scholarly journals Diary of performing mastership: the sphere of universal skills of modern trumpeter

2019 ◽  
Vol 54 (54) ◽  
pp. 174-189
Author(s):  
O.Yu. Kontsevych
Keyword(s):  
Alternative Methods ◽  
Professional Experience ◽  
Performance Technology ◽  
Professional Performance ◽  
Performance Skills ◽  
Personal Training ◽  
Stage Of Development ◽  
Wide Range ◽  
Jazz Music ◽  
The World

At the present stage of development, the musical society has the centuries-long artistic experience. The evolution of educating professionals in the performing sphere has contributed to the creation of musical masterpieces in different genres. The birth and decline of numerous musical styles and trends has led to new requirements for trumpeters and their capabilities. Of course, the development of trumpet playing has always been accompanied by the new techniques and methods aimed at implementing the composer tasks. However, we can often observe the use and borrowing of the same performance techniques and methods aimed at overcoming common difficulties, for example, in academic or jazz music. Modern Ukrainian primary and secondary educational institutions maintain their position to educate narrow specialized trumpeters, while European countries are increasingly frequently raising universal performers. The trumpeters having one-vector performance skills, for example, academic or solely jazz ones, narrow own performance capabilities. It limits their professional performance in their subsequent solo and orchestral practices. This suggests the need to create the methods for training special universal skills for trumpeters, which will expand their capabilities and ensure the ability to play different music. The article explores the universal performances abilities of a modern trumpeter. The capabilities and skills are singled out, combinations of which allow the trumpeter to master the professional performance of both academic and pop-jazz works. The classification of techniques and skills laying the foundation for broad specialization and professional experience of a trumpeter is proposed. The characteristic of the technological component of the universal trumpet skills is provided. Based on the research of scientific explorations and practical achievements of modern trumpeters, a list of the masters is specified, who are the bearers of universal abilities, the names and achievements of these professionals are presented in the article. Background. By analyzing and comparing the researches and publications of some authors, we distinguish the components that can provide the trumpeter with a universal ability to work with academic and pop-jazz material. The education of modern trumpeter specialists is based on the scientific and methodological works of the leading specialists: J. Arban, E. Bolvin, S. Watterman, I. Gishka, K. Gordon, T. Dokschitzer, K. Caruso, G. Clarke, Ch. Colin, D. Muedinov, H. Orvid, J. O’Neill, O. Stepurko, etc. Each author uses his own methods aimed at gaining or developing some particular practical skills of the trumpeter. However, such works are characterized by a clear orientation, which is projected solely on academic or pop-jazz specifics. The works of J. Arban, G. Clarke, T. Dokschitzer are devoted to the development of solely academic features of the performing musician, while S. Watterman, E. Bolvin, J. O’Neill and O. Stepurko take care of the jazz image of their fans. Thus, a completely newest step in the trumpet art would be a creation of a fundamentally new methodological concept in formation of specialists that would be based on production of symbiosis patterns and combination of universal skills in playing the academic and pop-jazz music. Objectives. The purpose of the paper is to distinguish and study the universal performer skills of the trumpeter, which will allow using the experience of a specialist in academic and pop-jazz art work in many various aspects. Methods. The following methods of research have been used in the paper: historical – when reviewing the methods and algorithm of training trumpeters in Ukraine and in the world; comparative – when analyzing and comparing the well-known theoretical works on the method of teaching playing the trumpet; empirical – when analyzing the thoughts expressed by prominent performing trumpeters and educators having the universal capabilities of academic and pop-jazz performances; inductive and deductive – when studying the issue on acquiring universal performance skills that will expand the specialization of the trumpeter and promote mastering the skill of performing academic and pop-jazz works. Results. At the beginning of the paper, we have considered the concepts of universal skills and performances of trumpeters. The achievements of the most prominent performing musicians having the universal capabilities of playing academic and pop-jazz music have been distinguished. The main part of the paper studies the process of acquiring universal skills by the trumpeter, which is defined as: 1) experience, and 2) technology. In our opinion, the basis of professional experience of the trumpeter’s universal art is: a) fluency in traditional and non-traditional techniques of playing the trumpet; b) practicing the different styles of music and performance; c) experience in improvisation and arrangement. The final part of the paper provides a list of universal skills of the trumpeter: a) the endurance of the lips muscles; b) the knowledge of the articulation and fingering combination theory; c) the use of high-tone sound focus and epithelium muscles flexibility control; d) the manipulation of the sound tone; e) the technique of playing the extreme limits of the range; e) the skill of long-term playing in the extreme limits of the high pitch sound-dynamic zone. Conclusions. Musicians-trumpeters, working in a narrow specialization, understand well that the level of performance technology has grown so fast in the recent years that performers should seek alternative methods to master it. Nowadays, the trumpet performing art needs new ideas for its improvement and development. Therefore, when educators-trumpeters base their school on the narrow specialization skills, i.e. performance in academic or pop-jazz manner, the music industry lacks valuable professionals. Thus, we have outlined the need to expand the mastering of the trumpeter’s special skills, which will allow performers acquiring a wide range of skills, achieving mastery and showing themselves in a wide range of orchestral and ensemble groups. The universal skills, considered herein, should be recommended for the trumpeters to introduce into their own system of personal training. Skilfully mastering them, the trumpeter will open the world of new performance opportunities.

