scholarly journals From Silk to Digital Technologies: A Gateway to New Opportunities for Creative Industries, Traditional Crafts and Designers. The SILKNOW Case

2020 ◽  
Vol 12 (19) ◽  
pp. 8279
Author(s):  
Ester Alba Pagán ◽  
María del Mar Gaitán Salvatella ◽  
María Dolores Pitarch ◽  
Arabella León Muñoz ◽  
María del Mar Moya Toledo ◽  
...  
Keyword(s):  
Cultural Heritage ◽  
Creative Process ◽  
Digital Technologies ◽  
Creative Industries ◽  
Future Generations ◽  
Economic Power ◽  
Funded Project ◽  
Design Students ◽  
Communicative Power

Nowadays, cultural heritage is more than ever linked to the present. It links us to our cultural past through the conscious act of preserving and bequeathing to future generations, turning society into its custodian. The appreciation of cultural heritage happens not only because of its communicative power, but also because of its economic power, through sustainable development and the promotion of creative industries. This paper presents SILKNOW, an EU-H2002 funded project and its application to cultural heritage, as well as to creative industries and design innovation. To this end, it presents the use of image recognition tools applied to cultural heritage, through the interoperability of data in the open-access registers of silk museums and its presentation, analysis and creative process carried out by the design students of EASD Valencia as a case study, in the branches of jewellery and fashion project, inspired by the heritage of silk.

scholarly journals Challenges at the Europeana Space project

2017 ◽  
Author(s):  
Charlotte Waelde ◽  
Sarah Whatley
Keyword(s):  
Cultural Heritage ◽  
Digital Technologies ◽  
Copyright Law ◽  
Future Generations ◽  
Intangible Cultural Heritage ◽  
Space Project ◽  
Funded Project ◽  
Legal Frameworks

Digital technologies enable us to visualize dance in new ways and to capture recordings of dance which may be preserved and handed down to future generations. In this way, dance starts to become part of our intangible cultural heritage. But capturing dance also raises questions of authorship and ownership of copyright in both the dance and the recording of the dance. Challenges arising at the intersections between the legal frameworks of intangible cultural heritage and copyright have surfaced in an EU-funded project, Europeana Space. This contribution describes the E-Space project and the place of dance within it, and it introduces work being done at the Centre for Dance Research at Coventry University on dance and examines the intersections between copyright law and the international legal frameworks applicable to safeguarding intangible cultural heritage.

scholarly journals A phygital approach to cultural heritage: augmented reality at Regaleira

2020 ◽  
Vol 11 (22) ◽  
pp. 15 ◽  
Author(s):  
José Gabriel Andrade ◽  
Patrícia Dias
Keyword(s):  
Augmented Reality ◽  
Cultural Heritage ◽  
Technological Development ◽  
Single Case ◽  
Physical World ◽  
Creative Industries ◽  
Contemporary Society ◽  
Alternative Conceptualization ◽  
The Impact

<p>In the last two decades, contemporary society has been conceptualized and discussed around the assumption that digital technologies are its most defining feature. Jean Baudrillard’s take on the Fable of Borges suggests a replacement of the physical world by a virtual experiencing life, setting the tone for a pessimistic and somewhat fearful attitude towards technological development. On the verge of the dissemination of disruptive innovations that can be described under the “umbrella” of Internet of Things (IoT), we observe not a replacement, but a deep and complex intertwining of online and offline experiences, sketching the contours of what can become a phygital society. This alternative conceptualization of our contemporary society, combined with the possibilities of technological development, affords new opportunities for the expression and experiencing of culture, and also for the creative industries. In our research, we explore the impact of one augmented reality (AR) app designed for one of the landmarks of the Portuguese cultural heritage, Quinta da Regaleira. We explored this single-case study using qualitative data collection techniques, aiming to discuss the positive and negative outcomes of this innovation, both for the dynamizing of cultural heritage, and for the visitors. The article provides useful information for heritage spaces that wish to follow this path. It describes the main steps to be taken in the production of content and provides examples of the narrative model that helps people to visit the space and obtain information, knowing stories relevant to the past and present of the cultural heritage. The objective is to clarify, finally, due to the research developed in the Quinta da Regaleira case study, what kind of stories and experiences can be narrated, the strengths of this application, its limitations, and paths for future investigations.</p>

scholarly journals Social Media and Community Involvement in Museums. A case study of a local history wiki community

1970 ◽  
pp. 3 ◽  
Author(s):  
Dagny Stuedahl
Keyword(s):  
Social Media ◽  
Cultural Heritage ◽  
Web 2.0 ◽  
Community Involvement ◽  
Knowledge Creation ◽  
Digital Technologies ◽  
Local History ◽  
Historical Knowledge

