scholarly journals ACONTECIMENTO PERFORMÁTICO PARA O NASCIMENTO DE UMA VIDA-VIRILHA: UMA EXPERIÊNCIA COMPARTILHADA / Performative event for the birth of a virilha-life: a shared experience

2021 ◽  
Vol 27 (41) ◽  
pp. 141-166
Author(s):  
Sandra Bonomini

O presente artigo é um diálogo com a performance Viril, da performer e escritora brasileira Ana Luisa Santos. Viril faz parte da série de trabalhos da artista sobre masculinidades, sobre a experiência das sexualidades fora do quadro dos binarismos e da heteronormatividade, sistema que governa a estrutura patriarcal. A performance de Santos tem como ação principal a leitura de um manifesto de sua autoria, Viril ou por uma performance queer da masculinidade. Mediante falas-falos, a artista interpela o público, mas também a si mesma, ao expor e tentar desconstruir a ficção violenta de masculinidade tóxica e seu atributo principal: a virilidade. A relação entre o texto da performer e a imagem de si que ela mostra é essencial. É a partir do compartilhamento de uma experiência íntima (autobiográfica), que as palavras adquirem dimensão política, sendo a linguagem da performance o que permite o intercâmbio e o estabelecimento de interconexões. A análise de Viril está inserida na necessidade de questionar quem conforma o(s) novo(s) sujeito(s) dos movimentos feministas hoje, para o que me apoio em pensadoras feministas não hegemônicas e no pensamento decolonial.Palavras-chave: Performance; corpo; feminismos; descolonização; vida-virilha. AbstractThis article is an analysis and a dialogue with the performance Viril by Brazilian performance artist and writer Ana Luisa Santos. Viril is part of the artist’s series of works on masculinities, on the experience of sexualities outside the framework of binarisms and heteronormativity, a system that governs the patriarchal structure. Santo’s performance has as main action the reading of a manifesto, Viril or by a Queer performance of masculinity. Through falas-falos, the artist challenges the audience, but also herself, by exposing and trying to deconstruct the violent fiction of toxic masculinity and its main attribute: virility. The relationship between the performer’s text and the image of herself is essential. It is from the sharing of an intimate autobiographical) experience, that words acquire a political dimension, with the language of performance allowing an exchange between performer and audience, as well as the establishment of interconnections. Viril’s analysis is inserted in the need to question who shapes the new subjects of feminist movements today, for which I rely on non-hegemonic feminist thinkers, as well as on decolonial thinking.Keywords: Performance; body; feminisms; decolonization; virilha-life.

Author(s):  
Rika Snyman ◽  
Jaco Deacon

This article also tries to compare the situation of a student sports person injured while participating in university sports, and a drama student injured during a performance or rehearsal of a play. It is stated that the relationship between the drama student and lecturer is similar to the relationship between a sports person and his/her coach, but the relationship differs in that a sports person’s risk of getting hurt is much greater than that of a drama student, The contracts between sports players and their authorities are also stipulated in much more detail than the contracts (if any) between the drama students and the university. It is concluded that the legislation is not clear on the specific matters where a student undergoes practical training while they are still studying. The suggestion is that a sectoral determination must be put in place to regulate the relationship, the remuneration, the working hours and the working conditions and risks involved.


2021 ◽  
Vol 9 (2) ◽  
pp. 201-219
Author(s):  
Martin Grassi

Although Political Theology examined mainly the political dimension of the relationship between God-Father and God-Son, it is paramount to consider the political performance of the Holy Spirit in the Economy of Redemption. The Holy Spirit has been characterized as the binding cause and the principle of relationality both referring to God’s inner life and to God’s relationship with His creatures. As the personalization of relationality, the Holy Spirit performs a unique task: to bring together what is apart by means of organisation. This power of the Spirit to turn a plurality into a unity is manifested in the Latin translation of oikonomía as disposition, that is, giving a special order to the multiple elements within a certain totality. Within this activity of the Spirit, Theodicy can be regarded as the way to depict God’s arrangement of the world and of history, bringing everything together towards the eschatological Kingdom of God. The paper aims at showing this fundamental activity of the Holy Spirit in Christian Theology, and intends to pose the question on how to think on a theology beyond theodicy, that is, how to think on a Trinitarian God beyond the categories of sovereignty and totalization.


