scholarly journals Emotive profile of anger in Ukrainian phraseology

2020 ◽  
Vol 11 (2) ◽  
pp. 433-444
Author(s):  
Anatoliy Zahnitko ◽  
Zhanna Krasnobayeva-Chorna
Keyword(s):  
Parametric Analysis ◽  
Emotional State ◽  
Complex Nature ◽  
Semantic Structure ◽  
Main Method ◽  
Imaginative Literature ◽  
Negative Orientation ◽  
The Subject

The article defines the emotive specifics of anger in Ukrainian phraseology with the design on the problems of axiophraseological pragmatics. The object of the research is the emotional state of anger in its psychological diversity. The subject is the phraseological units with the semantics of anger. The emotive profile of anger is illustrated in the study by numerous examples from imaginative literature. The main method of research is the method of parametric analysis of the semantic structure of a phraseological unit with an accentuation of the evaluation and emotive components. Qualification signs of anger are: a) intensification and complex nature with the release of complex negative states of anger / resentment, embarrassment, discontent, indignation, irritation, rage, hatred; b) negative orientation to the outside; c) psychological manipulation; d) temporary nature and lack of sufficient grounds. Recorded and analyzed the four stages of anger: hidden anger stage, the stage of excitement, stage of outbreak of uncontrolled anger and stage of decay of anger.

scholarly journals FUNCTIONAL PARADIGM OF SEMANTIC AND STYLISTIC INVERSION IN THE ORIGINAL AND TRANSLATED TEXT OF J. BARNES NOVEL “A HISTORY OF THE WORLD IN 10 ½ CHAPTERS”

2020 ◽  
Vol 10 (86) ◽  
Author(s):  
Orest Tolochko ◽  
Keyword(s):  
Word Order ◽  
Emotional State ◽  
Target Language ◽  
Complex Nature ◽  
Source Text ◽  
World Picture ◽  
The World ◽  
History Of ◽  
The Subject ◽  
Belles Lettres

Topicality of the problem raised in this article is determined by insufficient representation of J. Barnes’ creative phenomenon, in particular his prose translation studies analysis, in the Ukrainian philological science. Complex nature of the postmodern belles-lettres discourse elucidation has been conditioned by its intertextuality and genre heterogeneity of its text parts. Non-linear narration together with the intricate combination of discourse samples belonging to various genres and styles in the text framework. Thus, the realistic illusion is made by means of its consideration from the psycholinguistic point. The latter concerns conceptual opposition emphasis as well the separate units stressing. An illusion is also made of the discourse parts reference to different psycho-emotional dominants; the latter generates the text versatility interpretations. In the analyzed work of fiction inversion (in combination with other stylistic means) performs semantic (plot-forming) and stylistic (expressive and pragmatic) functions. Inverted word order with an emphatic do is used for the subject elements emphasis; the negative inverted statements intend to intensify certain semantic components stressing in micro- and macrocontextual structure; inverted sentences with an introductory there were applied to emphasize and describe the depicted world picture components as the personages’ psycho-emotional state indicators. The final analyzed sample provides a vivid example of the above. The emotive colouring has been achieved by actualizing expressive means belonging to different language levels; especially frequent is the use rhetoric questions and statements. The key feature of the translated text has been focused on rendering the functional and stylistic parameters of the source text into the target language. The compensatory means applied in the target text comprise inherent and adherent expressive elements of different language levels, punctuating marks intending to convey the belles-lettres text melodic sounding, and lexical units belonging to various registers.

scholarly journals The Qualification of Value in a Linguistics

2019 ◽  
Vol 10 (1) ◽  
pp. 453-462
Author(s):  
Zhanna Krasnobayeva-Chorna
Keyword(s):  
Parametric Analysis ◽  
Basic Unit ◽  
Semantic Structure ◽  
Binary Opposition ◽  
Unit Of Analysis ◽  
The Subject

The article establishes the constitutive features of value in a linguistics with the projection of the phrasemics of single-structured and multi-structured languages (based on the success value). The object is the category of value in its multilevel and multi-dimensional. The subject of the research is the phrasemes with evaluative semantics in the Ukrainian, Russian, English and German. The value in phrasemics is described by the method of parametric analysis of the phraseme semantic structure with accentuation of evaluative macrocomponent and the method of ideographic grouping. The basic unit of analysis is phraseme axiological opposition, regarded as a unity of two phraseme blocks: the first is formed by phrasemes, semantics of which correlates with the values, and the second is made up by phrasemes, semantics of which correlates with non-values. The nature of value provides for the appeal to the antinomy, thus actualizing the clash of axiological and non-axiological, compatible with the binary opposition of good – bad.

