scholarly journals Modernity and interreligious dialogue. Difficulties posed by the ideological translation of religious categories

2020 ◽  
Vol 33 (2) ◽  
pp. 6-25
Author(s):  
María A. Corpas-Aguirre
Keyword(s):  
Political Violence ◽  
Catholic Church ◽  
18Th Century ◽  
Arab World ◽  
Liberal State ◽  
Theological Foundations ◽  
Religion And State ◽  
The One ◽  
Definition Of ◽  
Islam And Modernity

The relationship between Islam and Modernity is often explained in antagonistic terms. On the one hand, because Islam is a holistic system, where the political and religious spheres remain connected, resisting a modern definition of “religion”. On the other, because Modernity has been associated with the evolution of the liberal State and democracy, whose bases are deeply relativistic. Along these lines, we propose some arguments about the origin of this disagreement. To do this, we focus on the ideological reductionisms “religion” and “state” applied to the theological categories Dīn and dawla. The trace of this modern homologation can be traced through the historical connection of the West with the Islamic Arab world. Enlightened approaches and their ideal of progress found their best expression in reformist thinking. Since the 18th century, the solution to the problems derived from colonialism necessarily went through making the dogmatic foundations more flexible, injecting sceptical principles. The birth of this “political Islam” necessarily brought its “national” translation. The processes of construction of these states would feed the liberation movements, spreading for decades the deep wound of political violence and its export to the world. It is from this context that the Catholic Church has appealed to theological foundations as the only possible way to reverse the damage caused by geopolitics. Unfortunately, the states of opinion generated around this work divide, in the first place, Catholics. Throughout these pages, we will try to provide lines of reflection that add to our responsibility to generate a Christian conscience, open, reasonable and without interference, with respect to Islam.

scholarly journals Preservation and Creation Plainchant Notation of the Pauline Order in 14th–18th-century Hungary

2018 ◽  
Vol 59 (3-4) ◽  
pp. 399-418
Author(s):  
Gabriella Gilányi
Keyword(s):  
Eighteenth Century ◽  
Early Modern ◽  
Middle Ages ◽  
Catholic Church ◽  
18Th Century ◽  
The Other ◽  
Gregorian Chant ◽  
Long Period ◽  
Liturgical Manuscripts ◽  
The One

Abstract This study surveys the musical notation appearing in the liturgical manuscripts of the Order of St. Paul the First Hermit from the fourteenth until the eighteenth century. As a Hungarian foundation, the Pauline Order adopted one of the most elaborate and proportionate Gregorian chant notations of the medieval Catholic Church, the mature calligraphic Hungarian/Esztergom style, and used it faithfully, but in a special eremitical way in its liturgical manuscripts over an exceptionally long period, far beyond the Middle Ages. The research sought to study all the Pauline liturgical codices and codex fragments in which this Esztergom-Pauline notation emerges, then record the single neume shapes and supplementary signs of each source in a database. Systematic comparison has produced many results. On the one hand, it revealed the chronological developments of the Pauline notation over about four centuries. On the other hand, it has been possible to differentiate notation variants, to separate a rounded-flexible and a later more angular, standardized Pauline writing form based on the sources, thereby grasping the transition to Gothic penmanship at the turn of the fifteenth and sixteenth centuries. A further result of the study is the discovery of some retrospective Pauline notation types connected to the Early Modern and Baroque period, after the Tridentine Council. The characteristics of the notations of the choir books in the Croatian and the Hungarian Pauline provinces have been well defined and some individual subtypes distinguished – e.g. a writing variant of the centre of the Croatian Pauline province, Lepoglava.

