Ambient in Kunst, Musik und Theater

2009 ◽  
Vol 54 (1) ◽  
pp. 121-132
Author(s):  
Sabine Gebhardt Fink
Keyword(s):  
Aesthetic Experience ◽  
Complex Structure ◽  
Lived Space ◽  
Ästhetische Erfahrung ◽  
Point Of Departure

In performativen künstlerischen Projekten der Ambient Art werden Raum und Körper neu erzeugt. Diese These verdeutliche ich mit Beispielen aus den Bereichen Musik, Theater und Kunst, die das transdisziplinäre Phänomen Ambient als komplexe mediale Struktur erklären. Des weiteren gehe ich vom Modell des gelebten Raums aus, um auszuführen, wie der Ort eines künstlerischen Projekts die Art und Weise der Verkörperungen seiner Teilnehmer definiert. Umgekehrt wird deutlich, daß die immersive ästhetische Erfahrung von Ambient erst Präsenz und Raum konstituiert. During performative artistic projects in Ambient Art, both space and structures of embodiment are constituted. I illustrate this thesis with examples of performative works in music, theatre and art, in order to analyze the transdisciplinary phenomenon of Ambient Art as a complex structure. My point of departure is a model of lived space in which the bodily enactment in the performative artwork produces place and, vice versa, the place of the artwork determines the active body as an immersive aesthetic experience.

scholarly journals Art in Corporate Governance: a Deweyan Perspective on Board Experience

2020 ◽  
Author(s):  
Donald Nordberg
Keyword(s):  
Corporate Governance ◽  
Personal Experience ◽  
Aesthetic Experience ◽  
Business Management ◽  
Starting Point ◽  
Policy Frameworks ◽  
Distant Field ◽  
Point Of Departure

Abstract Corporate governance sits at the intersection of many disciplines, among them law, business, management, finance, and accounting. The point of departure for large portions of this literature concerns the ugliness of greed, ambition, misdemeanors, and malfeasance of corporations, their directors, and those actors who hold shares in them. This essay takes a rather different starting point. Drawing upon insights from a distant field, it uses the discussion of aesthetics in Dewey’s treatise on art to ask what motivates directors to act in ways that constitute the attention and engagement that we associate with the effectiveness of boards. Using Dewey’s thinking about aesthetic experience, this paper examines the experience of organization boards, both in the literature and in the personal experience of the author. These observations point to need to reflect on motivation when considering both the practice of corporate governance and the policy frameworks in which it operates.

Empathy and Aesthetics

2018 ◽  
Vol 63 (1) ◽  
Author(s):  
Fritz Breithaupt
Keyword(s):  
Aesthetic Experience ◽  
Turning Points ◽  
Emotional States ◽  
Wird Eine ◽  
Sind Eine ◽  
Ästhetische Erfahrung ◽  
The Moment

This paper develops a theory of aesthetic experience from the perspective of the empathetic observer. It suggests that there are some experiences in which empathy and aesthetic experience are indistinguishable. The paper focusses on one of these experiences, namely that of narrative turning points. Empathy involves co-experiencing the situations of others and their emotional states, while aesthetics involves an intense experience from some distance. The two come together when emotions are shared between observer and observed and with some distance. Narratives are one of these forms where sharing and distance can coexist. In particular, narrative turning points involve an intense recursive or oscillating reception structure: Observers who are absorbed by a specific moment imagine and experience alternative developments and alternative versions of the events or take more than one perspective of the moment (as in recognition scenes), thereby mentally looping back and forth. This paper discusses this structure along with its key notions: intensity, narrative empathy, aesthetic experience, empathy triggers, stage effects, and clarity. In diesem Aufsatz wird eine Theorie der Ästhetik ausgehend von der Perspektive des empathischen Beobachters entwickelt. Man könnte von einer Theorie der ästhetischen Anteilnahme sprechen. Die Kernthese des Aufsatzes besteht darin, dass es Erfahrungen gibt, in denen Empathie und ästhetische Erfahrung identisch sind. Eine dieser Erfahrungen steht im Zentrum der Argumentation, nämlich der narrative Wendepunkt. Empathie besteht im Mit-Erleben der Situation eines anderen inklusive der mit ihr verbundenen emotionalen Zustände; ästhetische Erfahrung involviert intensive innere Bewegung bei gleichzeitiger Distanz. Empathie und Ästhetik kommen darin überein, dass Emotionen trotz einer gewissen Distanz von Beobachter und Beobachtetem geteilt werden. Dazu kann es in Narrationen kommen. Narrative Wendepunkte beinhalten eine intensive und rekursive Rückkoppelung oder Oszillation, in denen Beobachter alternative Entwicklungen zu dem gegebenen Augenblick hinzudenken oder mehr als eine Perspektive einnehmen, wie in Wiedererkennungen, und insofern mental hin- und herspringen. Der Aufsatz diskutiert diese Struktur mit ihren Elementen wie Intensität, narrative Empathie, ästhetische Erfahrung, Empathie-Auslöser, Bühnen-Effekte und Klarheit.

