scholarly journals Kapital dan Strategi Garin Nugroho dalam Proses Produksi Film

2017 ◽  
Vol 4 (1) ◽  
pp. 11-18
Author(s):  
Vedy Santoso
Keyword(s):  
Transition Period ◽  
Pierre Bourdieu ◽  
Global Culture ◽  
Digital Era ◽  
Art And Technology ◽  
Cultural Paradigm ◽  
The Social ◽  
The Media ◽  
The Relationship ◽  
Research Show

Penelitian ini menganalisis struktur sosial Garin Nugroho sebagai sineas yang dilakukan berdasarkan paradigma sosial-kultural Pierre Bourdieu dengan pendekatan strukturalisme genetik. Teori strukturalisme genetik bertumpu pada empat konsep utama, yakni habitus, arena, kapital, dan strategi. Kajian ini diharapkan dapat melihat realitas sosial seorang sineas ketika memproduksi sebuah film. Data penelitian diperoleh dari dokumentasi media massa, katalog film, hasil wawancara narasumber, dan studi pustaka. Hasil penelitian menunjukkan bahwa terdapat dialektika internalisasi pada habitus Garin Nugroho yang menuntunnya untuk berani menutup luka lama kemudian membuka luka baru pada masa transisi budaya global. Dengan demikian, hubungan antara seni dan teknologi menjadi arena yang dipilih Garin Nugroho dalam memperjuangkan kreativitasnya. Dari arena perjuangan itu, ia memiliki beberapa jenis modal yang dipertukarkan dalam struktur sosialnya. Strategi yang diterapkan Garin Nugroho dalam menghadapi era digital adalah konsisten dalam menggunakan kecanggihan teknologi sebagai alat bantu untuk mewujudkan kreativitas melalui media film. Capital and Garin Nugroho’s Strategy on the Process of Film Production. This study analyzes the social structure of Garin Nugroho as a filmmaker that has been conducted based on the socio-cultural paradigm of Pierre Bourdieu with the genetic structuralism approach. The genetic structuralism theory rests on four main concepts, namely habitus, arena, capital, and strategy. This study is expected to be able to see the social reality of a filmmaker when a film is produced. Data were obtained from the documentation of mass media, film catalogues, informant interviews, and literature. The results of this research show that there is a dialectic of internalization in Garin Nugroho’s habitus which leads him to dare to close the old wounds then opens the new ones in the transition period of global culture. Therefore, the relationship between art and technology has been a chosen field by Garin Nugroho in struggling for the creativity. From the field of the struggle, Garin Nugroho has some kind of capitals that are exchanged in the social stucture. The strategy that is applied by Garin Nugroho in facing the digital era is consitent in using the power of technology as a tool to realize any creativity throgh the media of film.

scholarly journals Social Media Activities and Its Influence on Customer-Brand Relationship: An Empirical Study of Apparel Retailers’ Activity in India

2020 ◽  
Vol 16 (4) ◽  
pp. 602-617
Author(s):  
Sukanya Sharma ◽  
Saumya Singh ◽  
Fedric Kujur ◽  
Gairik Das
Keyword(s):  
Social Media ◽  
Purchase Intention ◽  
Shopping Behavior ◽  
Social Media Marketing ◽  
The Internet ◽  
Digital Era ◽  
Brand Relationship ◽  
The Social ◽  
Marketing Activities ◽  
The Relationship

In this digital era, the internet, and Social Media (SM) has had a radical impact on the shopping behavior of “costumers” The SM provides a platform where “costumers” are exposed to the best product with the best price along with reviews and opinions about the merchandise. So, we can turn our heads and look at a brand in a way as if the brand is speaking to us. This study was an attempt to explore the Social Media Marketing Activities (SMMA) that are being used for the marketing of fashionable products like apparel and to what level the SMMA activities of brands truly strengthen the relationship with customers and motivate purchase intention. Moreover, SMMA has a robust application in developing a marketing strategy for business. It has become a significant tool that collaborates with businesses and people. It is concluded that the “costumer”-brand relationship does have a positive and statistically significant impact on consumers’ purchase intention through SM.

