Media aesthetic environment of image formation

2020 ◽  
Vol 11 (2) ◽  
pp. 85-93
Author(s):  
Marina Zagidullina

This paper is devoted to the “nature of image” in the new media environment. The author re-conceptualizes the image as a basis of textual, visual and audial culture. Two factors of this revision are explained: (1) the facilitation of the complex creation and consumption of communicative unities, or artifacts (complexes of video, audio, texts and other forms), (2) the ability to capture a massive interest for new forms of imagery in social networks and the internet (a research evidence of this interest). The theory of the image, presented in the writings of Jean-Luc Nancy, is applied to the actual facts of communicative exchange allowing to identify some new directions for the development of media aesthetic phenomena. The main empirical material of the article is the growing mass interest in video and audio clips, such as #oddlysatisfying and ASMR. The author uses this material to confirm Nancy’s idea on the concentration of image formation in an “invisible” zone (beyond the representation of the object itself: the image is interlined, it is between sounds, it is behind pictures).

2021 ◽  
Vol 6 (3(16)) ◽  
pp. 561-576
Author(s):  
Amina Vatreš

In the era of distinctly new media-marked social reality, the process of dissemination of disinformation is becoming an increasingly common phenomenon. As one of the technological innovations that stands out in this field is the deepfake phenomenon – a hyper-realistic digital falsification of video and audio formats. Since it is based on the most sophisticated technology, supported by achievements in the field of artificial intelligence, deepfake unequivocally represents a kind of turning point in the context of production and distribution of fake audio-visual content. To poly perspective point to the multiple repercussions of this phenomenon, the paper provides a deeper insight into the very definition and the specific factors that contribute to the acceptance of deepfake, with special emphasis on its implications on reliable journalism and its social function. The text articulates the role of deepfake in the process of creating and receiving media content, as well as the problem of the emergence of erosion of public trust within a hyperreal media environment.


2017 ◽  
Vol 0 (28) ◽  
pp. 35-58 ◽  
Author(s):  
Natalia Aruguete ◽  

2021 ◽  
Vol 3 (3) ◽  
pp. 488-493
Author(s):  
Yuan Huan ◽  
Xing Jia ◽  
Jin Xiaoyue ◽  
Yang Cuirong

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