Journal of African Languages and Literary Studies

2020 ◽  
Keyword(s):  
Literary Studies ◽  
African Languages

Editorial Note

2021 ◽  
Vol 2 (1) ◽  
pp. 5-11
Author(s):  
Ruby Magosvongwe ◽  
Keyword(s):  
Interest Groups ◽  
Literary Studies ◽  
Editorial Note ◽  
Conceptual Frameworks ◽  
African Languages ◽  
Present Volume

Conversing the framing and structuring of African Languages and Literary Studies: A snippet The present volume gives selected insights into conversations about framing ‘mother/woman’ disruptions, agency and struggles for emancipation in both symbolic and literary terms. The framing we read herein could be microcosmic of broader voices shared on the continent and the Diaspora, notwithstanding the fact that there are as many contestations around narratives and concepts as there are interest groups and respective conceptual frameworks.

Gilles Deleuze's Luminous Philosophy

2020 ◽  
Author(s):  
Hanjo Berressem
Keyword(s):  
Projective Plane ◽  
Visual Arts ◽  
Whole Body ◽  
Literary Studies ◽  
Chronological Order ◽  
Real Projective Plane ◽  
Cinema Studies ◽  
The Real

Providing a comprehensive reading of Deleuzian philosophy, Gilles Deleuze’s Luminous Philosophy argues that this philosophy’s most consistent conceptual spine and figure of thought is its inherent luminism. When Deleuze notes in Cinema 1 that ‘the plane of immanence is entirely made up of light’, he ties this philosophical luminism directly to the notion of the complementarity of the photon in its aspects of both particle and wave. Engaging, in chronological order, the whole body and range of Deleuze’s and Deleuze and Guattari’s writing, the book traces the ‘line of light’ that runs through Deleuze’s work, and it considers the implications of Deleuze’s luminism for the fields of literary studies, historical studies, the visual arts and cinema studies. It contours Deleuze’s luminism both against recent studies that promote a ‘dark Deleuze’ and against the prevalent view that Deleuzian philosophy is a philosophy of difference. Instead, it argues, it is a philosophy of the complementarity of difference and diversity, considered as two reciprocally determining fields that are, in Deleuze’s view, formally distinct but ontologically one. The book, which is the companion volume toFélix Guattari’s Schizoanalytic Ecology, argues that the ‘real projective plane’ is the ‘surface of thought’ of Deleuze’s philosophical luminism.

A Review and evaluation of Machine Translation methods for Lumasaaba

2020 ◽  
pp. 3-17
Author(s):  
Peter Nabende
Keyword(s):  
Natural Language Processing ◽  
Natural Language ◽  
Machine Translation ◽  
Language Processing ◽  
Research Area ◽  
Data Driven ◽  
East African ◽  
Data Set ◽  
African Languages ◽  
Translation Methods

Natural Language Processing for under-resourced languages is now a mainstream research area. However, there are limited studies on Natural Language Processing applications for many indigenous East African languages. As a contribution to covering the current gap of knowledge, this paper focuses on evaluating the application of well-established machine translation methods for one heavily under-resourced indigenous East African language called Lumasaaba. Specifically, we review the most common machine translation methods in the context of Lumasaaba including both rule-based and data-driven methods. Then we apply a state of the art data-driven machine translation method to learn models for automating translation between Lumasaaba and English using a very limited data set of parallel sentences. Automatic evaluation results show that a transformer-based Neural Machine Translation model architecture leads to consistently better BLEU scores than the recurrent neural network-based models. Moreover, the automatically generated translations can be comprehended to a reasonable extent and are usually associated with the source language input.

Context Mediated

2017 ◽  
Vol 72 (1) ◽  
pp. 35-63
Author(s):  
Benjamin Pickford
Keyword(s):  
Political Economy ◽  
Ralph Waldo Emerson ◽  
Literary Text ◽  
Literary Studies ◽  
Economic Relation ◽  
Economic Agency

