PENGARUH KEBUDAYAAN ASING DALAM PEMBENTUKAN RAGAM HIAS PELAMINAN NAREH PARIAMAN

CORAK ◽  
2013 ◽  
Vol 1 (2) ◽  
Author(s):  
Nofi Rahmanita

The Handicraft of embroidery “palaminan” in Nareh Pariaman is an old culture product which is used for social purposes. As the time goes, now, the “palaminan” is not only used by the king or noblesse. Right now, it has been used in mostly wedding parties of Minangkabau tradition. It is used as the seat of the bride groom and bride who are called king and queen for a day. Regarding this theme, when we see the several various of palaminan, it looks like been influenced by the Chinese and Hindi/Gujarat Custom. Such as phoenix 9(bird) and lion decorated at the “palaminan”, or for the Gujarat custom, there are embroidery with mirrors that decorate the palaminan. The mirror embroidered for the people of Nareh Pariaman has the meaning “suluah bendang” in the village. The art of embroidery palaminan Nareh Pariaman has many structures which are connected to each other. They can not be separated in each use. The structures are decorated by the many kinds of Minangkabau decoration. Most of the decorating comes from application of the Minangkabau’sphilosophy known as “alam takambang Jadi Guru”. The philosophy has symbolic meaning that contains some lessons about managing humans life, especially for people of Nareh Pariaman.Keywords: beyond culture, motif, pelaminan

2021 ◽  
Vol 6 (3) ◽  
pp. 217-221
Author(s):  
Indah Tri Handayani ◽  
Bahrianoor Bahrianoor

The village of Mentaren II is productive as the center of the snack processing industry. The majority of the people use agricultural land as a livelihood to make various snacks. The management of small industries in this village has been going on for a long time; business actors have their own materials and equipment in their processing practices. Pukades is one of the leading village programs in the direction of development in the village. With this superior village product, it is hoped that it can boost job opportunities in the countryside. So that systematically, it can increase purchasing power and reduce the level of poverty in the village. The sales prospect is quite developed, as evidenced by the many results of their complaining that they are traded in suburban stalls along the Kalimantan road, even directly with buyers. However, this industry's development has faced obstacles since the Covid-19 epidemic, which requires the public not to gather together. This has an impact, especially on business actors who have been relying on conventional marketing systems. At this stage, the community service team visits the village office and meets the village head and village officials, discussing village institutions' activeness, both BUMDes, and Posyantek, in the village. The service team immediately went into the field by visiting several houses that had businesses and conducting brief interviews with the procession of managing activities and various obstacles.


CORAK ◽  
2012 ◽  
Vol 1 (2) ◽  
Author(s):  
Nofi Rahmanita
Keyword(s):  

The Handicraft of embroidery “palaminan” in Nareh Pariaman is an old culture productwhich is used for social purposes. As the time goes, now, the “palaminan” is not only used by the kingor noblesse. Right now, it has been used in mostly wedding parties of Minangkabau tradition. It isused as the seat of the bride groom and bride who are called king and queen for a day. Regarding thistheme, when we see the several various of palaminan, it looks like been influenced by the Chinese andHindi/Gujarat Custom. Such as phoenix 9(bird) and lion decorated at the “palaminan”, or for theGujarat custom, there are embroidery with mirrors that decorate the palaminan. The mirrorembroidered for the people of Nareh Pariaman has the meaning “suluah bendang” in the village.The art of embroidery palaminan Nareh Pariaman has many structures which are connectedto each other. They can not be separated in each use. The structures are decorated by the many kindsof Minangkabau decoration. Most of the decorating comes from application of the Minangkabau’sphilosophy known as “alam takambang Jadi Guru”. The philosophy has symbolic meaning thatcontains some lessons about managing humans life, especially for people of Nareh Pariaman. Keywords: beyond culture, motif, pelaminan


2020 ◽  
Vol 8 (3) ◽  
Author(s):  
Asmeliati Asmeliati ◽  
M Idham ◽  
Iskandar A M

