Film and Book Reviews

2012 ◽  
Vol 5 (1) ◽  
pp. 108-117
Author(s):  
Nick Nguyen ◽  
Bart Beaty ◽  
Pascal Lefèvre

FILM REVIEWSThe Adventures of Tintin: The Secret of the Unicorn (20ıı), directed by Steven Spielberg, produced by Peter Jackson, screenplay by Stephen Moffat, Joe Cornish and Edgar Wright. Based on Hergé’s Aventures de TintinBOOK REVIEWSHarry Morgan and Manuel Hirtz, Les Apocalypses de Jack Kirby Jacques Samson and Benoît Peeters, Chris Ware: La Bande dessinée réinventée Renaud Chavanne, Composition de la bande dessinée

2021 ◽  
Vol 14 (1) ◽  
pp. 89-95
Author(s):  
Fransiska Louwagie ◽  
Benoît Crucifix

Ewa Stańczyk, ed., Comic Books, Graphic Novels and the Holocaust: Beyond Maus. (Abingdon and New York: Routledge, 2020). 142 pp. ISBN: 9780367585921 (£29.59)Vittorio Frigerio, Bande dessinée et littérature: Intersections, fascinations, divergences (Macerata: Quodlibet, 2018). 96 pp. ISBN: 9788822902573 (€10.00)


2018 ◽  
Vol 11 (1) ◽  
pp. 129-136
Author(s):  
Lise Tannahill ◽  
Eliza Bourque Dandridge ◽  
Rachel Mizsei Ward

Maaheen Ahmed, Stéphanie Delneste and Jean-Louis Tilleuil, eds, Le Statut culturel de la bande dessinée: Ambiguïtés et évolutions / The Cultural Standing of Comics: Ambiguities and Changes (Louvain-la-Neuve: L’Harmattan, 2016). 278 pp. ISBN: 978-2-8061-0320-8 (€27.55)Frances Gateward and John Jennings, eds, The Blacker the Ink: Constructions of Black Identity in Comics and Sequential Art (New Brunswick, NJ: Rutgers University Press, 2015). 343 pp. ISBN: 978-0-8135-7235-7233-8 (€19.00)Blair Davis, Movie Comics: Page to Screen / Screen to Page (New Brunswick, NJ: Rutgers University Press, 2017). 256 pp. ISBN: 978-0-8135- 7225-3 ($27.95)


2018 ◽  
Vol 11 (1) ◽  
pp. 129-136
Author(s):  
Lise Tannahill ◽  
Eliza Bourque Dandridge ◽  
Rachel Mizsei Ward

Maaheen Ahmed, Stéphanie Delneste and Jean-Louis Tilleuil, eds, Le Statut culturel de la bande dessinée: Ambiguïtés et évolutions / The Cultural Standing of Comics: Ambiguities and Changes (Louvain-la-Neuve: L’Harmattan, 2016). 278 pp. ISBN: 978-2-8061-0320-8 (€27.55)Frances Gateward and John Jennings, eds, The Blacker the Ink: Constructions of Black Identity in Comics and Sequential Art (New Brunswick, NJ: Rutgers University Press, 2015). 343 pp. ISBN: 978-0-8135-7235-7233-8 (€19.00)Blair Davis, Movie Comics: Page to Screen / Screen to Page (New Brunswick, NJ: Rutgers University Press, 2017). 256 pp. ISBN: 978-0-8135- 7225-3 ($27.95)


2012 ◽  
Vol 5 (2) ◽  
pp. 114-124
Author(s):  
Matthew Screech ◽  
Bart Beaty ◽  
Kees Ribbens ◽  
Christina Meyer

Jean-Marie Apostolidès, Dans la Peau de Tintin [‘In Tintin’s Skin’]Alain Boillat, ed., Les Cases à l’écran: Bande dessinée et cinéma en dialogue [‘Panels on the Screen: Comics and Cinema in Dialogue’]Viviane Alary and Benoît Mitaine, eds., Lignes de front: bande dessinée et totalitarisme [Frontlines: Comics and Totalitarianism]Thomas Becker, ed., Comic: Intermedialität und Legitimität eines popkulturellen Mediums [‘Comics: Intermediality and Legitimacy of a Popular Medium’]


2018 ◽  
Vol 11 (1) ◽  
pp. 129-136
Author(s):  
Lise Tannahill ◽  
Eliza Bourque Dandridge ◽  
Rachel Mizsei Ward

Maaheen Ahmed, Stéphanie Delneste and Jean-Louis Tilleuil, eds, Le Statut culturel de la bande dessinée: Ambiguïtés et évolutions / The Cultural Standing of Comics: Ambiguities and Changes (Louvain-la-Neuve: L’Harmattan, 2016). 278 pp. ISBN: 978-2-8061-0320-8 (€27.55)Frances Gateward and John Jennings, eds, The Blacker the Ink: Constructions of Black Identity in Comics and Sequential Art (New Brunswick, NJ: Rutgers University Press, 2015). 343 pp. ISBN: 978-0-8135-7235-7233-8 (€19.00)Blair Davis, Movie Comics: Page to Screen / Screen to Page (New Brunswick, NJ: Rutgers University Press, 2017). 256 pp. ISBN: 978-0-8135- 7225-3 ($27.95)


2015 ◽  
Vol 37 (2) ◽  
pp. 89-93
Author(s):  
Andrew Russell
Keyword(s):  

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