Die Macht der Bilder und Bilder der Macht: die sprachliche Konstruktion von Nationalismus und Konservatismus in der strategischen politischen Kommunikation von Vox España

2020 ◽  
Vol 136 (2) ◽  
pp. 538-566
Author(s):  
Sandra Issel-Dombert
Keyword(s):  
Language Use ◽  
Point Of View ◽  
Right Wing ◽  
Multimodal Discourse ◽  
The Social ◽  
Core Elements ◽  
The Media ◽  
Right Wing Populism ◽  
The One ◽  
The Relationship

AbstractFrom a theoretical and empirical linguistic point of view, this paper emphasizes the importance of the relationship between populism and the media. The aim of this article is to explore the language use of the Spanish right wing populism party Vox on the basis of its multimodal postings on the social network Instagram. For the analysis of their Instagram account, a suitable multimodal discourse analysis (MDA) provides a variety of methods and allows a theoretical integration into constructivism. A hashtag-analysis reveals that Vox’s ideology consists of a nativist and ethnocentric nationalism on the one hand and conservatism on the other. With a topos analysis, the linguistic realisations of these core elements are illustrated with two case studies.

From ‘filth’ and ‘insanity’ to ‘peaceful moral watchdogs’: Police, news media, and the gang label

2016 ◽  
Vol 13 (3) ◽  
pp. 295-313 ◽  
Author(s):  
Travis Linnemann ◽  
Bill McClanahan
Keyword(s):  
Cultural Politics ◽  
News Media ◽  
Social Reality ◽  
Threat Assessment ◽  
Straight Edge ◽  
Police Power ◽  
The Social ◽  
The Media ◽  
The Relationship

This paper engages the cultural politics of criminal classifications by aiming at one of the state’s most powerful, yet ambiguous markers—the ‘gang.’ Focusing on the unique cases of ‘crews’ and collectives within the ‘straight edge’ and ‘Juggalo’ subcultures, this paper considers what leads members of the media and police to construct—or fail to construct—these street collectives as gangs in a seemingly haphazard and disparate fashion. Juxtaposing media, cultural, and police representations of straight edge ‘crews’ and Juggalo collectives with the FBI’s Gang Threat Assessment, we detail how cultural politics and ideology underpin the social reality of gangs and thus the application of the police power. This paper, furthermore, considers critical conceptualizations of the relationship between police and criminal gangs.

scholarly journals Responsabilidade Social (RSI) e Reputação Organizacional (ROI) Internas: relação competitiva para a empresa?

2019 ◽  
Vol 1 (44) ◽  
pp. 205
Author(s):  
Angelica Carina de Andrade Farias Lima ◽  
Amanda Raquel da França Filgueiras D Amorim
Keyword(s):  
Social Responsibility ◽  
Theoretical Basis ◽  
Structured Interview ◽  
Competitive Advantages ◽  
Resource Based View ◽  
Organizational Reputation ◽  
The Social ◽  
High Degree ◽  
The Relationship ◽  
Research Show

The objective of this research was to identify the relationship between Internal Social Responsibility (RSI) and Internal Organizational Reputation (ROI). It also aims at checking if they are considered sources of competitive advantages for companies. The research used a theoretical basis developed by Pena et al. (2005) for the analysis of RSI through the analysis of 9 indicators, the same used by the Ethos Institute, and Lerner’s (2006) proposal to identify the employees’ perception of the degree of agreement with the ROI, based on the perception of 8 attributes related to company. The research was carried out in the company Antares Comunicação through questionnaires applied to the employees and semi-structured interview conducted with the manager of the Social Responsibility program. The results of the research show a high degree of agreement, an average of 5.5 in relation to the RSI actions developed by the company, as well as an average of 4.9 for the attributes related to ROI. He found through Pearson’s correlation analysis, there is a significant, linear and positive relationship between RSI and ROI. Therefore, according to the Resource Based View (VBR), the two variables, Internal Social Responsibility and Internal Organizational Reputation can be considered sources of competitive advantage for the company.

scholarly journals Imaginários sociais sobre as favelas cariocas: o turismo-cultural do museu de favela e seus modos de ativação digital

2016 ◽  
Vol 1 (1) ◽  
pp. 61
Author(s):  
Mônica Machado
Keyword(s):  
Material Culture ◽  
Digital Technologies ◽  
Cultural Tourism ◽  
Cultural Objects ◽  
The Social ◽  
The Media ◽  
Theoretical Frame ◽  
Cultural Contradictions ◽  
The Relationship

