The Cat in Kokon chomon-jû. Three Anecdotes Taken from the Work Compiled by Tachibana no Narisue and Translated from Japanese into French

2020 ◽  
Author(s):  
Kôji Watanabe ◽  
Kôji Watanabe ◽  
Tomomi Yoshino ◽  
Olivier Lorrillard
Keyword(s):  

La figure du chat fait son apparition dans la littérature japonaise au ixe siècle, mais son image évoluera de manière inattendue à l’époque médiévale. Des témoignages littéraires du xie et du xiie siècle, tels que les Notes de chevet de Sei Shônagon et Le Dit du Genji de Murasaki Shikibu, montraient clairement l’intérêt porté aux chats par les dames de cour. Pourtant, à partir du xiiie siècle, le félidé fera au contraire l’objet d’une forme de « diabolisation », et c’est cette dimension plus inquiétante du chat que nous aimerions évoquer ici, à travers trois exemples tirés du Kokon chomon-jû, vaste recueil de contes et légendes. Cette œuvre méconnue en Europe est attribuée à Tachibana no Narisue et achevée en 1254.

Author(s):  
Wiebke Denecke

Although The Tale of Genji is today the quintessentially Japanese national classic, its engagement with China shapes the tale on virtually every page. This essay argues that Murasaki Shikibu was keenly interested in philosophical questions of how humans experience space and that China played a pivotal role in formulating and engaging these questions. As a Heian woman she had no access to the world of Chinese-style poetry composition or the Confucian Academy, but she deploys China as a marker of spatial or temporal difference that inspires her probing of fundamental questions: How can spaces convey moods and structure human experience? How can a woman narrate inaccessible male spaces? This essay shows how philosophical questions about the experience and description of space drive the tale’s plot and character portrayal and how this “epistemology of space” is predicated on the manifold presences of China at the heart of the Genji’s brilliant narrative art and psychological depth.


2010 ◽  
Vol 79 (2) ◽  
pp. 215-220 ◽  
Author(s):  
Fumi Tatsuzawa ◽  
Norio Saito ◽  
Atsushi Shigihara ◽  
Toshio Honda ◽  
Kenjiro Toki ◽  
...  

1983 ◽  
Vol 9 (2) ◽  
pp. 335
Author(s):  
Edward Seidensticker ◽  
Richard Bowring
Keyword(s):  

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