Deadjectival Verbs of Essive Semantics in German, English and Ukrainian: A Typological Approach

2021 ◽  
pp. 28-39
Author(s):  
Andrey A. Pouzik ◽  
Keyword(s):  
Quantitative Difference ◽  
Semantic Interpretation ◽  
Semantic Structure ◽  
Semantic Group ◽  
Inactive State ◽  
The Subject ◽  
Typological Approach ◽  
Semantically Heterogeneous ◽  
Model Subject ◽  
Interpretation Model

The peculiarities of the semantics and structure of verbs derived from adjectives in German, English, and Ukrainian have been analyzed. The verbal lexemes of the languages compared can be defined by means of a semantic interpretation model “Subject of a Situation Is a Motivating Adjective”; they constitute a semantically heterogeneous group of “essive” verbs (from Lat. esse - ‘to be'). Within the framework of the derivational category of “essive” verbs at the level of derivational semantics subcategories, semantic groups and subgroups have been distinguished. In the semantic structure of “essive” deadjectival verbs of German, English, and Ukrainian, the opposition is reproduced on the basis of an “active/inactive state of the subject of a situation when revealing a feature denoted by a motivating adjective”. On this basis, the “essive” verbs of the compared languages are divided into two derivational subcategories: “proper essive” deadjectival verbs (inactive state of the subject of a situation when revealing a feature) and “quasi-essive” verbs derived from adjectives (active state of the subject when revealing a feature). In terms of interlingual comparison, the author notes the quantitative superiority of the two subcategories of the Ukrainian “active” deadjectival verbs over the corresponding subcategories of German and English, while within each language of comparison the quantitative ratios of the selected subcategories are different: in Ukrainian the subcategory of “proper essive” deadjectival verbs is superior over the subcategory of “quasi-essive” verbs, while in German and English the “quasi-essive” deadjectival verbs are quantitatively superior over the subcategory of “proper essive” deadjectival verbs (in German the quantitative difference is insignificant (nine verbs), and in English the group of “quasi-essive” deadjectival verbs is almost twice as big as in German). Within the selected derivational subcategories of the languages compared and on the basis of the presence/absence and nature of certain additional semantic components in the semantic structure of “essive” deadjectival verbs, semantic groups have been distinguished. Two semantic groups can be clearly distinguished within “proper essive” deadjectival verbs, depending on whether the feature revealed by the subject of a situation is necessarily visually perceptible (“expositive”) or visually imperceptible (“intra-essive”). The group of “expositive” deadjectival verbs of Ukrainian is eight times as big as the corresponding semantic group in German, while in English no deadjectival verbs of “expositive” semantics have been found. In German and English, the main way to derive essive verbs from adjectives is conversion (85% and 56%, respectively). In English, conversion is supplemented with suffix models (44%). Essive suffix deadjectival verbs make up 100% of the material in Ukrainian and 15% in German.

scholarly journals Quantitative and qualitative analysis of the structure of a historical text

2021 ◽  
pp. 1-24
Author(s):  
Grigory Ivanovich Gerasimov ◽  
Andrei Vladimirovich Gerasimov
Keyword(s):  
Cluster Analysis ◽  
Structural Analysis ◽  
Quantitative Methods ◽  
Literary Texts ◽  
Comparison Analysis ◽  
Main Method ◽  
The Past ◽  
Historical Text ◽  
The Subject ◽  
Historical Methods

