scholarly journals El patrimonio cinematográfico y audiovisual en la Biblioteca y Filmoteca de Navarra

2020 ◽  
pp. 1175-1194
Author(s):  
Juan Francisco Elizari Huarte
Keyword(s):  
Public Policies ◽  
Film Library ◽  
Moving Images ◽  
Film Preservation ◽  
History Of

RESUMEN El artículo constituye una aproximación a los orígenes del patrimonio cinematográfico y audiovisual de Navarra y de las políticas públicas de conservación patrimonial hasta la reciente configuración jurídica de una Filmoteca de Navarra. LABURPENA Nafarroako zinemazko eta ikusentzunezko ondareari hurbilpena da artikulu hau. Horrekin batera, ondaren kontserbatzeko hartu diren neurri publikoak jasotzen dira, Nafarroako Filmoteka legalki eratu aurretik. ABSTRACT The article enlightens the history of moving images heritage of Navarre and the origins of film preservation public policies until the setting up of Navarra Film Library.

Sobre Educação, Arte e Vídeoarte: rupturas, resiliência e práticas de ensino/aprendizagem na sala de aula

2020 ◽  
Author(s):  
Nélia Lúcia Fonseca
Keyword(s):  
High School ◽  
High School Students ◽  
Video Art ◽  
Theory And Practice ◽  
First Year ◽  
School Students ◽  
Forest School ◽  
Moving Images ◽  
History Of ◽  
Teaching Learning

This study first approaches the history of the observer’s gaze, that is, as observers, we are forming or constructing our way of visualizing moving images. Secondly, it reaffirms the importance and need of resistance of the teaching / learning of Art as a compulsory curricular component for high school. Finally, the third part reports an experience with video art production in a class of first year high school students, establishing an interrelationship between theory and practice, that is, we study video art content to reach the production of videos, aiming as a final result, the art videos created by the students of the Reference Center in Environmental Education Forest School Prof. Eidorfe Moreira High School. The first and second stages of this research share a theoretical part of the Master ‘s thesis, Making films on the Island: audiovisual production as an escape line in Cotijuba, periphery of Belem, completed in 2013.

scholarly journals The relevance of public policies for the sustainability of community media: Lessons from Argentina

2019 ◽  
Vol 4 (2) ◽  
pp. 74-90
Author(s):  
Mara Soledad Segura ◽  
Alejandro Linares ◽  
Agustn Espada ◽  
Vernica Longo ◽  
Ana Laura Hidalgo ◽  
...  
Keyword(s):  
Latin American ◽  
Public Policies ◽  
The State ◽  
Audiovisual Communication ◽  
Community Media ◽  
Communication Services ◽  
Non Profit ◽  
Promotion Policies ◽  
History Of ◽  
Extreme Media

Since 2004 and for the first time in the history of broadcasting in the region, a dozen Latin American countries have acknowledged community radio and television stations as legal providers of audiovisual communication services. In Argentina, a law passed in 2009 not only awarded legal recognition to the sector, it also provided a promotion mechanism for community media. In this respect, it was one of the most ambitious ones in the region. The driving question is: How relevant are public policies for the sustainability of community media in Argentina? The argument is: even though the sector of community media has developed and persisted for decades in illegal conditions imposed by the state, the legalization and promotion policies carried out by the state from the perspective of human rights in a context of extreme media ownership concentration have been critical to the growth and sustainability of non-profit media.

Vertical video: rupturing the aesthetic paradigm

2017 ◽  
Vol 17 (2) ◽  
pp. 245-261 ◽  
Author(s):  
Kathleen M Ryan
Keyword(s):  
Popular Culture ◽  
Technological Innovations ◽  
Film And Television ◽  
Moving Images ◽  
Orientation Model ◽  
Video Shot ◽  
History Of ◽  
The Aesthetic

Popular culture has critiqued ‘vertical video syndrome’, or video shot on smartphones in the portrait rather than landscape orientation, as something aesthetically unpleasing which should be avoided. But the design of smartphones seems to encourage shooting vertical video. This article examines the aesthetic desirability of vertical videos through applied media aesthetics. It traces the history of horizontal film and television orientations, as well as the image-centric orientation model found in still photography. It argues that vertical video, rather than a syndrome to be avoided, instead takes advantage of the technological innovations and embodied pleasures offered by the smartphone to rupture the visual paradigms and create a new visual aesthetic for phone-based moving images.

