scholarly journals Fighting Eve: Women on the Stage in Early Modern Italy

2018 ◽  
Vol 37 (2) ◽  
pp. 23-48
Author(s):  
Nicla Riverso
Keyword(s):  
Sixteenth Century ◽  
Early Modern ◽  
Catholic Church ◽  
Freedom Of Expression ◽  
Western Culture ◽  
Commedia Dell'arte ◽  
Early Modern Italy ◽  
Women's Role ◽  
The Catholic Church

The Catholic revival in the sixteenth century coincides with the opening of the commedia dell’arte stage to women, leading to progress for female performers. However, the presence of women in the commedia dell’arte immediately shows contradictions and disagreements with the teaching of the Catholic Church. At this time, women were depicted as an emblem of Catholic morality: they were supposed to be devoted mothers and wives and their life was confined within the domestic household. In my paper, I analyze how difficult it was for women to prevail against religious and cultural prejudices and gain respect and recognition as actresses. My aim is to point out how the presence of women on the stage brought about a revolution for women’s role in Western culture offering a freedom of expression against traditional moral patterns and giving female performers a chance to demonstrate cleverness and professionalism.

A Tridentine Response

2020 ◽  
pp. 104-131
Author(s):  
Kenneth Austin
Keyword(s):  
Sixteenth Century ◽  
Catholic Church ◽  
Local Level ◽  
Council Of Trent ◽  
Catholic Reformation ◽  
Wide Range ◽  
Counter Reformation ◽  
The Catholic Church

This chapter analyzes “Counter Reformation,” a terminology that implies the developments within the Catholic Church in the sixteenth century and beyond of reactions to the Protestant challenge. It explains how historians generally prefer the term “Catholic Reformation” over Counter Reformation as it is more neutral and better able to accommodate the range of initiatives witnessed in the period. It also points out reform efforts that predate the Protestant challenge, in which a new ethos developed within the Catholic Church in the middle of the sixteenth century. The chapter talks about the fathers of the Council of Trent, who sought to address a wide range of issues relating to belief and practice. It looks at the “Tridentine” decrees that were implemented alongside various papal initiatives and efforts at the local level.

Introduction

2018 ◽  
Author(s):  
Brianna Leavitt-Alcántara
Keyword(s):  
Early Modern ◽  
Catholic Church ◽  
Single Women ◽  
Spanish American ◽  
Local Religion ◽  
Female Autonomy ◽  
Holy Women ◽  
American Cities ◽  
Source Materials ◽  
The Catholic Church

This chapter introduces the book’s methodology, arguments, and scholarly significance. Most works on women and early modern religion focus on nuns, holy women, or religious “deviants,” and emphasize rising hostility toward female autonomy as officials moved to enclose unmarried women and intensive female religiosity (e.g. mysticism, asceticism). This book takes a different approach and examines ordinary laywomen, particularly the broad population of non-elite women who frequently lived outside of both marriage and convent in colonial Spanish American cities. Through an analysis of approximately 550 wills, as well as a variety of other source materials such as hagiographies, religious chronicles, and ecclesiastical records, this study argues that the complex alliances forged between non-elite single women and the Catholic Church shaped local religion and the spiritual economy, late colonial reform efforts, and post-Independence politics in Guatemala’s capital.

scholarly journals They Tore God Limb From Limb

2019 ◽  
Vol 10 (2) ◽  
Author(s):  
Katlyn Kichko
Keyword(s):  
Sixteenth Century ◽  
Case Studies ◽  
Catholic Church ◽  
Religious Discourse ◽  
Singular Case ◽  
Historical Discourse ◽  
Counter Reformation ◽  
The Face ◽  
The Catholic Church

This paper interacts specifically with two separate texts, that is Michel de Certeau’s The Possession at Loudun and Carlo Ginzburg’s The Cheese and the Worms: The Cosmos of a Sixteenth Century Miller. Both of these texts present a narrative of religious turmoil, demonic possessions and a heretical Inquisition, respectively, and the events which surround a single religious dissenter. Examining the two heretical men presented within these texts in comparison allows for an understanding of Catholic Church dogma during the age of the Counter Reformation, and how such an institution managed threats, both external and internal. Moreover, this paper also examines the methodologies behind the historical discourse, in order to understand the validity of the narratives presented, and the scope of historical depth sought. Addressing methodology is crucial when one narrows focus to two singular case studies by two separate historians. Thus, this paper intends to illustrate the threats to normative religious discourse which Urbain Grandier and Menocchio possessed in the face of the Catholic Church, while also demonstrating the methodologies by which the two men are presented within their respective histories.

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