“Tout comprendre, c’est tout pardonner?” The “Case of Jauss”

2017 ◽  
Vol 2 (3-4) ◽  
pp. 388-402
Author(s):  
Ottmar Ette
Keyword(s):  
Aesthetic Experience ◽  
World View ◽  
Rational Form ◽  
History Of ◽  
Style Of Thought ◽  
Ästhetische Erfahrung ◽  
Reader Response Criticism ◽  
Relationship Of ◽  
The Impact ◽  
Triadic Relationship

Hans Robert Jauss cannot simply be excluded from the history of Romance Studies, or from the history of literary science in 20th century Germany: the attractive power of his style of thought, writing and scholarship was too profound, his machine de guerre too powerful. If the “case of Jauss” is now on its way to becoming the “paradigm of Jauss,” it is time to examine scientifically the text and work, the impact and the reception of the author of Ästhetische Erfahrung und literarische Hermeneutik (“Aesthetic Experience and Literary Hermeneutics”), and to illuminate them from the perspective of Romance Studies. The considerations put forth in this essay should in no way diminish the undeniable merits of the founder of “Reader-response criticism”. With him and with his words, one may surely hold on to the hope that “the triadic relationship of technology, communication, and world view” can be brought “once more into equilibrium.” Hans Robert Jauss—to use the words of Jorge Semprún—traveled the very short, and at the same time very long, path from Buchenwald to Weimar: a path that first led him into the most abysmal, reprehensible, and rational form of human barbarism, which he wished to leave behind him as quickly as possible after the end of the war. His path to Weimar, as the symbol of a “refined” western culture, was extremely short: indeed, all too short.

Yet Unborn Realities

Paragrana ◽  
2016 ◽  
Vol 25 (2) ◽  
pp. 125-134
Author(s):  
Runa Johannessen
Keyword(s):  
Aesthetic Experience ◽  
Real Life ◽  
The Future ◽  
Point Of Departure ◽  
Passport Control

AbstractThe scope of this paper is to inquire into a moment of friction between reality and possibility; the present and the future; the actual and the fictional, in a context pertaining to the Israel-Palestine conflict. The point of departure is an artwork by the Palestinian artist Khaled Jarrar. My encounter with his work evoked an aesthetic experience of hesitant uncertainty parallel to particular encounters with a mechanism invoking such uncertainties in real life, namely the passport control.

Reality and Fiction in Contemporary Theatre

2008 ◽  
Vol 33 (1) ◽  
pp. 84-96 ◽  
Author(s):  
ERIKA FISCHER-LICHTE
Keyword(s):  
Everyday Life ◽  
Aesthetic Experience ◽  
Western World ◽  
The Real ◽  
Contemporary Theatre ◽  
Recent Developments ◽  
Point Of Departure

This article examines a particular aesthetic experience that is brought about by a destabilization, even a collapsing, of the dichotomous pair of concepts the ‘real’ and the ‘fictional’. While a tension between the two, even in differing degrees, proves characteristic of all kinds of theatre, recent developments on European stages emphasize this tension. In the paper it is examined with respect to 1) the actors' bodies and 2) the theatrical spaces. In each case, the point of departure is two examples which are analysed with regard to the particular function that the tension between the real and the fictional might serve. It is argued that what in everyday life is neatly separated into two different worlds to be fully grasped by the dichotomous pair of concepts becomes blurred in the performances discussed here. The particular aesthetic experience coming into being in such performances is an experience of ‘betwixt and between’ (Turner) – a liminal experience. This way, they stimulate a new discussion of the concept of aesthetic experience, so central to all forms of art in the Western world since 1800.

Les Souffrances du jeune Werther de Goethe comme réponse à La Nouvelle Héloïse de Rousseau

Revue Romane ◽  
2013 ◽  
Vol 48 (1) ◽  
pp. 147-161
Author(s):  
Sarah Alharbi
Keyword(s):  
Literary Theory ◽  
Aesthetic Experience ◽  
Historical Consciousness ◽  
Literary Analysis ◽  
Ästhetische Erfahrung ◽  
Conceptual Nature ◽  
Better Than

This article pursues the analysis of Hans Robert Jauss’s conception of “Aesthetic Experience”, as developed in Ästhetische Erfahrung und literarische Hermeneutik. The critical implication of hermeneutics in literary analysis is still considered problematic. In his book, Jauss goes beyond disciplinary limits and asserts that a hermeneutical methodology is in fact relevant in postmodern literary theory. He then provides the principles of this approach : historical consciousness and dialectical hermeneutics are here considered to be the main events involved in the act of interpretation, for they broaden one’s understanding of the text. This study, divided into two parts — theoretical and literary —, examines first the conceptual nature of “Aesthetic Experience”. It then presents an example of one of Jauss’s most important hermeneutical essays : a comparative reading of The Sorrows of Young Werther and The New Héloïse. We wish to prove the relevance of literary hermeneutics and the significance of its application, a process that understands the author “better than he understood himself”.