The subject of this research is the historical writing technique, which allows creating convincing images of the past. The goal of this article is ti analyze the structure of texts written by the historians and covering the period from antiquity to the XXI century. The theoretical framework consists of the idealistic approach towards history developed by the author. This article is first to examine the structure of texts written by the prominent historians of the past, such as Herodotus, Nestor, Karamzin, Klyuchevsky, and some historians of the XX – XX centuries from the perspective of idealistic approach and the use of quantitative methods. For comparison, analysis is conducted on the literary texts of A. S. Pushkin and V. S. Pikul dedicated to historical themes. The article employs content analysis, structural analysis, and terarchical cluster analysis of the texts on the basis of their structure. This revealed that the structure of these texts consists of the factual and theoretical statements, where the firs prevailed until the mid XX century. The use of cluster analysis allowed building a matrix of similarity of the works. The main method of creating convincing historical text lies in selection and interpretation of the the facts in accordance with the dominant worldview or a widespread historical concept. Facts are subordinated to the theory and confirm the fundamental ideas and historical concepts, as well as depict a convincing image of the past. The conducted analysis indicates that theory plays the key role in creating a convincing historical text, while facts are secondary; no significant impact of historical methods is revealed. The major difference between the analyzed historical and literary texts consists in the fact that there is no theory in the literary works.

scholarly journals Shame – an emotionally complex condition with social connotation and psychosomatic implications in pathology

2016 ◽  
Vol 11 (4) ◽  
pp. 306-310
Author(s):  
Simona GROSSMAN ◽  
◽  
Ioan-Bradu IAMANDESCU ◽  
Keyword(s):  
Mental Health ◽  
Emotional State ◽  
Negative Emotion ◽  
Future Research ◽  
Ideal Self ◽  
Self Image ◽  
Complex Condition ◽  
The Subject ◽  
Psychosomatic Diseases

Shame is a complex emotional state, a universal experience, whose influence can be extensive. Elusive by its nature, shame can escape the attention of specialists. Discussions on shame as a separate and distinct emotion are rare, most often being denied, hidden or concealed by more socially acceptable emotions. Offspring of a disappointed Ideal Self, shame reflects on Self Respect and Self Image, both important and influential components of the psyche, with major implications in personality. Being a strong negative emotion, shame can have an important and quite extensive influence on mental health through its numerous somatic correlates intensely and widely expressed at different organic level on somatovisceral activity – thus, resulting in the appearance of numerous disorders and psychosomatic diseases – among them obesity, which was chosen by the author as the subject of a future research.

BEING IN ANGER. WHO AND HOW FELT ENRAGED IN MONGOLIAN FOLKLORE

2021 ◽  
Vol 4 (1) ◽  
pp. 39-48
Author(s):  
Elena V. Komkova ◽  
Keyword(s):  
Emotional State ◽  
World Picture ◽  
The World ◽  
The Subject

The article is dedicated to the analysis of the lexical and stylistic markers of anger in Mongolian folklore, texts and to how frequent that emotional phenomenon is for the studied narratives. The object of the study is the lexical and stylistic markers of anger in Mongolian folklore narratives. The subject of the study are the words that denote the manifestations of anger in the characters of the folklore texts; who and in what situations utters them. There can be different meanings that are hidden behind the lexical and stylistic marker of anger in the narrative. The analysis of communicative situations may allow to make assumptions about the nature of the world picture of the actors in Mongolian folklore and to formulate a hypothesis about the reasons for the existence of an emotional state in one way or another.

STAGES OF FORMATION OF THE WORLD VICTIMOLOGICAL THOUGHT

2021 ◽  
Vol 2 (2) ◽  
pp. 19-28
Author(s):  
Oleksandr Dzhuzha ◽  
◽  
Dmytro Tychyna ◽  
Valeriy Syuravchik ◽  
◽  
...  
Keyword(s):  
Practical Importance ◽  
Crime Victims ◽  
Complex Nature ◽  
Prevention Measures ◽  
Legal Origin ◽  
Historical Aspect ◽  
Conceptual Apparatus ◽  
The World ◽  
The Status ◽  
The Subject