The article focuses on a study of knowledge creation and organizing in a local history wiki. The background for this study was to understand how web 2.0 and social media might open new possibilities for museums to collaborate with communities and lay professionals in cultural heritage knowledge creation. Digital technologies provide tools that in many ways overcome challenges of physical collaboration between museums and amateurs. But technologies also bring in new aspects of ordering, categorizing and systematizing knowledge that illuminates the different institutional as well as professional frameworks that writing local historical knowledge into digital forms in fact represents. 

scholarly journals Investigations of masonry churches seismic performance with numerical models: application to a case study

2021 ◽  
Vol 21 (4) ◽  
Author(s):  
Michele D’Amato ◽  
Roselena Sulla
Keyword(s):  
Cultural Heritage ◽  
Seismic Performance ◽  
Numerical Models ◽  
Future Generations ◽  
Response Mechanism ◽  
Longitudinal Response ◽  
Minimization Procedure ◽  
Macro Element ◽  
Masonry Churches

AbstractRecovering and preserving ancient churches is necessary to ensure the transmission of this cultural heritage to the future generations. To this scope, it is necessary to evaluate their performance in seismic prone areas, to design interventions capable of reducing their vulnerability ensuring also their safety use for the faithful. In this paper, investigations on seismic performance of masonry churches are illustrated by applying two different numerical methods on a case study, an existing brick masonry church. The seismic assessment is conducted by applying two simplified methods proposed by the current Italian Directive containing the Guidelines for assessment and reduction of cultural heritage seismic risk. Moreover, linear kinematic analysis is used also for investigating the influence of main parameters governing to the main façade simple overturning and narthex longitudinal response. The investigations performed highlight that the activation multiplier of macro-element response mechanism may significantly vary according to the assumptions made and that also, as narthex longitudinal response, a minimization procedure of the activation multiplier is required.

A Virtual Museum of Pompeii “ex Votos”

2020 ◽  
pp. 159-180
Author(s):  
Alessandra Cirafici ◽  
Alessandra Avella
Keyword(s):  
Cultural Heritage ◽  
Digital Technologies ◽  
Virtual Museum ◽  
Slow Process ◽  
Everyday Lives ◽  
New Generation

Safeguarding cultural heritage—preserving it from the neglect of time and abandonment—is not in itself enough that the patrimony truly constitutes a part of that slow process of identity which in its inner essence of heritage, that of inheritance, cultural heritage is called upon to participate. For this to happen, it is necessary that heritage is “accessible” in the sense that Jeremy Rifkin has attributed to this term—proposed as a “possible experience” in everyday lives. Thus, new digital technologies not only make it possible to build virtually unlimited “memory archives”, but also to access systems, with a dynamic and interactive consultation so that a new generation of ‘prosumers' (producers/consumers) of the cultural heritage can give new meaning to it. This chapter investigates the potential and meaning of these new “memory archives” through the case study of the archive of the Ex Voto of the Shrine of Our Lady of the Rosary in Pompeii and of the 'stories' that it treasures.

Creating Value through Social Media: Fresh Evidence from Cultural Organizations

2018 ◽  
Vol 4 (2) ◽  
pp. 243-254 ◽  
Author(s):  
Cristina Caterina Amitrano ◽  
Roberta Gargiulo ◽  
Francesco Bifulco
Keyword(s):  
Social Media ◽  
Cultural Heritage ◽  
Digital Technologies ◽  
Service Marketing ◽  
Customer Engagement ◽  
Communication Tools ◽  
Cultural Organizations ◽  
Potential Customers

The impacts of digital technologies are gaining increasing attention in the service literature, and a growing number of cultural organizations are using online websites and social media to interact with their actual and potential customers. However, the contributions developed by service marketing scholars show little interest in examining the role of underlying technologies in a particular service experience context, namely, the cultural heritage context and the corresponding visiting experience. Therefore, the purpose of this research is to analyse how digital technologies, especially social media, can help cultural organizations stimulate customer engagement. To reach this aim, we conducted a single exploratory case study of a communication project developed by the National Archaeological Museum of Naples (MANN) to attract their actual and potential Italian and foreign visitors. The achieved results allow for us to show how digital communication tools can stimulate customer engagement in a cultural heritage context.

scholarly journals An Innovative Form of Access to the Cultural Heritage of Musical Theatre: A Perspective from Bulgaria

2021 ◽  
Vol 7 (1) ◽  
pp. 178-192
Author(s):  
Petar Odazhiev ◽  
Keyword(s):  
Cultural Heritage ◽  
Creative Process ◽  
Musical Theater ◽  
Digital Technologies ◽  
Musical Theatre ◽  
Multimedia Content ◽  
Virtual Museum ◽  
Current Development ◽  
Digital Collections ◽  
Internet Platform

