The Emotional Resonance of the Shofar and the Preacher’s Voice

Qol Tamid ◽  
2018 ◽  
pp. 57-82
Author(s):  
Joel Gereboff
Keyword(s):  
Emotional Resonance

“I can come up with more things when I’m happy, or especially when I’m angry”

2021 ◽  
Author(s):  
Beatrice Venturin
Keyword(s):  
Second Language ◽  
First Language ◽  
Structured Interviews ◽  
English As Second Language ◽  
1.5 Generation ◽  
Language Dominance ◽  
Emotional Resonance ◽  
Expression Of Emotions

Abstract This study examines language preferences to express anger and happiness among 15 Russian Australians belonging to the 1.5 generation, who acquired Russian as first language (L1) and English as second language (L2), after migration during childhood. While most research into these topics has focused on L1-dominant bilinguals, this study offers a novel perspective, as 1.5-generation migrants are generally L2-dominant or multidominant (L1+L2-dominant), and possibly L1 attriters. Semi-structured interviews were conducted and underwent qualitative thematic analyses. From the results it emerges that these speakers mostly express emotions in the L2 or both languages, in line with their language dominance, but their choices do not seem to relate to language emotionality, as the L1 maintains the highest emotional resonance for them. While research on multilinguals’ expression of emotions has mainly focused on anger, this study calls attention to the expression of happiness, and points to the importance of L2-dominant and multidominant multilinguals.

scholarly journals Deconstructing Judicial Expressions of Disgust

2019 ◽  
Vol 9 (9(5)) ◽  
pp. 636-658
Author(s):  
Heather Conway ◽  
John Stannard
Keyword(s):  
Emotional Displays ◽  
Moral Disgust ◽  
Emotional Resonance ◽  
Core Disgust

Though much has been written about judicial anger and other emotional displays from the judicial bench, comparatively little attention has been paid to disgust. This particular emotion does not seem to be expressed or reflected by judges as much as other negative sentiments or feelings; “disgust” also has an emotional resonance that we might not associate with things like anger and sadness, and exists in more than one form. Focusing on a sample of cases in which judges have used the term, the article questions what type of disgust is being shown (“core” disgust or “socio-moral” disgust), whether the emotion is experienced or articulated, and what the significance is of using the word “disgust” in the judicial narrative. Si bien mucho se ha escrito sobre la ira judicial y otras manifestaciones de emoción por parte de la judicatura, se ha prestado relativamente poca atención a la repugnancia. Parece que los jueces no suelen expresar o reflejar dicha emoción tan a menudo como otros sentimientos negativos; la “repugnancia” también tiene un eco emocional que, posiblemente, no relacionamos con la ira y la tristeza, y existe en varias formas. Centrándonos en una muestra de casos en los que los jueces han utilizado el término, en el artículo cuestionamos qué tipo de repugnancia se está mostrando (repugnancia “básica” o repugnancia “socio-moral”), si la emoción está siendo experimentada o articulada, y cuál es el significado del uso de la palabra “repugnancia” en la narrativa judicial.

scholarly journals "My Soul Got a Little Bit Cleaner"

2021 ◽  
Vol 5 (CHI PLAY) ◽  
pp. 1-19
Author(s):  
Julia A. Bopp ◽  
Jan B. Vornhagen ◽  
Elisa D. Mekler
Keyword(s):  
Emotional Responses ◽  
Artistic Expression ◽  
Study Materials ◽  
Transformative Potential ◽  
Art Forms ◽  
The Status ◽  
Player Experience ◽  
Emotional Resonance

Videogames receive increasing acclaim as a medium capable of artistic expression, emotional resonance, and even transformative potential. Yet while discussions concerning the status of games as art have a long history in games research, little is known about the player experience (PX) of games as art, their emotional characteristics, and what impact they may have on players. Drawing from Empirical Aesthetics, we surveyed 174 people about whether they had an art experience with videogames and what emotions they experienced. Our findings showcase the prominence of epistemic emotions for videogame art experiences, beyond the negative and mixed emotional responses previously examined, as well as the range of personal impacts such experiences may have. These findings are consistent with art experience phenomena characteristic of other art forms. Moreover, we discuss how our study relates to prior research on emotions and reflection in PX, the importance of games' representational qualities in art experiences, and identify lines of further inquiry. All data, study materials, and analyses are available at https://osf.io/ryvt6/.

