Sound Sources Algorithm on Active Control of Instabilities of Combustion

2007 ◽  
Author(s):  
Fei Dong ◽  
Guoqiang He ◽  
Peijin Liu ◽  
Kuahai Yu ◽  
Guitian Zhang
Keyword(s):  
Active Control ◽  
Sound Sources

Production and active control of microbubbles aggregations in artificial capillary with multiple sound sources

2012 ◽  
Author(s):  
Kohji Masuda ◽  
Nobuhiko Shigehara ◽  
Ren Koda ◽  
Nobuyuki Watarai ◽  
Seiichi Ikeda ◽  
...  
Keyword(s):  
Active Control ◽  
Sound Sources ◽  
Artificial Capillary

Active Control of Low-Frequency Sound Radiation From Vibrating Panel Using Planar Sound Sources

2001 ◽  
Vol 124 (1) ◽  
pp. 2-9 ◽  
Author(s):  
Kean Chen ◽  
Gary H. Koopmann
Keyword(s):  
Active Control ◽  
Near Field ◽  
Low Frequency ◽  
Sound Radiation ◽  
Sound Field ◽  
Sound Power ◽  
Frequency Range ◽  
Sound Sources ◽  
Frequency Sound ◽  
Secondary Sources

Active control of low frequency sound radiation using planar secondary sources is theoretically investigated in this paper. The primary sound field originates from a vibrating panel and the planar sources are modeled as simply supported rectangular panels in an infinite baffle. The sound power of the primary and secondary panels are calculated using a near field approach, and then a series of formulas are derived to obtain the optimum reduction in sound power based on minimization of the total radiate sound power. Finally, active reduction for a number of secondary panel arrangements is examined and it is concluded that when the modal distribution of the secondary panel does not coincide with that of the primary panel, one secondary panel is sufficient. Otherwise four secondary panels can guarantee considerable reduction in sound power over entire frequency range of interest.

Role of pinnae and head movements in localizing pure tones 1The authors would like to thank Mr. Remi Humbert for implementing the experiment in Turbo Pascal and for his further assistance.

1999 ◽  
Vol 58 (3) ◽  
pp. 170-179 ◽  
Author(s):  
Barbara S. Muller ◽  
Pierre Bovet
Keyword(s):  
Sound Source ◽  
Head Movement ◽  
Movement Analysis ◽  
Head Movements ◽  
Sound Sources ◽  
Localization Accuracy ◽  
Sound Effects ◽  
Posterior Quadrant ◽  
Localization Performance ◽  
Pure Tones

Twelve blindfolded subjects localized two different pure tones, randomly played by eight sound sources in the horizontal plane. Either subjects could get information supplied by their pinnae (external ear) and their head movements or not. We found that pinnae, as well as head movements, had a marked influence on auditory localization performance with this type of sound. Effects of pinnae and head movements seemed to be additive; the absence of one or the other factor provoked the same loss of localization accuracy and even much the same error pattern. Head movement analysis showed that subjects turn their face towards the emitting sound source, except for sources exactly in the front or exactly in the rear, which are identified by turning the head to both sides. The head movement amplitude increased smoothly as the sound source moved from the anterior to the posterior quadrant.

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