Medical Men and Peeping Toms

2016 ◽  
Author(s):  
Jessica Lake
Keyword(s):  
Personal Privacy ◽  
Right To Privacy ◽  
Women's Bodies ◽  
The Right To Privacy ◽  
Moving Images ◽  
Reproductive Body ◽  
History Of ◽  
The Law ◽  
The Right

This chapter examines cases in which a right to privacy was invoked by women to protest against violations of their bodies or the bodies of their newborn babies. This chapter offers a history of the right to privacy that charts the ways in which the law traditionally “protected” women’s bodies by treating them as male property and confining them to the home. The advent of the camera, its ability to penetrate physical and temporal boundaries, and its creation of movable as well as moving images, brought into question the efficacy of laws such as trespass and nuisance (grounded in physical structures) to protect personal privacy. To highlight the new invasions inflicted by the camera, I compare the cases of DeMay v Roberts and Feeney v Young, which involved the optic violation of a woman’s reproductive body by a stranger’s eyes and a camera respectively. Using a series of medical cases, I argue that many women invoked a right to privacy to protest against the transformation of their bodies (and the bodies of their dead deformed infants) into voyeuristic spectacles of “monstrosity”.

scholarly journals Plan de las Mujeres: marco conceptual y metodología para el Buen Vivir

2011 ◽  
Vol 15 ◽  
pp. 191-210
Author(s):  
Julieta Paredes
Keyword(s):  
Direct Action ◽  
Public Policies ◽  
Buen Vivir ◽  
Social Organizations ◽  
Conceptual Frame ◽  
History Of ◽  
Neoliberal Policies ◽  
Las Mujeres ◽  
The Impact ◽  
First Time

This article analyzes the impact that neoliberal policies have on women and sets out the epistemological fracture that communitarian feminism produces in Western feminism.  We discuss the circumstances in which, for the first time in the history of Bolivian public policies for women, a Plan de las Mujeres emerges from within women’s social organizations. This article also offers the conceptual frame that guides such a Plan, which relies on five categories or fields of direct action that help us in defending ourselves from a market that has put our very lives on sale. These categories are our bodies, our space, our time, our memory, and the movements that we are able to articulate.Este trabajo analiza el impacto de las políticas neoliberales en la vida de las mujeres y expone el rompimiento epistemológico que el feminismo comunitario produce en el feminismo occidental.  Se discuten las circunstancias en las que, por primera vez en la historia de las políticas públicas para las mujeres en Bolivia, surge un Plan desde la base y las experiencias de las organizaciones sociales de mujeres.  El trabajo presenta el marco conceptual que orienta este Plan de las Mujeres y que descansa en cinco categorías o campos de acción directa que nos ayudan a defendernos de un mercado que puso en venta nuestras propias vidas.  Estas categorías son: nuestros cuerpos, nuestro espacio, nuestro tiempo, nuestra memoria y los movimientos que articulamos.

Introduction to Faith in State Legislatures

2017 ◽  
pp. 1-25
Keyword(s):  
Social Change ◽  
Public Policies ◽  
State Legislatures ◽  
State Legislators ◽  
Front Line ◽  
United State ◽  
Party Control ◽  
Politics And Culture ◽  
History Of ◽  
Change State

This chapter introduces the complex history of the relationships among faith, politics and culture in state legislatures. Each of these concepts is explored by organizing them into three themes: separation, demography and polarization. The direction and content of public policies across the United State are influenced by these elements contributing to either the support or opposition to social change. State legislators are on the front line of these ideological divides. These variations by region contribute to the increase in single party control and have generated pronounced policy differences.

