scholarly journals The Montage Rhetoric of Nordahl Grieg’s Interwar Drama

Humanities ◽  
2018 ◽  
Vol 7 (4) ◽  
pp. 99
Author(s):  
Dean Krouk
Keyword(s):  
Socialist Realism ◽  
First World War ◽  
Historical Background ◽  
World War ◽  
Avant Garde ◽  
The First World War ◽  
Political Message ◽  
Soviet Theater ◽  
First World ◽  
Musical Styles

This essay explains the modernist montage rhetoric of Nordahl Grieg’s 1935 drama Vår ære og vår makt in the context of the playwright’s interest in Soviet theater and his Communist sympathies. After considering the historical background for the play’s depiction of war profiteers in Bergen, Norway, during the First World War, the article analyzes Grieg’s use of a montage rhetoric consisting of grotesque juxtapositions and abrupt scenic shifts. Attention is also given to the play’s use of incongruous musical styles and its revolutionary political message. In the second part, the article discusses Grieg’s writings on Soviet theater from the mid-1930s. Grieg embraced innovative aspects of Soviet theater at a time when the greatest period of experimentation in post-revolutionary theater was already ending, and Socialist Realism was being imposed. The article briefly discusses Grieg’s controversial pro-Stalinist, anti-fascist position, before concluding that Vår ære og vår makt represents an important instance of Norwegian appropriation of international modernist and avant-garde theater.

The Making of the Experimental Subject: Apparatus, Automatism, and the Anxiety of the Early Avant-Garde

2020 ◽  
Vol 37 (7-8) ◽  
pp. 115-132
Author(s):  
Branden Hookway
Keyword(s):  
Experimental Psychology ◽  
First World War ◽  
Experimental Subject ◽  
Early 20Th Century ◽  
Sensory Thresholds ◽  
World War ◽  
Avant Garde ◽  
The First World War ◽  
Testing And Measurement ◽  
First World

This essay presents the experimental subject as a figure of modernity. It addresses notions of control, sensory thresholds, automatism, and human agency through a study of experimental psychology and psychological apparatus from the late 19th century to the First World War, juxtaposing this with notions of experimentation in early 20th-century avant-garde movements. The human subject of experimental psychology, defined by its inexpression as it awaits the stimuli of testing and measurement, is treated as a prototype for the present-day user of technological interfaces.

‘When a Dream Vanishes’: Edward Gordon Craig in Florence

1989 ◽  
Vol 5 (18) ◽  
pp. 140-151 ◽  
Author(s):  
Alessandro Sardelli
Keyword(s):  
First World War ◽  
World War ◽  
Avant Garde ◽  
The First World War ◽  
Influential Journal ◽  
First World

When Gordon Craig settled in Florence before the First World War, he found himself amidst a flourishing avant-garde artistic community. which he regarded with some caution. Between the staging of Rosmersholm with Duse in 1906 and the closing of his short-lived theatre school at the Goldoni Arena in 1914, he also conducted a correspondence with the eclectic cosmopolitan Carlo Placci – a previously unpublished source on which Alessandro Sardelli has drawn to illuminate Craig's Florentine years, during which his influential journal The Mask made its earliest appearance, and Craig also developed the idea of his adjustable screens, first employed during his Moscow collaboration with Stanislavski on Hamlet.

scholarly journals Pandemic Avant-Garde Urban Coexistence in Mário de Andrade’s Pauliceia Desvairada (1922) after the Spanish Flu

2020 ◽  
Author(s):  
Susanne Klengel
Keyword(s):  
Blind Spot ◽  
First World War ◽  
World War ◽  
Avant Garde ◽  
Artistic Production ◽  
The First World War ◽  
The World ◽  
Famous Book ◽  
Spanish Flu ◽  
First World

The radical aesthetic of the historical avant-garde movements has often been explained as a reaction to the catastrophic experience of the First World War and a denouncement of the bourgeoisie’s responsibility for its horrors. This article explores a blind spot in these familiar interpretations of the international avant-garde. Not only the violence of the World War but also the experience of a worldwide deadly pandemic, the Spanish flu, have moulded the literary and artistic production of the 1920s. In this paper, I explore this hypothesis through the example of Mário de Andrade’s famous book of poetry Pauliceia desvairada (1922), which I reinterpret in the light of historical studies on the Spanish flu in São Paulo. An in-depth examination of all parts of this important early opus of the Brazilian Modernism shows that Mário de Andrade’s poetic images of urban coexistence simultaneously aim at a radical renewal of language and at a melancholic coming to terms with a traumatic pandemic past.

