scholarly journals ARTISTIC DETAILS IN PU SUNG-LING’S CREATIVE STYLE

2021 ◽  
pp. 22-36
Keyword(s):  
Short Stories ◽  
Chinese Literature ◽  
Main Idea ◽  
Spoken Language ◽  
Special Importance ◽  
Direct Speech ◽  
The World ◽  
Creative Style ◽  
High Emotionality

Fiction style in literature means a special speech style that is common in both world fictions in general and in copywriting in particular. It is characterized by high emotionality, a wealth of direct speech, colors, epithets, and metaphors, and it is also designed to influence readers’ imagination and serve as a stimulus to their imagination. Sometimes, in an artistic text, the author expresses his/her feelings in order to form readers’ correct attitude to certain things described. Such an attitude can be either positive or negative. The detail we analyze in our article is an element that serves to draw readers as close as possible to the textual environment being described, to complement the content of the artistic text, and to enrich it with different colors. The article discusses this topic in the example of famous Chinese novelist Pu Sung-ling. His short stories are very popular and have been published in many languages around the world. In the writer’s lifetime and beyond, intellectuals read these short stories, and street storytellers turned them into lively spoken language, the plots in these short stories were presented on stage, reflected in paintings and miniatures. In Pu Sung-ling’s short stories we find the author’s elaboration of details, i.e., specialization in literature. In other words, the main idea of this article is the author's attention to details. As we become acquainted with the analyses related to the details of the work in the stories, we see that this topic is of a special importance in Chinese literature. Although Pu Sung-ling's “Liao Jai's Stories of strange” was written in Venus under the pseudonym Liao Jay, his work also reached such heights because of its simplification of Venetian and the simplification of the vernacular, which was much easier and more methodologically simple. Although Pu Sung-ling is the author of other works, “Lyao Jai’s Stories of strange”, which we cite as examples in the article, was widely known in Pu Sung-ling’s land and later all over the world, gaining people’s interest and respect.

On the Margins of Modernism

2017 ◽  
Author(s):  
Christopher Rosenmeier
Keyword(s):  
Short Stories ◽  
Detailed Analysis ◽  
Chinese Literature ◽  
Popular Literature ◽  
Extensive Study ◽  
Wide Range ◽  
Chinese Fiction ◽  
Scant Attention ◽  
Narrative Techniques ◽  
Chinese Writing

Xu Xu and Wumingshi were among the most widely read authors in China during and after the Second Sino-Japanese War (1937–1945). Despite being an integral part of the Chinese literary scene, their bestselling fiction has, however, been given scant attention in histories of Chinese writing. This book is the first extensive study of Xu Xu and Wumingshi in English or any other Western language and it re-establishes their importance within the popular Chinese literature of the 1940s. Their romantic novels and short stories were often set abroad and featured a wide range of stereotypes, from pirates, spies and patriotic soldiers to ghosts, spirits and exotic women who confounded the mostly cosmopolitan male protagonists. Christopher Rosenmeier’s detailed analysis of these popular novels and short stories shows that such romances broke new ground by incorporating and adapting narrative techniques and themes from the Shanghai modernist writers of the 1930s, notably Shi Zhecun and Mu Shiying. The study thereby contests the view that modernism had little lasting impact on Chinese fiction, and it demonstrates that the popular literature of the 1940s was more innovative than usually imagined, with authors, such as those studied here, successfully crossing the boundaries between the popular and the elite, as well as between romanticism and modernism, in their bestselling works.

The Russian People as They Are. Turgenev’s View

2018 ◽  
pp. 71-82
Author(s):  
Sergey Nickolsky
Keyword(s):  
Short Stories ◽  
Philosophy Of History ◽  
Literary Genre ◽  
Classical Literature ◽  
The People ◽  
The World ◽  
Natural Man ◽  
The Mind ◽  
Nature And Society ◽  
Philosophical Nature

