scholarly journals ФЭНТЕЗИ ВА ФАНТАСТИК АСАРЛАР МИКРООЛАМИ

2019 ◽  
pp. 205-213
Author(s):  
Dilshod NASRIDDINOV

Мақолада инсон хаёлоти маҳсули бўлган фэнтезива фантастика феноменига муносабат билдирилган. Бу икки дунёнинг ички кўриниши, ўхшаш ва фарқли жиҳатлари диаграммалар ёрдамида асосланган. Муаллиф фикрлари тадқиқотчи ва ёзувчилар қарашлари асосида илмий далилланган. Фэнтезива фантастика лексик бирликлари ҳақида адабиётшунослик ва таржимага оид луғатларга таянган ҳолда маълумотлар берилган. Ҳарбир феноменнинг таркибий қисми ва уларнинг ўзига хос турлари ажратиб кўрсатилган. Фантастика бўйича турли қарашларнинг мавжудлиги, замонавий адабиётда фантастикани фэнтези йўналиши билан фарқлантириб турувчи жиҳатлари, ўзбек фолклоршунослигида фэнтези тушунчаси таркибида асосий рол ўйнаган мифология ва унинг турли кўринишлари ҳақида маълумотлар келтирилган ва асосланган. Тақдим этилган маълумотлар орасида фэнтези тушунчасини жанр сифатида баҳолаган тадқиқотчиларнинг фикрлари мавжуд, уларга қарши айтилган назарий фикрлар, яъни фэнтези феноменининг жанр, субжанр ёки адабий оқим эканлиги хусусида аниқ хулоса мавжуд эмаслиги таъкидланган. Турли-туман фикрлар, қарашлар ва олимларнинг илмий ёндашувларига изоҳлар келтирилган. Фэнтезининг муаммоли вазиятига қараб: “қаҳрамонлик фэнтези”, “готик фэнтези”, “насронийча фэнтези”, “маданийлашган фэнтези” каби кўринишлари мавжудлиги очиб берилган. Афсоналарда мавжуд мифологик образлар фэнтезининг асосий қуроли эканлигига урғу берилган, мифология тушунчаси ва унинг турларига изоҳ бериб ўтилган. В статье рассмотрены разные тенденции относительно феноменов фэнтези и фантастика как результат человеческого мышления. Внутренняя структура, сходства и различия этих двух миров показаны на схемах. В статьеприводятсяотдельные сведения о лексических единицах фэнтези и фантастики из различных литературоведческих и переводных толковых словарей. Отдельно описаны составная частьи своеобразные типы каждого феномена. Представлены и обоснованы сведения о наличии различных взглядов на фантастику, ее отличительных чертах отфэнтези в современной литературе, а также о мифологии и ее видах, занимающих особое место в структуре фэнтези, из источников узбекской фольклористики. Среди представленных сведений имеются мнения исследователей относительно понятия фэнтези как жанра, даются также противоположные данному мнению теории, то есть сделана попыткаопределить, куда отнестипонятиефэнтези: к жанру, субжанру или литературному течению. Приведены пояснения к различным мнениям, взглядам и научным подходам ученых-исследователей. Также в статье охарактеризовано наличие различных видов фэнтези в зависимости от проблемных ситуаций: «героическое фэнтези», «готическое фэнтези», «фэнтези по-христиански» и «культурное фэнтези». Мифологические образы, созданные в легендах, отмечены как основное орудие фэнтези. The article discusses various trends regarding the phenomena of “fantasy” and “fiction” as a result of human thinking. The internal structure, similarities and differences of these two worlds are given on the basis of several diagrams. The thoughts cited in the article are scientifically based on the opinions of scientists and researchers, there is a correct approach to the text and explanations for them are given. Separate information is also given on the lexical units of fantasy and fantasy from various literary and translated explanatory dictionaries. Separately described are the component and unique types of each phenomenon. Presented and substantiated information about the presence of different views on fiction, its distinctive features from fantasy in modern literature, as well as about mythology and its forms that occupy a special place in the structure of fantasy, from sources of Uzbek folk writers. Among the information presented, there are researchers' opinions on the concept of fantasy as a genre, theories opposite to this opinion, that is, an attempt was made to find out that there are no exact ideas about attributing the concept of fantasy to genre, subgenre or literary movement. Explained to the different opinions, views and scientific approaches of researchers. The article also describes the presence of various types of fantasy depending on the problematic situations: “heroic fantas”, “gothic fantasy”, “Christian fantasy” and “cultural fantasy”. Mythological images created in the legends are marked as the main fantasy tools, the concept of mythology, its types are described.