The relevance of the article is due to the need to clarify the historical aspect, the genesis of victimology, as well as the content of its conceptual apparatus, the formulation of hypotheses and the improvement of its scientific tools. The concept of victimization is a reflection of essential means and relationships, phenomena and processes that are directly related to crime. The problematic aspects of the relatively complex nature of the conceptual apparatus of victimology have been identified, as a result of which a large number of concepts of non-legal origin in criminology are fraught with the danger of destroying the mechanism of legal assessments and conclusions on crime, its causes, the identity of the offender and the victim, and prevention measures. Elucidation of the historical aspect, genesis of victimology, as well as the content of its conceptual apparatus, is a dynamic process of reconciling hypotheses and positions, thoughts and views of criminologists, victimologists, lawyers, sociologists and psychologists, the results of which form the doctrinal basis of victimology. The stated positions are an attempt to somewhat streamline the diversity of scientific approaches to the content of individual elements of the subject of victimology, which, in turn, forms the motivation for further discussion of representatives of domestic and foreign criminological schools. Justification of the genesis and content of the conceptual apparatus of victimology, its individual theoretical provisions is an integral part of the development of the concept of combating crime and has not only scientific, but also important practical importance. Consequently, the tasks of victimology include the study of not only those who was the victim, but also those who have never acquired the status of a direct victim of the crime. The purpose of such studies are to identify a complex of certain properties capable of imported in criminal manifestations, which allows to carry out the victimological forecast for both individual and mass levels. The study of crime victims is necessary to solve many problems, especially related to the organization of their physical protection.

Term (objective correlative) A second reading

2021 ◽  
pp. arabic cover-english cover
Author(s):  
فتحي أبو مراد ◽  
ناصر حسن يعقوب
Keyword(s):  
Emotional State ◽  
Integrated Approach ◽  
Target Language ◽  
Source Language ◽  
Comprehensive View ◽  
The Subject ◽  
Similarities And Differences ◽  
Practical Experiences ◽  
Main Components ◽  
Term Objective

حاولت الدراسة، استكناه حقيقة مصطلح (objective correlative) المعادل الموضوعي، ورصد ترجماته المختلفة إلى اللغة العربية، حسب تسلسلها الزمني، وتتبع الاختلافات والائتلافات في هذه الترجمات، وتعليل أسباب هذا وذلك، وبيان إشكالات الترجمة في فهم معنى المصطلح ودلالاته. ومن ثم شرعت الدراسة في كشف طبيعة هذا المصطلح، ومفهومه ومكوناته الأساسية، وجوهره القائم على إيجاد معادلات موضوعية حسية لمكنونات عالم الشاعر الداخلي المجرد، ومحاولة تجسيد هذا العالم المجرد عبر صور وأشكال فنية حسية قابلة للمعاينة، وفي الآن نفسه قادرة على إثارة حالة شعورية في المتلقي تشبه إلى حدٍ كبيرٍ تلك الحالة التي يعانيها الشاعر نفسه. وقد اتكأت الدراسة على معطيات المنهج التكاملي، واستعانت بكثير من وسائله، وآلياته في الوصف والتحليل في مقاربتها لموضوع الدراسة، استجابةً لطبيعة الموضوع نفسه الذي تمتدّ أوصاله وشرايينه في سراديب مسائل عدة؛ فمنها ما يتصل بلغة (المصدر) اللغة الأجنبية، وإشكالات الترجمة. ومنها ما يتصل بلغة (الهدف) اللغة العربية، وقضايا الترادف والمشترك اللفظي، وقضية الاختيار. ومنها ما يتصل في الجانب التطبيقي لبعض النصوص الذي تضمنتها الدراسة، وما يستدعيه النص الشعري من نظرة تكاملية شمولية. وخلصت الدراسة إلى نتائج عدّة منها: أن مفهوم هذا المصطلح يتبأّر حول إيجاد معادلات حسية خارجية لحالات الشعور الداخلية للشاعر، وأن الممارسات العملية المختلفة لمعطيات المعادل الموضوعي، تتمحور حول استقطاب أدوات فنية وأسلوبية قادرة على التعبير والتشكيل والتصوير في آنٍ واحدٍ، وما إلى ذلك من استعمالات اللغة، استعمالًا خاصًا قادرًا على تجسيد المجرد الداخلي للشاعر، عبر صور حسّية تبوح بعواطف الشاعر وأفكاره، وترسم لها صورةً مشابهةً في وعي القارئ. This study tries to find out what is meant by the expression "objective correlative" and to follow its different translations into Arabic according to its chronology. It also tries to show similarities and differences in those translations by giving reasons for each of them، and the obstacles that face readers to understand the meaning and semantics of the expression. Then، the study proceeds to discover the nature، the conception، and the main components of this expression، and its main aim to find out objective and sensitive correlative for the hidden feelings of the poet’s world through art and sensory images and forms that are reviewable and which are able to stimulate an emotional state for the receiver which is similar to that of the poet himself. The study depends on the data taken from the integrated approach and borrows many of its means and procedures to describe and analyze the data in this study in response to the nature of the subject whose components stretch to contain matters. Some relate to the source language (English) and obstacles in translation، others relate to the target language (Arabic) and the issues of tandem، verb al joint،echoic and its effect on translating the expression. Some relate to the practical aspects of some texts which were included in the study and the integrated and comprehensive view needed for poetry. This study comes to some conclusions، such as: The expression "objective correlative" focuses on the external sensitive correlative of the inner feeling of the poet. The different practical experiences are polarizing on constructive and stylistic forms that are able to express forms، and give images at the same time. The uses of language for certain propose are able to represent the inner abstract feeling of the poet through sensitive images that reveal the poet’s feelings and thoughts and to draw a similar image in the reader's awareness.

