Kyklike Kinesis, for Oboe, Bassoon, Horn, Trumpet, Trombone, Percussion, Piano, String Quartet, Solo Cello and Soprano Solo and SSATBB Chorus

Robert Gronquist; John Taverner; John Madden; Arnold Schoenberg; Jacques-Louis Monod

doi:10.2307/940480

Kyklike Kinesis, for Oboe, Bassoon, Horn, Trumpet, Trombone, Percussion, Piano, String Quartet, Solo Cello and Soprano Solo and SSATBB Chorus

Notes ◽

10.2307/940480 ◽

1981 ◽

Vol 38 (1) ◽

pp. 179

Author(s):

Robert Gronquist ◽

John Taverner ◽

John Madden ◽

Arnold Schoenberg ◽

Jacques-Louis Monod

Keyword(s):

String Quartet

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Schoenberg's Private Program for the String Quartet in D Minor, Op. 7

Journal of Musicology ◽

10.1525/jm.1993.11.3.03a00040 ◽

1993 ◽

Vol 11 (3) ◽

pp. 374-395 ◽

Cited By ~ 1

Author(s):

Mark Benson

Keyword(s):

String Quartet

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Beethoven Facsimiles: British Library Music Facsimiles, III. Ludwig van Beethoven. Violin Sonata in G Major, Op. 30, no. 3 . Ludwig van Beethoven. ; Scolar Press Music Manuscripts in Facsimile, I and II. Beethoven: String Quartet Opus 59 No. 1 (First "Razumovsky" Quartet, in F Major) . Alan Tyson, Ludwig van Beethoven. ; Scolar Press Music Manuscripts in Facsimile, I and II. Beethoven: String Quartet Opus 59 No. 2 (Second "Razumovsky" Quartet, in E Minor) . Ludwig van Beethoven, Alan Tyson.

19th-Century Music ◽

10.1525/ncm.1982.6.1.02a00080 ◽

1982 ◽

Vol 6 (1) ◽

pp. 76-81

Author(s):

Richard Kramer

Keyword(s):

String Quartet ◽

Ludwig Van Beethoven ◽

British Library ◽

Violin Sonata ◽

Music Manuscripts

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The String Quartet in Spain

10.3726/b10981 ◽

2016 ◽

Keyword(s):

String Quartet

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Alban Berg

10.1093/oso/9780198794691.003.0008 ◽

2017 ◽

Author(s):

Helen Abbott

Keyword(s):

Adhesion Strength ◽

String Quartet ◽

Large Scale ◽

Statistical Data ◽

Alban Berg ◽

German Translation ◽

Stefan George ◽

Strength Tests ◽

Parallel Texts

When Austrian composer Alban Berg was working on his opera Lulu, he wrote three Baudelaire songs as a Konzertaria entitled Der Wein. Premiered in 1930, Der Wein is a large-scale work for voice and orchestra. Berg uses a German translation by Stefan George, but the published score is in parallel texts, accommodating the French verse line. The chapter also considers a ‘hidden’ Baudelaire setting from Berg’s 1926 Lyric Suite for string quartet. The analysis covers: (a) the context of composition; (b) the connections established between selected poems; (c) the statistical data generated from the adhesion strength tests; and (d) how the data shape an evaluation of Berg’s settings of Baudelaire. Evidence suggests that Berg’s settings of Baudelaire are loosely entangled; the highly prescriptive score affects syntax, semantics, and prosody. Yet, because Der Wein has stood the test of time, the settings are deemed loosely accretive.

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