The question of the Russian man – his past, present and future – is the central one in the philosophy of history. Unfortunately, at present this area of philosophy is not suffciently developed in Russia. Partly the reason for this situation is the lack of understanding by researchers of the role played by Russian classical literature and its philosophizing writers in historiosophy. The Hunting Sketches, a collection of short stories by I.S. Turgenev, is a work still undervalued, not fully considered not only in details but also in general meanings. And this is understandable because it is the frst systematic encyclopedia of Russian worldview, which is not envisaged by the literary genre. To a certain extent, Turgenev’s line is continued by I. Goncharov (the theme of the mind and heart), L. Tolstoy (the theme of the living and the dead, nature and society, the people and the lords), F. Dostoevsky (natural and rational rights), A. Chekhov (worthy and vulgar life). This article examines the philosophical nature of The Hunting Sketches, its structure and content. According to author’s opinion, stories can be divided into ten groups according to their dominant meanings. Thus, in The Hunting Sketches the main Russian types are depicted: “natural man,” rational, submissive, cunning, honest, sensitive, passionate, poetic, homeless, suffering, calmly accepting death, imbued with the immensity of the world. In the image and the comments of the wandering protagonist, Ivan Turgenev reveals his own philosophical credo, which he defnes as a moderate liberalism – freedom of thought and action, without prejudice to others.

Beckett’s Expelled

2018 ◽  
Author(s):  
Lyndsey Stonebridge
Keyword(s):  
Human Rights ◽  
Short Stories ◽  
Samuel Beckett ◽  
Red Cross ◽  
Human Suffering ◽  
Dark Background ◽  
The World

Samuel Beckett is known for his unique abstraction of human suffering. This chapter shows how his wartime experiences transformed his writing, producing one of the first really critical literary depictions of the new subject of human rights and humanitarianism. Beckett’s engagement with what he described in 1946 as ‘the time-honoured conception of humanity in ruins’ began with his own experience of displacement and with his work with the Irish Red Cross in Saint-Lô. The characters who wander through the three short stories that he first wrote in French, ‘La Fin’, ‘L’Explusé’, and ‘Le Calmant’, collectively known as the Nouvelles, are both subject to a regime of humanitarian indifference (‘They clothed me and gave me money’ read the first lines of ‘La Fin’) and restless agents, stumbling in a stripped down French, groping for a new narrative. These are the new clowns of the dark background of difference, ironists of their own suffering, chroniclers of the gap that had opened up between the placeless people and the rest of the world.

How words make the world: language materialities and the circulation of the Sakha algys

Multilingua ◽  
2021 ◽  
Vol 0 (0) ◽  
Author(s):  
Jenanne Ferguson
Keyword(s):  
Spoken Language ◽  
Spoken Word ◽  
World Language ◽  
Material World ◽  
The World ◽  
The Way

Abstract This article investigates contemporary uses of the Sakha language algys (blessing poems) and reveals the “old” and “new” types of language materiality present in this genre of ritual poetry. Focusing primarily on one example of algys shared online in 2018, I discuss how performing algys has always involved close interconnection between language and the material world and present the changing contexts and forms of algys transmission that highlight both fixity and fluidity in the way speakers conceive of language and materiality. Despite the new mobilities and technologies that build upon the previously established written textual forms of this poetry—and contribute to its continued circulation and transmission—certain elements of traditional algys remains salient for speakers, reinforced by ideologies or ontologies of language that foreground the power of the (spoken) word. This is connected to the production of qualia and the invocation of chronotopes. Thus, while textual forms further enable processes of citationality as they are circulated online; the written words alone do not constitute an algys. Rather, here the importance of embodied, spoken language materiality is at the fore.

Southeast Asian Muslim Washathyyah in the Global Era

2015 ◽  
Vol 4 (1) ◽  
pp. 137-154
Author(s):  
Syahrin Harahap
Keyword(s):  
Southeast Asia ◽  
Significant Contribution ◽  
Main Idea ◽  
Global Village ◽  
Global Era ◽  
The People ◽  
The World ◽  
Huge Impact ◽  
Religious Aspects ◽  
The Universe

Globalization in the world has given the huge impact on the people, as the new condition of the world has brought the world to the globalism- a consciousness and understanding that the world is one. Globalization has also unified the people in a global village that covers all aspects of life such as economic, political, cultural, religious aspects. This paper will explore the concept of wa¡a¯iyyah which stresses on the moderation and accommodative way and its implementation in Southeast Asia. The main idea of the wa¡a¯iyyah or moderation in religious life is that it offers the importance of realizing the concept of Islamic blessing for all the Universe (Islam; Ra¥matan lil ±lam³n). Therefore, the main offer of the Muslim wa¡a¯iyyah movement is to focus on developing civilization, freedom, justice, prosperity and better future for all the people. It is the main capital of the Wa¡a¯iyyah in Southeast Asia to give the significant contribution to the globalization of the world.

