scholarly journals Political Art Criticism and the Need for Theory

Arts ◽  
2020 ◽  
Vol 10 (1) ◽  
pp. 1
Author(s):  
Daniel Neofetou
Keyword(s):  
Art Criticism ◽  
Status Quo ◽  
The Other ◽  
The Political ◽  
Political Art ◽  
Art Theory ◽  
Political Force ◽  
Other Hand ◽  
The Status ◽  
The Way

Day-to-day art criticism and art theory are qualitatively distinct. Whereas the best art criticism entails a closeness to its objects which is attuned to particularity, art theory inherently makes generalized claims, whether these claims are extrapolated from the process of art criticism or not. However, this article argues that these dynamics are effectively reversed if we consider the disparity between the criticism of so-called political art and attempts over the last century to elaborate theory which accounts for the political in art qua art. Art theory has located the political force of art precisely in the way that its particularity opposes or resists the status quo. Art criticism, on the other hand, tends to treat artwork as a text to be interpreted whose particularity may as well dissolve when translated into discourse. Drawing from the work of Theodor W. Adorno, this article argues that political art theory calls for art criticism more attuned to experience if it is to elucidate art’s critical valence.

scholarly journals Two pages from the culture of the double speech and of tacit suppositions

wisdom ◽  
2018 ◽  
Vol 11 (2) ◽  
pp. 5-11
Author(s):  
Ana Bazac
Keyword(s):  
Political Discourse ◽  
Power Relations ◽  
Status Quo ◽  
The State ◽  
The Other ◽  
The Political ◽  
Modern Culture ◽  
Other Hand ◽  
The Status

The power relations – at the time of Erasmus and Mandeville, and also in present – make the critique of the status quo to be very difficult. An answer to this situation was and is the complex of the double speech and tacit political suppositions. The paper suggests some similarities between the texts of the above-mentioned thinkers and, on the other hand, the present mainstream political jargon, by emphasising rather the differences: it is noteworthy that Mandeville and Erasmus had a strong, while indirect through their humoristic use of the double speech, critique of the state of things described by them. The conclusions developed here concern the tacit suppositions in the political discourse and how the two items are perennial within the modern culture.

The Futurists. Experts in World Futures

2018 ◽  
Author(s):  
Jenny Andersson
Keyword(s):  
Cold War ◽  
Status Quo ◽  
The Other ◽  
Futures Studies ◽  
The Future ◽  
The Status ◽  
The One ◽  
The Cold War ◽  
Images Of The Future ◽  
The Way

Alvin Toffler’s writings encapsulated many of the tensions of futurism: the way that futurology and futures studies oscillated between forms of utopianism and technocracy with global ambitions, and between new forms of activism, on the one hand, and emerging forms of consultancy and paid advice on the other. Paradoxically, in their desire to create new images of the future capable of providing exits from the status quo of the Cold War world, futurists reinvented the technologies of prediction that they had initially rejected, and put them at the basis of a new activity of futures advice. Consultancy was central to the field of futures studies from its inception. For futurists, consultancy was a form of militancy—a potentially world altering expertise that could bypass politics and also escaped the boring halls of academia.

8 Conclusion

2011 ◽  
Author(s):  
Sabahi Borzu
Keyword(s):  
International Law ◽  
Status Quo ◽  
The Other ◽  
State Responsibility ◽  
Private Law ◽  
Public International Law ◽  
Other Hand ◽  
The Status ◽  
Dual Origin

This chapter discusses ten important findings included in this book. One finding is the dual origin of the modern rules on State responsibility and reparation in both private law notions and public international law, resulting in the objective of reparation of putting the aggrieved party in the ‘hypothetical position’, that would have existed if the unlawful act had not occurred. This objective is mirrored in the modern Chorz ów Factory formula. Restitution, which seeks to re-establish the status quo ante, may need to be accompanied by additional compensation to fully reach the hypothetical position. The amount of compensation, on the other hand, based on the recent jurisprudence, may vary depending on whether the acts complained of were lawful or unlawful. Other important points arising from this study concerning the principles of reparation and compensation are also highlighted in the chapter.

