Genova, dalle Colombiane a Capitale Europea della Cultura. Grandi eventi e processi di rigenerazione urbana

TERRITORIO ◽  
2009 ◽  
pp. 103-109
Author(s):  
Francesco Gastaldi
Keyword(s):  
Crucial Role ◽  
Turning Point ◽  
Urban Transformation ◽  
City Centre ◽  
The Past ◽  
European Capital Of Culture ◽  
Urban Transformations ◽  
The City ◽  
Historical Centre

- Major events have played a crucial role in the urban transformations that have taken place in Genoa over the past 15 years, both for the huge investments they require and for the way they have redefined the city's image. Urban transformation, upgrading and maintenance, all of which have affected the historical centre and the waterfront, have contributed decisively to the reversing of the process of physical, economic and social degradation which had been devouring many parts of the city centre. 2004 was the year Genoa became European Capital of Culture and this was a turning point in the endeavour to relaunch and consolidate the role of the city in the tourist and cultural panorama of both Italy and Europe.

scholarly journals Historical Cartography and Sustainable Tourism Development. Reconnecting Trento and the Fersina Stream through the Retrieval of Environmental and Cultural Heritage

2021 ◽  
Vol 4 ◽  
pp. 1-8
Author(s):  
Carolien Fornasari ◽  
Aurora Rapisarda
Keyword(s):  
Urban Space ◽  
Historical Analysis ◽  
City Centre ◽  
Historical Sources ◽  
Sustainable Tourism Development ◽  
The Past ◽  
The City ◽  
The Town

Abstract. Within the context of postmodern tourism, the importance of preserving and enhancing environmental and cultural assets of destinations is increasingly being recognised as one of the keys to sustainable long-term development of territories. The paper focuses on the complex diachronic relationship between the town of Trento, in the Trentino- Alto Adige region, and its watercourses, and, in particular, on its connection with the Fersina stream. The aim is to raise locals’ and visitors’ awareness of a largely forgotten urban water landscape, and to implement the town’s existing cultural and environmental tourist offer. This is achieved through the revival of collective memory of the fundamental role of water for the development of Trento and through the requalification of the stream and its network of canals, which once brought water to different parts of the city-centre. For such purpose, the validity of cartography and other geo-historical sources has been acknowledged; maps are particularly useful sources for retracing territorialisation processes, and rediscovering past territorialities and related landscapes. Accordingly, we have carried out a geo-historical analysis of cartographic representations of the town, shedding light on the past widespread presence of water within urban space and making some proposals for the enhancement and communication of such heritage.

Furia urbana a Istanbul. Dai ‘Progetti di trasformazione urbana' ai movimenti di contestazione

TERRITORIO ◽  
2012 ◽  
pp. 77-81
Author(s):  
Lea Nocera
Keyword(s):  
Ottoman Empire ◽  
Financial Services ◽  
Urban Transformation ◽  
City Centre ◽  
Professional Groups ◽  
The Past ◽  
The Face ◽  
The Individual ◽  
The City ◽  
Made In

Over the past few years, a series of ‘urban transformation proj¬ects' has been radically changing the face of the city of Istan¬bul. In line with the political project begun in the early 1980s, aimed at reintroducing the old capital of the Ottoman Empire onto the international scene and transforming it into a global city, the hub of a network of financial services and international tourism, today radical interventions have been made in the old neighbourhoods of Gecekondu and peripheral enclaves in the city centre, provoking the removal and further marginalization of large parts of the population. The reaction of the individual inhabitants has joined with the activism of neighbourhood as¬sociations and the interests of professional groups, and become translated into many forms of opposition to the projects and the politicisation, though controversial, of these urban protests.

Platzschwindel, agoraphobia and their influence on theories of anxiety at the end of the nineteenth century: theories of the role of biology and ‘representations’ (Vorstellungen)

2016 ◽  
Vol 27 (4) ◽  
pp. 425-442 ◽  
Author(s):  
Yazan Abu Ghazal ◽  
Devon E Hinton
Keyword(s):  
Nineteenth Century ◽  
Clinical Picture ◽  
Rural Areas ◽  
Turning Point ◽  
City Centre ◽  
Modern City ◽  
Old City ◽  
Carl Westphal ◽  
The City

During the 1860s, Berlin’s exterior physiognomy transformed radically. The city eroded the surrounding rural areas, and the frontiers of the old city centre were abolished. These transformations led to the disappearance of the visible frontiers that once demarcated the limits of the old residential Prussian city. In this context, the description of the clinical picture of agoraphobia by the Berlin psychiatrist Carl Westphal in 1872 marked a turning point, not only in psychiatric theories on anxiety but also in the conceptualization of our experience of space. In this paper, the authors trace the emergence of a new psychology-neurology episteme during the last third of the nineteenth century; and they argue that such an episteme became possible once the relations between anxiety and modern city-scape had been clearly articulated.