scholarly journals INTERPRETATION OF THE THEME OF LOVE IN THE AUTHOR'S EDUCATIONAL AND FICTION TEXT OF THE TEACHER FOR A FOREIGN AUDIENCE AT THE LEVEL OF RUSSIAN LANGUAGE PROFICIENCY B1-C1

2020 ◽  
Vol 2 (25(52)) ◽  
pp. 27-47
Author(s):  
Olga Grigoryevna Puzyreva
Keyword(s):  
Short Stories ◽  
Language Proficiency ◽  
Russian Language ◽  
Semantic Concept ◽  
Cultural Space ◽  
The World ◽  
Mental Language

The article describes the interpretation of the theme of love in the author's educational fiction text of the teacher for a foreign audience at the level of Russian language proficiency B1-C1 as a key value-semantic concept of the Russian mental-language picture of the world. The author presents, psychological, pedagogical, methodological and philosophical arguments for the need to include this topic in the proposed cycle of short stories. Special attention is paid to how the speech and "creative-motor " (S. V. Dmitriev) dialogue of the situation of love is interconnected with the surrounding socio-cultural space.

scholarly journals LOVE STORIES IN THE AUTHOR'S EDUCATIONAL FICTION TEXT OF THE TEACHER FOR A FOREIGN AUDIENCE

2020 ◽  
Vol 1 (2(71)) ◽  
pp. 45-66
Author(s):  
Olga Grigoryevna Puzyreva
Keyword(s):  
Short Stories ◽  
Language Proficiency ◽  
Russian Language ◽  
Semantic Concept ◽  
Cultural Space ◽  
Love Stories ◽  
The World ◽  
Mental Language

The article describes the interpretation of the theme of love in the author's educational fiction text of the teacher for a foreign audience at the level of Russian language proficiency B1-C1 as a key value-semantic concept of the Russian mental-language picture of the world. The author presents psychological, pedagogical, methodological and philosophical arguments for the need to include this topic in the proposed cycle of short stories. Special attention is paid to how the speech and "creative-motor " (S. V. Dmitriev) dialogue of the situation of love is interconnected with the surrounding socio-cultural space.

scholarly journals Pharmacotherapeutic management of chronic viral hepatitis

2021 ◽  
Vol 2 (4) ◽  
pp. 1-8
Author(s):  
Gabriela Mitea ◽  
Marius Daniel Radu ◽  
Ana Maria Ionescu ◽  
Nicoleta Blebea
Keyword(s):  
Hepatitis B ◽  
Viral Hepatitis ◽  
World Health Organization ◽  
Geographical Area ◽  
Chronic Viral Hepatitis ◽  
World Health ◽  
Effective Vaccine ◽  
Special Importance ◽  
The World ◽  
Health Organization

In infectious diseases, viral hepatitis has an increased incidence, being an important cause of morbidity and mortality, being a "sentinel" indicator of the socio-economic and hygienic-cultural standard of a geographical area. The World Health Organization (WHO) admits the following types of hepatitis viruses: A, B, B + D, C, E, F and G. Among the viral entities recognized by the WHO, a special importance in terms of incidence, evolution over time with the risk of chronicity and the therapeutic options are presented by hepatitis B and C. There is currently an effective vaccine as well as treatment for hepatitis B. There is no vaccine for hepatitis C, but in recent years considerable progress has been made in treating this disease. Also, the introduction of drugs known as direct-acting antivirals makes it possible to cure over 90% of patients within 2-3 months. But in many countries, current drug policies, regulations and prices keep treatment out of the reach of most people with hepatitis. Eradication of viral hepatitis is possible if greater emphasis is placed on prevention, diagnosis and treatment. Vaccination is very important, as it is possible for types A and B of hepatitis. Early diagnosis is also extremely important, given that there are currently very effective drugs that can prevent the development of liver cancer. The WHO also noted that about two million people worldwide become ill each year due to the reuse of syringes and stressed the importance of checking blood donors to see if they are not carriers of hepatitis B or C viruses. Therefore, the purpose of this article is to highlight the pharmacological treatment and the main therapeutic and prevention schemes currently used for patients with these liver diseases. The paper was based on the most popular methods of identification of the latest international information about the treatment of hepatitis (by electronic search using Pubmed, SciFinder, Scirus, GoogleScholar and Web of Science). We also consulted the global literature cited in the hepatitis database of the World Health Organization (WHO) updated frequent from the current literature on this topic.

