scholarly journals Situated AR Simulations of a Lantern Festival Using a Smartphone and LiDAR-Based 3D Models

2020 ◽  
Vol 11 (1) ◽  
pp. 12
Author(s):  
Naai-Jung Shih ◽  
Pei-Huang Diao ◽  
Yi-Ting Qiu ◽  
Tzu-Yu Chen
Keyword(s):  
Augmented Reality ◽  
Cultural Identity ◽  
Cultural Heritage ◽  
3D Models ◽  
Intangible Cultural Heritage ◽  
Smartphone Apps ◽  
Remote Site ◽  
Event Description ◽  
Second Reconstruction

A lantern festival was 3D-scanned to elucidate its unique complexity and cultural identity in terms of Intangible Cultural Heritage (ICH). Three augmented reality (AR) instancing scenarios were applied to the converted scanned data from an interaction to the entire site; a forward additive instancing and interactions with a pre-defined model layout. The novelty and contributions of this study are three-fold: documentation, development of an AR app for situated tasks, and AR verification. We presented ready-made and customized smartphone apps for AR verification to extend the model’s elaboration of different site contexts. Both were applied to assess their feasibility in the restructuring and management of the scene. The apps were implemented under a homogeneous and heterogeneous combination of contexts, originating from an as-built event description to a remote site as a sustainable cultural effort. A second reconstruction of screenshots in an AR loop process of interaction, reconstruction, and confirmation verification was also made to study the manipulated result in 3D prints.

scholarly journals Influence of Cultural Identity on Tourists’ Authenticity Perception, Tourist Satisfaction, and Traveler Loyalty

2020 ◽  
Vol 12 (16) ◽  
pp. 6344
Author(s):  
Di Tian ◽  
Qiongyao Wang ◽  
Rob Law ◽  
Mu Zhang
Keyword(s):  
Cultural Identity ◽  
Cultural Heritage ◽  
Structural Equation ◽  
Heritage Tourism ◽  
Equation Model ◽  
Intangible Cultural Heritage ◽  
Research Model ◽  
Development Mode ◽  
Tourist Satisfaction ◽  
Cultural Heritage Tourism

Intangible cultural heritage is a natural fit for tourism development due to its extensive cultural and artistic value. Authenticity is important in the development of intangible cultural heritage tourism. This case study considered Celadon Town, a classic scenic spot of intangible cultural heritage in Zhejiang Province, China, to design questionnaires and a research model involving cultural identity, authenticity perception, tourist satisfaction, and traveler loyalty. This model was used to explore the indigenous presentation of authenticity, that is, the “Traditional Firing Technique of Longquan Celadon,” and its impact on tourist satisfaction and loyalty. On the basis of the research model and hypotheses, relevant data were collected through a questionnaire survey, tested, and analyzed using a structural equation model (SEM). Findings indicate that authenticity of intangible cultural heritage has a significant positive effect on destination satisfaction and loyalty, which supplements related research on the authenticity of intangible cultural heritage destinations. This study advocates that building a characteristic town is a unique development mode of intangible cultural heritage tourism. The model integrates the cultural and tourism attributes of intangible cultural heritage. Based on this development model, the study offers related suggestions for the construction of authenticity and the realization of long-term development of tourism destinations.

scholarly journals Sustainability of Heritage Tourism: A Structural Perspective from Cultural Identity and Consumption Intention

2020 ◽  
Vol 12 (21) ◽  
pp. 9199 ◽  
Author(s):  
Gege Zhang ◽  
Xiaoyuan Chen ◽  
Rob Law ◽  
Mu Zhang
Keyword(s):  
Cultural Identity ◽  
Cultural Heritage ◽  
Structural Equation ◽  
Heritage Tourism ◽  
Economic Benefits ◽  
Impact Factors ◽  
Intangible Cultural Heritage ◽  
Local Residents ◽  
Consumption Intentions ◽  
Positive Effect