Analysis of Flow Induced Vibration Using the Vorticity Transport Equation

1993 ◽  
Vol 115 (3) ◽  
pp. 485-492 ◽  
Author(s):  
Jure Marn ◽  
Ivan Catton
Keyword(s):  
Parametric Analysis ◽  
Dynamic Instability ◽  
Equations Of Motion ◽  
Fluid Motion ◽  
Governing Equations ◽  
Flow Induced Vibration ◽  
The Subject ◽  
An Array Of Cylinders ◽  
Vorticity Transport ◽  
Square Array

Crossflow induced vibrations are the subject of this work. The analysis is two dimensional. The governing equations for fluid motion are solved using linearized perturbation theory and coupled with the equations of motion for cylinders to yield the threshold of dynamic instability for an array of cylinders. Parametric analysis is performed to determine the lowest instability threshold for a rotated square array and correlations are developed relating the dominant parameters. The results are compared with theoretical and experimental data for similar arrays and the discrepancies are discussed.

Interpretation of Material Cultural Heritage in the Context of Museum

2020 ◽  
Vol 12 (3-2) ◽  
pp. 337-351
Author(s):  
Sergey Pilyak ◽  
Keyword(s):  
Cultural Heritage ◽  
Cultural Values ◽  
Theory And Practice ◽  
Main Method ◽  
History Of ◽  
Ancient Times ◽  
The Subject ◽  
Cultural Heritage Objects ◽  
Creative Understanding ◽  
Cultural Heritage Preservation

Interpretation of cultural values and cultural heritage is one of the most common types of their development and creative understanding. However, the concept of ‘interpretation’ remains blurred among related processes, usually without getting much mention. In the field of cultural heritage preservation, interpretation is the main method of human development of cultural heritage objects. The process and results of interpretation, as shown by the long history of preservation of cultural heritage, also affect the preservation of cultural heritage. The proposed material is devoted to the consideration of a museum as an example of one of the most consistent built spaces and tools for the interpretation of cultural heritage. The subject of the research is the methods of museum work considered in the context of mechanisms of interpretation of material cultural heritage. Museum as an instrument of interpretation has been known since ancient times. Human interest in ancient artifacts that act as visible symbols of historical and cultural memory of the past, eventually led to the development of collecting, and then, with the publication of collections, to the emergence of museums. Museum and its activities occupy a special place in the methodology of interpretation. The museum space can set its own special rhythm of historical time and create conditions for comfortable perception of the presented artifacts. No other cultural institution has such a task, and if it is necessary to present an artifact, interested persons in one way or another turn to the method tested on museum sites. As a result of the research, the author identified five stages of museum activities, which are generally typical for the mechanism of interpretation of cultural heritage. Therefore, the main goal of museum activities should be recognized as an interpretation of cultural heritage. In accordance with this goal, the museum's tasks are also implemented, including the preservation, publication and promotion of the collection's artifacts. Thus, the role and place of the museum as a specific space created for the purpose of interpreting cultural heritage is proved. These provisions allow us to look at the theory and practice of museum activities in a different way, in the context of interpreting cultural identity.

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