scholarly journals A bridge to progress further afield: The promise of a common framework on attentional capture

2021 ◽  
Author(s):  
Steven Most ◽  
Kim Curby
Keyword(s):  
Attentional Capture ◽  
Attentional Biases ◽  
Perceptual Expertise ◽  
Physical Factors ◽  
Attentional Allocation ◽  
Clinical Disorders ◽  
Common Framework ◽  
Emotional Resonance ◽  
Advance Theory

Although physical salience looms large in the attentional capture literature, stimuli can also capture attention via salience deriving from non-physical factors. Such psychological salience can stem, for example, from the emotional resonance of stimuli or their relevance to a person’s expertise. We consider how insights from a recently proposed framework for attentional capture can be used to advance theory and drive research on the role of emotion-driven attentional biases in clinical disorders and on how attentional allocation changes with the development of perceptual expertise. In return, we wonder how their common framework can be enriched through considerations of psychological salience.

Clinician's Emotional Resonance Questionnaire

2011 ◽  
Author(s):  
Laura Fonzi ◽  
Mauro Pallagrosi ◽  
Angelo Picardi ◽  
Martina D'Orazio ◽  
Maria Paola Zerella ◽  
...  
Keyword(s):  
Emotional Resonance

‘I’ll hurt you if you stay.’ The Fly scene-by-scene: Act Two

The Fly ◽  
2018 ◽  
pp. 87-96
Author(s):  
Emma Westwood
Keyword(s):  
Science Fiction ◽  
Old Age ◽  
Cellular Level ◽  
Human Beings ◽  
The Real ◽  
Natural Processes ◽  
Science Fiction Films ◽  
Emotional Resonance

This chapter describes the scenes of Act Two of David Cronenberg's The Fly (1986). In Act Two, Seth Brundle makes the transition from amiable and reclusive scientist to predatory and misogynistic Brundlefly — a seamless character transition that creeps up on the audience through Cronenberg's screenplay and direction, and Jeff Goldblum's subtle yet defined performance. As the Brundlefly persona comes to the fore, the audience still sympathises with the overtly animalistic, egregious person he has become. They know this is not the real Seth; it is the corruption of Seth at a cellular level. Cronenberg's patented brand of body horror is coming into its own right here with Seth finally admitting to himself that something is wrong. He questions whether he is dying, and if this is what dying is like, which directly references Cronenberg's own explanation of the film: that it is an allegory for our mortality as human beings and the natural processes that lead to old age and death. It is by way of the computer that he discovers his DNA has fused with a fly — the vital ‘reveal’ — in a cinematic moment common to many great science-fiction films where pivotal information of emotional resonance is not communicated between human beings but between human and machine.

scholarly journals ‘A Baby Is a Baby’: The Asha Protests and the Sociology of Affective Post-Nationalism

Sociology ◽  
2020 ◽  
pp. 003803852090927
Author(s):  
Katherine Tonkiss
Keyword(s):  
National Identity ◽  
Dual Function ◽  
National Community ◽  
Micro Level ◽  
Emotional Resonance ◽  
The Relationship ◽  
National Solidarity

Theories of post-nationalism are concerned with deconstructing the relationship between citizenship and national identity. While literature in this field has tended towards macro-institutionalist analysis, recent research has re-articulated post-nationalism as micro-level practice. This article builds on this development by attending to the ‘affective conditions’ of such micro-political practices. The article draws on research into protests in Brisbane in February 2016 to prevent ‘Asha’, a child seeking asylum, from being returned to offshore detention. The analysis of this case demonstrates that affect performs a dual function in the practice of post-nationalism, to catalyse action in solidarity with the noncitizen informed primarily by the emotional resonance of a particular rendering of vulnerability, and in re-imagined solidarity with the co-citizen around a post-national community of feeling. Informed by this analysis, the article highlights the complex and fragile nature of a post-national solidarity dependent on intersecting, overlapping and at times problematic, affective conditions.

scholarly journals Food-Induced Emotional Resonance Improves Emotion Recognition

PLoS ONE ◽  
2016 ◽  
Vol 11 (12) ◽  
pp. e0167462 ◽  
Author(s):  
Elisa Pandolfi ◽  
Riccardo Sacripante ◽  
Flavia Cardini
Keyword(s):  
Emotion Recognition ◽  
Emotional Resonance
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