scholarly journals Perbandingan Antologi Cerpen Batu-Batu Setan Karya M. Fudoli Zaini Dan Lukisan Kaligrafi Karya A. Mustofa Bisri

ATAVISME ◽  
2015 ◽  
Vol 18 (2) ◽  
pp. 143-157
Author(s):  
Mashuri Mashuri
Keyword(s):  
Short Stories ◽  
Comparative Literature ◽  
Key Words ◽  
Cultural Production ◽  
Production Environment ◽  
Binary Opposition ◽  
The World

Tulisan ini mengkaji konstruksi dunia dan nalar santri dalam prosa karya kiai pesantren, yaitu Batu-Batu Setan karya M. Fudoli Zaini dan Lukisan Kaligrafi karya A. Mustofa Bisri. Teori yang digunakan adalah strukturalisme dan hermeneutik, dengan menggunakan metode bandingan. Dari kajian perbandingan didapatkan pola sistemik pada posisi pengarang sebagai agen dalam ranah produksi kultural. Pola-pola sistemik yang menggambarkan konstruksi dan nalar santri yang bersifat universal dan parsial dengan bersandar pada konsep oposisi biner: sintagmatik dan paradigmatik, dapat dirumuskan dari perbandingan kedua kumpulan cerpen tersebut. Dari kajian tentang karya dua kiai itu, biografi mereka, dan perbandingan antara keduanya terkonstruksikan dunia dan nalar santri. Nalar santri inilah yang menjadi pola berpikir dan cara melihat dari kalangan pesantren di dalam karya dan ‘kehidupan’‐nya. Abstract: This research aims to describe the construction of santri’s sense and the world in short stories written by two kiai, M. Fudoli Zaini’s Batu-Batu Setan and A. Mustofa Bisri’s Lukisan Kaligrafi. To analyze the comparativeness, structuralism and hermeneutics theory is used to describe the problem. We can see that there is a systemic pattern of the writers as an agent in a cultural production environment. Those systemic patterns show the universalities and partialities of santri’s construction and sense according to binary opposition concept, namely syntagmatic and paradigmatic. The differences among the two anthologies, seen from their short stories and biography are constructed by the world and sense of the santri. From their short stories and we can see how the santri think and see using their sense and the world. Key Words: construction of world; santri’s sense; comparative literature

scholarly journals Coloring in Short Prose by Yevhen Hutsalo

2019 ◽  
pp. 41-56
Author(s):  
Oleksandr Brayko
Keyword(s):  
Short Stories ◽  
Comparative Analysis ◽  
Visual Imagery ◽  
Real Situation ◽  
Painting Technique ◽  
Dominant Color ◽  
Color Harmony ◽  
The World ◽  
Claude Monet ◽  
Color And Light

The paper considers the means of representing space in Yevhen Hutsalo’s prose which are suitable for comparison with the painting technique. Coloring is one of determining graphic resources of a picture. The artistic effect of the figures and spatial compositions fixed on canvas is to a great extent predefined by the color solution of the subjects and air environment depicted. In order to make the world of imagination more representational the literature used to involve visual imagery in a verbal design, in which color and light markers not only specify a representation of fictitious or real situation but also give some lyrical, epical or dramatic coloring to the narration, increasing the expressivity of a picture. In the descriptions of landscapes in the short stories by Yevhen Hutsalo one may find the verbal analogues of such painting tools as color dominant, color harmony, lighted up and shaded areas. The dynamics of color solution in a verbal picture, the introduction of new hues and their combinations, and the constructing of light environments help to strengthen the emotional effect of the narration and make some special mood accents. The change of chromatic range and interpretation of painting components of the verbal image liken the narration to the melodious and sound transitions in music and editing tools in filmmaking. The color effects contribute to plasticity of the represented objects or, on the contrary, make their representation less material, give some decorative or symbolic sense to the nature. The story “On the Shining Horizon” may be compared to the cycle of paintings by Oscar-Claude Monet “Rouen Cathedral”. The unsteady landscape of Y. Hutsalo is marked by interpretative activity of the narrator. The landscape descriptions with a less vivid and not too rich, i. e. comparatively weak in terms of stimulating emotions, color range are also endowed with a noticeable expressive potential. In accordance with the requirements of expression in painting the verbal chiaroscuro also may give dynamics to relatively static environment. The paper offers a comparative analysis of the verbal ‘pictures’ and their corresponding paintings-predecessors.

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