scholarly journals The Query Satisfaction Prediction Considering Time Sequence

2021 ◽  
Vol 31 (2) ◽  
pp. 343-354
Author(s):  
Zhizhuo YANG ◽  
Masao TAKAKU
Keyword(s):  
Author(s):  
W. Krakow ◽  
W. C. Nixon

The scanning electron microscope (SEM) can be run at television scanning rates and used with a video tape recorder to observe dynamic specimen changes. With a conventional tungsten source, a low noise TV image is obtained with a field of view sufficient to cover the area of the specimen to be recorded. Contrast and resolution considerations have been elucidated and many changing specimens have been studied at TV rates.To extend the work on measuring the magnitude of charge and field distributions of small particles in the SEM, we have investigated their motion and electrostatic interaction at TV rates. Fig. 1 shows a time sequence of polystyrene spheres on a conducting grating surface inclined to the microscope axis. In (la) there are four particles present in the field of view, while in (lb) a fifth particle has moved into view.


2020 ◽  
Vol 18 (2) ◽  
pp. 205-227
Author(s):  
Nor Hasan ◽  
Edi Susanto

This article attempted to trace the existence of Dhâmmong tradition in the following scopes, namely: (1) Madurese perception against Dhâmmong , (2) the function and symbolic meaning of Dhâmmong in human life, and (3) the efforts of the Madurese community to preserve the Dhâmmong tradition. Through a descriptive phenomenological analysis, this study revealed that Dhâmmong is a hereditary tradition carried out by the Madurese community, it is urged by the community’s anxiety caused by the long dry season (némor lanjheng). Dhâmmong functionsas a means for salametan, paying respect for the ancestors, strengthening human relations (silaturrahim ), Bhek Rembhek, and nguri berkah (the fertility of the earth). The offerings and mouth-music by imitating the sounds of animals represent a strong desire and wishof the community for the immediate rainfall that could pour out blessings for the community. Hence, the community’s efforts to preserve Dhâmmong are: (1) introducing and involving the younger generation in the ritual, and (2) setting and changing the time sequence of Dhâmmong implementation from night to daytime.


2011 ◽  
Vol 243-249 ◽  
pp. 5435-5439 ◽  
Author(s):  
Jian Xi Yang ◽  
Jian Ting Zhou ◽  
Yue Chen

The paper has made a maximum Lyapunov exponent and Lyapunov exponent spectrum entropy analysis of ASCE Benchmark using non-linear theory and chaos time sequence. The maximum Lyapunov exponents in the two kinds of structural monitored data are both over zero, indicating that in the structural system chaos phenomenon has appeared. And, experiments have shown that the maximum Lyapunov exponent is sensitive of the amount of samples and the time delay. So, to compute the chaos index, the amount of samples and the time duration are of importance. Meanwhile, the Lyapunov exponent spectrum entropy is effective to measure the chaotic characteristic of the system, but ,the entropy is less sensitive to state recognition more than the max Lyapunov exponent.


2012 ◽  
Vol 201-202 ◽  
pp. 975-978
Author(s):  
Hong Fei Wang

For the manufacturing task of manufacturing collaborative alliances, the relationship between manufacturing task programming and manufacturing resources deployment is analyzed and the model for the span of manufacturing task with time sequence constraint is constructed. The problem of span programming of manufacturing task with time sequence constraint is analyzed by integrating qualitative and quantitative methods from production period for the manufacturing task. The mathematical formulations of influential factors and task span are constructed, and the optimal values of task span are obtained. By analyzing the results of quasi-quantitative study, some meaningful results that benefit to programming for collaborative manufacturing task are achieved.


2012 ◽  
Vol 57 (14) ◽  
pp. 4555-4567 ◽  
Author(s):  
Friedrich Wetterling ◽  
Dominique M Corteville ◽  
Raffi Kalayciyan ◽  
Andreas Rennings ◽  
Simon Konstandin ◽  
...  

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