Ethnicity and Confession in Bukovina in the Sources from the Turn of the 18th century

2017 ◽  
Vol 2 (46) ◽  
pp. 57-66
Author(s):  
Melchior Jakubowski
Keyword(s):  
Catholic Church ◽  
18Th Century ◽  
Roman Catholic ◽  
The Other ◽  
Roman Catholic Church ◽  
Other Hand ◽  
The One ◽  
Catholic Churches ◽  
Roman Catholics

In the descriptions of Bukovуna as the new Habsburg province and in the records of the Roman Catholic Church various terms for ethnicity have functioned, sophisticatedly related to the religious denominations. Either all Orthodox inhabitants were described as Moldavians, or a difference between Orthodox Moldavians and Orthodox Ruthenians was marked. For Ruthenians (Orthodox and Greek Catholic) and their language there was no common name. All Roman Catholics were sometimes considered as Germans and Hungarians. Despite that, Catholic Church in Bukovуna from its beginning was multi-ethnic and multi-language. The ambiguity of terms is shown by the problem with distinguishing Catholic Poles and Slovaks. On the other hand, there was even a case of mistaking Ruthenians for Poles. Ethnicity and confession in Bukovina were entangled with each other, but with no strict connection, like the one functioning in Galicia (Polish Roman Catholics and Ruthenian Greek Catholics). The situation was much more complicated. The mixture of ethnicities among the faithful in both Orthodox and Catholic Churches was a factor of highest importance for the development of famous Bukovуnian tolerance. Keywords: Bukovina, ethnicity, religion, terminology

Guidance from the gaps: the Holy Spirit, ecclesial authority, and the principle of juxtaposition

2006 ◽  
Vol 59 (2) ◽  
pp. 140-158
Author(s):  
Steffen Lösel
Keyword(s):  
Holy Spirit ◽  
Catholic Church ◽  
Roman Catholic Church ◽  
Protestant Churches ◽  
Self Sufficiency ◽  
The Holy Spirit ◽  
Divine Freedom ◽  
The One ◽  
Definition Of ◽  
The Church

Recent ecumenical dialogues have focused on the question of ecclesiastical offices. At the heart of this debate lies the question of how to relate the Holy Spirit's guidance of the church to its structures. Two alternative visions frame the debate. The Roman Catholic Church insists on the authority of the church's teaching office, as the channel through which the Holy Spirit guides the church. In contrast, Protestant churches emphasize the self-sufficiency of scripture, the normative function of the Gospel vis-à-vis the church, and the freedom of the Holy Spirit in, with, and over against all ecclesiastical structures. My essay engages this ecumenical debate through fundamental ecclesiological reflections on the relation between the Holy Spirit on the one hand, and the scriptural witness and ecclesial authority on the other. I argue that no ecclesial structure must be identified undialectically with the voice of the Holy Spirit, but that the church must discern the guidance of the Spirit in the context of the Christian assembly, as it emerges ever anew from the “gaps” left open in the assembly's juxtapositions of texts, bath, and shared meal. In order to develop my thesis, I first retrieve Karl Barth's christological foundation of ecclesiology, his definition of divine freedom over against the church, and his introduction of scripture as the critical principle for the church's permanently needed self-reform. Second, I discuss Walter Kasper's insistence on the incarnational and sacramental nature of the church and his threefold understanding of the church's apostolicity in terms of succession, tradition, and communion. Finally, I develop Gordon Lathrop's reading of the Christian assembly of worship in terms of liturgical juxtapositions for my ecclesiastical purposes.

Origins, identification and type status of two early specimens of Society Kingfisher Todiramphus veneratus (J. F. Gmelin, 1788) (Aves: Coraciiformes, Alcedinidae)

Zootaxa ◽  
2019 ◽  
Vol 4691 (3) ◽  
pp. 250-260
Author(s):  
ROLAND E. VAN DER VLIET ◽  
ALICE CIBOIS ◽  
ANITA GAMAUF ◽  
JUSTIN J.F.J. JANSEN
Keyword(s):  
18Th Century ◽  
Type Specimen ◽  
X Rays ◽  
Late 18Th Century ◽  
National Museums ◽  
The One ◽  
Definition Of ◽  
Different Origin