scholarly journals FRENCH MUSETTE IN THE WORKS OF A. HAIDENKO

2021 ◽  
Vol 22 (22) ◽  
pp. 121-134
Author(s):  
Dyachenko Yuriy
Keyword(s):  
World Music ◽  
Musical Culture ◽  
Professional Performance ◽  
New Horizons ◽  
Modern Times ◽  
Stage Of Development ◽  
Wide Range ◽  
Jazz Music ◽  
Significant Phenomenon ◽  
Widespread Phenomenon

At the present stage of development of world music, the accordion and button accordion occupy one of the leading positions. Formation of instruments on the professional concert stage is an integral part of both world and Ukrainian musical culture, as evidenced by the composition, a large number of performing competitions and festivals that take place not only in Ukraine but also in Europe, Asia and America, and Australia. A significant phenomenon of the latest wave of development of accordion and button accordion art is the crystallization of pop and jazz in the works of composers and performers. From the second half of the twentieth century, the popularity of pop and jazz music among performers and listeners (due to its brightness and accessibility) opened new horizons, genre and stylistic searches which have largely affected the trends in the development of world accordion and button accordion art, including pop and jazz. The composer’s activity of leading performers is becoming a widespread phenomenon of modern pop-jazz accordion movement. Among them we note V. Podgorny, V. Zubytsky, V. Vlasov, A. Haidenko, O. Nazarenko, B. Myronchuk, A. Stashevsky and others. Well aware of the specifics of technical-expressive, acoustic and textural capabilities of modern accordion and button accordion, domestic composers-accordionists have created a large number of bright works of pop and jazz direction. Thus, the intensification of composer’s work and the emergence of new works of pop and jazz in the accordion and button accordion art of modern times have determined the relevance of the topic of this article. The purpose of the article is to identify the main stylistic and genre features of the French musette in the works of A. Haidenko. One of the most significant examples of this genre is the series «Paris Secrets» of five waltzes in the style of French musettes for accordion by A. Haidenko. Such a work as a «musette» has not yet been mastered by any of the domestic composers, especially in the form of a cycle. The composer rethought the basics of the French folk instrumental genre in terms of professional accordion performance. This synthesis transforms the genre of the musette, embodies the pop genre in terms of academic art. The use of professional performance capabilities distinguishes the artist’s works from other compositions of this style, with the general availability of musical material to a wide range of listeners. Typical melismatics of French musettes is organically and professionally implemented by A. Haidenko in the whole cycle. The melismatics is based on beamed ascending and descending grace notes on chord tones, “singing” grace notes on separate notes, chromatic grace notes (imitations of “transitions” to the sound), mordents. Sudden dynamic contrasts, shift of strong bars, chord introduction, virtuosity, brightness of phrases and sentences are typical for A. Haidenko’s musettes. The series of five waltzes for accordion “Paris Secrets” in the style of French musettes by A. Haidenko is a unique heritage not only of the domestic, but also of the world original repertoire.

scholarly journals HUMAN RIGHTS IN MODERN INTERNATIONAL RELATIONS: EVOLUTION OF DEVELOPMENT, PROBLEMS AND PROSPECTS

2020 ◽  
Keyword(s):  
Human Rights ◽  
International Relations ◽  
International Law ◽  
Legal Aspect ◽  
Value Orientations ◽  
Human Rights Protection ◽  
Rights Protection ◽  
Stage Of Development ◽  
Wide Range ◽  
The World

