of the media in question. Results from both data sources are important to understand the current ideological views Gaztea shares with young Basque people, as well as how Gaztea positions itself as a stylizer in the language ideological world of Basque youth.

scholarly journals When Does the Public Get It Right? The Information Environment and the Accuracy of Economic Sentiment

2021 ◽  
pp. 001041402198975
Author(s):  
Ryan E. Carlin ◽  
Timothy Hellwig ◽  
Gregory J. Love ◽  
Cecilia Martínez-Gallardo ◽  
Matthew M. Singer
Keyword(s):  
Latin American ◽  
Economic Conditions ◽  
Economic Evaluations ◽  
Government Performance ◽  
Access To Information ◽  
Government Accountability ◽  
The Public ◽  
High Quality Information ◽  
The Media ◽  
Latin American Countries

Public evaluations of the economy are key for understanding how citizens develop policy opinions and monitor government performance. But what drives economic evaluations? In this article, we argue the context in which information about the economy is distributed shapes economic perceptions. In high-quality information environments—where policies are transparent, the media is free, and political opposition is robust—mass perceptions closely track economic conditions. In contrast, compromised information environments provide openings for political manipulation, leading perceptions to deviate from business cycle fluctuations. We test our argument with unique data from eight Latin American countries. Results show restrictions on access to information distort the public’s view of economic performance. The ability of voters to sanction governments is stronger when democratic institutions and the media protect citizens’ access to independent, unbiased information. Our findings highlight the importance of accurate evaluations of the economy for government accountability and democratic responsiveness.

scholarly journals The kiss of death. Public service media under right-wing populist attack

2021 ◽  
pp. 026732312199133
Author(s):  
Christina Holtz-Bacha
Keyword(s):  
Public Service ◽  
Right Wing ◽  
Democratic Accountability ◽  
Political Actors ◽  
The Public ◽  
The People ◽  
Democratic Control ◽  
The Media ◽  
Democratic System ◽  
Public Scrutiny

With the surge of populism in Europe, public service broadcasting has come under increased pressure. The established media are considered part of the corrupt elite not serving the interests of the people. The public service media, for which pluralism is at the core of their remit, are a particular thorn in the side of the populists. Therefore, they attack the financial basis of public service, which is supposed to guarantee their independence. The populist attacks on the traditional broadcasting corporations meet with the interests of neoliberal politics and of those political actors who want to evade public scrutiny and democratic control and do no longer feel committed to democratic accountability. The assaults on the public service media are thus an assault on freedom of the media and further increase the pressure on the democratic system.

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