Political World

1990 ◽  
Vol 3 (2) ◽  
pp. 139-153
Author(s):  
Brian Langille
Keyword(s):  
Ludwig Wittgenstein ◽  
Legal Theory ◽  
Status Quo ◽  
The Other ◽  
Political World ◽  
Other Hand ◽  
The Status ◽  
Critical Legal Theory ◽  
The One

It is not transparently obvious why legal theorists are increasingly attracted to the ideas and methods of Ludwig Wittgenstein. After all, Wittgenstein’s writings are notoriously difficult and he said almost nothing, and certainly nothing sustained, about law. And why would self-proclaimed legal theorists be attracted to someone who was quite explicitly hostile to “theory”, who viewed philosophy as a sort of therapy, and who said, famously, “philosophy leaves everything as it is”? But a still more interesting question is, why has Wittgenstein received such curious and conflicting treatment at the hands of the critical legal theorists? On the one hand critical legal theory celebrates Wittgenstein’s work as a key to the dismantling of traditional jurisprudence, but on the other hand critical scholars bemoan his alleged debilitating endorsement of the status quo. It is this last question upon which this essay is focussed.

Textual Genetics and Manuscript in Word Processing. A new Definition of the Text?

2009 ◽  
Vol 23 ◽  
pp. 45-61 ◽  
Author(s):  
Irène Fenoglio
Keyword(s):  
Word Processing ◽  
Text Processing ◽  
The Other ◽  
Other Hand ◽  
The Future ◽  
The Status ◽  
Definition Of ◽  
The Way

Abstract: Very little research has been devoted to the way in which the textual genetics approaches the manuscripts in the text processing. However the future of the genetics depends, partly, on the interest which one can carry to this new materiality of the manuscript. The notion of text, the concept of what text is, have they been changed, or at least modified by the use of text processing? To write a text is to elaborate a discourse in the form of an utterance and to record it. The order of the discourse, in other words, the semiotic (the linguistic recognizable) / semantic (the meaning expressed (uttered) in the discourse) ratio should in no way be modified by the use of text processing. What changes, on the other hand, it is the materialization of the paper support of the text and consequently the status of this materialization.

scholarly journals Colonialidad como emparentamiento y limpieza de sangre: un breve estudio sobre los aportes de Santiago Castro-Gómez.

Sincronía ◽  
2021 ◽  
Vol XXV (80) ◽  
pp. 160-175
Author(s):  
Celeste Florencia Ramirez ◽  
Keyword(s):  
Michel Foucault ◽  
The Other ◽  
The Political ◽  
Modus Operandi ◽  
Other Hand ◽  
Limpieza De Sangre ◽  
Different Types ◽  
The One ◽  
Personal Interests ◽  
The Way

In the present work, in the light of the reading of the philosopher Santiago Castro-Gómez, we will try to elucidate his theory about the coloniality of power and the way in which such a device codified the bodies according to the discourse of blood cleansing. So, first, we will briefly develop two different types of theories about power: on the one hand, the theory of the coloniality of power, presented by the Peruvian sociologist Aníbal Quijano; on the other hand, the analytics of power, developed by Michel Foucault. Both theories, which seem incommensurable, are put into dialogue by our philosopher. In the second part of our work, we will prepare to present the practices and modus operandi corresponding to the coloniality of power to manifest its uniqueness in comparison to other types of powers. Likewise, we will show how a certain sector of the population, in an attempt to consolidate their family and personal interests, used these practices to limit corporality. Third, and by way of conclusion, we will make a brief sketch about the link between the coloniality of power and the political practices of current Colombia.

scholarly journals El pintor que escribe en un muro de papel: David Alfaro Siqueiros en la Revista Multicolor de los Sábados (1933)

2019 ◽  
Vol 6 (11) ◽  
pp. 149-169
Author(s):  
María de los Ángeles Mascioto
Keyword(s):  
The Other ◽  
Literary Production ◽  
Art Theory ◽  
Other Hand ◽  
The One ◽  
The Way

The article analyses David Alfaro Siqueiros participation in Revista Multicolor de los Sábados(Argentina). On the one hand, it studies the way this periodic publication apropriates and re-significate the predominant idea on Siqueiros Art Theory: take the art out of the museums to the street. On the other hand, this paper explores the way in which the literary production of the Mexican muralist overshadows his political proposal because of the conditions of mass press.

