scholarly journals The Development of the Virtual Studio System Using Hybrid Sensor

2018 ◽  
Vol 72 (1) ◽  
pp. J13-J22
Author(s):  
Daiichiro Kato ◽  
Kazutoshi Muto ◽  
Hideki Mitsumine
Keyword(s):  
Studio System ◽  
Virtual Studio

A Virtual Studio System for TV Program Production

SMPTE Journal ◽  
1994 ◽  
Vol 103 (6) ◽  
pp. 386-390 ◽  
Author(s):  
Kazuo Fukui ◽  
Masaki Hayashi ◽  
Yuko Yamanouchi
Keyword(s):  
Tv Program ◽  
Studio System ◽  
Virtual Studio

Desktop virtual studio system

1996 ◽  
Vol 42 (3) ◽  
pp. 278-284 ◽  
Author(s):  
M. Hayashi ◽  
K. Enami ◽  
H. Noguchi ◽  
K. Fukui ◽  
N. Yagi ◽  
...  
Keyword(s):  
Studio System ◽  
Virtual Studio

Virtual Studio System and Facial Emotion-Expression

2007 ◽  
Author(s):  
Hideki Aoyama ◽  
Ryo Haginoya ◽  
Umezawa
Keyword(s):  
Natural Language ◽  
Facial Expressions ◽  
Emotion Expression ◽  
Facial Emotion ◽  
Moving Images ◽  
Virtual System ◽  
Studio System ◽  
Virtual Studio

Directors of TV programs, commercial programs, etc. usually convey their intentions to actors and production staffs using storyboards. However, it is difficult to perfectly and strictly convey director’s intentions to them since storyboards indicate only moment images of scenes. Directors then need much time to convey their intentions. In order to solve such problems, a system to automatically generate animation storyboards: moving images, have been developed in this study. The system is called “Virtual Studio System”. The system analyzes a scenario written by a director in natural language and automatically creates moving images. The system enables one to easily change the result: moving images, by changing the scenario in natural language. In addition, a method to make facial expressions of characters in the virtual system has been developed. With this system, anyone can easily make and edit animation storyboards representing a scenario.

scholarly journals Virtual Studio System and Operation at Asahi Broadcasting Corporation.

2003 ◽  
Vol 57 (2) ◽  
pp. 237-241
Author(s):  
Sakae Tsukino ◽  
Katsutoshi Mizumachi ◽  
Hiroshi Nakayama
Keyword(s):  
Studio System ◽  
Virtual Studio

‘A war film with a difference’: Adrian Brunel's Blighty and Negotiation within the British Studio System of the Late Silent Period

2015 ◽  
Vol 12 (2) ◽  
pp. 151-171 ◽  
Author(s):  
Josephine Botting
Keyword(s):  
Silent Period ◽  
Home Front ◽  
World War ◽  
War Films ◽  
Box Office ◽  
The First World War ◽  
Studio System ◽  
To Come ◽  
First World ◽  
War Film

The creation and viewing of war films was one of the elements in the process by which Britain attempted to come to terms with the horrors of the First World War. During the interwar period, war films took two main forms: those which reconstructed famous battles and melodramas set against a wartime backdrop. However, the film Blighty, directed by Adrian Brunel in 1927, took a slightly different approach, focusing not on military action but on those who stayed behind on the Home Front. As a director during the silent period, Brunel trod a stony path, operating largely on the fringes of the industry and never really getting a firm foothold in the developing studio structure. He remains well regarded for his independent productions yet also directed five features for Gainsborough at the end of the silent period. Of these film, his first, Blighty, is perhaps his most successful production within the studio system in terms of managing a compromise between his desire to maintain control while also fulfilling the studio's aims and requirement for box office success. Brunel's aversion to the war film as a genre meant that from the start of the project, he was engaged in a process of negotiation with the studio in order to preserve as far as possible what he regarded as a certain creative and moral imperative.

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