Adventism, Apocalyptic, and the Cause of Liberty

1994 ◽  
Vol 63 (2) ◽  
pp. 235-249
Author(s):  
Douglas Morgan
Keyword(s):  
Nineteenth Century ◽  
Crucial Role ◽  
Driving Force ◽  
Late Nineteenth Century ◽  
The Past ◽  
Conservative Protestantism ◽  
Late Nineteenth

“I have felt like working three times as hard as ever since I came to understand that my Lord was coming back again,” reported revivalist Dwight L. Moody, the most prominent of nineteenth-century premillennialists. Moody's testimony to the motivating power of premillennialism points to the crucial role of that eschatology in conservative Protestantism since the late nineteenth century—a role delineated by several studies within the past twenty-five years. As a comprehensive interpretation of history which gives meaning and pattern to past, present, and future, and a role for the believer in the outworking of the divine program, premillennialism has been a driving force in the fundamentalistand evangelical movements.

scholarly journals PERGESERAN MAKNA FILOSOFIS ALUN-ALUN KOTA BANDUNG PADA ABAD XIX – ABAD XXI

2019 ◽  
Vol 11 (2) ◽  
pp. 203
Author(s):  
Miftahul Falah ◽  
Agusmanon Yuniadi ◽  
Rina Adyawardhina
Keyword(s):  
Open Field ◽  
Open Space ◽  
Sacred Space ◽  
City Centre ◽  
Tourist Destination ◽  
Historical Method ◽  
Public Open Space ◽  
The City ◽  
City Park

Sebagai kota yang dibangun dengan mempertimbangkan aspek kosmologis, alun-alun merupakan salah satu elemen pembentuk Kota Bandung sejak menjadi pusat pemerintahan Kabupaten Bandung pada 25 September 1810. Alun-alun Kota Bandung mengalami perubahan fungsi, dari titik batas ruang profan dan ruang sakral menjadi ruang terbuka publik sehingga makna filosofisnya mengalami pergeseran. Untuk memahami perubahan tersebut secara kronologis, dilakukan penelitian historis dengan menerapkan metode sejarah yang terdiri dari empat tahap, yaitu heuristik, kritik, interpretasi, dan historiografi. Hasil penelitian menunjukkan bahwa dalam perkembangannya, warga Kota Bandung tidak lagi memandang alun-alun sebagai salah satu elemen penyeimbang antara makrokosmos dan mikrokosmos, melainkan sebagai ruang terbuka publik tempat bersosialisasi seluruh warga kota. Fungsi Alun-alun Kota Bandung menunjukkan perubahan, dari sebuah lapangan terbuka dengan fungsi administratif kota tradisional hingga menjadi sebuah taman kota yang menjadi destinasi wisata di pusat kota sehingga memperlihatkan fungsi sosial-ekonomi.As a city that was built which takes the cosmological aspect into consideration, the square is one of the elements that formed the city of Bandung since becoming the capital of Bandung Regency on September 25, 1810. Its changing functions, which were traditionally perceived as a boundary of profane and sacred space into modern public open space, reflected a shifting in philosophical meaning. To understand the changes chronologically, this paper uses historical method which consists of four stages, namely, heuristics, critique, interpretation, and historiography. The results show that gradually the citizens of Bandung no longer look at the city square as one of the elements of the balance between the macrocosm and microcosm, but rather as a place for community gatherings. Its function changes from an open field with the administrative role of the traditional city into a city park that became a tourist destination in the city centre with socio-economic functions.

scholarly journals Role of Creative Industries in the Post-Socialist Urban Transformation

2014 ◽  
Vol 33 (2) ◽  
pp. 19-35 ◽  
Author(s):  
Tadeusz Stryjakiewicz ◽  
Michał Męczyński ◽  
Krzysztof Stachowiak
Keyword(s):  
Eastern Europe ◽  
Central And Eastern Europe ◽  
Creative Industries ◽  
Urban Transformation ◽  
The West ◽  
Local Networks ◽  
The Past ◽  
Path Dependent ◽  
Basic Features

Abstract Over the past two decades the cities in Central and Eastern Europe have witnessed a wide-ranging transformation in many aspects. The introduction of a market-oriented economy after half a century of socialism has brought about deep social, economic, cultural and political changes. The first stage of the changes, the 1990s, involved the patching up of structural holes left by the previous system. The post-socialist city had to face challenges of the future while carrying the ballast of the past. Rapid progress in catching up with the West transformed the city a great deal. Later on, the advent of the 21st century brought a new wave of development processes based, among other things, on creativity and innovation. Hence our contribution aims to explore the role of creativity and creative industries in the post-socialist urban transformation. The article consists of three basic parts. In the first we present the concept of a ‘creative post-socialist city’ and define the position of creative industries in it. We also indicate some similarities to and differences from the West European approaches to this issue. In the second part, examples from Central and Eastern Europe are used in an attempt to elucidate the concept of a ‘creative post-socialist city’ by identifying some basic features of creative actions /processes as well as a creative environment, both exogenous and endogenous. The former is embedded in different local networks, both formal (institutionalised) and informal, whereas the structure of the latter is strongly path-dependent. In the third part we critically discuss the role of local policies on the development of creative industries, pointing out some of their shortcomings and drawing up recommendations for future policy measures.