Film Style

2020 ◽  
pp. 131-156
Author(s):  
Patrick Colm Hogan
Keyword(s):  
The Other ◽  
Film Adaptation ◽  
As I Lay Dying ◽  
Other Hand ◽  
The Status ◽  
Film Style ◽  
Literature And Film ◽  
The Way

The fourth chapter of Style in Narrative turns from literature to cinema. Since a great deal of style is common to both literature and film, this chapter is necessarily shorter than its counterpart (chapter 1). Moreover, it focuses on the differences between literary and film style, thus what is not common to the two. The areas of divergence are principally a matter of the medium or perceptual interface. In consequence, the chapter focuses particularly on the visual and aural aspects of film. On the other hand, these aspects are more encompassing than is sometimes recognized, including for example aspects of narration. It also addresses differences in the authorship of films, and the status of Hollywood “continuity editing” as a broad stylistic norm for which there is no parallel in literature. The chapter ends with some brief comments on the way James Franco, in his film adaptation of As I Lay Dying, dealt with the (relatively underdiscussed) levels of perceptual narration and cinematic emplotment.

Unearthing the political unconscious in the reporting of homelessness in Manchester

2020 ◽  
Vol 16 (1) ◽  
pp. 91-99
Author(s):  
Rachel Broady
Keyword(s):  
Status Quo ◽  
The Political ◽  
Political Unconscious ◽  
The Status ◽  
The Relationship ◽  
The Way

Journalists in Manchester have reported on homelessness with the intention of highlighting a problem, persuading a charitable response and encouraging legislative intervention. They serve as the way for readers, who may not spend time among the homeless, to observe and understand. This article argues that the representation is restricted by the ideological arena in which journalists work. It posits that by utilizing Fredric Jameson’s interpretive horizons methodology, the political unconscious of copy can be unearthed to reveal the acceptance of the inevitability of homelessness, which has been internalized and reconfigured in stories about the topic. It argues that it is possible to reveal the strategies of containment unconsciously employed, which conceal the relationship between labour and value, and ultimately defend the status quo, despite the intentions of journalists and publications. It further posits that the systemic, societal causes of homelessness are ultimately unchallenged, with the experience unconsciously mediated by the journalists and shared with an audience treated as fellow observers.

Exile and the Other in Two Short Stories by Elena Garro

2005 ◽  
Vol 21 (1) ◽  
pp. 213-229
Author(s):  
Teresa M. Hurley
Keyword(s):  
Short Stories ◽  
Status Quo ◽  
The Other ◽  
Elena Garro ◽  
Female Protagonists ◽  
The Status ◽  
First Time ◽  
Alternative Discourses ◽  
Lost Child ◽  
The Way

This article explores how in two short stories, ‘‘La primera vez que me vi’’ (The First Time I Saw Myself) and ‘‘El niñño perdido’’ (The Lost Child), Elena Garro draws on several discourses, contrasting the official one of the status quo (in post-revolutionary Mexico) with the alternative discourses of those who find themselves on the margins of society or in exile and hence in the position of ‘‘Other’’. The article also focuses on the way the marginalization of the female protagonists of the stories in some ways reflects that experienced by the author at a certain point in her life. Este artíículo explora cóómo en los dos cuentos, ‘‘La primera vez que me vi’’ y ‘‘El niñño perdido’’, Elena Garro utiliza varios discursos para contrastar la voz oficial del statu quo (del Mééxico pos-revolucionario) con los discursos alternativos de los que se encuentran en los máárgenes de la sociedad o en el exilio y, por ende, en la situacióón de ‘‘Otro’’. El artíículo tambiéén se centra en la forma en que la marginacióón de las protagonistas de los cuentos refleja, en ciertos aspectos, la de de la misma autora en algúún momento de su vida.

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