scholarly journals Seeking traces of women in early Irish filmmaking

2021 ◽  
pp. 28-37
Author(s):  
Veronica Johnson
Keyword(s):  
Film Industry ◽  
Financial Contribution ◽  
Special Collections ◽  
Official Record ◽  
Role Of Women ◽  
Irish Film ◽  
Comparison Information

Recent research by Díóg O’Connell and Donna Casella has brought to light the work of Ellen O’Mara Sullivan with the Film Company of Ireland (1916–20). These scholars trace the personal archive of Ellen O’Mara Sullivan’s descendants and use this data to create a trajectory of her role within this first significant Irish film company. While the official record of the Film Company of Ireland is considered limited, there are traces of the company in trade papers, archives and newspapers. In comparison, information about the role of women in this company is difficult to discover as women often slip from the official archive in this period. In the case of Ellen O’Mara Sullivan, she is frequently hidden behind her husband’s record as owner and director of the Film Company of Ireland, or behind her more famous father and brothers, well-connected Republicans, Mayors of Limerick, and successful businessmen. This paper will examine the role of Ellen O’Mara Sullivan and her sister Mary Rynne in the development of the Film Company of Ireland by examining the archival records available and exploring how to find information about these women when they elude the official record. Working in particular on documents found in the Rynne family archive, Special Collections, NUIG, this paper will attempt to trace the financial contribution of Mary Rynne to this film company and to bring to light the role these two sisters played in the development of the early Irish film industry.

scholarly journals The China Girl on the Margins of Film

October ◽  
2015 ◽  
Vol 153 ◽  
pp. 96-116 ◽  
Author(s):  
Genevieve Yue
Keyword(s):  
Human Body ◽  
Film Industry ◽  
Film History ◽  
Role Of Women

The “China Girl” has appeared in more films than any actress, but she is almost never seen. Used in industrial film laboratories since the late 1920s, this image-nearly always a woman positioned next to color swatches and patches of white, gray, and black—is clipped to the leader of a film reel and used throughout the processing, developing, and printing of photochemical film to determine the desired exposure, density, and ideal appearance of the human body. This article addresses the China Girl's essential but often overlooked role in film history, specifically as it pertains to questions of race, gender, and visibility. It also surveys the work of various experimental filmmakers, including Owen Land, Morgan Fisher, Barbara Hammer, Sandra Gibson and Luis Recoder, Cécile Fontaine, and Mark Toscano, who have used the China Girl image to explore issues of celluloid materiality, the behind-the-scenes workings of the film industry, and the often marginal role of women both in front of and behind the camera.

scholarly journals Representasi Perempuan dalam Industri Sinema

Humaniora ◽  
2014 ◽  
Vol 5 (1) ◽  
pp. 1
Author(s):  
Rahmat Edi Irawan
Keyword(s):  
Mass Communication ◽  
Film Industry ◽  
The Body ◽  
Literature Study ◽  
Physical Size ◽  
The World ◽  
Mere Presence ◽  
Role Of Women

Studies on the presence and the role of women in film industry are interesting to observe. Physically, women exist and play role in the world of film industry, as old as the film itself. In terms of quantity, the number of women seen on screen is also not inferior to men seen in the film. The issue is precisely whether the presence and nearly with the same quantity with men, women are enough to give meaning to the quality of the film itself. Article used literature study, to see how the literatures interrelate several theories of mass communication, especially those raised on the issue of representation. Conclusions or results of the study for this paper are women’s presence and participation as well as comparable quantity of them with men in film industry do not have a lot contribution to the improvement of the quality of the film industry itself. This relates to the women who exist and participate in the film industry rely only on certain physical size of the body and woman is only as a complement to sweeten the mere presence of a movie. 

The Role of Women in Pursuing Scottish Criminal Actions, 1580–1650

2020 ◽  
Vol 24 (2) ◽  
pp. 232-250
Author(s):  
Stephanie Dropuljic
Keyword(s):  
Early Modern ◽  
Legal History ◽  
Criminal Court ◽  
Current Understanding ◽  
The Law ◽  
Role Of Women

This article examines the role of women in raising criminal actions of homicide before the central criminal court, in early modern Scotland. In doing so, it highlights the two main forms of standing women held; pursing an action for homicide alone and as part of a wider group of kin and family. The evidence presented therein challenges our current understanding of the role of women in the pursuit of crime and contributes to an under-researched area of Scots criminal legal history, gender and the law.

REGULATION OF MARRIAGE RELATIONS IN THE TURKESTAN REGION

2019 ◽  
Vol 22 (2) ◽  
pp. 27-32
Author(s):  
Khurshida Tillahodjaeva ◽  
Keyword(s):  
The Family ◽  
Role Of Women ◽  
Family And Marriage ◽  
Material Conditions ◽  
Definition Of

In this article we will talk about the scale of family and marriage relations in the early XX century in the Turkestan region, their regulation, legislation. Clearly reveals the role of women and men in the family, the definition of which is based on the material conditions of society, equality of rights and freedoms and its features.

THE ROLE OF WOMEN IN THE CREATION OF KNOWLEDGE FOR THE FOURTH INDUSTRIAL REVOLUTION

2018 ◽  
Author(s):  
Marijana Vidas-Bubanja ◽  
◽  
Snežana Popovčić-Avrić ◽  
Iva Bubanja ◽  
◽  
...  
Keyword(s):  
Industrial Revolution ◽  
Fourth Industrial Revolution ◽  
The Creation ◽  
Role Of Women
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