Tembawang is a land management carried out by the Dayak communities in West Kalimantan. One of the many in West Kalimantan is Tembawang Payut in Malo Jelayan Village, Teriak District, Bengkayang Regency. Most of the societies of Malo Jelayan Village use Tembawang to fulfill their daily needs by taking various types of results from the Tembawang such as fruits, vegetables, bamboo and so forth. This research examines the community's efforts in sustaining Tembawang in Malo Jelayan Village, Teriak District, Bengkayang Regency. The study was conducted for four weeks in the field. The technique used is a survey method with interview techniques and direct observation in the field. The sample was taken using a purposive sampling technique. Respondent participated comprised 30 people, including 17 men and 13 women. Data were analyzed using a qualitative descriptive approach. The results showed the community's efforts in preserving Tembawang in Malo Jelayan Village such as weeding by cleaning around Tembawang, works carried out in a traditional method (traditional ceremonies), replanting dead trees, as well as making an agreement between the people and the Village administrator to issue a permission for the outside community who wish to enter the Tembawang area.Keywords: Community, efforts, Malo Jelayan Village, Preservation, Tembawang.


2019 ◽  
Vol 7 (12) ◽  
pp. 13
Author(s):  
Savita Kumari

Paraja is a marvelous historiography of the tribal community known as Paraja and the people living in the deep forest area surrounded by river and ponds. It narrates the atrocities laid on the family of a tribal person by the money lender and the forest guard and exploitation of poverty-ridden Sukru Jani. Though he is illiterate he stands like a pillar against the social power systems which marginalize the people living in the backward region following the rites and ritual inherited from the tradition. The government agencies and the village landlords exploit the tribal people who surrender to their cruel plans due to the lack of knowledge and ignorance. However it is shown through Sukru Jani, the protagonist, who is a representative of the many symbolic tribal people, that though poor and illiterate, they are sensible and wise to measure the ills done by the high caste people and when the time asks for, they can take drastic action against the person responsible for their misery and ruin.


2020 ◽  
Vol 2 (1) ◽  
pp. 19-29
Author(s):  
Yosi Dwi Zulniati ◽  
Indrayuda Indrayuda

This research aims to reveal, explain and analyze about: the symbolic meaning of the motion of Dagong dance, and the reason why the people still maintain the dance of Dagong tradition to date. This study uses a qualitative approach with a descriptive method. Data collection is done by observation, documentation and library study. Based on the research findings shows that (1) the symbolic meaning in the Dagong dance can be seen from each of the movements that have meaning and intent in it in the village of Bantan Tengah Sub-district of Bengkalis. Can be reviewed from the historical aspects of Dagong dance There is no change of movement from the past to the present, this dance is already empty because of the absence of dancers anymore. This dance is commonly performed by the indigenous peoples who were married and the event of seventeen Augustusan in the village to enliven. Then from the customary aspect of the existence of Dagong dance makes one that must be done if there is a ceremony of indigenous peoples Liong wedding party because this dance in the Sacred tribe think B Agi Indigenous Liong and there is a ritual process. (2) The process of implementation in the Ritual first by Bomo or the chief of the tribe, then when finished the event of new Ritunya dancers and musicians began to perform the dance. (3) The reason that society still maintains because this dance is a hereditary dance that is considered sacred by the indigenous people, although it is now almost extinct because of the absence of dancers anymore. And this dance is also a distinctive characteristic or self-identity, the original public ID of the tribe liong in village Bantan Central District BantanBengkalis District Riau Province


2020 ◽  
Vol 3 (2) ◽  
pp. 117-132
Author(s):  
Betha Rahmasari

This article aims to find out the developmentidea or paradigm through village financial management based on Law Number 6 of 2014 concerning Villages. In this study, the researcher used a normative research methodby examining the village regulations in depth. Primary legal materials are authoritatuve legal materials in the form of laws and regulations. Village dependence is the most obvious violence against village income or financial sources. Various financial assistance from the government has made the village dependent on financial sources from the government. The use of regional development funds is intended to support activities in the management of Regional Development organizations. Therefore, development funds should be managed properly and smoothly, as well as can be used effectively to increase the people economy in the regions. This research shows that the law was made to regulate and support the development of local economic potential as well as the sustainable use of natural resources and the environment, and that the village community has the right to obtain information and monitor the planning and implementation of village development.


