scholarly journals Translator’s notes as a form of linguistic localization of literary works (the case of D. Mitchell’s novels)

2020 ◽  
Vol 40 ◽  
pp. 34-54
Author(s):  
I.D. Volkova ◽  
Keyword(s):  
Comparative Analysis ◽  
English Language ◽  
Translation Studies ◽  
Literary Text ◽  
Russian Language ◽  
Point Of View ◽  
Literary Texts ◽  
Original Text ◽  
Literary Works ◽  
Cloud Atlas

The purpose of the present article is to describe the significance of translator's notes from the point of view of localization of English works of fiction for Russian readership, as well as to identify the types of lexical units that become object of adaptation and the degree of their explication. The theoretical and methodological basis of this study is made up of the key provisions of translation studies, the study of linguistic localization and the study of literary discourse. Within the framework of the present research, a comparative analysis of the concepts of adaptation (pragmatic adaptation) and localization has been carried out to substantiate the advisability of using a new term to name culturally determined modifications of the original text. The characteristics of a literary text have been established, which make it possible to classify works of fiction as objects of localization. Content analysis of the English and Russian versions of the novels Cloud Atlas, The Thousand Autumns of Jacob de Zoet and The Slade House by the British writer D. Mitchell has been carried out. The original English-language and translated Russian-language versions of the specified literary works are analyzed, in particular, a comparative analysis of the English-language lexical units and phrases, accompanied by translator's notes in the secondary texts, has been conducted. The advantages of notes as a form of localization of literary texts are indicated. They consist in the possibility of a more detailed and quick description of foreign cultural units in comparison with intra-text transformations.

scholarly journals Automated Search of Rhythm Figures in a Literary Text for Comparative Analysis of Originals and Translations Based on the Material of the English and Russian Languages

2019 ◽  
Vol 26 (3) ◽  
pp. 420-440 ◽  
Author(s):  
Nadezhda Stanislavovna Lagutina ◽  
Ksenia Vladimirovna Lagutina ◽  
Elena Igorevna Boychuk ◽  
Inna Alekseevna Vorontsova ◽  
Ilya Vyacheslavovich Paramonov
Keyword(s):  
Comparative Analysis ◽  
High Precision ◽  
Software Tool ◽  
Literary Text ◽  
Automated Detection ◽  
Russian Language ◽  
Important Task ◽  
Functional Equivalence ◽  
Original Text ◽  
Automated Search

Analysis of the functional equivalence of an original text and its translation based on the achievement of rhythm equivalence is an extremely important task of modern linguistics. Moreover, the rhythm component is an integral part of functional equivalence that cannot be achieved without communication of rhythm figures of the text. To analyze rhythm figures in an original literary text and its translation, the authors developed the ProseRhythmDetector software tool that allows to find and visualize lexical and syntactic figures in English- and Russian-language prose texts: anaphora, epiphora, symploce, anadiplosis, epanalepsis, reduplication, epistrophe, polysyndeton, and aposiopesis. The goal of this work is to present the results of ProseRhythmDetector testing on two works by English authors and their translations into Russian: Ch. Bronte “Villette” and I. Murdoch “The Black Prince”. Basing on the results of the tool, the authors compared rhythm figures in an original text and its translation both in aspects of the rhythm and their contexts. This experiment made it possible to identify how the features of the author’s style are communicated by the translator, to detect and explain cases of mismatch of rhythm figures in the original and translated texts. The application of the ProseRhythm-Detector software tool made it possible to significantly reduce the amount of linguistsexperts work by automated detection of lexical and syntactic figures with quite high precision (from 62 % to 93 %) for various rhythm figures.

scholarly journals TRANSLATING PROPER NAMES IN A LITERARY TEXT: A CASE OF HARRY POTTER NOVEL IN VIETNAM

2018 ◽  
Vol 34 (2) ◽  
Author(s):  
Trieu Thu Hang
Keyword(s):  
Comparative Analysis ◽  
Proper Names ◽  
Translation Studies ◽  
Literary Text ◽  
Harry Potter ◽  
Literary Texts ◽  
Research Purpose ◽  
Translation Strategies ◽  
Theoretical Frame

