Claude Monet (1840-1926) "Nymphéas" (Water Lilies) 1916-1919.

The paper considers the means of representing space in Yevhen Hutsalo’s prose which are suitable for comparison with the painting technique. Coloring is one of determining graphic resources of a picture. The artistic effect of the ﬁgures and spatial compositions ﬁxed on canvas is to a great extent predeﬁned by the color solution of the subjects and air environment depicted. In order to make the world of imagination more representational the literature used to involve visual imagery in a verbal design, in which color and light markers not only specify a representation of ﬁctitious or real situation but also give some lyrical, epical or dramatic coloring to the narration, increasing the expressivity of a picture. In the descriptions of landscapes in the short stories by Yevhen Hutsalo one may ﬁnd the verbal analogues of such painting tools as color dominant, color harmony, lighted up and shaded areas. The dynamics of color solution in a verbal picture, the introduction of new hues and their combinations, and the constructing of light environments help to strengthen the emotional effect of the narration and make some special mood accents. The change of chromatic range and interpretation of painting components of the verbal image liken the narration to the melodious and sound transitions in music and editing tools in ﬁlmmaking. The color effects contribute to plasticity of the represented objects or, on the contrary, make their representation less material, give some decorative or symbolic sense to the nature. The story “On the Shining Horizon” may be compared to the cycle of paintings by Oscar-Claude Monet “Rouen Cathedral”. The unsteady landscape of Y. Hutsalo is marked by interpretative activity of the narrator. The landscape descriptions with a less vivid and not too rich, i. e. comparatively weak in terms of stimulating emotions, color range are also endowed with a noticeable expressive potential. In accordance with the requirements of expression in painting the verbal chiaroscuro also may give dynamics to relatively static environment. The paper offers a comparative analysis of the verbal ‘pictures’ and their corresponding paintings-predecessors.

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One Conception, Two Worlds A Comparative Study of Styles of Claude Monet and Huang Binhong

Proceedings of the 2nd International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2017) ◽

10.2991/iccessh-17.2017.127 ◽

2017 ◽

Author(s):

Ruizhen Feng ◽

Rong Zhuang ◽

James Chen

Keyword(s):

Comparative Study ◽

Claude Monet

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O artista e a paisagem: Claude Monet - uma correspondência entre a natureza e a natureza do artista

MODOS ◽

10.24978/mod.v3i2.4144 ◽

2019 ◽

Vol 3 (2) ◽

Author(s):

Maria Carolina Duprat Ruggeri

Keyword(s):

Claude Monet

A partir de uma perspectiva fenomenológica e tendo como foco a relação entre o artista e a paisagem, este artigo tem como objetivo investigar a correspondência entre a natureza e a natureza do artista, que se manifesta entre o espírito e a matéria, inerentes ao artista, à pintura e à natureza. Parte-se do princípio de que o artista se identifica com as paisagens eleitas e é atravessado, afetado e interrogado pela natureza em si, para transformá-la em pintura. Claude Monet foi o artista escolhido para este estudo. Para investigar a transformação que ocorre em seu processo de criação, conforme ele se desloca no espaço geográfico, me propus a estudar sua vida e obra e percorrer os diferentes lugares em que realizou as suas pinturas. Tendo a paleta como objeto de análise, pude perceber a relação entre a eleição das cores de sua pintura e as cores que se manifestam nas paisagens: cor que se desdobra em cor luz e cor matéria.

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The Phenomenon of Metamodernism in Contemporary Russian Art (On the Example of Paintings by V. Pushnitsky)

Ideas and Ideals ◽

10.17212/2075-0862-2021-13.1.2-425-441 ◽

2021 ◽

Vol 13 (1-2) ◽

pp. 425-441

Author(s):

Denis Podlednov ◽

Keyword(s):

Contemporary Art ◽

Visual Arts ◽

Da Vinci ◽

Leonardo Da Vinci ◽

Francis Bacon ◽

Stylistic Analysis ◽

Russian Art ◽

Color Features ◽

Research Interview ◽

Claude Monet

The article is devoted to the analysis of the functioning of metamodernism in the field of Russian contemporary art. Researchers of metamodernism talk about the revival of historicity, depth and affect that were lost with the era of postmodernism. Metamodernism is characterized by oscillation, metaxis, new sincerity, neo-romantic sensuality, reconstruction, etc. In this paper, the author attempts to analyze markers of metamodernism in the visual arts using the example of the artist Vitaly Pushnitsky (St. Petersburg). The material for the study was a research interview with the artist V. Pushnitsky, as well as a semiotic and formal-stylistic analysis of his works (2015-2020). The author comes to the conclusion that through such markers of metamodernism as oscillation, reconstruction and appeal to new sincerity, the artist V. Pushnitsky seeks to show the reality in which the artist is at the stage of searching for new artistic means of expression. Along with this, through certain compositional and color features, V. Pushnitsky pays tribute to such artists as Pierre-August Renoir, Claude Monet, Leonardo da Vinci, Francis Bacon, as well as the Japanese poet I. Kosugi.

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