Introduction. At the present stage of development of the world political process, one of the main problems has been to ensure the effective operation of human rights protection mechanisms, both at the national and international levels. The main vocation of legal science in this area is to provide expert assessments of problematic issues and scientifically developed recommendations for improving the mechanisms of human rights protection in modern international relations and especially in crisis situations that have become almost permanent in the life of the world community. The purpose of this publication was to implement a retrospective analysis of the evolution of the development of legal consolidation of human rights at the international level and the thorny problems in this area. Summary of the main research results. Thus, this publication considers the main stages of human rights, highlights the main problems of development, outlines the place of human rights in modern international relations and presents the main characteristics of the challenges facing states in the implementation of cooperation in the field of human rights. Finding the specifics of human rights and identifying mechanisms for their formation is a separate problem for jurists. The legal aspect of enshrining human rights in international legal instruments is important in the context of modern reality. It is through the disclosure of this issue that it is possible to identify the main stages of the evolution of the consolidation of human rights in international law. Conclusions. The development of international legal consolidation of human rights has significantly influenced the evolution of international law as a whole. Under the influence of these processes, national sovereignty, as a basic principle of international law, began to take on new forms, and the individual acquired many features of international legal personality. Thanks to non-state rule-making, the sphere of consolidation and protection of human rights tends to self-development and constant adaptation to the changing needs of society in the social and moral spheres. Human rights are a cultural phenomenon that reflects the system of value orientations of a person rooted in a particular historical epoch and depends on the ideology of the world legal community. The problem of human rights, their protection from external and internal threats requires an immediate solution, making it a priority to consider legal issues among a wide range of global problems of mankind. At the same time, it must be emphasized that the democratic development of modern society and human rights are inextricably linked. This connection also implies that human rights must be recognized as legitimate as a result of democratic procedures, but outside the national legal systems there is a moral justification necessary to convince the subjects of international law that everyone, even outside the national legal system must enjoy all guaranteed rights and freedoms.

Regional Security Complexes (Spatial Autocorrelation and Cluster Analysis Stimulation)

2021 ◽  
Vol 65 (4) ◽  
pp. 30-41
Author(s):  
I. Okunev ◽  
V. Vinogradov
Keyword(s):  
Cluster Analysis ◽  
Spatial Autocorrelation ◽  
Political System ◽  
International Security ◽  
Security Studies ◽  
Regional Security ◽  
Modern World ◽  
Stage Of Development ◽  
Wide Range ◽  
The World

Received 23.03.2020. Security studies are going through a new stage of development. The 20th century was marked by scientific discussions about globalization itself and its possible impact on international security, the need to adjust concepts and methodologies. Many modern challenges are a direct consequence of increased global interdependence. At the same time, global attention is shifting towards regions, because the processes originating there can explain and determine the structure of international security. In turn, it is vital to adopt the knowledge and methodology of regional studies and political geography to avoid the “territorial trap”. In our opinion, international studies are still missing the importance of spatiality and its influence on the world political system. Regardless the importance of geographical factor and the fact that in some way it determines the vector of the world political system development, spatiality is often overlooked. “Thinking in the space” is a skill necessary for any researcher. Spatiality is not just a set of geographical characteristics, but something more integral. Therefore, to understand international security and prospects for its further development, we need a comprehensive approach taking a wide range of factors into account. Moreover, an important problem of modern international security is the lack of comprehensive security studies at the global level that take into account the factor of space and regionalization. The research identifies Regional Security Complexes using cluster analysis of k-means. A spatial autocorrelation analysis is used to justify found systems, which consider the mutual influence of countries on each other. In a nutshell, it can explain regionalization of international security and the role of spatial factor in this process, create methodological framework for further analysis of Regional Security Complexes. Acknowledgements. The article has been supported by the grant of the IIS MGIMO No. 1921-01-09 “Geopolitical Atlas of the Modern World: Cartograms Modelling, Multidimensional Scaling and Determination of Local Indicators of Spatial Autocorrelation in World Politics”.

scholarly journals The language of Dutch indoor cycling instructors

2021 ◽  
Vol 19 (1) ◽  
pp. 30-41
Author(s):  
Jacek Karpiński ◽  
Keyword(s):  
Physical Fitness ◽  
Strength Training ◽  
Participant Observation ◽  
Bright Light ◽  
Good Health ◽  
Specific Language ◽  
Personal Training ◽  
Wide Range ◽  
The World ◽  
Health And Fitness