Translating literary proper names is regarded as one of the challenging but inspiring issues in the field of Translation Studies. Given this context, the present paper aims to analyze the strategies undertaken by the translator when rendering proper names from the English literary text “Harry Potter and the Philosopher’s Stone” (2014) into its Vietnamese translation “Harry Potter và Hòn đá phù thuỷ” (2016). To fulfill the research purpose, a descriptive and comparative analysis was made between the source and target text. The analysis of translation strategies was grounded on the theoretical frame of Davis (2003). The findings reveal that the translator adopted the strategy of preservation for most of the proper names in the chosen literary text. Several recommendations for translating proper names in the literary texts are finally drawn out.

scholarly journals “Zahra’s Uncle, or Where Are Men in Women’s War Stories?”

2020 ◽  
Vol 51 (1-2) ◽  
pp. 83-107
Author(s):  
Michelle Hartman
Keyword(s):  
Civil War ◽  
English Language ◽  
Translation Studies ◽  
Point Of View ◽  
Original Text ◽  
Arab Women ◽  
The Novel ◽  
Lebanese Civil War ◽  
Arabic Fiction ◽  
And Function

Abstract Scholarship in modern Arabic literary studies has treated the literature of the Lebanese Civil War, particularly novels written by women, in some depth. One of the most important texts used in both scholarship and teaching about this war is Ḥanān al-Shaykh’s Ḥikāyat Zahrah, translated as The Story of Zahra. This article focuses specifically on the one chapter in the novel narrated from the point of view of the protagonist’s uncle in order to explore how the English translation dramatically changes a number of elements in the original text. It uses insights from translation studies to show how significant changes to the novel in translation produce a text that serves particular ideological functions in English, consistent with a horizon of expectations that constructs Arab women as oppressed and passive victims of war. The article analyzes specific translation choices—most notably the extensive editing out of words, sentences, and passages—to demonstrate how the character of Zahrah’s uncle is changed in English and depicted as an unsavory and abusive man with little background, context, or history that would help the reader to better understand the character’s actions and motivations. It also shows how cutting out elements of the uncle’s story serves to depoliticize the text in English, divesting it of its local political context and changing its meaning and function as a novel about the Lebanese Civil War. The article is grounded in postcolonial, feminist translation studies, especially those dealing with Arabic fiction, to argue that the English-language novel The Story of Zahra functions within an ideological field that recycles stereotypes and tropes about Arab women. It will propose that the translation changes here depict Arab men against Arab women, rather than in relation to them, and subordinate the analysis of politics and communal relations to a more individual and individualized story of one exceptional woman.

scholarly journals PRE-TRANSLATION AND TRANSLATION ANALYSIS OF THE TEXT (BASED ON THE NOVEL “OLENIADA” BY I. ROZDOBUDKO)

2021 ◽  
Vol 1 (11(79)) ◽  
pp. 177-180
Author(s):  
Olha Shum
Keyword(s):  
Literary Text ◽  
Point Of View ◽  
Target Language ◽  
Literary Texts ◽  
The Political ◽  
Original Text ◽  
The Novel ◽  
Translation Process ◽  
Translation Stage ◽  
Translation Analysis

The article examines peculiarities of the translation analysis of the literary text, in particular the pre-translation stage and translation itself on the example of the political and satirical novel “Oleniada” by I. Rozdobudko. Each researcher has their own point of view on the structure and stages of the translation process. The translation of any text is a long process, which consists of different stages depending on the purpose of the final product. Obtaining a quality adequate translation in the target language requires the translator to take a number of steps to study the author’s work, his or her individual features, genre, if it’s necessary to be an expert on the issues described in the original text – history, medicine, culture, geography, criminology, etc. The vast majority of scholars in the field of translation studies do not distinguish between pre-translation and translation analyzes of text, considering them to be inseparable from each other. Pre-translation analysis of a literary text has its own laws, according to which the dominant features of the work are studied (anthropocentrism, aesthetic information, fiction, imagery, etc.). We define the relevance and prospects of further research on this topic in the comparison of pre-translation analyzes of literary texts by different authors and different genres.