Intangible cultural heritage can provide cultural value content for product development and marketing of tourism destinations, enabling these areas to obtain economic benefits. This study selects cultural identity as an antecedent variable, and applies the theory of planned behavior to construct the influence mechanism of cultural identity on tourists’ consumption intention in heritage tourism. In tourism development, visitors and local residents have reached a common cognitive basis for Kunqu Opera through cultural identity, thereby guiding consumer behavior and promoting the continuous development of Kunqu Opera tourism. This study takes Suzhou Kunqu Opera as a research object, designs a questionnaire for local residents and tourists, establishes a structural equation model, and explores the relationship between various impact factors. The results of the study show that cultural identity has a positive effect on consumption intentions in heritage tourism activities, confirming that cultural identity is an effective driving force to promote tourists’ consumption intention. Behavioral attitudes, subjective norms, and perceived behavioral control have a positive effect on consumption intentions. This study supplements the existing knowledge on tourists’ consumption intention in intangible cultural heritage destinations. The study also provides new insights to enhance the consumption intention and achieve long-term sustainable development of the destination.

scholarly journals Angklung Tradisional Sunda: Intangible, Cultural Heritage of Humanity, Penerapannya dan Pengkontribusiannya Terhadap Kelahiran Angklung Indonesia

2019 ◽  
Author(s):  
Asep Nugraha
Keyword(s):  
Cultural Identity ◽  
United Nations ◽  
Cultural Heritage ◽  
Educational Institutions ◽  
Intangible Cultural Heritage ◽  
United Nations Educational ◽  
Cultural Organization ◽  
Culture Heritage ◽  
Frame Bound ◽  
Diatonic Scale

Angklung consists of two to four bamboo tubes suspended in a bamboo frame, bound with rattan cords. The tubes will produce certain notes when the frame is shaken or tapped. Each angklung produces a single note or chord, so several players must collaborate in order to play melodies. Traditional Angklungs use the pentatonic scale, but in 1938 musician Daeng Soetigna introduced Angklungs using the diatonic scale, known as angklung padaeng. Angklung is closely related to traditional customs, arts and cultural identity in Indonesia, played during ceremonies such as rice planting and harvest. Angklung education is passed down orally from generation to generation, and increasingly in educational institutions (Prodi Angklung and Musik Bambu ISBI Bandung. Angklung has been included in the UNESCO’s (United Nations Educational, Scientific, Cultural Organization) list of intangible cultural heritage of humanity. This paper discusses the interesting things about the angklung. Especially the process of traditional angklung that developed into the modern angklung and then both has been worldwide as Indonesian culture heritage.

scholarly journals THE ART OF THE BLOUSE WITH EMBROIDERY ON THE SHOULDER (ALTIȚĂ) – AN ELEMENT OF CULTURAL IDENTITY (proposed for the registration in the representative list of the intangible cultural heritage of humanity UNESCO)

Akademos ◽  
2021 ◽  
Vol 60 (1) ◽  
pp. 153-168
Author(s):  
Varvara Buzila ◽  
Keyword(s):  
Cultural Identity ◽  
Cultural Heritage ◽  
Intangible Cultural Heritage ◽  
State Institutions ◽  
Republic Of Moldova ◽  
Academic Communities ◽  
Identity Processes ◽  
Living State ◽  
The Republic ◽  
New Research

Within the identity processes that nowadays occur in our cultural area, society invests many practical and symbolic significances in the traditional blouse with embroidery on the shoulder, which is the most representative item of the traditional costume. Its high prestige and national value served as motivation for recommending The Art of the traditional blouse with embroidery on the shoulder (altiță) – an element of cultural identity of Romania and the Republic of Moldova, for inscription on the Representative List of the Intangible Cultural Heritage of Humanity. The UNESCO perspective on the intangible cultural heritage regards the living state of elements, the responsibility assumed by bearer communities, by state institutions and civil society, offering as well new research visions for the academic communities. The paper proposes an outline of the problems of the domain from this perspective.

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