The Import of a Narrative : The Role of Aesthetics and Discursive Elements in Fabricating Change in the Centre of São Paulo

2021 ◽  
Author(s):  
Beatriz Kalichman ◽  
Beatriz Rufino
Keyword(s):  
New York ◽  
New York City ◽  
Real Estate ◽  
York City ◽  
Central Area ◽  
Sao Paulo ◽  
Urban Transformation ◽  
São Paulo ◽  
The Past

This chapter examines the use of aesthetic and discursive elements in the production of a narrative about República, a district in the central area of São Paulo (Brazil) that has been transformed through a real estate boom in the past ten years. We focus on newly built studio apartments, and on the efforts to differentiate them from the quitinetes, apartments with similar features built in the 1950s and 1960s that have been heavily stigmatized. We situate our analysis of this purposeful urban transformation within a context intertwined with urban marketing, publicity, and image making. Our research shows the strong presence of an industrial aesthetic in the area, which we understand as being a deliberate echo of the gentrification process that took place in SoHo in New York City in the 1970s.

Place Management/Making

2020 ◽  
Author(s):  
Hoe Su Fern
Keyword(s):  
Urban Spaces ◽  
City Centre ◽  
Governance Structures ◽  
Top Down ◽  
Place Management ◽  
Policy Documents ◽  
Ethnographic Fieldwork ◽  
The Arts ◽  
The City

This chapter examines the role of the arts and artists in rejuvenating urban spaces in Singapore, where place management ideas are currently being used to rejuvenate parts of the city centre. Coexisting alongside state-driven initiatives are artist-led strategies where local art practitioners and organizations activate latent and/or under-utilized spaces. Through an analysis of policy documents and qualitative ethnographic fieldwork, this study explores the interplay between top-down aspirations and formal place management efforts, and the organic ways artists have activated and engaged with spaces. Ultimately, I argue that there is a need to balance formal governance structures with more support for artists engaging in organic, ground-up initiatives.

A Retrospect on the Limits of Postcolonial Studies

CounterText ◽  
2015 ◽  
Vol 1 (1) ◽  
pp. 59-75 ◽  
Author(s):  
Benita Parry
Keyword(s):  
Crucial Role ◽  
Postcolonial Studies ◽  
The Political ◽  
Critical Approach ◽  
The Past ◽  
Political Purpose ◽  
New Form ◽  
Raymond Williams ◽  
Different Order

Benita Parry here examines the political horizons of postcolonial studies, arguing for the crucial role of Marxism in sustaining the revolutionary impetus of postcolonialist thought. Addressing the career of the late Edward W. Said, Parry points out that while Said's approach to criticism may initially have been philological, political purpose and direction were ‘thrust upon him’ through the situation of his native Palestine in the 1970s, together with the retreat from radicalism within academia. The Said of this period thus urged upon intellectuals the need to engage with injustice and oppression. Parry writes of Said's ‘circuitous journey’ that returned him, in his later works, to a critical approach that eschewed the political, and aimed to contain conflict through his notion of the ‘contrapuntal.’ While Said, with many postcolonial critics, did not subscribe to Marxism, Parry suggests that his work retained a thoughtful and complex respect for Marxists such as Lukács, Goldmann, Raymond Williams, and Adorno. For Parry, Said's repudiation of Marxism is ‘of a different order’ from that of other postcolonial critics who drag revolutionary figures such as Fanon and Gramsci into their own agenda by attempting to stabilise and attune their thought to the ‘centre-left’. Parry goes on to criticise the editors of The Postcolonial Gramsci, for positing Marxist thinking as a restricting framework from which the editors aim to liberate Gramsci's writing. For Parry, these reappraisals of revolutionary thinkers constitute a new form of recuperative criticism that she terms ‘the rights of misprision’. If this is a strategy for ‘draining Marxist and indeed all left thought of its revolutionary impulses and energies’, Parry insists, ‘it is one to be resisted and countered, not in the interests of a sterile rigour, but – in Benjamin's words – to rescue the past and the dead, and a tradition and its receivers, from being overpowered by conformism’.

The Changing Role Of The City Centre In Adelaide And Melbourne

1995 ◽  
Vol 13 (3) ◽  
pp. 159-171 ◽  
Author(s):  
Doug Hayes ◽  
Raymond Bunker
Keyword(s):  
City Centre ◽  
Changing Role ◽  
The City
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