scholarly journals Stylistic Contrast in the Organization of Literary Texts in the Aspect of Translation (Based on the Material of the Lezghin and Russian Languages)

2021 ◽  
Vol 18 (4) ◽  
pp. 451-459
Author(s):  
Tatyana B. Barannikova ◽  
Fatimat N. Suleymanova
Keyword(s):  
Conceptual Analysis ◽  
Translation Studies ◽  
Literary Text ◽  
Comparative Methods ◽  
Russian Language ◽  
Theory And Practice ◽  
Literary Texts ◽  
Translation Theory ◽  
Text Linguistics ◽  
Comparative Linguistics

The topicality and novelty of this article, devoted to the device of stylistic contrast, are predetermined by its rather poor study, as well as by the approach to its investigation from the angle of translation theory and comparative linguistics. The material of the research includes the examples of stylistic contrast selected from literary texts in the Lezghin language and their translations into Russian, Russian-language literary texts and their translations into the Lezghin language. The work is based on the semantico-stylistic and comparative methods, the method of linguistic description of a literary text, elements of linguoculturological and conceptual analysis, as well as the specific methods of translation studies (comparison of the translation and the original, comparison of various translations, questionnaire of informants, educational translation, an experiment). The results of the research consist in clarifying the proceeding interpretation of stylistic contrast, as well as in identifying the difficulties that translators face when transmitting it in a literary text, and indicating the algorithm for overcoming them. They can be used in the courses of Stylistics, Text Linguistics, Translation Theory and Practice, etc., as well as in the development of the translation direction in the Dagestani linguistics, which needs practical developments and theoretical generalizations.

Bleibende Aufgaben einer phänomenologischen Literaturtheorie

2019 ◽  
Vol 23 (1) ◽  
pp. 265-273
Author(s):  
Eckhard Lobsien
Keyword(s):  
Literary Theory ◽  
Literary Text ◽  
Point Of View ◽  
Literary Texts ◽  
Radical Theory ◽  
Theory Of Reading ◽  
Phenomenological Point

Abstract What sort of object is a literary text? From a phenomenological point of view - phenomenology considered as both a radical theory of reading and a theory of radical reading - a range of answers arise, many of them tinged with deconstructive momentum. This paper aims at pointing out some basic issues in reading literary texts, offering ten theses on the enduring tasks of phenomenological literary theory.

scholarly journals Slovak thinking on audiovisual translation and the issue of the second-hand translation of Russian documentary films

2019 ◽  
Keyword(s):  
English Language ◽  
Translation Studies ◽  
Russian Language ◽  
Documentary Films ◽  
Source Text ◽  
Historical Explanation ◽  
Cultural Space ◽  
Audiovisual Translation ◽  
The Russian Language ◽  
Limited Diffusion

The paper, in its first part, outlines the Slovak research into audiovisual translation (AVT) from the 1950s up to the present, paying attention to the most important scholars as well as publications that helped to shape and establish the discipline within Slovak translation studies. It is based on the ongoing bibliographical research and the historical explanation mapping the development of AVT research in Slovakia by I. Tyšš – e.g. his publication Myslenie o audiovizuálnom preklade na Slovensku: 1952 – 2017 (Thinking on Audiovisual Translation in Slovakia: 1952 – 2017, 2018) – as well as on own findings covering the last two years. In more detail, the first part of the paper highlights that it was primarily thanks to a younger generation of translation studies scholars – especially E. Perez (née Janecová), L. Paulínyová (née Kozáková) and J. Želonka – that in 2012 the Slovak research into AVT finally became systematic. The second part of the paper is devoted to the phenomenon of the so-called second-hand translation of originally Russian audiovisual works that may be observed in Slovakia in recent years. The questionable nature of this phenomenon is stressed since the Russian language is not a language of limited diffusion and definitely not remote in relation to the Slovak cultural space. On the example of two documentary films – Под властью мусора (Held Captive by Rubbish, 2013) and Дух в движении (Spirit in Motion, 2015), the author discusses and analyses the problems that occur when translating originally Russian AV works into Slovak through the English language, i.e. the negative shifts resulting from mis-/overinterpretation of the source text, translation by omission, wrong order of dialogues, cultural specifics and incorrect transcription.