Esse artigo objetiva refletir sobre as representações sociais das favelas cariocas em registros midiáticos ao longo os últimos anos, o crescente movimento do Favela-tour e seus paradoxos, bem como as suas implicações conceituais. Em seguida reflete sobre as experiências do turismo cultural do Museu de Favela, com destaque para o processo de criação do hotsite Museu de Favela Tour como dispositivo que faz circular o capital cultural comunitário. Todas essas noções associam-se aos pressupostos teóricos da cultura material, como um campo da antropologia que estuda as correlações entre objetos e inventários socioculturais e avança para o estudo da sub-linha da pesquisa da antropologia digital, onde as relações entre sujeitos sociais e tecnologias são imaginadas como reelaborações da sociabilidade que precedem a essa tradição e se predispõem a revelar as contradições sociais já dispostas na cultura.Social narratives about slum in Rio:the cultural-tourism in favela museum and digital activismAbstract This article aims to analyse favelas in Rio and also the media records about this issue, arguing that the Favela-tour concept can be seen as paradoxal process. Then will be debated Favela Museum’s cultural tourism heritage, highlighting the process of creating the Favela Museum Tour’s hotsite as a way of spread the favela’s legacy. All these notions are associated with the theoretical frame of material culture as a field of anthropology and links between socio-cultural objects and inventories. This research is called digital anthropology where the relationship between social and technology subject are imagined as re-workings of sociability that precedes this tradition, where the digital technologies are predisposed to share the social-cultural contradictions.

scholarly journals Corrupção e violência no sistema penitenciário de São Paulo / Corruption and Violence at São Paulo's Penitenciary Prison

2016 ◽  
Vol 5 (1) ◽  
pp. 207-220
Author(s):  
Marisol de Paula Reis
Keyword(s):  
Social Representations ◽  
Pierre Bourdieu ◽  
Sao Paulo ◽  
São Paulo ◽  
Illegal Activity ◽  
Professional Category ◽  
The Social ◽  
Object Of Study ◽  
Relationship Of ◽  
The Relationship

ABSTRACTThe present work has as object of study the Penitentiary Security ex-Agent (ex-ASP) who is in prison regime by the crime of passive corruption (Article 317 - Brazilian Penal Code). The study answered the following questions: 1) What do staffs and ex-staffs think on the practice of corruption exercised between institutional staffs and some prisoners inside the Sao Paulo's Prisons? 2) What are the representations for the conduct of the ASP's? 3) How do these representations explain the inclusion of some staffs in illegal activity by way of corruption? What is the relationship between corruption and violence? This is a qualitative research with questionnaires and interviews script sticking to the viewpoint of those involved in acts of corruption (the ex-ASP's) and the speeches of the staffs in the exercises of function. The social representations was used as theoretical and methodological axes to present the explanatory elements (material and symbolic) that guide the conduct of this professional category about the corruption and the relationship of this practice with the intramural violence. Authors such as Pierre Bourdieu, Michel Wieviorka, Alves-Mazzoti, Denise Jodelet and Campos Coelho contributed to the discussion proposed.RESUMOO presente trabalho tem como objeto de estudo o ex-Agente de Segurança Penitenciária (ex-ASP) que se encontra em regime de prisão pela prática do crime de corrupção passiva (artigo 317 - Código Penal Brasileiro). O estudo respondeu às seguintes preocupações: 1) O que pensam Agentes Penitenciários e ex-ASP´s sobre a prática da corrupção exercida entre agentes institucionais e alguns presos no interior das prisões de São Paulo? 2) Quais são as representações para tal conduta dos ASP’s? 3) Como essas representações explicam a inserção de alguns agentes penitenciários na atividade ilegal pela via da corrupção? Qual a relação entre corrupção e violência? Trata-se de pesquisa qualitativa, com aplicação de questionários e roteiro de entrevistas, atendo-se ao ponto de vista dos sujeitos envolvidos em atos de corrupção (os ex-ASP´s), e às falas dos agentes de segurança penitenciária em exercício da função. Utilizou-se as representações sociais como eixos teórico e metodológico, para apresentar os elementos explicativos (materiais e simbólicos) que orientam a conduta desta categoria profissional sobre a corrupção, e a relação desta prática com a violência intramuros. Autores como Pierre Bourdieu, Michel Wieviorka, Alves-Mazzoti, Denise Jodelet e Campos Coelho contribuíram para a discussão proposta.

scholarly journals THE STATE IN THE SYSTEM OF PROTECTING NATIONAL INTERESTS

2021 ◽  
Author(s):  
Vladimir Shedyakov ◽  
Keyword(s):  
Transition Period ◽  
The State ◽  
Economic Life ◽  
Corporate Sector ◽  
National Interests ◽  
Private Partnership ◽  
The Social ◽  
Multilateral System ◽  
The Media ◽  
The One

Optimizing transformations during the transition period requires the use of the entire multilateral system of mechanisms to protect national interests. The state occupies an essential place, in particular, the establishment of forms of public-private partnership in coordinating diverse initiatives and creative searches. At the same time, on the one hand, the independence and security of development force them to predominantly rely on their own forces. On the other hand, the refusal to unify the social structure (in particular, statehood) makes it easier to increase efficiency, flexibility and adaptability while maintaining loyalty to national foundations and traditions. The two most noticeable trends in the transformation of the state structure are the strengthening of totalitarian-corporate characteristics or features of democracy. Accordingly, the depersonalization of responsibility – or its embodiment in specific leaders is realizing. At the same time, as you know, selection and promotion in the corporate sector has nothing to do with democracy. And the processes of pathologizing political and economic life may imply a departure from general, direct, secret and equal elections to senior government positions, and include broad manipulative capabilities of the media sphere.