We re-examined the putative type specimen of Society Kingfisher Todiramphus veneratus (J. F. Gmelin, 1788) in the Naturhistorisches Museum Wien (NMW 50.633) and conclude based on plumage that it represents the taxon from Moorea, T. veneratus youngi Sharpe, 1892, rather than nominate T. veneratus veneratus from Tahiti. X-rays reveal that it was prepared using techniques common in the late 18th century, and that its preparation style matches that of other specimens collected during Cook’s three voyages. NMW 50.633 has been assumed to be the one, or one of a number of, specimen(s) used by Latham to describe and illustrate his ‘Venerated Kingfisher’ (present-day Society Kingfisher), which was the basis of the later valid introduction of the name Alcedo venerata by J. F. Gmelin. However, whereas the description and an unpublished illustration in Latham’s archives agree closely with veneratus from Tahiti, NMW 50.633 appears to represent Moorea youngi. While this finding does not compromise the definition of Society Kingfisher veneratus, it leaves it without a safely identified type specimen. We also examined a Moorea specimen in the National Museums Liverpool (LIVCM D2366) that is almost as old as NMW 50.633, but which X-rays suggest had a different origin than NMW 50.633. 

Criminalizing Sex

2020 ◽  
Author(s):  
Stuart P. Green
Keyword(s):  
Sex Trafficking ◽  
Statutory Rape ◽  
Liberal State ◽  
Sexual Offenses ◽  
Proper Role ◽  
Wide Range ◽  
Sexual Conduct ◽  
The Law ◽  
The One ◽  
Definition Of

Starting in the latter part of the twentieth century, the law of sexual offenses, especially in the West, began to reflect a striking divergence. On the one hand, the law became significantly more punitive in its approach to sexual conduct that is nonconsensual, as evidenced by a major expansion in the definition of rape and sexual assault and the creation of new offenses such as sex trafficking, child grooming, and revenge porn. On the other hand, it became markedly more permissive in how it dealt with conduct that is consensual, a trend that can be seen, for example, in the legalization or decriminalization of sodomy, adultery, and adult pornography. This book explores the conceptual and normative implications of this divergence. In doing so, it assumes that the proper role of the criminal law in a liberal state is to protect individuals in their right not to be subjected to sexual contact against their will, while also safeguarding their right to engage in (private, consensual) sexual conduct in which they do wish to participate. Although consistent in the abstract, these dual aims frequently come into conflict in practice. The book develops a framework for harmonizing these goals in the context of a wide range of nonconsensual, consensual, and aconsensual sexual offenses (hence the “unified” nature of the theory)—including rape as nonconsensual sex, rape by deceit, rape by coercion, rape of a person who lacks capacity to consent, statutory rape, abuse of position, sexual harassment, voyeurism, indecent exposure, incest, sadomasochistic assault, prostitution, bestiality, and necrophilia.

scholarly journals The Vilnius icon of the Mother of God and its cult in the Greek Catholic Church of the Holy Trinity

Menotyra ◽  
2017 ◽  
Vol 24 (1) ◽  
Author(s):  
Rūta Janonienė
Keyword(s):  
Catholic Church ◽  
18Th Century ◽  
17Th Century ◽  
16Th Century ◽  
Pure Gold ◽  
Holy Trinity ◽  
The One ◽  
Oil Paints ◽  
The 19Th Century ◽  
The Church

The article discusses the icon of the  Hodegetria Mother of God, formerly placed in Vilnius.The currently missing piece of art was considered very important in the Vilnius spiritual life inthe 16th – early 20th centuries and was respected by Orthodox, Greek Catholic (Uniate) andRoman Catholic churches. A significant influence on the cult of icons was inspired by the au-thorship attributed to St. Lukas (later – only its prototype) and historical links with the familyof the Grand Duke of Lithuania Alexander Jagiellon (the icon was brought as a dowry in 1495by his wife Elena, the daughter of the Grand Duke of Moscow).In the 16th century, the icon was stored in the Orthodox Cathedral of the Blessed Mother ofGod. At that time it was possibly renewed (two side boards were replaced and the icon was re-painted with the egg-tempera technique). It is supposed that at that time the partial amendmentwas made in the oldest silver casings consisting of separate ornamented plates that were coveringthe background of the icon. Most of the knowledge about the existence of the icon exists fromthe beginning of the 17th century, when it was transferred into the church of the Vilnius Basilianmonastery of St. Trinity. There it became a major factor of Vilnius Latin and Greek Catholicreligious integration. The altar of The Mother of God in the church of St. Trinity was patronizedby the fraternity of the Immaculate Conception of Holy Mary.The image of the icons is known from the descriptions, lithographs, photographs and copiesof the 19th century. It should be noted that there are two different iconographic variations ofthe copies of the Vilnius Hodegetria (characterized by the different position of the feet of Jesus).The article raises an assumption that the icon could be repainted in the 17th century. The slightchange of the image or its iconography may have been adjusted with the silver casings made in1677. Once again the Vilnius icon was possibly renewed after the fire in 1706. In the middle ofthe 18th century, the head of Holy Mary was decorated with a new pure gold filigree crown. In1839, after the repeal of the union and the takeover of the St. Trinity‘s church by the Orthodox,the altar of Holy Mary was demolished and the icon was added to the new iconostasis. In 1866,the old artistic silver casings were melted and from the resulting material the new casing wasmade in St Petersburg, corresponding to the requirements of the Orthodox. In the same year,the icon was restored. Its oil paints were cleaned. The image unveiled at that time perhaps wasnot the first original image, but the one created after the icon base corrections, most likely inVilnius in the 16th century.