scholarly journals Comparative Analysis of Armenian and English Syndetic Analytical Word-Formation Structures with Noun Component

2017 ◽  
Vol 13 (1-2 (17)) ◽  
pp. 19-28
Author(s):  
Sirarpi Karapetyan
Keyword(s):  
Comparative Analysis ◽  
Word Order ◽  
English Language ◽  
Word Formation ◽  
Point Of View ◽  
New Words

The syndetic or conjunctional analytical word-formation structures with noun component are very productive in the Armenian and English languages from the point of view of forming new words. The paper is devoted to the comparison and contrast of the structural, grammatical and semantic peculiarities of the syndetic (conjunctional) analytical word-formation structures in Armenian and English. In Armenian they are mainly formed with the help of the conjunction “ու”, rarely with the conjunction “և”. In English these units are generally formed with the help of the conjunction “and” and belong to the type of the so-called phrase compounds. Besides the conjunctional compounds, phrasal compounds also include the so called syntactic compounds which resemble segments of speech corresponding to the syntactic and word order rules of the English language, e.g. Jack-of-all-trades “a person who can do many different kinds of work”, lily-of the-valley “a European plant of the lily family”; this type does not have its typological equivalent in Armenian. The examples of syndetic analytical structures provided in this paper are mainly taken from English and Armenian dictionaries.

scholarly journals Pós-colonialismo e tradução: uma análise do romance Half a Life e sua tradução para o português

2019 ◽  
Vol 72 (2) ◽  
pp. 301-320
Author(s):  
Mirian Ruffini ◽  
Gabriel Both Borella
Keyword(s):  
Original Work ◽  
Postcolonial Studies ◽  
Translation Studies ◽  
Brazilian Portuguese ◽  
Literary Texts ◽  
Literary Works ◽  
Post Colonial ◽  
Postcolonial Discourse

The publication of translations of postcolonial literary works is increasingly gaining space in the Brazilian publishing market. In this article, the articulation between Translation Studies and Postcolonial Studies is sought through the analysis of the post-colonial novel Half a Life, by V.S. Naipaul, and its translation to Brazilian Portuguese, entitled Meia Vida. Discussions of ideological aspects in the translation of postcolonial texts and the very choice of what is translated and by whom are questions raised by the text, as well as the challenges of translating postcolonial literary texts. Finally, it is discussed how the postcolonial discourse of the original work is transmitted through translation, ascertaining possible suppression or maintenance of the postcolonial tone of the original work in the translated work.

Translation channels

Target ◽  
2006 ◽  
Vol 18 (2) ◽  
pp. 205-228 ◽  
Author(s):  
Ioana Popa
Keyword(s):  
Comparative Analysis ◽  
Statistical Analysis ◽  
European Countries ◽  
Literary Texts ◽  
The Political ◽  
Eastern European ◽  
Literary Works ◽  
International Circulation ◽  
Eastern European Countries

Focusing on a comparative analysis of the translations in French of literary works from four Eastern European countries (Poland, Czechoslovakia, Hungary and Romania) during the communist period, this article examines the political stakes of the international circulation of literary texts. More precisely, it proposes a model for describing the different modalities of international circulation—referred to here as translation channels—based on the statistical analysis of a relevant set of variables. These channels allow us to present a gradation of the degree of politicization and institutionalization of the literary transfer, and to go well beyond an analysis in terms of the undifferentiated flow of imported books or the simple opposition of authorized vs. unauthorized translations or submissive vs. dissenting writers.

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