Healing the Civic Body: Darren O’Donnell’s Social Acupuncture

2017 ◽  
Author(s):  
Adam Wray
Keyword(s):  
Public Space ◽  
Power Dynamics ◽  
Diving Reflex ◽  
Social Sphere ◽  
Political Perspective ◽  
The Social ◽  
The Media ◽  
To Come ◽  
Artistic Director ◽  
The Relationship

Darren O’Donnell (b. 1965) is a writer, director, actor, playwright, and designer, and the artistic director of the highly decorated Mammalian Diving Reflex. My study is focused on his work in social acupuncture, outlined in his Social Acupuncture: A guide to suicide, performance, and utopia (2006). Social acupuncture is a style of theatre/performance art that “blurs the line between art and life,”impelling people to come together in unusual ways and tap into the power of the social sphere. With social acupuncture, O’Donnell and Mammalian Diving Reflex are striving to create an aesthetic of civic engagement: an avenue through which social edifices like public space, schools, and the media can be used as the armature for the mounting of work that “takes modest glances at simple power dynamics and, for a moment, provides a glimpse of other possibilities.” Mammalian Diving Reflex began their exploration of the form in the summer of 2003 with The Talking Creature, and since then have devised and performed almost two‐ dozen similar “needles” worldwide.Social acupuncture warrants examination not only from a socio‐ political perspective, but through a theatrical lens, as well. It probes the relationship between audience and performer, raises questions about theatre’s ability to keep up with other media in the digital age, and offers tremendous insight into the potential for positive, fruitful intersections between art and civil society.  My project will include theoretical examination of O’Donnell’s work, as well as practical exploration of the form’s potential.

The Role of Locally Produced and Digitally Animated Cartoons in the Process of Acquisition of Social Values

2019 ◽  
pp. 195-208
Author(s):  
Pınar Özgökbel Bilis ◽  
Ali Emre Bilis
Keyword(s):  
Qualitative Analysis ◽  
Social Values ◽  
Moral Values ◽  
Analysis Method ◽  
Television Channel ◽  
The Social ◽  
The Media ◽  
The Relationship

Television channels for children contain many cartoons and programs. These productions reach the viewers via both the television and the channel's official website. TRT Çocuk, broadcasting for children as a government television channel, presents many locally produced animated cartoons to the viewers. A product of the modern and digital technology, these locally produced cartoons carry importance in terms of transfer of social values. This study focuses on locally produced animation cartoons that have an important potential especially in the transfer of national and moral values. Determination of values conveyed via cartoons that bear importance in the transformation of television into an educational tool allows the media and child relationships to become visible. This work aims to examine the relationship between media and values by defining the concept of “value.” After creating a corporate frame, the study brings to light the social values conveyed in locally produced cartoons aired on TRT Çocuk television channel via qualitative analysis method.

scholarly journals Reflecting in/on field theory in practice

Tempo Social ◽  
2018 ◽  
Vol 30 (2) ◽  
pp. 195-217
Author(s):  
Michael Grenfell
Keyword(s):  
Field Theory ◽  
Pierre Bourdieu ◽  
Theory Of Practice ◽  
Social Theorist ◽  
The Social ◽  
Key Concepts ◽  
Subject And Object ◽  
The Relationship ◽  
Object Reference

The article discuses the dimension of reflexivity within the work of the social theorist Pierre Bourdieu. It alludes to the provenance of Bourdieu’s theory of practice and the epistemology, which underpins it. Language is a key element in reflexivity, the article therefore outline’s Bourdieu approach to language and the significance it holds in the development of his key concepts, as well as the relationship between subject and object. Reference is made to the works of Habermas, Heidegger, Merleau-Ponty and others to offer a ground base in just what Bourdieusian reflexivity is and how it operates in practice. Phases and stages in methodology are referred to as well as how reflexivity should operate within them. Finally, the significance of the discussion is underlined with reference to consequent outcomes.

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