Gendering the Japanese Empire: Ri Kōran as ‘Transnational’ Star?
This paper aims to assess how Ri Kōran came to represent the gender dichotomies of the Japanese Empire. Looking at two propaganda films, Suzhou Nights (1941) and Sayon’s Bell (1943), I will work out how the roles she played are indicative of the gender roles in the Japanese Empire, taking into account her transnational star persona.
2009 ◽
Vol 23
(2)
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pp. 77-84
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Keyword(s):
Keyword(s):
2012 ◽
Vol 6
(1)
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pp. 13-31
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