Understanding functional illiteracy from a policy, adult education, and cognition point of view: Towards a joint referent framework

2019 ◽  
Vol 30 (2) ◽  
pp. 109-122
Author(s):  
Aleksandar Bulajić ◽  
Miomir Despotović ◽  
Thomas Lachmann
Keyword(s):  
Adult Education ◽  
Operational Definition ◽  
Literacy Skills ◽  
Point Of View ◽  
Industrialized Countries ◽  
Functional Illiteracy ◽  
Scale Levels ◽  
Components Of Reading ◽  
The One ◽  
Definition Of

Abstract. The article discusses the emergence of a functional literacy construct and the rediscovery of illiteracy in industrialized countries during the second half of the 20th century. It offers a short explanation of how the construct evolved over time. In addition, it explores how functional (il)literacy is conceived differently by research discourses of cognitive and neural studies, on the one hand, and by prescriptive and normative international policy documents and adult education, on the other hand. Furthermore, it analyses how literacy skills surveys such as the Level One Study (leo.) or the PIAAC may help to bridge the gap between cognitive and more practical and educational approaches to literacy, the goal being to place the functional illiteracy (FI) construct within its existing scale levels. It also sheds more light on the way in which FI can be perceived in terms of different cognitive processes and underlying components of reading. By building on the previous work of other authors and previous definitions, the article brings together different views of FI and offers a perspective for a needed operational definition of the concept, which would be an appropriate reference point for future educational, political, and scientific utilization.

Vyshnivetsky Castle Library of Prince Mychailo Servaty Vyshnivetsky – Historical Book Heritage and Object of Bibliological and Historical Reconstruction

2014 ◽  
Vol 3 ◽  
pp. 166-182
Author(s):  
Iryna Tsiborovska-Rymarovych
Keyword(s):  
18Th Century ◽  
Historical Analysis ◽  
Cultural Significance ◽  
Historical Sources ◽  
Cultural Images ◽  
The Enlightenment ◽  
Printed Books ◽  
History Of ◽  
Grand Duchy Of Lithuania ◽  
Definition Of

The article has as its object the elucidation of the history of the Vyshnivetsky Castle Library, definition of the content of its fund, its historical and cultural significance, correlation of the founder of the Library Mychailo Servaty Vyshnivetsky with the Book.The Vyshnivetsky Castle Library was formed in the Ukrainian historical region of Volyn’, in the Vyshnivets town – “family nest” of the old Ukrainian noble family of the Vyshnivetskies under the “Korybut” coat of arm. The founder of the Library was Prince Mychailo Servaty Vyshnivetsky (1680–1744) – Grand Hetman and Grand Chancellor of the Grand Duchy of Lithuania, Vilno Voievoda. He was a politician, an erudite and great bibliophile. In the 30th–40th of the 18th century the main Prince’s residence Vyshnivets became an important centre of magnate’s culture in Rich Pospolyta. M. S. Vyshnivetsky’s contemporaries from the noble class and clergy knew quite well about his library and really appreciated it. According to historical documents 5 periods are defined in the Library’s history. In the historical sources the first place is occupied by old-printed books of Library collection and 7 Library manuscript catalogues dating from 1745 up to the 1835 which give information about quantity and topical structures of Library collection.The Library is a historical and cultural symbol of the Enlightenment epoch. The Enlightenment and those particular concepts and cultural images pertaining to that epoch had their effect on the formation of Library’s fund. Its main features are as follow: comprehensive nature of the stock, predominance of French eighteenth century editions, presence of academic books and editions on orientalistics as well as works of the ideologues of the Enlightenment and new kinds of literature, which generated as a result of this movement – encyclopaedias, encyclopaedian dictionaries, almanacs, etc. Besides the universal nature of its stock books on history, social and political thought, fiction were dominating.The reconstruction of the history of Vyshnivetsky’s Library, the historical analysis of the provenances in its editions give us better understanding of the personality of its owners and in some cases their philanthropic activities, and a better ability to identify the role of this Library in the culture life of society in a certain epoch.