Sports, physical fitness and good health are important to most people across the world. For this reason, fitness centres are constantly growing and offering their customers a wide range of different activities (e. g., strength training, personal training or group classes). One of the most popular forms of fitness for years has been indoor cycling — a group class on stationary bikes to the rhythm of stimulating music. A charismatic trainer is of course a part of it. This article focuses on the specific language of Dutch indoor cycling instructors used in contact with their clients. The research is based on the participant observation of Spinning® classes in Dutch fitness centres between June 2019 and March 2020 and is supported with my own experience as an indoor cycling instructor. Already at first sight, some characteristics are noticeable that make this language special, such as specific pronunciations and intonations, vocabulary, certain morphosyntactic features or the use of affirmation and visualization. Language seems to be an important tool to ensure the balance between body and mind. Moreover, language is seen as part of the whole philosophy of Spinning®, which confirms the words of Johnny G., the creator of this programme: “Spinning® has always shone a bright light in the health and fitness community. Not because riding a stationary bike is such a trick, but because of its language”.

scholarly journals Global trends and target indicators of economic development of industrial gas production complexes in the Arctic

2021 ◽  
Vol 24 (4-2021) ◽  
pp. 128-139
Author(s):  
Oleg V. Zhukov ◽  
◽  
Aleksey E. Cherepovitsyn ◽  
Keyword(s):  
Economic Development ◽  
Gas Production ◽  
The Arctic ◽  
High Tech ◽  
Environmental Damage ◽  
Scale Production ◽  
Stage Of Development ◽  
World Energy ◽  
Wide Range ◽  
The World

The current stage of development of the world energy sector is characterized by high turbulence and dynamism of changes. The volatility of demand and prices for energy resources, increased competition in the global market, the evolution of the energy balance, the decrease in the role of traditional hydrocarbons and the progressive development of technological innovations significantly affect the efficiency of the implementation of the Russian gas complex in the Arctic. However, in addition to economic benefits, large-scale production of natural gas in the Arctic encompasses a wide range of issues: ensuring domestic needs for hydrocarbons and stable exports, minimizing environmental damage, organizing complex science-intensive industries and loading industrial capacities, developing transport and social infrastructure, creating new high- tech work places. In these conditions, long-term prospects and assessment of the development efficiency of complex industrial gas production complexes are determined taking into account environmental, economic, technological and social aspects. The analysis of the factors of instability of the world energy system and their influence on the efficiency of the development of gas fields in the Arctic zone was carried out. Target guidelines for the development of the Russian gas industry have been formulated in the context of national interests and priorities of socio-economic development and environmental safety. Indicators of economic development of industrial gas production complexes are proposed, takinging to account trends in the global energy market and the specifics of field development in the Arctic.

scholarly journals Pop‑jazz works by Viktor Vlasov: genre and style innovations

2020 ◽  
Vol 56 (56) ◽  
pp. 29-43
Author(s):  
Yu.S. Diachenko
Keyword(s):  
New Orleans ◽  
Great Influence ◽  
Compositional Style ◽  
Noise Effects ◽  
Wide Range ◽  
Jazz Music ◽  
The World ◽  
Jazz Style ◽  
Characteristic Features ◽  
New Orleans Jazz