Benjamin Pickford, “Context Mediated: Ralph Waldo Emerson’s Political Economy of Plagiarism” (pp. 35–63) Context has long been a critical determiner of methodologies for literary studies, granting scholars the tools to make objective claims about a text’s political or economic relation to the situation of its genesis. This essay argues that Ralph Waldo Emerson anticipatively criticizes our commitment to such practices through his use of plagiarism—a literary mode that exemplifies the denial of the sovereignty of context. I focus on two core principles that underlie Emerson’s conception of literature’s civic role in Essays: Second Series (1844): first, that literature is driven by an impulse to decontextualize; second, that this means that it has a deep affinity with the deterritorializing logic of capital. Provocatively proposing Emerson as a theorist of the relation between literature and economics, I argue that Essays: Second Series shows how the literary text can negotiate its ineluctable culpability with capitalism, but this does not mean that it can presume to possess a privileged point of vantage that might deny such culpability. Given that this is precisely what much historicizing or contextualizing scholarship implies, I contend that Emerson gives us a case study in the limits of literature and criticism’s economic agency.

Primi appunti sulla manipolazione dell’assegnazione del genere in sanvalentinese

2020 ◽  
Vol 65 (4) ◽  
pp. 329-350
Author(s):  
Diana Passino
Keyword(s):  
Peculiar Feature ◽  
Gender Assignment ◽  
African Languages ◽  
Gender Shift

"Preliminary Notes on Gender Assignment Manipulation in Sanvalentinese. This contribution draws attention on a peculiar feature of the Italo-Romance dialect spoken in San Valentino in Abruzzo Citeriore, where a subgroup of feminine nouns displays both feminine and masculine plural options. Gender shift to masculine in the plural seems to be exploited to obtain semantic differences related to countability and evaluation, namely to refer respectively to weak differentiation and pejorative meaning. This phenomenon, known as recategorization or gender assignment manipulation, is rather common in African languages of different families, but less pervasive and systematic in Romance. Gender and recategorization in Sanvalentinese are discussed in relation to inflectional classes, of which this contribution provides a sketch. Keywords: gender, number, recategorization, inflectional class, overdifferentiation, collective plural, Romance dialectology, metaphony."

FOLKTALE NARRATION IN THE INDIGENOUS SOUTH AFRICAN LANGUAGES: AN ARTFUL CUL-DE-SAC?

2017 ◽  
Vol 26 (2) ◽  
pp. 24-37
Author(s):  
Eric Mabaso
Keyword(s):  
Empirical Study ◽  
South African ◽  
African Languages ◽  
Pros And Cons ◽  
A Performance

This article highlights the problem that the print mode that the indigenous South African languages (IndiSAL) have largely adopted to preserve the folktale is inadequate. It raises shortfalls in support of the contention that not enough is being done to preserve the art of folktale narration and suggests a way out of the cul-de-sac. Most works on IndiSAL folktales focus on the value of preserving the art itself rather than the mode of preservation. The research follows a performance-centred approach as advocated by inter alia Marivate (1991), Bill (1996), Dorji (2010) and Backe (2014). Compared to countries such as Nigeria and Malawi, IndiSAL are lagging behind in digitization for the preservation of folktales. The article is an empirical study based on the author’s experiences and observation of folktale narration and the analysis of the transcribed form. The article critically reviews the various preservation modes and highlights their pros and cons.

Khawuleza—An Instantiation of the Black Archive

Imbizo ◽  
2020 ◽  
Vol 11 (2) ◽  
Author(s):  
Siseko H. Kumalo
Keyword(s):  
South African ◽  
Knowledge Production ◽  
African History ◽  
Art Practice ◽  
African Languages ◽  
Philosophical Consideration ◽  
Theory Generation ◽  
Artistic Works

South African history is such that Blackness/Indigeneity were excluded from institutions of knowledge production. Contemporarily, the traditional University is defined as an institution predicated on the abjection of Blackness. This reality neither predetermined the positions and responses, nor presupposed complete/successful erasure of Blackness/Indigeneity owing to exclusion. I contend and detail how theorising, thinking about and through the Fact of Blackness, continue(d)—using the artistic works of Mhlongo, Makeba, Mbulu, and contemporarily, Leomile as examples. Analysing the music of the abovementioned artists, a move rooted in intersectional feminist approaches, will reveal modes of theorising that characterised the artistic expressions that define(d) the country. Theory generation, so construed, necessitates a judicious philosophical consideration if we are to resurrect the Black Archive. I conclude with an introspective question aimed at inspiring similar projects in other traditions that constitute the Black Archive, i.e. African languages and literature, theatre, art practice and theory.

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