Providing as an example the Virtual Museum of Bulgarian Musical Theatre, institutionalized as an independent and constantly evolving Internet platform at the Museum of the Bulgarian Musical Theater (MBMT), this study represents a new contribution to the application of digital technologies to management and cultural promotion. The research answers questions regarding the current development and applications of digital technologies for designing multimedia content aiming to represent cultural heritage. The results offer an original virtual museum constructing method for interactive access to archival samples of performances in the following genres: opera, ballet, operetta, and musical. Additionally, the museum offers access to a presentation of the achievements of music and stage art through permanent thematic collections of repertoire programs, up-to-date information about the creative process of artists, conductors, directors, scenographers, choreographers. Keywords: Digitization, Preservation, Cultural Heritage, Digital Collections, Musical Theatre, Opera, Ballet

Use of ICT and Digital Technology to Conserve India's Cultural Heritage

2021 ◽  
pp. 457-477
Author(s):  
T. K. Gireesh Kumar
Keyword(s):  
Information System ◽  
Cultural Heritage ◽  
Significant Role ◽  
Digital Technology ◽  
Digital Technologies ◽  
Future Generations ◽  
Digital Tools ◽  
Information Communication ◽  
Web Based ◽  
Knowledge Content

The heritage of any place is required to be conserved, documented, and protected to the extent possible for the benefit of future generations to retain its culture, pride, and traditions. Advancements in information, communication, and digital technologies have considerably extended supports in identifying, preserving, and managing cultural heritage items. The use of web-based applications and digital tools plays a significant role in preserving and sharing cultural assets. This chapter proposes the importance of building a comprehensive cultural heritage information system for preserving and conserving the cultural heritages pertaining to one of the UNESCO's world listed cultural heritages in India named Agra Fort. The researcher highlights the opportunities and the need for conserving the knowledge content of the heritage items associated with Agra Fort.

scholarly journals THE GLOBALIZATION IMPACT ON CREATIVE INDUSTRIES AND CULTURAL HERITAGE: A CASE STUDY

2019 ◽  
Vol 12 (2) ◽  
pp. 211-223
Author(s):  
Cristian Ciurea ◽  
Florin Gheorghe Filip
Keyword(s):  
Cultural Heritage ◽  
Information Technologies ◽  
Business Models ◽  
Creative Industries ◽  
Cultural Goods ◽  
Technological Revolution ◽  
New Business ◽  
Methodological Aspects ◽  
New Business Models

The influences of multiculturalism, globalization and technological revolution on art galleries, libraries, archives, museums have led to major changes in the way they select, preserve, promote and valorize their cultural goods. The digitization of cultural heritage collections and the evolution of information technologies (cloud computing, mobile devices, Internet of things) have determined the progress of virtual exhibitions as a means of promoting and valorizing the cultural heritage physical objects. New business models have been developed to harness the cultural heritage of libraries and museums in the context of globalization and technological revolution and the premises for the development of a new category of entrepreneurs have been created. Studies have been conducted to find the ways to increase the number of visitors of cultural institutions with the help of promoting tools, such as virtual exhibitions and dedicated mobile applications. The paper presents several methodological aspects and conclusions based on a practical example.

scholarly journals DIGITAL TECHNOLOGIES FOR INCLUSIVE CULTURAL HERITAGE: THE CASE STUDY OF SERRALUNGA D’ALBA CASTLE

2019 ◽  
Vol IV-2/W6 ◽  
pp. 141-147 ◽  
Author(s):  
P. A. Ruffino ◽  
D. Permadi ◽  
E. Gandino ◽  
A. Haron ◽  
A. Osello ◽  
...  
Keyword(s):  
New Media ◽  
Cultural Heritage ◽  
Information And Communication Technologies ◽  
Methodological Approach ◽  
Digital Technologies ◽  
Heritage Management ◽  
Information Modeling ◽  
Final Project ◽  
Modeling Methodology

<p><strong>Abstract.</strong> Natural sites, monuments and historical artefacts are Cultural Heritage that must be properly managed to ensure their safeguard. Institutions and corporate body devoted to the Cultural Heritage management have the essential task of supervising them paying particular attention to their conservation, dissemination and fruition. In this regards, digital technologies through ICT (Information and Communication Technologies) and New Media represent useful tools which have to be used in suitable way. In this context, this contribution shares the methodology adopted for the case study of Serralunga d’Alba castle. In particular, the research project shows the process used for getting the digital model of the castle through HBIM (Historic Building Information Modeling) methodology and the development of a VR (Virtual Reality) model tour. The final project obtained is the result of a methodological approach that aimed to optimize time, costs and efforts.</p>

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