Background. From the second half of the XX century to the present time in the musical culture of the world we observe significant influence of jazz. New trends, styles, genres is appeared due to the interaction of jazz and academic music. Thus, at the beginning of the XX century such phenomenon of musical art rises as a synthesis of features of jazz and pop music. This process leads to the renewal of musical language, experimentation, the emergence of new styles and trends. All mentioned above are largely inherent in variety-jazz accordion art, which has a significant spread from the early XX century. The formation of the European accordion variety-jazz direction is connected, for the most part, with the genre orientation of the works of a certain region. In France it was a musette. In Germany there were virtuoso fantasies, variations on the themes of popular song and dance melodies, waltzes. In Italy – tarantella, samba, tango. “In the first decades of the XX century accordion began to be widely used in the USA. From beginning of popularization, it was emigrants from Italy”, notes M. Imkhanitskiy (2004: 304–305). In Ukraine, the stage of the emergence of variety-jazz style is associated with the assimilation of the European and American traditions of variety and jazz accordion art. The purpose of the article is to determine the main genre and style levels of the embodiment of variety-jazz style in the works of V. Vlasov. Presenting main material. The integration process of Ukrainian accordion art is significantly separated from the world performing movement. The variety of stylistic vectors (variety, jazz, pop-jazz) and the high level of professionalism of the performers significantly affect the current trends of variety-jazz direction. Victor Vlasov is one of the personalities who has a great influence on the modern process of development of variety-jazz direction in its national specifics. The introduction of professional technical-expressive and artistic components in his compositions is due to the author’s impeccable knowledge of the possibilities of accordion. The embodiment of jazz stylystics is achieved in V. Vlasov’s works by specific means: clear and pulsating metrorhythm, special melody and harmony, jazz phrasing, swinging, uniqueness of articulation. First, V. Vlasov uses rhythmic-factural models, typical of certain genres that were not previously involved in accordion practice. Secondly, he uses quasi-improvisations – the improvisational sections on a harmonious basis taked from main thematic material; third, imitations of the sound of an ensemble in different “timbre layers”, sonor effects in the form of various blows on parts of the instrument, on the floor, etc., mimicing the sound of percussion instruments. Fourth, V. Vlasov often uses swinging. Analyzing the compositional style of V. Vlasov, we find its characteristic features: at the level of the genre subsystem, the composer uses traditional genres of variety music; the level of the evolutionary subsystem is characterized by stylistic diversity (academic, avant-garde, electronic, variety-jazz trends); ethnic metasystem in the artist’s work is represented by the folklore basis of the works, the involvement of traditional genres of certain regions (“Vesnyanka”, “Kolyadka”, “Tarantella”, “Tango”, “Bossa Nova”); historical metasystem is manifested in the use of historically formed jazz styles (New Orleans’ jazz, bebop, swing, cool, etc.). The article considers the embodiment of variety-jazz style on the example of one of the parts of the V. Vlasov’s cycle “Variety-jazz compositions”, the piece “Basso ostinato”. The relevance of the study of this work is connected with its considerable popularity among performers of different countries, the active use of the work by participants in various competitions of accordionists. Using a simple compositional element filled with altered chords, the author creates a clear harmonious and formative grid as a jazz square. Synthesizing the academic form of musical art (Basso ostinato) with variety-jazz style, V. Vlasov created a pattern of his own compositional style. V. Vlasov’s works, in general, have a clear form, mostly there are complex three-part or variational compositions, but his variety-jazz style has its own specifics: ● use of altered chord; ● involvement of noise effects, specific accordion strokes and techniques; ● quasi-improvisations based on the principles of jazz music. Conclusions. V. Vlasov’s works have their influence on the development of variety-jazz music today. He remains one of the first composers to integrate and develop at a high professional level variety-jazz direction in the domestic accordion art. The composer represents new (to accordion-art) jazz performing techniques, novelty of musical ideas and their textural and intonational embodiment. Manifestation of variety-jazz style of V. Vlasov is a set of personal means of expression. Thus, the artist’s works are characterized by the use of altered chords, the involvement of noise effects (“percussion”), specific accordion strokes and techniques; introduction of quasi-improvisations based on the principles of jazz music. V. Vlasov’s individual and stylistic searches determine the characteristic features of the author’s school as a stylistic phenomenon in the development of domestic and European accordion art. Stylistic orientation of V. Vlasov’s compositions – New Orleans jazz, swing, bee-bop, cool, progressive – presents a wide range of genres and styles.

Creative Strategy Used in Electronic Advertising

GIS Business ◽  
2019 ◽  
Vol 14 (6) ◽  
pp. 597-606
Author(s):  
Dr. Maha Mustafa Omer Abdalaziz
Keyword(s):  
The Internet ◽  
Business Organizations ◽  
Creative Strategy ◽  
Electronic Environment ◽  
Wide Range ◽  
The World ◽  
Technological Developments ◽  
Electronic Advertising

The study aims at the technological developments that are taking place in the world and have impacted on all sectors and fields and imposed on the business organizations and commercial companies to carry out their marketing and promotional activities within the electronic environment. The most prominent of these developments is the emergence of the concept of electronic advertising which opened a wide range of companies and businessmen to advertise And to promote their products and their work easily through the Internet, which has become full of electronic advertising, and in light of that will discuss the creative strategy used in electronic advertising;

ARTISTIC ASSIMILATION OF THE WORLD IN THE ESSAY PROSE OF M. G. ATAMANOV (BASED ON THE BOOK “I AM UDMURT. WHY DOES IT HURT?”)