scholarly journals Ästhetische Erfahrung und die Macht der Besitzergreifung

2020 ◽  
Vol 68 (3) ◽  
pp. 327-357
Author(s):  
Richard Shusterman
Keyword(s):  
Performance Art ◽  
John Dewey ◽  
Aesthetic Experience ◽  
Ästhetische Erfahrung

AbstractAfter briefly noting key contemporary critiques of aesthetic experience, this article revisits its original account in Plato’s theory of aesthetic experience as the madness of divine possession and then Aristotle’s response of defending art’s rationality as poiesis, which largely dominates the ensuing aesthetic tradition. I subsequently explore how the mysterious notion of possession continues to surface in important modern accounts of aesthetic experience (e. g. in Theodor W. Adorno, T. S. Eliot, John Dewey) and explain how the supernatural idea of possession could find a naturalistic explanation that integrates the concepts of artworld, habitus and atmosphere. The article then exemplifies this naturalistic explanation through an analysis of the possession experience pertaining to performance art as documented in The Adventures of the Man in Gold.

A new method of complex structure analysis by electron microscopy

1978 ◽  
Vol 36 (1) ◽  
pp. 628-629
Author(s):  
V.V. Rybin ◽  
E.V. Voronina
Keyword(s):  
Complex Structure ◽  
Reciprocal Lattice ◽  
Stacking Faults ◽  
Plastic Strains ◽  
Base Position ◽  
Structural Regularity ◽  
Orientation Matrix ◽  
Computerized Processing ◽  
Fully Automatic ◽  
Diffraction Patterns

Recently, it has become essential to develop a helpful method of the complete crystallographic identification of fine fragmented crystals. This was maainly due to the investigation into structural regularity of large plastic strains. The method should be practicable for determining crystallographic orientation (CO) of elastically stressed micro areas of the order of several micron fractions in size and filled with λ>1010 cm-2 density dislocations or stacking faults. The method must provide the misorientation vectors of the adjacent fragments when the angle ω changes from 0 to 180° with the accuracy of 0,3°. The problem is that the actual electron diffraction patterns obtained from fine fragmented crystals are the superpositions of reflections from various fragments, though more than one or two reflections from a fragment are hardly possible. Finally, the method should afford fully automatic computerized processing of the experimental results.The proposed method meets all the above requirements. It implies the construction for a certain base position of the crystal the orientation matrix (0M) A, which gives a single intercorrelation between the coordinates of the unity vector in the reference coordinate system (RCS) and those of the same vector in the crystal reciprocal lattice base : .

Computer processing of high-resolution images of periodic specimens

1986 ◽  
Vol 44 ◽  
pp. 2-5
Author(s):  
W. Chiu ◽  
M.F. Schmid ◽  
T.-W. Jeng
Keyword(s):  
High Resolution ◽  
Fourier Transforms ◽  
Complex Structure ◽  
Distribution Functions ◽  
Multiple Image ◽  
Cryo Electron Microscopy ◽  
Structure Factors ◽  
Unit Cells ◽  
High Resolution Images ◽  
Phase Probability Distribution

Cryo-electron microscopy has been developed to the point where one can image thin protein crystals to 3.5 Å resolution. In our study of the crotoxin complex crystal, we can confirm this structural resolution from optical diffractograms of the low dose images. To retrieve high resolution phases from images, we have to include as many unit cells as possible in order to detect the weak signals in the Fourier transforms of the image. Hayward and Stroud proposed to superimpose multiple image areas by combining phase probability distribution functions for each reflection. The reliability of their phase determination was evaluated in terms of a crystallographic “figure of merit”. Grant and co-workers used a different procedure to enhance the signals from multiple image areas by vector summation of the complex structure factors in reciprocal space.

A large rotating structure around AB Doradus A at VLBI scale

2019 ◽  
Vol 15 (S354) ◽  
pp. 189-194
Author(s):  
J. B. Climent ◽  
J. C. Guirado ◽  
R. Azulay ◽  
J. M. Marcaide
Keyword(s):  
Magnetic Reconnection ◽  
Main Sequence ◽  
Complex Structure ◽  
Main Sequence Star ◽  
Polar Cap ◽  
Vlbi Observations ◽  
Rotating Structure ◽  
Source Structure ◽  
Expected Position

AbstractWe report the results of three VLBI observations of the pre-main-sequence star AB Doradus A at 8.4 GHz. With almost three years between consecutive observations, we found a complex structure at the expected position of this star for all epochs. Maps at epochs 2007 and 2010 show a double core-halo morphology while the 2013 map reveals three emission peaks with separations between 5 and 18 stellar radii. Furthermore, all maps show a clear variation of the source structure within the observing time. We consider a number of hypothesis in order to explain such observations, mainly: magnetic reconnection in loops on the polar cap, a more general loop scenario and a close companion to AB Dor A.

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