Toward a Theory of Pitch Organization: The Early Music of Chou Wen-Chung

Asian Music ◽  
1993 ◽  
Vol 25 (1/2) ◽  
pp. 177
Author(s):  
Eric Lai
Keyword(s):  
Early Music ◽  
Pitch Organization

Improvising Early Music

2014 ◽  
Author(s):  
Rob C. Wegman ◽  
Johannes Menke ◽  
Peter Schubert
Keyword(s):  
Early Music

The Jewish Population of Tennessee

2018 ◽  
Author(s):  
Laurence Maslon
Keyword(s):  
Twentieth Century ◽  
Popular Music ◽  
Jewish Population ◽  
Music Industry ◽  
Major Power ◽  
Sheet Music ◽  
Early Music ◽  
Music Publishers ◽  
Popular Music Industry

At the beginning of the twentieth century, the first way that the imprimatur of Broadway reached consumers was through the immense distribution of colorful and tuneful sheet music. Early music publishers learned quickly that associating a song with a Broadway show such as the Ziegfeld Follies, Broadway personalities such as Al Jolson and Fanny Brice, or Broadway composers such as Victor Herbert gave that tune a special identity that increased its popularity. In addition, music publishers, such as Max Dreyfus, were major power brokers in the popular music industry, yielding the ability to make a song into a hit, and continued to be influential through the first half of the twentieth century.

Brahms's Choral Compositions and His Library of Early Music

Notes ◽  
1984 ◽  
Vol 41 (2) ◽  
pp. 287
Author(s):  
Jane Vial Jaffe ◽  
Virginia Hancock
Keyword(s):  
Early Music

The economics of early music

Early Music ◽  
1976 ◽  
Vol 4 (4) ◽  
pp. 443-448
Author(s):  
NICHOLAS KENYON
Keyword(s):  
Early Music

Text mining and early music: using Lexomics in research

Early Music ◽  
2015 ◽  
Vol 43 (4) ◽  
pp. 661-665 ◽  
Author(s):  
Karen M. Cook
Keyword(s):  
Text Mining ◽  
Early Music

Early Music Discography: From Plainsong to the Sons of Bach. Trevor Croucher

Speculum ◽  
1984 ◽  
Vol 59 (1) ◽  
pp. 137-138
Author(s):  
J. Richard Haefer
Keyword(s):  
Early Music
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