2020 ◽  
Vol 14 (3) ◽  
pp. 459-464
Author(s):  
Alevtina Vasilevna Kamitova ◽  
Tatyana Ivanovna Zaitseva
Keyword(s):  
Ethnic Identity ◽  
National Identity ◽  
National Culture ◽  
Native Language ◽  
Topographic Features ◽  
Wide Range ◽  
The World ◽  
The Subject ◽  
Individual Style

The paper reflects the specificity of the fundamental ideas of the artistic world of M. G. Atamanov, which includes a wide range of literary facts from the content level of the text of the works to their poetics. A particularly important role in the works of M. G. Atamanov is played by cross-cutting themes and images that reflect the author's individual style and his idea of national-ethnic identity. The subject of the research is the book of essays “Mon - Udmurt. Maly mynym vös’?” (“I am Udmurt. Why does it hurt?”), which most vividly reflected the main spiritual and artistic searches of M. G. Atamanov, associated with his ideas about the Udmurt people. The main motives and plots of the works included in the book under consideration are accumulated around the concept of “Udmurtness”. The comprehension of “Udmurtness” is modeled in his essays through specific leit themes: native language, Udmurt people, national culture, mentality, geographic and topographic features of the Udmurt people’ places of residence, the Orthodox idea. The “Udmurt theme” is recognized and comprehended by the writer through the prism of national identity.

As(III) Removal by Dynamic Adsorption onto Amberlite XAD7 Functionalized with Crown Ether and Doped with Fe(III) Ions

2019 ◽  
Vol 70 (7) ◽  
pp. 2330-2334
Author(s):  
Mihaela Ciopec ◽  
Adina Negrea ◽  
Narcis Duteanu ◽  
Corneliu Mircea Davidescu ◽  
Iosif Hulka ◽  
...  
Keyword(s):  
Adsorption Process ◽  
Arsenic Removal ◽  
Arsenic Concentration ◽  
Fixed Bed ◽  
World Health ◽  
Arsenic Content ◽  
Arsenic Adsorption ◽  
Stage Of Development ◽  
Wide Range ◽  
Health Organization

Arsenic content in groundwater�s present a wide range of concentration, ranging from hundreds of micrograms to thousands of micrograms of arsenic per litter, while the maximum permitted arsenic concentration established by World Health Organization (WHO) is 10 mg L-1. According to the WHO all people, regardless of their stage of development and their social economic condition, have the right to have access to adequate drinking water. The most efficient and economic technique used for arsenic removal is represented by adsorption. In order to make this remediation technique more affordable and environmentally friendly is important to new materials with advance adsorbent properties. Novelty of present paper is represented by the usage of a new adsorbent material obtained by physical - chemical modification of Amberlite XAD polymers using crown ethers followed by iron doping, due to well-known affinity of arsenic for iron ions. Present paper aims to test the obtained modified Amberlite polymer for arsenic removal from real groundwater by using adsorption in a fixed bed column, establishing in this way a mechanism for the adsorption process. During experimental work was studied the influence of competing ions from real water into the arsenic adsorption process.

Potential Triazole-based Molecules for the Treatment of Neglected Diseases

2019 ◽  
Vol 26 (23) ◽  
pp. 4403-4434 ◽  
Author(s):  
Susimaire Pedersoli Mantoani ◽  
Peterson de Andrade ◽  
Talita Perez Cantuaria Chierrito ◽  
Andreza Silva Figueredo ◽  
Ivone Carvalho
Keyword(s):  
Effective Treatment ◽  
Chagas Disease ◽  
Medicinal Chemistry ◽  
Biological Activities ◽  
Neglected Diseases ◽  
Triazole Derivatives ◽  
Wide Range ◽  
The World ◽  
Great Relevance ◽  
The Moment

Neglected Diseases (NDs) affect million of people, especially the poorest population around the world. Several efforts to an effective treatment have proved insufficient at the moment. In this context, triazole derivatives have shown great relevance in medicinal chemistry due to a wide range of biological activities. This review aims to describe some of the most relevant and recent research focused on 1,2,3- and 1,2,4-triazolebased molecules targeting four expressive NDs: Chagas disease, Malaria, Tuberculosis and Leishmaniasis.

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