scholarly journals Something Wicked Westward Goes: Fanny Van de Grift Stevenson’s Californian Uncanny

Humanities ◽  
2020 ◽  
Vol 9 (2) ◽  
pp. 47
Author(s):  
Robyn Pritzker

This essay offers a first critical reading of American author Fanny Van de Grift Stevenson’s short story “The Warlock’s Shadow” (1886), asserting that the tale appropriates historical traumas in order to navigate, and transgress, boundaries of genre and gender. The strangeness of the text’s Central Californian setting, to the narrator, precipitates a series of Gothic metamorphoses, and “The Warlock’s Shadow” engages with this transformation via a concept that this essay defines as the “Californian Uncanny”. The latter framework is a result of the specific, layered indigenous and colonial identities of post-Gold Rush California coming into contact with the unstable subjectivities of the Gothic genre. “The Warlock’s Shadow” manifests the Californian Uncanny primarily through the relationship between the home, the environment, and the “unassimilable” inhabitant. Stevenson’s text illustrates, through these images, the ways in which late-nineteenth-century American Gothic fiction has allowed the white feminine subject to negotiate her own identity, complicating the binary distinctions between Self and Other which underpin American colonialism both internally and externally. The phenomenon of the Californian Uncanny in “The Warlock’s Shadow” reflects these gendered and geographical anxieties of American identity, confronting the ghosts of the nation’s westernmost region.

2016 ◽  
Vol 6 (4) ◽  
pp. 52
Author(s):  
Leily Ziglari ◽  
Burhan Ozfidan ◽  
Quentin Dixon

<p>Twenty-five years ago, Schegloff (1989) proposed that repair is the most crucial factor in understanding the nature of language development. By observing and examining the repairs children make, not only can we understand repair organization, but also children language development and cognitive stage. Research in syntactic structure of repair, self-initiated self-repair (SISR) or other-repair have gained enough attention in recent years through the works of Forrester (2008), Radford (2008), and Morgenstern, Leroy, &amp; Caef (2013). Some studies analyzed both self-repair and other-repair (Morgenstern et al., 2013; Salonen &amp; Laakso, 2009; Forrester, 2008), whereas a few other studies analyzed only other-repairs from the perspective of parents (Huang, 2011). There are many studies done regarding the incidence of self-repair over other-repair (Schegloff et al., 1977); the relationship between repair and turn (Schegloff, 1988); corrective feedback (Laakso &amp; Soininen, 2010); other-repetition (Huang, 2011); and adult’s self-repair (Laakso &amp; Sorjonen, 2010). However, there is some inconsistency in their findings. The data for this study comprised four video-recorded adult-child interactions at a children’s home in various interactional activities (role-play, short story, or watching cartoons. The purpose of this study is to examine the incidence of self- and other-repairs in the language acquisition process of Persian children and to investigate if there is a relationship between child’s self-repair and adult’s other-repair.</p>


Author(s):  
Gerardine Meaney

This chapter examines the changing perception of nineteenth-century Irish women’s fiction and the influence of this body of fiction on emergent modernism and cultural nationalism. The relationship between nineteenth- and twentieth-century Irish fiction was consistently obscured by the agendas of the Irish Revival and cultural nationalism during the twentieth century. This is particularly true of the work of women writers, who frequently suffered a double erasure from the literary record on the basis of gender. This chapter builds on the recovery project of feminist criticism to examine the depth and strength of these writers’ legacy. The analysis includes late nineteenth-century historical novelists such as Emily Lawless, New Woman writers such as Sarah Grand, and popular and sensational writers such as Charlotte Riddell and Katherine Cecil Thurston, who bridged the gap between nineteenth-century issue-based fiction, Gothic fiction and, in Thurston’s case, self-reflexive modernism.


2020 ◽  
Vol 8 (1) ◽  
pp. 240-246
Author(s):  
Miftahulkhairah Anwar ◽  
Fachrur Razi Amir ◽  
Zulfa Yuniarti

Purpose: In this short story, the author describes the experience of a man as an online motorbike driver. What is interesting to observe is the use of language between online driver and his three consumers, especially in terms of politeness in language. Implicitly, this short story illustrates the relationship between politeness in language with other factors outside of language, namely technological sophistication and power. Therefore, this research attempts to analyze the language impoliteness in the short story by title “Sore”. Methodology: In this article used the descriptive qualitative method. The data source comes from the "Sore" short story taken from the Facebook fan page. The descriptive method is carried out in several stages, namely the stage of data collection, data analysis stage, and data presentation stage. Main Findings: The study shows that the short story by title “Sore” containing about 60% of impolite utterance and about 40% is polite utterance. Language impoliteness found in this short story mostly trigged by utterance that does not obey the principles of tact maxim, generosity maxim, and sympathy maxim. This impoliteness is characterized by diction having negative connotations, sentences using the direct command, coercive sentences, accusative sentences, derogatory sentences, derogatory sentences, abusive sentences, arrogance sentences, and physical violence. Applications: This research applicable used as the model in understanding or interpreting language impoliteness in a text. Novelty/Originality: This short story show that language politeness is no longer merely determined by age and gender. This short story shows the relationship between the sophisticated technology, power, and religiosity with language politeness. The more the high the technology, the more the lack of the politeness of the language. Using the sophisticated technology which is not accompanied by spiritual