36. Practicing medicine and music II: Ophthalmology and music

2007 ◽  
Vol 30 (4) ◽  
pp. 46
Author(s):  
L. P. Hwi ◽  
J. W. Ting
Keyword(s):  
Chamber Music ◽  
18Th Century ◽  
Johann Sebastian Bach ◽  
Active Member ◽  
Active Researcher ◽  
Silver Medal ◽  
Medical Career ◽  
The One ◽  
The University ◽  
Over 40 Years

Cecil Cameron Ewing (1925-2006) was a lecturer and head of ophthalmology at the University of Saskatchewan. Throughout his Canadian career, he was an active researcher who published several articles on retinoschisis and was the editor of the Canadian Journal of Ophthalmology. For his contributions to Canadian ophthalmology, the Canadian Ophthalmological Society awarded Ewing a silver medal. Throughout his celebrated medical career, Ewing maintained his passion for music. His love for music led him to be an active member in choir, orchestra, opera and chamber music in which he sang and played the piano, violin and viola. He was also the director of the American Liszt Society and a member for over 40 years. The connection between music and ophthalmology exists as early as the 18th Century. John Taylor (1703-1772) was an English surgeon who specialized in eye diseases. On the one hand, Taylor was a scientist who contributed to ophthalmology by publishing books on ocular physiology and diseases, and by advancing theories of strabismus. On the other hand, Taylor was a charlatan who traveled throughout Europe and blinded many patients with his surgeries. Taylor’s connection to music was through his surgeries on two of the most famous Baroque composers: Johann Sebastian Bach (1685-1750) and George Frederick Handel (1685-1759). Bach had a painful eye disorder and after two surgeries by Taylor, Bach was blind. Handel had poor or absent vision prior to Taylor’s surgery, and his vision did not improve after surgery. The connection between ophthalmology and music spans over three centuries from the surgeries of Taylor to the musical passion of Ewing. Ewing E. Cecil Cameron Ewing. BMJ 2006; 332(7552):1278. Jackson DM. Bach, Handel, and the Chevalier Taylor. Med Hist 1968; 12(4):385-93. Zegers RH. The Eyes of Johann Sebastian Bach. Arch Ophthalmol 2005; 123(10):1427-30.

State Failure and the Political Violence Phenomenon: A Comparative Analysis of Iraq and Syria Cases

2016 ◽  
Vol 4 (2) ◽  
pp. 170 ◽  
Author(s):  
K. Eylem Özkaya Lassalle
Keyword(s):  
Cold War ◽  
Political Violence ◽  
State Failure ◽  
The Political ◽  
Collective Violence ◽  
Short Run ◽  
Definition Of ◽  
The Cold War

The concept of failed state came to the fore with the end of the Cold War, the collapse of the USSR and the disintegration of Yugoslavia. Political violence is central in these discussions on the definition of the concept or the determination of its dimensions (indicators). Specifically, the level of political violence, the type of political violence and intensity of political violence has been broached in the literature. An effective classification of political violence can lead us to a better understanding of state failure phenomenon. By using Tilly’s classification of collective violence which is based on extent of coordination among violent actors and salience of short-run damage, the role played by political violence in state failure can be understood clearly. In order to do this, two recent cases, Iraq and Syria will be examined.

Sign in / Sign up

Export Citation Format

Share Document