scholarly journals Bulgarian crimes against civilians in occupied Serbia during the First World War

Balcanica ◽  
2013 ◽  
pp. 357-390
Author(s):  
Milovan Pisarri
Keyword(s):  
War Crimes ◽  
First World War ◽  
Historical Background ◽  
Comparative Approach ◽  
World War ◽  
The Balkans ◽  
The First World War ◽  
History Of ◽  
The Great War ◽  
First World

Since sufferings of civilian populations during the First World War in Europe, especially war crimes perpetrated against civilians, have - unlike the political and military history of the Great War - only recently become an object of scholarly interest, there still are considerable gaps in our knowledge, the Balkans being a salient example. Therefore, suggesting a methodology that involves a comparative approach, the use of all available sources, cooperation among scholars from different countries and attention to the historical background, the paper seeks to open some questions and start filling lacunae in our knowledge of the war crimes perpetrated against Serb civilians as part of the policy of Bulgarization in the portions of Serbia under Bulgarian military occupation.

“Mourning Hurray”: a Historical and Poetic Commentary on the Literary Page of the Futurists in the Newspaper Nov’

2021 ◽  
pp. 456-487
Author(s):  
Ruslan A. Poddubtsev ◽  
Keyword(s):  
Military Service ◽  
First World War ◽  
Historical Background ◽  
World War ◽  
The First World War ◽  
Critical Responses ◽  
First World

This work is a detailed commentary to the futurists’ literary page “Mourning Hurray” (“Traurnoe Ura”), which was published in November 1914 in the Nov’ newspaper. Newspaper versions of texts are compared with later versions from collected works and poetic features are revealed. The historical background of the publication is restored and the poets’ attitude to military service during the First World War are clarified. Critical responses given by Nov’ publicists are considered and the discussion between V. Mayakovsky, N. Raevsky and A. A. Suvorin is described. The commentary makes it possible to look at the page “Mourning Hurray” as a complete artistic statement.

Curiosities from the Front

PMLA ◽  
2019 ◽  
Vol 134 (3) ◽  
pp. 555-561
Author(s):  
Guillaume Apollinaire ◽  
Cedric Van Dijck
Keyword(s):  
Musical Instrument ◽  
First World War ◽  
World War ◽  
Avant Garde ◽  
Everyday Objects ◽  
Guillaume Apollinaire ◽  
The First World War ◽  
The Everyday ◽  
Full Swing ◽  
First World

In November 1916, with the first world war in full swing, the Soldiers of the 82nd Territorial Infantry Regiment of the French Forces opened the latest issue of their monthly regimental magazine, Brise d'entonnoirs (“Breeze from Bombcraters”), to find a piece by the avant-garde poet Guillaume Apollinaire. Entitled “Curiosités du front” (“Curiosities from the Front”), it reinvents the everyday objects that cluttered the front lines: a shovel held up above the trench, for instance, becomes a dancing musical instrument as German bullets strike the shovel plate. This sense of humor was characteristic of the trench press, which existed to distract readers from the grim realities of warfare. Probably because it was thought to be so amusing or pertinent, Apollinaire's piece attracted some notice in its day. Several of its sections—“The Shovel,” “Trellis,” “The Bulletproof Shield”—found their way into other publications, at the front as well as in Paris, and some even made it onto the popular quotation pages of the official magazine of the French army, Bulletin des Armées de la République, of which an unsuspecting Apollinaire had written a year earlier, “Les pages consacrées aux citations sont merveilleuses” (“The pages dedicated to quotations are marvelous” [Letter to André Level]).

Applied Modernism

2011 ◽  
Vol 28 (7-8) ◽  
pp. 241-269 ◽  
Author(s):  
Paul K. Saint-Amour
Keyword(s):  
Traffic Control ◽  
First World War ◽  
Aerial Photographs ◽  
World War ◽  
Avant Garde ◽  
Continuous Survey ◽  
The First World War ◽  
Aerial Reconnaissance ◽  
Close Study ◽  
First World