2019 ◽  
Vol 4 (1) ◽  
Author(s):  
Ahmad Ubaidillah ◽  
Misbahul Khoir

The objectives of research include; first, to describe what local Islamic working ethos are as the basis for the resilience of songkok, whip and slap handicraft businesses in Serah Panceng Gresik Village. Second, to describe the resilience of the songkok, whip and slap handicraft business in the village of Serah Panceng Gresik. This study is a qualitative-descriptive study with the aim of understanding the phenomena experienced by the subject of research including behavior, perception, motivation, and action holistically by utilizing various scientific methods. Data collection methods include; Observation, In-depth Interview or Focus Group Discussion, Documentation. Data analysis techniques include: processing and preparing data for analysis, reading the entire data, analyzing in more detail by coding data, considering detailed instructions that can help the coding process, giving descriptions that will be presented in the report, interpreting and interpreting data. The results showed that in Serah Village local Islamic working ethos were preserved by the community, such as alms giving, reading dziba', reading tahlil, attending haul akbar, and reading sholawat together every Friday. Although in the tradition it does not involve songkok, whip, and slap directly, there is a good impact to support the resilience of songkok, but not whip, and slap production. Religious rituals by praying together asking Allah to facilitate and carry out business in production songkok, whip, and slap are an expression of gratitude for what God gave to the people of Serah Village. All economic activity done by Serah community is meant to get God’s willing. Keywords: Islamic Working Ethos, Handicraft Businesses


2020 ◽  
Author(s):  
Askar Nur

This research explains the mysticism of mappadendang tradition in Allamungeng Patue Village, Bone Regency, which is believed by the local community as a form of shielding from danger and can resist reinforcemen such as Covid-19 outbreak. This research is a descriptive study using qualitative method and an ethnographic approach. This research was carried out with the aim of identifying the mystical space in mappadendang tradition which was held in Allamungeng Patue Village. After conducting the tracing process, the researcher found that mappadendang tradition which was held in Allamungeng Patue Village, Bone Regency in July 2020 was not a tradition of harvest celebration as generally in several villages in Bone Regency, especially Bugis tribe, but mappadendang was held as a form of shielding from all distress including Covid-19 outbreak. This trust was obtained after one of the immigrants who now resides in the village dreamed of meeting an invisible figure (tau panrita) who ordered a party to be held that would bring all the village people because remembering that in the village during Covid-19 happened to almost all the existing areas in Indonesia, the people of Allamungeng Patue Village were spared from the outbreak. Spontaneously, the people of Allamungeng Patue Village worked together to immediately carry out the mappadendang tradition as a form of interpretation of the message carried by the figure.


2010 ◽  
Vol 27 (2) ◽  
pp. 1-27
Author(s):  
Malik Mufti

This articles argues (a) that democratic discourse has already become hegemonic among mainstream Islamist movements in Turkey and the Arab world; (b) that while this development originated in tactical calculations, it constitutes a consequential transformation in Islamist political thought; and (c) that this transformation, in turn, raises critical questions about the interaction of religion and democracy with which contemporary Islamists have not yet grappled adequately but which were anticipated by medieval philosophers such as al-Farabi and Ibn Rushd. The argument is laid out through an analysis (based on textual sources and interviews) of key decisions on electoral participation made by Turkey’s AK Party and the Muslim Brotherhoods in Egypt, Jordan, and Syria. Particular attention is focused on these movements’ gradual embrace of three key democratic principles: pluralism, the people as the source of political authority, and the legitimacy of such procedural mechanisms as multiple parties and regular elections.