2009 ◽  
Vol 104 (2) ◽  
pp. 627-632 ◽  
Author(s):  
Ying-Mei Tsai ◽  
Lung Hung Chen

In this study, the relationship between motivational climate and fear of failure in sport was examined. 176 adolescent athletes were recruited ( M=16.3 yr., SD =13). Athletes completed the Chinese Perceived Motivational Climate in Sport Questionnaire and the Performance Failure Appraisal Inventory. Results indicated a performance climate was positively related to the fear of failure, while a mastery climate was not.


2019 ◽  
Vol 5 (1) ◽  
Author(s):  
Riccardo Fazi

During the last decade there has been a radical rethink, in the European context of both theatre and performing arts, on how a performance or a spectacle is narrated and enjoyed. Artists like Milo Rau, Tino Sehgal, Marten Spangberg, Rabih Mrouè, Amir Reza Koohestani, and Richard Maxwell structure their practices on a reflection about the concept of time and on how it can be returned on stage. A different order of time is the second chapter of a three-parts essay focused on the analysis of the artists' works; the essay aims to create a dialogue between the artistic works and the actual point of the debate about time through a philosophical, scientific and social perspective. How does performing arts design the relationship between time and our evolution as individuals today? In which manner the collective tale configures itself through this artistic, utopian narrative? And what about the analysis tools we might need to effectively enjoy these works?


2018 ◽  
pp. 259-271
Author(s):  
Philipp Erchinger

The book concludes with a reading of Thomas Carlyle’s Sartor Resartus. For this work can be characterised, the chapter suggests, as a performance of, and meditation on, what the foregoing sections were meant to examine: namely the bridge-building activities or ways of knowing through which personal experiences of the material world come to be dressed in recognisable social or ideal forms. The chapter ends with an attempt to situate the practice-based approach developed in Artful Experiments within a wider theoretical debate about the relationship between literary work and scientific knowledge.


2021 ◽  
Vol 1 (2) ◽  
pp. 229-234
Author(s):  
Anna Markopoulou

The aim of this commentary is to highlight the relationship between Nietzsche and Transhumanism on the occasion of the publication of the Posthuman Studies Reader in 2021, which is edited by Evi D. Sampanikou and Jan Stasienko. More specifically, this commentary focuses on the fact that the Reader promotes Nietzsche as the official forerunner of Transhumanism, since it places humans at a transition point between animal and Overhuman.The analysis of the ten transhumanist texts in the Reader shows that, in essence, Transhumanism is not a transition but an overcoming of the human and, from this point of view, it is not in line with Nietzsche's conception. Moreover, this commentary focuses on the relationship between Transhumanism and politics and shows that the political dimension is entirely absent from most of the Transhumanist texts in the Reader. Thus, transhumanism should re-evaluate its epistemological foundations and its relation to politics. 


Author(s):  
Funda Çoban

Although dark tourism attracts many scholars from different backgrounds, there is no consensus about its definition. Yet still, it is possible to classify the discussions revolving around the definition issue: The first group focuses on the descriptive side of dark tourism in terms of “sudden death and disaster,” while a second group gives priority to the existential dimension of the dark touristic interest in terms of “never-ending death and disaster.” However, fear appears as a surrounding component of both approaches. At that point, this study questions the relationship between the rise of dark touristic interest since the 1990s and the notion of governmentality of fear. In this respect, the study attempts to make bridge between the existential context of dark tourism and its political dimension with the Foucauldian terms, especially by shedding light on dark tourism in terms of “biopower technology.”