Return of the Native: Some Reflexions on the History of American Indians

1974 ◽  
Vol 8 (2) ◽  
pp. 247-259 ◽  
Author(s):  
Christine Bolt
Keyword(s):  
Native Americans ◽  
Cultural Identity ◽  
American Indians ◽  
Public Policies ◽  
Considerable Part ◽  
The Public ◽  
History Of

Indian activists have recently complained about the pernicious attentions of white Indian ‘experts’, but they are likely to endure these attentions so long as their people retain a distinct cultural identity and national status. Unlike anthropologists and administrators, historians have not shaped the public policies applied to the native Americans, and so their expertise has seemed comparatively harmless. Yet having played a considerable part in misrepresenting the Indians, scholars have a duty to set the record straight with a minimum of unprofessional moralizing.

The Wall Street Money Trust from Pujo through Medina

1973 ◽  
Vol 47 (4) ◽  
pp. 421-437 ◽  
Author(s):  
Vincent P. Carosso
Keyword(s):  
Twentieth Century ◽  
Public Policies ◽  
Wall Street ◽  
Profound Influence ◽  
History Of ◽  
Twentieth Century America ◽  
Legal Grounds

Assaults on the “money power” had a profound influence on public policies in twentieth-century America. Tracing the history of the “money trust” controversy through the first half of this century, Professor Carosso concludes that the attacks were largely unjustified, either on economic or legal grounds.

scholarly journals Políticas públicas para a inclusão de mulheres brasileiras: O Programa Mulheres Mil como interface entre a educação e trabalho

2020 ◽  
Vol 28 ◽  
pp. 48
Author(s):  
Andréa Simoni Manarin Tunin ◽  
Fernando César Ferreira Gouvêa
Keyword(s):  
Daily Life ◽  
Public Policies ◽  
Critical Ethnography ◽  
Gender Inequalities ◽  
Economic Factors ◽  
Women And Gender ◽  
The Public ◽  
Brazilian Society ◽  
History Of ◽  
And Gender

This paper presents the Women Thousand Program as a policy of inclusion through education and jobs. It traces the history of public policies designed for women through the Thousand Women Program in the Brazil, and the women’s’ experiences at the Volta Redonda campus. The authors evaluate the public policies that include vulnerable women and efficiently assist them through school. Ethnographical methods were used, based on data obtained from participative observation and detailed monitoring of the daily life of the research participants. Through the lens of critical ethnography, which considers cultural, political, and economic factors, the results show a dissonance between the Thousand Women Program and the daily reality of its participants. In addition, the “salvationist” orientation of the school helps to perpetuate the exclusion of women and gender inequalities within Brazilian society.  

scholarly journals Slowness as a Strategy of the Contemporary through Films

2021 ◽  
pp. 82-102
Author(s):  
Karen Heald
Keyword(s):  
Cultural Change ◽  
Profound Change ◽  
Future Studies ◽  
Moving Images ◽  
Contemporary Life ◽  
Critical Media ◽  
History Of ◽  
One Year ◽  
Andrei Tarkovsky ◽  
The Impact

In Future Studies and the History of Technology accelerating change is a perceived increase in the rate of technological change throughout history. This may suggest faster and more profound change in the future and may or may not be accompanied by equally profound social and cultural change. Responding to the accelerating technological landscape and contemporary life, this paper researches how the concept of ‘time’ plays a significant role. The author, an experimental filmmaker, charts an experiential journey within several pivotal ‘dream films’, along with relevant artists’ moving images in relation to time and slowness in the moving image as critical media. As contemporary life has become more and more fast paced, and one year on the impact of COVID-19 is still being felt, the idea of stillness is beginning to become a more desirable commodity. The author explores ‘slow cinema’, acknowledging seminal directors Andrei Tarkovsky and Claire Denis, as well as art films which frequently emphasise long takes, offering minimalist aesthetics with little or no narrative. In an endeavour to portray different temporalities and reveal and allude to the invisibility of time, the author relates to Julia Kristeva’s notions of intertextuality, transposition and time, and Lutz Koepnik’s concept of slowness as a strategy of the contemporary. The author discusses four ‘dream films’, where painterly, poetic, non-linear narratives, and ‘in-between’ spaces are played out: FRIDA Travels to Ibiza, Cycle, Llafarganu Papagei and Frock.

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