Author(s):  
Ray Jackendoff ◽  
Jenny Audring

The book has three interwoven themes: a morphological theory, the structure of the lexicon, and an integrated account of the language capacity and its place in the mind. These themes together constitute the theory of Relational Morphology (RM), itself an extension of the Parallel Architecture of Jackendoff’s Foundations of Language, and closely related to Construction Grammar and Construction Morphology. A fundamental feature is that phonology, syntax, and semantics are independent components of language, linked by interfaces. Another feature is the continuity between lexicon and grammar. RM extends these features to the internal structure of words. In particular, morphology is constituted of a morphosyntactic component and its interfaces to phonology, phrasal syntax, and semantics. Furthermore, RM expresses regularities among words not in terms of rules that derive morphologically complex words, but in terms of declarative schemas that capture patterns of shared structure. The chapter concludes with a survey of similarities and differences between phrasal syntax and morphosyntax.


1990 ◽  
Vol 4 (2) ◽  
pp. 131-146 ◽  
Author(s):  
Boele De Raad ◽  
Machteld Hoskens

In this article we describe the derivation of a taxonomy of personality descriptive nouns. We argue that, contrary to traditional statements, nouns deserve their own special place in the domain of personality language. The ultimate aim is to provide a sound basis for the development of a representative and efective instrument for registering judgements on personality. Study 1 describes the steps that were followed to arrive at a list of personality descriptive nouns. Fourteen subjects took part, with different numbers of subjects at the various stages of selecting the nouns. Seven hundred and fifty‐five nouns resulted from this study. Study 2 (N= 400) describes the determination of the internal structure of the domain of nouns through factor analysis of both self and partner ratings obtained from 200 Dutch‐speaking Belgian subjects and 200 Dutch subjects. By applying a method of rotation to perfectly congruent weights the noun structure turned out to be invariant under self and partner conditions and under the diferent groups of subjects. The results show the existence of a well‐delineated multidimensional noun structure comparable to that of adjectives and of verbs.


Author(s):  
Lin Yang

Alberto Arbasino and Luigi Malerba visited China as members of Italian authors’ delegation in 1980 and published respectively their travel reportage Trans-Pacific Express (1981) and Cina Cina (1985). Arbasino travelled to many countries and published several travel books. Malerba was particularly fond of China. During their visits, Arbasino and Malerba were the closest of travel companions. There are, in fact, many similarities and differences in their travel writings. The two authors were representatives of Gruppo ’63 in the literary movement Neoavanguardia. Based on the richness and flexibility of this literary genre, they also adopted this innovative style of writing. In terms of the narrative structure, in both there does not appear to be a clear itinerary or a logic to their travels. Regarding their linguistic styles, Arbasino’s writing is rich of rhetorical forms, whereas Malerba’s book is imagery, resembling a fairy-tale. For the two authors, China represents a series of incomprehensible signs. Arbasino transforms these signs into elements of literary invention, while Malerba sees the travel destination as a place of imagination. China is a literary space between imagination and reality in their travel writings.


2021 ◽  
pp. 3-21

It is surprising that in English and Uzbek folklore and literature there are similarities in the expression of mythological images, despite the fact that they are from different language systems and different continents far from each other. British folklore is rich in a variety of images, which, with their distinctive features, have a place not only in English but also in world literature. Such images are distinguished by their versatility and have both negative and positive character traits. No matter which world literature we look at, we can find the translation of myths, legends, and fairy tales in that language which is the indication of how important role such images have in the world literature. The terms mythology, myth, and mythological names are defined differently in various sources. The types of mythological names, on the other hand, have been classified differently as a result of the research carried out by different researchers, each of which has been studied and analyzed comparatively. Studies have concluded that mythology was formed as a system of primitive worldviews and encompassed the philosophical, moral, and social views of our ancestors, the simplest scientific interpretations of the universe and human life, as well as the art of speech, rituals, and various forms of mythological thinking. This article provides a description of the terms myth, mythology and mythological names, their classification by various researchers, as well as information about mythological images in English and Uzbek literature, and comments on their classifications. In particular, information on the history of its emergence, the appearance of the image of witches, elves, giants, trolls, goblins in English myths and fairy tales in different forms and purposes is given. The mythological images of birds and dragons in both English and Uzbek literature have been studied comparatively. The reflections on their similarities and differences in English and Uzbek literature have been analyzed.