Religions ◽  
2019 ◽  
Vol 10 (6) ◽  
pp. 394 ◽  
Author(s):  
Smith

Recent scholarship has challenged the anachronistic projection of the modern category of the poem onto premodern texts. This article attempts to theorize how one might construct an alternative to modern conceptualizations of “the poem” that more closely appropriates the conceptualization of textuality in the Rigveda, an anthology of 1028 sūktas “well-spoken (texts)” that represents the oldest religious literature in South Asia. In order to understand what these texts are and what they were expected to do, this article examines the techniques by which the Rigveda refers to itself, to its performer, to its audience, and to the occasion of its performance. In so doing, this article theorizes a “performance grammar” comprising three axes of textual self-reference (spatial, temporal, and personal); these axes of reference constitute a scene of performance populated by rhetorically constructed speakers and listeners. This performance narrative, called here the adhiyajña level, frames the mythological narratives of the text. By examining the relationship between mythological narrative and performance narrative, we can better understand the purpose of performing a text and thus what kind of an entity Rigvedic “texts” really are. While this article proposes a rubric specifically for the Rigvedic context, its principles can be adapted to other premodern texts in order to better understand the performance context they presuppose.


2017 ◽  
Vol 52 (23) ◽  
pp. 1523-1528 ◽  
Author(s):  
Andreas Venhorst ◽  
Dominic Micklewright ◽  
Timothy D Noakes

IntroductionA preceding article investigated the psychophysiological responses to falling behind a performance matched opponent. The following temporally linked cause–effect relationships were hypothesised: falling behind precedes deterioration in valence, deterioration in valence precedes development of an action crisis, experience of an action crisis precedes psychoneuroendocrinological distress response and non-adaptive distress response reduces conduciveness to high performance, thereby preceding performance decrement.MethodsIn this article, we applied structural equation modelling to test the extent to which the observed data fit the hypothesised cause–effect relationships. A five-step procedure was applied to model the interrelationships between the major study variables in the hypothesised temporal order.ResultsSignificant linear relationships were found between all hypothesised predictor and outcome variable pairs (p<0.024). The dynamic change in valence was a significant mediator (p=0.011) as it explained 35% of the relationship between falling behind and action crisis. All hypothesised cause–effect relationships continued to be significant after controlling for performance, descriptor, training and perceived strain variables. The observed data fitted the hypothesised structural model well with excellent model fit indices throughout.ConclusionWe applied, tested and confirmed the hypothesised debilitative psychophysiological processes that unfold in response to falling behind a performance matched opponent. The main findings were: deterioration in valence mediated the relationship between falling behind and action crisis, the mindset shift associated with an action crisis predicted increased blood cortisol concentrations and non-adaptive blood cortisol concentrations predicted performance decrement. The findings point towards the crucial role of affective and cognitive modifiers in centrally regulated and goal-directed exercise behaviour.


2019 ◽  
Vol 55 ◽  
pp. 290-306
Author(s):  
Nicholas Dixon

One of the most important spheres of activity in the early nineteenth-century Church of England was the establishment and support of schools for the poor. The primary agent of such activity was the National Society. Founded in 1811 by clergymen and philanthropists, this organization aimed to maintain Anglicanism as the ‘National Religion’ by instructing as many poor children as possible in church doctrine under clerical supervision. By 1837, almost a million children across England were being educated in Anglican charitable institutions. This remarkable effort has largely been the province of educational historians. Yet it was also a political enterprise. The creation of a national system of education along exclusively Anglican lines represented an assertive intervention in the contemporary debate about the relationship between church and nation-state. Using a wide range of neglected sources, this article discusses how such political concerns were manifested at a local level in National Society schools’ teaching, rituals and use as venues for political activism. It is argued that these aspects of the society's work afforded the church a powerful political platform. This analysis informs our broader understanding of the ways in which churches’ involvement in mass education has sustained religiously inflected conceptions of nationhood.


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