2020 ◽  
Vol 4 (4) ◽  
Author(s):  
Nurwan Nurwan ◽  
Ali Hadara ◽  
La Batia

ABSTRAK: Inti pokok masalah dalam penelitian ini meliputi latar belakang gerakan sosial masyarakat Kampung Labaluba Desa Kontumere Kecamatan Kabawo Kabupaten Muna, Faktor-faktor yang mendorong gerakan sosial masyarakat Kampung Labaluba Desa Kontumere Kecamatan Kabawo Kabupaten Muna, proses gerakan sosial masyarakat Kampung Labaluba Desa Kontumere Kecamatan Kabawo Kabupaten Muna dan akibat gerakan sosial masyarakat Labaluba Desa Kontumere Kecamatan Kabawo Kabupaten Muna? Latar belakang gerakan sosial masyarakat Kampung Labaluba yaitu keadaan kampungnya yang hanya terdiri dari beberapa kepala keluarga tiap kampung dan jarak yang jauh masing-masing kampung membuat keadaan masyarakatnya sulit untuk berkomnikasi dan tiap kampung hanya terdiri dari lima sampai dengan tujuh kepala keluarga saja. Kampung ini letaknya paling timur pulau Muna terbentang dari ujung kota Raha sekarang sampai kampung Wakuru yang saat ini. Kondisi ini juga yang menjadi salah satu faktor penyebab kampung ini kurang berkembang baik dibidang ekonomi, sosial politik, pendidikan maupun di bidang kebudayaan. Keadaan ini diperparah lagi dengan sifat dan karakter penduduknya yang masih sangat primitif. Faktor yang mendorong adanya gerakan sosial masyarakat Kampung Labaluba Desa Kontumere Kecamatan Kabawo Kabupaten Muna adalah adanya ketidaksesuaian antara keinginan pemerintah setempat dan masyarakat yang mendiami Kampung Labaluba pada waktu itu. Sedangkan proses gerakan sosial masyarakat Kampung Labaluba Desa Kontumere Kecamatan Kabawo Kabupaten Muna bermula ketika pemerintah seolah memaksakan kehendaknya kepada rakyat yang menyebabkan rakyat tidak setuju dengan kebijakan tersebut. Akibat yang ditimbulkan dari adanya gerakan sosial masyarakat Kampung Labaluba Desa Kontumere Kecamatan Kabawo Kabupaten Muna terbagi dua yaitu akibat positif dan akibat negatif.Kata Kunci: Gerakan Sosial, Factor dan Dampaknya ABSTRACT: The main issues in this study include the background of the social movement of Labaluba Village, Kontumere Village, Kabawo Sub-District, Muna District, Factors that encourage social movements of Labaluba Kampung Sub-village, Kontumere Village, Kabawo Sub-District, Muna District, the social movement process of Labaluba Village, Kontumere Village, Kabawo Sub-District Muna Regency and due to Labaluba community social movements Kontumere Village Kabawo District Muna Regency? The background of the Labaluba Kampung community social movement is that the condition of the village consists of only a few heads of households per village and the distance of each village makes it difficult for the community to communicate and each village only consists of five to seven households. This village is located east of the island of Muna stretching from the edge of the city of Raha now to the current village of Wakuru. This condition is also one of the factors causing the village to be less developed in the economic, social political, educational and cultural fields. This situation is made worse by the very primitive nature and character of the population. The factor that motivated the existence of the social movement of Labaluba Village in Kontumere Village, Kabawo Subdistrict, Muna Regency was the mismatch between the wishes of the local government and the people who inhabited Labaluba Village at that time. While the process of social movements in Labaluba Village, Kontumere Village, Kabawo District, Muna Regency began when the government seemed to impose its will on the people, causing the people to disagree with the policy. The consequences arising from the existence of social movements in Labaluba Village, Kontumere Village, Kabawo District, Muna Regency are divided into two, namely positive and negative effects. Keywords: Social Movements, Factors and their Impacts


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