2019 ◽  
Vol 10 (4) ◽  
Author(s):  
Vasily Nekrasov

The paper investigates the essence, concept and distinctive features of artificial intelligence. The author notes that currently there is no unified position not only in understanding the essence of this phenomenon, but also its capabilities. The analysis of the given definitions of the analyzed phenomenon allows to draw a number of conclusions. First, the artificial intelligence should not be confused with the so-called "natural intelligence" or human intelligence. Secondly, in understanding the essence of the artificial intelligence, various components of human thinking are included, some where it is creative activity, somewhere it is intellectual activity, etc. At the same time, this is important to understand the essence of the concept under consideration. Thirdly, it is necessary to identify types of the artificial intelligence. So, it is accepted to allocate strong and weak systems of artificial intelligence. So, it is accustomed to specify strong and week systems of the artificial intellect. The article substantiates that when the domestic legislator constructs norms on crimes related to the artificial intelligence, they should be based on a refutable presumption of its (artificial intelligence) public danger.


Author(s):  
K. Afanaseva

In the modern world, the accounting methodology is undergoing significant changes under the influence of new trends of our time - digitalization and automation. Modern IT-technologies make it possible to optimize the accounting process, simplifying the routine work of specialists or completely freeing them from it. The article discusses the existing approaches to the concepts of automation and digitalization of accounting, identifies their similar and distinctive features according to a number of criteria: goal, object, subject, resources, technologies, stages, result. The author investigates the essence of automation and digitalization of the accounting process, presents a theoretical justification for the allocation of a new digital method for registering accounting information.


2021 ◽  
Author(s):  
Piotr Tomasz Makowski

The paper explores the topic of organizational routines from a philosophical vantage point to see how the philosophy of action may help improve its understanding in organizational research. The main goal is to show the distinctive complexity of the intentional picture of routines. In this respect, the paper clarifies the interrelations between psychological habits and routines and describes similarities and differences between them. It also highlights the special place of mindfulness as a psycho-cognitive mechanism of action meta-control in intentional explanations of routine complexity.


2020 ◽  
Vol 20 ◽  
pp. 243-253
Author(s):  
Ганна Мезенка ◽  

The article draws attention to the fact that relatively few summarising comparative studies appear in modern Slavic onomastics. Their absence particularly affects development of those zones of onomastics that became completely formed only in the last decades of the 20th century. One of such zones is urbanonymy and, particularly, the similarities and differences between “urbanonimic portraits” of different cities of Slavia. The article argues that in urbanonymy a portrait is a set of proper names of intracity objects, which has been formed in a certain way, that testifies to the ideological attitude to their nominators, users and visitors of the city. It is emphasized that each of the settlements has its own “portrait” made up of the names of its objects, due to which it differs from others. The article reveals distinctive features of the “urbanonymous portrait” of one of the historical centres of culture, the Belarusian city Slonim, which in 2019 became the venue for the XXVI Days of Belarusian writing.


Author(s):  
Erik Olin Wright

The author lays out the distinctive features of a neo-Marxist class approach used in present-day sociology. First, he clarifies what exactly constitutes the fundamental point of class analysis within the Marxist framework and what it tries to accomplish. This work also provides a description of similarities and differences between the Weberian and Marxist traditions with regard to the conceptual components and pivotal explanatory ambitions. The distinctive hallmark of the Marxian approach is that it defines the concept of social class in terms of exploitation. In Wright’s view, the theoretical pay-off of elaborating the Marxian-inspired conception of class, which is based on social relations of production on the one hand and exploitation and domination on the other, is that this conception infuses class analysis with moral critique. Such an analysis can function not simply as part of a scientific theory of interests and conflicts, but also as a constituent of an emancipatory theory offering alternatives to capitalism on the basis of social justice.


1994 ◽  
Vol 30 (2) ◽  
pp. 301-348 ◽  
Author(s):  
Juliette Blevins

Phonological models of feature geometry suggest that the internal structure of segments is highly articulated. Distinctive features are organized hierarchically within the segment, and this hierarchical organization is relatively stable across and within languages. Much recent work has been devoted to determining the precise location of place of articulation features within the hierarchy. In this study, the distinctive feature [lateral] is the focus of investigation. Though [lateral] is often considered a manner feature, it is usually associated with coronal articulations. By examining the behaviour of coronal and velar laterals in phonological rules and constraints, evidence emerges that [lateral] is a terminal feature of the coronal node within the feature tree.


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