Clarinet Quintet; For Clarinet and String Quartet

Notes ◽  
1987 ◽  
Vol 44 (2) ◽  
pp. 365
Author(s):  
Jerome Rosen ◽  
Harrison Birtwistle ◽  
Jules Langert ◽  
Burrill Phillips ◽  
Thomas Read ◽  
...  
Tempo ◽  
2003 ◽  
Vol 57 (225) ◽  
pp. 39-40 ◽  
Author(s):  
Paul Conway

Michael Berkeley's choral and operatic successes have tended to obscure his accomplishments in the field of chamber music, which include a serialist String Trio (1978), two String Quartets and a Clarinet Quintet from the 1980s and the string quartet Torque and Velocity (1997). His latest essay in the genre, Abstract Mirror, for string quintet, was premièred on 11 February 2003 at Bishopsgate Hall by the Chilingirian Quartet, with cellist Stephen Orton. The work was a joint commission by the players and the City Music Society.


Author(s):  
Helen Abbott

When Austrian composer Alban Berg was working on his opera Lulu, he wrote three Baudelaire songs as a Konzertaria entitled Der Wein. Premiered in 1930, Der Wein is a large-scale work for voice and orchestra. Berg uses a German translation by Stefan George, but the published score is in parallel texts, accommodating the French verse line. The chapter also considers a ‘hidden’ Baudelaire setting from Berg’s 1926 Lyric Suite for string quartet. The analysis covers: (a) the context of composition; (b) the connections established between selected poems; (c) the statistical data generated from the adhesion strength tests; and (d) how the data shape an evaluation of Berg’s settings of Baudelaire. Evidence suggests that Berg’s settings of Baudelaire are loosely entangled; the highly prescriptive score affects syntax, semantics, and prosody. Yet, because Der Wein has stood the test of time, the settings are deemed loosely accretive.


1933 ◽  
Vol 74 (1081) ◽  
pp. 264
Author(s):  
Maurice Drake-Brockman
Keyword(s):  

1993 ◽  
Vol 134 (1809) ◽  
pp. 663
Author(s):  
Gavin Thomas ◽  
Arditti Quartet
Keyword(s):  

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