Author(s):  
Daniel Widener

This chapter explores the relationship between race and sport from the late nineteenth century to the present. It tracks processes of racial exclusion, colonial control, and antiracist contestation, as well as the more diffuse context of an ostensibly postracial neoliberal sporting landscape. Included are discussions of crucial figures such as Jack Johnson, Jackie Robison, Muhammad Ali, and Michael Jordan. Campaigns such as the sporting boycott of apartheid-era South Africa and the Olympic protest by black American athletes are discussed, as is the Algerian revolution, racism in European football (soccer), and the contradictions of nominally amateur collegiate sports in the contemporary United States. Reference is likewise made to the relationship between race and class and gender inequities and struggles.


2020 ◽  
Vol 13 (1) ◽  
pp. 10-29
Author(s):  
Varuni Bhatia

Abstract This article explores the intersections between Spiritualism, Mesmerism, and Bengali Vaishnavism in fin de siècle Bengal through the experiments in spirit communication conducted by the Ghosh family of Amrita Bazar Patrika Press fame. As a result of these engagements, the Amrita Bazar Patrika group proposed a novel understanding of Krishna Chaitanya/Gauranga (1486–1533) as a psychic who was able to channelize God through his unique powers of mediumship. It contributes to a nascent but growing body of scholarship around the relationship between religious modernity in colonial India and transnational occult networks. The article is written in three parts: part one discusses transnational occult networks crisscrossing Calcutta in the mid-to-late nineteenth century, with a focus on Theosophy and Spiritualism. It explores the initial goodwill between Madame Blavatsky and Sishir Kumar Ghosh, which dissipated later. The second part focuses on the Ghosh family séance, with the aim of parsing out how traditional and popular Bengali ‘ghosts’ were incorporated into a spectrum of occult knowledge about ‘higher’ spirits. This section also brings to light the caste and gender relationships exposed during séances held in the Ghosh family circle. Part three singles out the image of the ‘psychic Chaitanya’ from the pages of the Hindu Spiritual Magazine to bring into focus interactions between Yoga and occult in the context of the development of modern Bengali Vaishnavism.


Hypatia ◽  
2003 ◽  
Vol 18 (2) ◽  
pp. 32-57 ◽  
Author(s):  
Ana Mariella Bacigalupo

I analyze how machi discourse and practice of gender and identity contribute to feminist debates about gendered indigenous Others, and the effects that Western notions of Self and Other and feminist rhetoric have on Mapuche women and machi: people who heal with herbal remedies and the help of spirits. Machi juggling of different worlds offers a particular understanding of the way identity and gender are constituted and of the relationship between Self and Other, theory and practice, subject and object, feminism and Womanism.


1999 ◽  
Vol 52 (3) ◽  
pp. 419-463 ◽  
Author(s):  
Karen Henson

We tend to think of exoticism in late nineteenth-century French opera as a very male-oriented phenomenon: as "cultural work" carried out mainly by men and for the male spectator's pleasure. This article takes as its starting point a rather different configuration of opera, exoticism, and gender issues, exploring the possibility of a form of French operatic exoticism aimed at the fantasies and desires of women. In particular, the article focuses on a now wholly forgotten work, Marguerite Olagnier's Le Saïs (1881), and on the role in this and other operas of Victor Capoul, an Opéra-Comique tenor once celebrated not only for his vocal and dramatic skills, but also for his popularity with female listeners. In addition to providing a firm historical basis from which to begin theorizing about the relationship between exoticism and the late nineteenth-century female listener, the case of Capoul and Le Saïs reveals how operatic men, even the most high-voiced and seemingly effeminate, can be as complexly compelling-and even as liberating-for women as recent critics have argued for sopranos and "queer" listeners.


2007 ◽  
Vol 28 (2) ◽  
pp. 78-87 ◽  
Author(s):  
Stefan J. Troche ◽  
Nina Weber ◽  
Karina Hennigs ◽  
Carl-René Andresen ◽  
Thomas H. Rammsayer

Abstract. The ratio of second to fourth finger length (2D:4D ratio) is sexually dimorphic with women having higher 2D:4D ratio than men. Recent studies on the relationship between 2D:4D ratio and gender-role orientation yielded rather inconsistent results. The present study examines the moderating influence of nationality on the relationship between 2D:4D ratio and gender-role orientation, as assessed with the Bem Sex-Role Inventory, as a possible explanation for these inconsistencies. Participants were 176 female and 171 male university students from Germany, Italy, Spain, and Sweden ranging in age from 19 to 32 years. Left-hand 2D:4D ratio was significantly lower in men than in women across all nationalities. Right-hand 2D:4D ratio differed only between Swedish males and females indicating that nationality might effectively moderate the sexual dimorphism of 2D:4D ratio. In none of the examined nationalities was a reliable relationship between 2D:4D ratio and gender-role orientation obtained. Thus, the assumption of nationality-related between-population differences does not seem to account for the inconsistent results on the relationship between 2D:4D ratio and gender-role orientation.


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