This article is about a period of technology transfer – the late 1910s and 1920s – when wartime aerial reconnaissance techniques and operations were being adapted to a range of civilian uses, including urban planning, land use analysis, traffic control, tax equalization, and even archaeology. At the center of the discussion is the ‘photomosaic’: a patchwork of overlapping aerial photographs that have been rectified and fit together so as to form a continuous survey of a territory. Initially developed during the First World War to provide coverage of fronts, photomosaic mapping was widely practiced and celebrated during the postwar years as an aid to urban development. The article traces both the refinements in photomosaic technology after the Armistice and the rhetorical means by which the form’s avant-garde wartime reputation was domesticated into an ‘applied realism’ that often effaced its site-specific perspective, its elaborately rectified optics, and the oppositionality of both its military and civilian uses. The article has a broader theoretical aim as well. Classic statements of both structuralist and post-structuralist spatial theory (Barthes and de Certeau are the primary examples here) have produced an ossified geometry wherein the vertical is the axis of paradigm, top-down strategy, and manipulative distance and the horizontal the axis of syntagm, grassroots tactics, and resistant proximities and differences. In its close study of the technology and rhetoric surrounding interwar photogrammetry, the article provides an example of how one might reverse the long-standing misrecognition of high-altitude optics as effacing time, difference, and materiality – and what it might mean to view such optics as, instead, a resource in turning from abstract toward differential conceptions of both aerial photography and our theoretical habits. This turn I call ‘applied modernism’, a term that accesses both the wartime photomosaic’s affiliation with avant-garde painting and its insistence that portraits of the total are always projections from partial, specific vantages.

scholarly journals Una creadora olvidada: Irène Hillel-Erlanger, entre el simbolismo y las vanguardias

Çédille ◽  
2021 ◽  
pp. 313-332
Author(s):  
Isabel González Gil ◽  
Keyword(s):  
Science Fiction ◽  
First World War ◽  
The Novel ◽  
World War ◽  
Avant Garde ◽  
The Gaze ◽  
Main Work ◽  
The First World War ◽  
First World

"This article is about an unknown author of the French avant-garde, Irène Hillel-Erlanger, and her main work, Voyages en kaléidoscope, an unusual poetic novel, published in 1919, belonging to the genre of the “Scientific-marvellous”, the proto-science-fiction developed in France between 1900 and 1930. As a result of the hybridisation of the languages of symbolism and avant-garde experimentalism, the novel shows the tensions between these two movements, which will be studied through the analysis of thematic and formal aspects, such as allegory, hermeticism, fragmentarism, or visuality, as well as textual and discursive plurality. Finally, we will address the poetics of the gaze underlying the utopian invention of the kaleidoscope, in the context of the end of the First World War. "

scholarly journals THE HISTORICAL BACKGROUND OF LEGAL AND REGULATORY LEGISLATION ON PRESERVATION OF HEALTH IN QUARANTINE CONDITIONS

2021 ◽  
pp. 465-468
Author(s):  
Oksana Shukatka ◽  
Illya Kryvoruchko
Keyword(s):  
19Th Century ◽  
Middle Ages ◽  
First World War ◽  
League Of Nations ◽  
Historical Background ◽  
World War ◽  
The First World War ◽  
History Of ◽  
The 19Th Century ◽  
First World

The article raises an issue of preservation and strengthening health in pandemic conditions, because self-isolation and restrictions on the movement of people cause the loss of physical activity and the emergence of chronic diseases. It is known that all quarantine restrictions and rules are being created and regulated by the state at the legislative level. We appeal to the primary sources of quarantine legislation for deeper understanding of the issue. The purpose of the article is to investigate the historical background of legal and regulatory legislation on preservation of health in quarantine conditions. The following methods of analysis have been used: comparison and synthesis of theoretical data. The period of formation of quarantine legislation is divided into 3 phases: the period of the Middle Ages, the period before the First World War (the 19th century) and the postwar period. The article investigates the history of conduction of the first quarantine measures in Europe during the Middle Ages and the history of creation of the first quarantine legislation in Venice, Hetmanshchyna and the Russian Empire during the 14th – 18th centuries. It has been revealed that the rules of the fight against the spread of epidemiological diseases were established in the 19th century, the first international sanitary conventions and medical authorities in the Russian and Ottoman Empires were created to slow the spread of such dangerous diseases as cholera, plague and yellow fever, not harming the free international trade at that time. The article analyses the results of the first (1851), the fourth (1874) and the seventh (1892) International Sanitary Conferences and the positive and negative consequences of them. It also describes the creation of the first international medical organisations, such as the Office International d'Hygiène Publique (L'Office International d'Hygiene Publique), established in 1907, the Health Organization of the League of Nations, established in 1923 after the First World War, the Hygiene Committee of the League of Nations, established in 1926, and the World Health Organisation (WHO), established in April, 7, 1948 as the medical authority of the United Nations Organisation. The article generalizes the aims of the above-mentioned organisations and their contribution to the combat against the epidemiological diseases of the first half of the 20th century. It has been concluded that we should adhere to the classical principles of the preservation of health in the conditions of coronavirus pandemic to effectively withstand the spread of this virus.

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